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Month: May 2015

Vintage Treasures: A Touch of Strange by Theodore Sturgeon

Vintage Treasures: A Touch of Strange by Theodore Sturgeon

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A Touch of Strange 1959-small A Touch of Strange 1965-small A Touch of Strange 1970-small

I’ve really been enjoying this gradual survey I’ve been doing of Theodore Sturgeon’s paperbacks. It hasn’t been a particularly deliberate undertaking… the truth is that, as I come across his books, I’ve been talking about them. This week I stumbled on a copy of the 1965 Berkley edition of A Touch of Strange (above middle), and here we are.

Part of the reason I enjoy them is that I find it fascinating that a writer could have made a decent living in this business selling almost exclusively short stories. Sturgeon did write five novels (six, if you want to count his 1961 Voyage to the Bottom of the Sea novelization), but he’s far more well known for more than two dozen short fiction collections. And it was upon them that he largely built his considerable reputation.

Another reason is that I genuinely find it delightful to catalog the different editions, and note all the variations. A Touch of Strange was reprinted five times, by three different publishers, between 1958 and 1978, before it vanished from bookstores forever. Each of those editions is unique, not just in cover art and design, but also in how it was packaged and presented — and, in some cases, in content as well.

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Black Gate Online Fiction: The Testament of Tall Eagle by John R. Fultz

Black Gate Online Fiction: The Testament of Tall Eagle by John R. Fultz

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The Testament of Tall Eagle-smallBlack Gate is very pleased to offer our readers an exclusive excerpt from The Testament of Tall Eagle by John R. Fultz, the new fantasy novel from the author of the Books of the Shaper trilogy.

A second mountain sat atop the first. Yet the second mountain was made of glowing gold, beaded with shimmering crystals set in weird designs. The second mountain had been carved into slim, pointed spires like tremendous teepees of gold. Giant domes of sparkling stone gleamed brighter than Mother Moon at her fullest… All these things thrilled me and stole my heaving breath, but it was the eagles that filled my heart with joy.

Between the golden spires a flock of eagles soared. They skirted the surrounding peaks, and sometimes I heard their shrill songs tearing through the sky. Here are the Lords of All Eagles, I thought. The Eagle Spirit himself must live here. These are his people…

I had no idea how huge these eagles were until one of them descended. The light of the golden mountain made it a massive shadow winging toward me. It did not cry out, but I felt the great beating of its wings. They made a wind that nearly knocked me backwards, where I would have fallen to my death. But I knew no fear in the face of that great bird, for it served the Eagle Spirit, and had it not called me here?

John’s Books of the Shaper trilogy includes Seven Princes,Seven Kings, and Seven Sorcerers (Orbit Books). His short story collection, The Revelations of Zang, is a series of interrelated tales born in the pages of Weird Tales and Black Gate. His website is www.johnrfultz.com.

The complete catalog of Black Gate Online Fiction, including stories by Jon Sprunk, Tara Cardinal and Alex Bledsoe, E.E. Knight, Vaughn Heppner,  Howard Andrew Jones, David Evan Harris, John C. Hocking, Michael Shea, Aaron Bradford Starr, Martha Wells, Nina Kiriki Hoffman, C.S.E. Cooney, and many others, is here.

The Testament of Tall Eagle will be published by Ragnarok Publications on June 8, 2015. It is 400 pages and available in digital format for $4.99. Learn more at Ragnarok Publications.

Read the complete first chapter of The Testament of Tall Eagle here.

Future Treasures: Knight’s Shadow by Sebastien de Castell

Future Treasures: Knight’s Shadow by Sebastien de Castell

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Knight's Shadow-smallThe highly-anticipated second book in Sebastien de Castell’s The Greatcoats series is due next month, and I’m really looking forward to it. Sarah Avery’s rave review of the first volume, Traitor’s Blade, should help you understand why.

Not only did I love this book, I trusted it. Somehow, de Castell managed in his debut novel to win my trust so completely and quickly that he could tell nearly half of his story in flashback, often for a chapter at a stretch, and never once did he throw me out of the waking dream of fiction to wonder whether he could pull it off…

As the story opens, our three Greatcoat heroes need to get out of town fast, so they take a job guarding a mysterious lady’s caravan, hoping her freedom to travel will protect them. And it does, sort of, until she leads them to Rijou, the most lawless, most ruthless, most corrupt city in all of Tristia.

It’s not difficult to imagine Traitor’s Blade as a western about circuit-riding judges in the boomtown days of Deadwood. There is something of the noir detective tale, too, about the bloody case Falcio vows to solve in Rijou. The flashbacks to the fall of King Paelis are intimately tragic, genuinely moving, and crucial to solving the puzzle that forms the novel’s overarching plot.

Knight’s Shadow will be published on June 2 by Quercus and Jo Fletcher Books. It is 580 pages, priced at $26.99 in hardcover, and $12.99 for the digital edition.

How To Write a Good Fight Scene

How To Write a Good Fight Scene

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Marshall Versus the Assassins-small
…my fight scenes trigger your mirror neurons (apparently).

