Los Caballeros Templares

Los Caballeros Templares

Bld Tower itselfThere’s something about the history – and the legends – of the Templar Knights that catches at the imaginations of historical and fantasy writers alike. In The Faerie Queene, Edmund Spenser had his Red Cross Knight, Michael Jecks, write the Knights Templar Books, a mystery series, and, just to give one example from our genre, there’s the fantasy anthology, Tales of the Knights Templar.

Everyone knows something about the Templars, but not everyone knows about their presence in Spain.

The history of the Knights of the Temple of Jerusalem begins around 1119, when nine Christian knights, settled in the Holy Land after the first Crusade, took vows of chastity, poverty, and obedience, like any other monks. But unlike ordinary monks, they also vowed to protect the pilgrims who now flocked to visit the area.

Sort of like holy policemen.

Their approach was a popular one, their numbers started growing, and the group received official recognition and papal approval around 1129. Like other official religious orders – the Benedictines, the Dominicans – the Templars started receiving donations of money and land. One of the early kings of Aragon, for example, part of modern day Spain, left the Templars almost one third of his kingdom.

Read More Read More

Blogging Dan Barry’s Flash Gordon, Part Fifteen

Blogging Dan Barry’s Flash Gordon, Part Fifteen

Flash Alpha 1Flash Alpha 2“Return to Mongo” by Dan Barry was serialized by King Features Syndicate from January 2 to March 24, 1956. The story gets underway with a party celebrating Dr. Zarkov’s newly discovered young adult daughter Zara and her arrival on Earth after growing up on an otherwise deserted swamp planet with her mother. Flash, Dale, and the Space Kids are at the party when Zarkov is alerted to the discovery that Mongo is once again entering Earth’s orbit and threatening our world’s stability. Willie, who still has the ability to psychically grant wishes, inadvertently teleports everyone from the party to Mongo.

Flash and the Space Kids are immediately set upon by Queen Azura’s cowled servants, who nearly massacre them. Working as a team to defeat Azura’s servants, Flash and the Space Kids are overcome by a paralyzing gas as they explore a nearby cave. They are subsequently captured and brought to Queen Azura’s palace, where they learn she is plotting to overthrow Prince Barin.

Read More Read More

Goth Chick News: Lovecraft Fans, It’s Time for a Road Trip

Goth Chick News: Lovecraft Fans, It’s Time for a Road Trip

The Atlas on your phone
The Atlas on your phone

In last week’s coverage of C2E2, I promised to share two of the coolest products from the show in upcoming posts – and I am about to do just that.

Though my buddy and Lovecraft devotee, comic artist Dirk Manning, was hoping for Cthulhu footy pajamas, I believe what I am about to serve up is (almost) as exciting.

Allow me to introduce you to Chris Karr and his Pnakotic Atlas.

Karr was first struck with the idea for the Pnakotic Atlas when driving through Maine. As a fan of Stephen King, Kerr became curious as to the actual locations of some of King’s more famous tales and thought it would be cool if there was a way to easily find some of them. Karr is an app developer by trade and an avid fan of H.P. Lovecraft (in addition to King). He decided to tackle the idea of an atlas that documented Lovecraft locations: a less potentially litigious option, as Lovecraft’s works are in the public domain.

The inspiration for the name Pnakotic Atlas, as all of you Lovecraftians know, comes from The Pnakotic Manuscripts, which are fictional manuscripts created by Lovecraft that first appeared in his short story “Polaris” (1918). They appear again in several other Lovecraft stories, including At the Mountains of Madness (1936), “The Dream-Quest of Unknown Kadath” (1926), “The Other Gods” (1933), and “The Shadow Out of Time” (1936).

The fictional library city of Pnakotus is where the Manuscripts are housed and where they, and Karr’s app, get their moniker.

Karr combed through Lovecraft’s works, pulling out any detail he could find about locations (the ones on Earth, anyway), and was able to document approximately 400 potential sites.  Then using the stories as guides, he went about meticulously locating each place on Google Earth.