You can’t. Not a generically good fight scene. Just like a good love scene, “good” for a fight scene depends on the literary purpose and the audience.

Let’s assume, though, that you are writing some kind of action adventure yarn — I’m qualified to advise on this because this is what I write professionally, and my fight scenes trigger your mirror neurons (apparently) — here’s what I’d tell you over a beer.

Have a Model of How the Relevant Martial Art Works

By “model” I mean that you can describe to yourself how this kind of fighting works. E.g. is it all “cut parry cut”, or about crossing blades then working on the blade, or wrestling or what?

It helps if your model is based on reality or at least experimental reconstructions — if you’re using any European weapons, check out Youtube using the search term “HEMA”. You can of course make everything up, however more and more people are becoming HEMA-literate, so there is a good chance your book will date horribly.

The model should account for all the equipment used by your combatants, e.g. What is a shield for? What weapons break the armour? This ties the combat scene into the rest of the world story and brings to life the military culture and technology. For example, if combat requires a shield, then losing a shield can drive part of the plot. Oh, and, whatever you do, don’t treat armour as set dressing or costume. If it doesn’t stop weapons, nobody would wear it.

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Ancient Worlds: Caenis, Caeneus, and the Aftermath of Rape

Ancient Worlds: Caenis, Caeneus, and the Aftermath of Rape

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Poseidon_Penteskouphia_Louvre_CA452Sometimes a planned topic and the news intersect in unexpected ways. I had planned for some time to cover this particular episode in Ovid, but this week’s decision by The Mary Sue to discontinue active promotion of Game of Thrones gives it a relevance that we in the Classics don’t usually get to experience. I’ll link to The Mary Sue’s explanation of their decision here, but the short version is that they were no longer interested in promoting a show that made such regular use of rape as a storytelling device. A heated debate has ensued in several quarters, over The Mary Sue’s decision, the show in question, and over the portrayal of sexual assault in fiction.

This is by no means a new debate. Rape has been, sadly, part of human experience for as long as we have had storytelling. Its presence in the earliest works we have in the canon attests this fact. What has varied is how it is portrayed, both in terms of the act itself and its lasting effect on both its victims and society at large. The myth of the Rape of Persephone is used to explain the seasons; the Roman Historian Livy tells us that the expulsion of the kings of Rome was triggered by the devastating aftermath of the rape of Lucretia.

But no artist spent as much time investigating the lingering effects of rape like Ovid. The Metamorphoses is filled with stories of rape and familial sexual abuse, and the author doesn’t shy away from any of it. But that doesn’t mean he lingers over it, either: he depictions of assaults are vivid but never graphic. And unlike many modern depictions he doesn’t spend much time on the assaults themselves. What Ovid chooses to focus on is the long term ramifications of sexual violence, the way it shapes lives, families, destinies, and the landscape itself (remember Apollo and the Laurel tree?).

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Fletcher Vredenburgh’s Simakpalooza!

Fletcher Vredenburgh’s Simakpalooza!

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SimakpaloozaI don’t have time to read many other blogs. I barely have time to read this one, what with all the time I spend reading, and writing, and telling my wife how awesome Mad Max: Fury Road is. Seriously honey, sooo awesome. I wish I got to ride  in the desert, and take a giant chain elevator to work every day. Is there a word for when you envy the baddass folks who live in an apocalyptic dystopia? There should be such a word. And I bet that word would be awesome.

Anyway, I appreciate those moments when I get to read blogs written by other folks. Especially when they’re folks like Fletcher Vredenburgh, and especially especially when they look at one of my favorite writers, as Fletcher did this week with his Simakpalooza! (Is there a word for when you envy a writer who makes up a word? There should be such a word.) Here’s a sample:

I’m not sure what the first story I read by Clifford Simak was, but the first I remember is “Desertion.” It’s part of the book he’s probably most famous for, City. The novel is a mournful farewell to humanity and Earth and stars robot butlers and talking dogs… There’s a tremendous sense of wonder in the tale as the nature of what’s going on is revealed. I think of it as the story that showed me the true potential of sci-fi…

Sadly, Clifford Simak seems to have slipped into the ranks of the unjustly forgotten sci-fi writers of the past. Growing up, he was just part of the general fabric of sci-fi [for me], and most fellow sci-fi fans I knew had read at least something by him…

It’s been a long time since I’ve read anything by Simak. John O’Neill’s post about The Goblin Reservation and the comments reminded me how much I loved his work. There’s a warmth and comfortableness to his stories that I love.

Fletcher created an impressive tapestry of images from 17 Simak paperbacks to accompany his article (a tiny snippet is at right). Read the whole thing here.

Apex Magazine #72 Now on Sale

Apex Magazine #72 Now on Sale

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Apex Magazine Issue 72-smallI’m finally getting caught up on Apex Magazine. As I said last month, it’s tough been an obsessive magazine fan; there’s never enough hours in the day.