Read More Read More

Baen Announces 2014 Fantasy Adventure Award

Baen Announces 2014 Fantasy Adventure Award

Baen Books logoAll right, all you aspiring fantasy writers. Here’s your chance to make a splash.

Baen Books has announced a new short story contest for the best original fantasy adventure tale under 8,000 words. They’re accepting entries in all categories of fantasy, including sword and sorcery, epic fantasy, heroic fantasy, urban fantasy, etc. Here’s the official announcement:

Baen Books is proud to announce the inaugural Baen Fantasy Adventure Award, to be given at this year’s Gen Con to the best piece of original short fiction that captures the spirit and tradition of such great storytellers as Larry Correia, Robert E. Howard, Mercedes Lackey, Elizabeth Moon, Andre Norton, J.R.R. Tolkien, David Weber and Marion Zimmer Bradley.

There’s no entry fee, but you’re limited to one entry per person. The story has to be original and not a reprint.

Only entries in English will be considered. Poetry or licensed fiction set in some else’s sandbox (such as Pathfinder, Star Wars, Doctor Who, or Twilight fanfic) will not be considered.

All submissions must be by e-mail. The contest is now open and entries must be submitted by June 30, 2014. A single winner will be announced at this year’s Gen Con.

Complete submission instructions are at the Baen website. Read them carefully, as they include very specific instructions.

Good luck!

May/June Magazine of Fantasy & Science Fiction now on Sale

May/June Magazine of Fantasy & Science Fiction now on Sale

Fantasy and Science Fiction May June 2014-smallI’m so proud of myself. I had the latest issue of F&SF with me for my flight to New Orleans this week — which means I actually read it before it was time to tell you about it, for once. There I was, reading tales about mermaids and private eyes on Venus at 30,000 feet, while the guy on my left was playing solitaire and the woman on my right occupied herself with an article on Scarlett Johansson in Vanity Fair. Losers. Although admittedly, I kept getting distracted by glamor shots of Scarlett Johansson and tried to steal her copy of Vanity Fair when she started to nod off.

Anyway, I enjoyed this issue. It opens with David D. Levine’s pulp SF-hard boiled detective homage “The End of the Silk Road,” in which our hero, Mike Drayton (a man whose first thought is “Nice gams” when a woman collides with him in zero-g), takes a commercial prop-plane to Venus, land of foot-powered taxis and Venusian spider-silk factories, where he’s been hired to investigate a drug ring run by a froggie, a frog-like native. Of course, things aren’t what they appear to be and pretty soon the thick air of Venus is filled with the sound of gunshots, curses, and a lot of tough talk.

I was more impressed with Alyssa Wong’s first published story, “The Fisher Queen.” I was going to tell you all about it, but I made the mistake of checking Tangent Online first and discovered that the reviewers there (as usual) noticed a lot more than I did — including obvious allusions to William Faulkner and Angela Carter. So I’ll shut up and let Martha Burns & C. D. Lewis tell you about it.

“The Fisher Queen” by Alyssa Wong is stunning and smart. The first line, “My mother was a fish,” echoes a line in Faulkner’s As I Lay Dying. In Faulkner’s novel, a young boy’s lament that his dead mother is a fish functions as a metaphor for the boy’s grief together with a less obvious comment on the way women are caricatured and discarded. In Wong’s story, fifteen-year-old Lily’s mother truly is a fish or, rather, a mermaid. Her father jokes about this with his three daughters. In the early parts of the tale, this seems like a sweet way a beloved father helps his girls cope with their mother abandoning them, but when Dad’s fishing crew catches a different kind of mermaid on a deep sea expedition, Lily finds out the gut-wrenching truth. Like Faulkner’s novel, this is a meditation on the effects of motherlessness and brutality against women. It is also a deeply satisfying revenge story. Angela Carter is the acknowledged mother of retold fairy tales where the heroines are no Disney princesses. Now she has a daughter in Alyssa Wong.

Read the complete Tangent review here.

Read More Read More

Vintage Treasures: Fantastic Novels, July 1948

Vintage Treasures: Fantastic Novels, July 1948

Fantastic Novels July 1948-smallYesterday, I talked about finding a copy of the hardcover edition of Damon Knight’s Science Fiction of the 30’s on a sale table at Windy City Pulp and Paper for just $3.33. Items on the table were priced at 3 for $10, so before I could buy it, I had to find two additional items I could live with.

Didn’t turn out to be that hard. Right next to Knight’s dusty hardcover was a copy of the July 1948 Fantastic Novels magazine, with the gorgeous Lawrence cover at left. Admit it, that cover alone is worth $3.33. I snapped it up and didn’t even look inside.

I didn’t figure there was all that much to know about the contents, anyway. Fantastic Novels was famous for including a complete novel with each issue, which usually didn’t leave much room for filler. In addition to the cover story — Garrett P. Serviss’s 1911 novel The Second Deluge — this issue had only one additional story: Frank Lillie Pollock’s “Finis,” reprinted from the June 1906 issue of The Argosy magazine.

I imagine it had to be pretty cheap to produce a magazine containing only two reprints (assuming the editors paid anything for them at all). So what did the publishers of Fantastic Novels spend their money on? Beautiful art, that’s what. In addition to the cover by Lawrence, this issue had several full pages of art by Lawrence and the great Virgil Finlay. Click on the image at left to see the full-sized version. I have no idea what The Second Deluge is all about, but I want to frame this magazine and put it on my wall.

Alas, there were no other copies of Fantastic Novels to be found on the table — and no other hardcovers of interest. For my third item, I settled on an issue of The Original Science Fiction Stories from January 1956 that looked like it had just come off the printing press. It also has fiction by Randall Garrett and James Blish, so maybe it will turn out to be worth $3.33 too.  Either way, it’s fine by me; I got my ten bucks’ worth — and more — with the first two items.

Read More Read More

Author Spotlight on James Sutter

Author Spotlight on James Sutter

redemption engineI recently got a chance to talk with my friend (and editor) James Sutter about his new novel, The Redemption Engine, which debuts this week. In this wide-ranging and honest Q&A, James talked about his book and characters, the writing process, misperceptions about genre fiction — particularly of the tie-in flavor — and his hopes and dreams.

What would you say to someone wary of reading game fiction? (I would personally point them towards your first novel, Death’s Heretic, being number three on the Barnes & Noble Book Club’s 2011 Best Fantasy list.) But what would you say?

 

I would say that I used to be wary of it, too. As a kid, I read a ton of tie-in novels for properties like Star Wars, Dragonlance, etc. Then I got older and snobbier, and decided that anything with a logo couldn’t possibly be quality art. I won’t pretend there wasn’t evidence for that — a lot of tie-in books aren’t great. But as Theodore Sturgeon taught us, a lot of any art form isn’t great.

Once I started working in the game industry and realized just how many fabulous authors have done or currently do tie-in work, my opinion changed again. When you’ve got folks like Brandon Sanderson and Greg Bear writing tie-in novels, can you really claim that they’re somehow going to lose their chops just for that one book? And the truth is that great authors have always written novelizations, scripts, tie-ins, and other work-for-hire. Hell, Isaac Asimov himself wrote the novelization for Fantastic Voyage.

Read More Read More

New Treasures: Thornlost by Melanie Rawn

New Treasures: Thornlost by Melanie Rawn

Thornlost Melanie Rawn-smallMelanie Rawn burst onto the fantasy scene in 1988 with her debut novel Dragon Prince, an instant success that became the first part of the Dragon Prince Trilogy (and, at nearly 600 pages, certainly helped usher in the 90s fat fantasy craze.)

How successful was Dragon Prince and its fat fantasy sequels? 26 years later, they’re all still in print. Pretty darned amazing, especially when you consider that half the New Treasures I’ve covered in the past six months are out of print already.