In his editorial, Jason Sizemore has a few gracious words for his competition, the magazines on the Hugo ballot this year for Best Semiprozine:

My first order of business is to congratulate this year’s Hugo Award nominees in the category of Best Semiprozine: Abyss & Apex, Andromeda Spaceways In-Flight Magazine, Beneath Ceaseless Skies, Lightspeed Magazine, and Strange Horizons. While other Hugo Award categories have been unfortunate victims of slate block voting, Best Semiprozine is one that has maintained its dignity. All five publications are worthy nominees and I wish them the best of luck at Sasquan.

He’s certainly right that it’s a solid slate of nominees. As editor-in-chief of Apex, Jason has been nominated for the Hugo three times himself, in 2012, 2013 and 2014.

The May issue of Apex contains original fiction by Sarah Pinsker, David Bowles, JY Yang, and Suzette Mayr — plus poetry, an interview with Sarah Pinsker, an article on “Eye-Based Paternity Testing and Other Human Genetics Myths” by Dan Koboldt, short fiction reviews, two novel excerpts (The Buried Life by Carrie Patel, and The Grace of Kings by Ken Liu), a podcast, and more.

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The Omnibus Volumes of Jack Vance, Part III: The Demon Princes

The Omnibus Volumes of Jack Vance, Part III: The Demon Princes

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The Demon Princes Volume 1-small The Demon Princes Volume 2-small

The first novel in Jack Vance’s Demon Princes saga, The Star King, was published as a two-part serial in Galaxy Magazine, in December 1963 and February 1964.

It took Vance eighteen years to complete the series — the fifth and final novel, The Book of Dreams, appeared in 1981 — and during that time he wrote all four novels in of Planet of Adventure, the Durdane trilogy, one novel in The Dying Earth, three books in his Alastor Cluster series, and at least four standalone novels. This is not a man who liked to focus on one thing at a time.

The Demon Princes is essentially a revenge fantasy. The central character is Kirth Gersen, whose entire village was enslaved while he was a child by five notorious criminals, collectively known as the Demon Princes. Each novel deals with an elaborate revenge scheme masterminded by Gersen on one of the five Princes, each of whom has achieved significant power — and embodies at least one major vice.

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New Treasures: Jack Cloudie by Stephen Hunt

New Treasures: Jack Cloudie by Stephen Hunt

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Jack Cloudie-smallI think perhaps the most unusual thing about Stephen Hunt is that he claims to have virtually invented steampunk, with the publication of the first novel in his Jackelian series, The Court of the Air, in 2009. Here’s a snippet from his Amazon bio:

Hunt is arguably best known for his best-selling Jackelian series of novels… the success of the first of which, The Court of the Air, gave rise to a genre called steampunk.

The Jackelian world is a fantasy adventure set in a far-future Earth where the passage of time has erased almost all memory of our current world from history. Electricity is now unreliable and classed as a dark power, with many of the nations of the world existing at a Victorian level of development and relying on steam-power, mechanical nanotechnology and biotechnology to survive and prosper.

It is an age of strange creatures, flashing blades, steammen servants, airship battles and high adventure.

That’s a pretty gutsy claim, especially since the term steampunk was coined by K. W. Jeter in a letter to Locus in 1987, and there have been steampunk bestsellers as far back as William Gibson and Bruce Sterling’s The Difference Engine in 1990 (and the seminal steampunk RPG Space 1889 came out in 1988).

Nonetheless, Hunt has been one of the more popular practitioners of the form. His Jackelian series now totals six novels.

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Medieval Arms and Armor at the Wallace Collection, London

Medieval Arms and Armor at the Wallace Collection, London

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South German armor, c. 1480. By this period, the finest armor was being made with low-to-medium carbon steel, which was lighter and more comfortable than earlier steel suits of armor.
South German armor, c. 1480. By this period, the finest armor was being made with low-to-medium carbon steel, which was lighter and more comfortable than earlier steel suits of armor. The barding (horse armor) is extremely rare. Only three complete suits from before 1500 are known to exist and this is perhaps the best preserved of the three. The barding and knight’s armor was quite light. This horse would have carried about 140 kilos (308 lbs), which included the weight of the rider, his armor, and the horse’s armor. This is not an unreasonable load for a warhorse.

The Wallace Collection in London is often overlooked by international visitors in favor of the more famous British Museum and National Gallery, but if you’re looking for a world-class collection of medieval European and Asian arms and armor, this is the place to go.

The Wallace Collection is a national museum that displays works of art collected in the 18th and 19th centuries by the first four Marquesses of Hertford and Sir Richard Wallace, the son of the 4th Marquess. It was bequeathed to the British nation by Sir Richard’s widow, Lady Wallace, in 1897. Located in Hertford House and free to the public, it gives you an insight into a sumptuous home of a leading art collector of that era. The collection is especially strong in paintings, sculpture, ceramics, and antique furniture. The arms and armor section has some 2,500 objects dating from the 10th to the 19th century and is one of the best collections in Europe.

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