Rawn followed her breakout success with the Dragon Star trilogy (1991-94) and the first two novels of the Exiles trilogy. And then… silence, for nearly ten years.

She eventually set the Exiles trilogy aside (the final volume, The Captal’s Tower, is still listed as forthcoming on her website) and turned to urban fantasy with Spellbinder (2006), telling fans in a postscript to that book that she was battling clinical depression and needed to move on to other projects to speed her recovery. Fire Raiser arrived in 2009 and she returned to epic fantasy at last with The Diviner (2012).

She’s been working tirelessly ever since, delivering the first two volumes of the Glass Thorns series: Touchstone (2012) and Elsewhens (2013). Now she returns to the rich fantasy world of those volumes with Thornlost, the third volume in the series.

Read More Read More

Art of the Genre: The Art of ‘Making Your Own Way’

Art of the Genre: The Art of ‘Making Your Own Way’

elmore cleric basic red box d and dToday I’d like to talk about something I call, ‘Making your own way.’  Honestly, I just made that up, in case you were wondering, right here in my bed as I write this at 5:53 AM on a Sunday morning.  Couldn’t sleep, you see, and sometimes you’ve just got to get stuff out of your head.

Anyway, back to the topic at hand, which in essence is creationism in pre-established role-playing canon.  You see, I’ve been writing a series of blog posts on the art of the 1983 Mentzer Basic D&D Red Box [Part One and Part Two] over on my Art of the Genre site and as I dipped into that nostalgia pool I couldn’t help but be motivated to dig a bit deeper.

I’d recently started gaming with my eight-year-old son, an experience that has been both a joy and, oddly enough, more difficult than I’d imagined it would be.  First, he’s still pretty young for an RPG, probably two or three years too young, but more importantly, as I played out each scenario, I started to wonder if I was too old!  It certainly seemed harder and harder to tell the story I wanted, to get motivated to be a dungeon master, and when I really thought about it, I realized it wasn’t really about either of our ages, but instead about the place in life I was in.  The everyday stress had gotten me down, but after looking at it that way, I was able to knock off the rust, do what gaming does best, and let myself forget the troubles of existence and then concentrate on the adventure!

So I started out just as I had with my ‘Gaming Week’ friends back in 2011, in a little province of my Nameless Realms I call Oakshire.  Oakshire was inspired by the Basic D&D module Keep on the Borderlands and I used it as the basis for an ongoing campaign that still persists today, but in the case of my son’s mini-campaign, it was more simply a backdrop for the Mentzer intro adventure and first solo adventure from the previously mentioned Red Box.

Read More Read More

Ancient Worlds: What Kind Of Book Is This, Anyway?

Ancient Worlds: What Kind Of Book Is This, Anyway?

Oh no, I admit it. I'm judging this book by the cover. And its title. And the fact that it's a part of a series about time traveling viking navy SEALs. I'm not making any part of that up. But I am judging the holy hell out of it.
Oh no, I admit it. I’m judging this book by the cover. And its title. And the fact it’s part of a series about time traveling viking navy SEALs. Not making any part of that up. But I am judging the holy hell outta it.

We all know the old adage “Never judge a book by its cover.” But when it comes to literal application, we all do. That’s because our book culture encourages it. The cover won’t always tell us much about the quality of a book, true, but if we want to know what kind of book it is, the cover is where we find out.

Shirtless guy holding woman in historically inaccurate clothing in highly improbable position? Romance.

Shirtless guy flexing while holding sword (with or without scantily clad woman clinging to his knees)? Heroic fantasy.

Woman scantily clad while still wearing a lot of black leather with a sword, possibly straddling a motorcycle? Urban fantasy. Probably.

Genre is how the publisher knows what kind of cover to put on a book. It’s also how the reader knows, more or less, what to expect when they pick a novel up. If you buy a book with a silhouette of a tank on the cover and get a story that is 90% romance, you’re going to be perplexed.

The same was true of ancient books, although the cues were given in different ways.

Read More Read More