Black Gate – Page 896 – Adventures in Fantasy Literature

Eleven Shades Of Evil

Tuesday, December 9, 2014 markrigney Comments 6 comments

Just in time for the holidays (not to mention the headlines), I bring you EVIL. The ultimate fantastical topic.

Now, just so we’re clear from the get-go, I’m against it. Against evil, that is. As are we all, surely. But, once I’ve got my writer’s hat on (or, for that matter, my reader’s hat), evil becomes indispensable. I not only love it, I’ve just gotta have it. For writers, evil belongs in the same all-purpose toolbox as conjunctions, theme, and essential miscellany like the average blooming season of Agapanthus africanus.

Categories first. When it comes to speculative fiction, and its offspring in film, television, and the ‘net, I submit that evil comes in the following basic flavors, and in the following entirely arbitrary order:

1) Abiding
2) Petty
3) World-conquering
4) Internal
5) Atavistic
6) Alien
7) Humorous
8) Inscrutable
9) Insane
10) Passive and
11) Institutional

Let’s take these one at a time (because taking two at a time would try the patience of a saint).

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Thongor of Lemuria – Part One by Lin Carter

Tuesday, December 9, 2014 Fletcher Vredenburgh Comments 15 comments

If I didn’t know better, I’d swear Lin Carter’s Thongor of Lemuria novels were a deliberate exercise in camp. The first two novels in the seven book series, Thongor And The Wizard of Lemuria (1965) and Thongor And The Dragon City (1966), are so frenetic and exaggerated there are times it’s difficult to believe they were intended to be taken seriously. I struggle to believe that Carter hadn’t meant for me to laugh when I read that Thongor distrusted magic because of his “clean healthy, Northlander blood.”

But I do know better. Much has been written (some of it by me) about Lin Carter’s love for heroic fantasy and his efforts to emulate his favorite writers in his own books. The Thongor stories read like he took Robert E. Howard’s Conan stories, smooshed them together with Edgar Rice Burroughs’ John Carter novels, then cranked everything up to eleven. But, and this is true of his Lovecraft Mythos fiction too, he mimics the style of his literary heroes without ever conveying the substance that gives power to their work to this day.

To give Lin Carter his due, Wizard of Lemuria is his first published novel and Dragon City his third in only two years. In those ancient times, there was little new swords & sorcery of the mighty barbarian type being written. Michael Moorcock and Fritz Leiber were tweaking (and tweaking the nose of) the genre and Karl Edward Wagner and Charles Saunders were still kids. The big boom was right around the corner, but it hadn’t happened yet. He took the chance and stepped up to create the sort of stories he wanted to see and that’s something I will always respect.

One of the earliest reviews at my site, Swords & Sorcery: A Blog, was of Thongor And The Wizard of Lemuria (so, yes, for those of you who’ve read it, I have indeed read it a second time). It was harsh and a little intemperate. I’ve since decided that reviews of that sort don’t serve any real purpose. I also don’t want to pick on someone who can’t fight back. I want my reviews to promote the good books and understand why the weak ones fail and encourage better writing.

Like August Derleth and Sprague de Camp, Lin Carter’s too readily bad-mouthed these days (except when the stupendously important Ballantine Adult Fantasy Series is mentioned). I don’t think his fiction is read that much anymore and I feel I owe him at least the courtesy of that. So I’m going to plow through the series and report back to you, Black Gate‘s faithful readers.

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Travis McGee: Hard-boiled Detective with a Dystopian Sci-Fi Imagination

Tuesday, December 9, 2014 Nick Ozment Comments 14 comments

I’ve recently gotten hooked on the Travis McGee novels of John D. MacDonald (1916-1986), reading The Deep Blue Good-by (1964) and Nightmare in Pink (1964) in quick succession. I’m stoked that there are 19 McGee novels awaiting me, but I can already make one salient observation about the main character based on these first two outings: he has the mind of a science-fiction writer. I was not surprised at all, in fact, to learn that several of his creator’s early stories and novels were science fiction.

McGee is a “salvage consultant”: basically, he’s an unemployed (by choice) beach-bum who makes his home on the Busted Flush, a 52-foot houseboat he won in a poker game, which is mostly docked in slip F-18 at Bahia Mar (a site about as well-known to crime-fiction fans as 221B Baker Street). When the funds get low, he takes on a case. He’s a cynical guy; he doesn’t want to get emotionally involved with people, but the problem is he does have a strong sense of honor and integrity (much to his own chagrin, since he sees this sort of romantic chivalry as woefully outdated). So he does invariably get involved and, well, I’ll let him speak for himself: “This emotional obligation did not fit me. I felt awkward in the uncomfortable role. I wished to be purely McGee, that pale-eyed, wire-haired girl-finder, that big shambling brown boat-bum who walks beaches, slays small fierce fish, busts minor icons, argues, smiles and disbelieves, that knuckly scar-tissued reject from a structured society, who waits until the money gets low, and then goes out and takes it from the taker, keeps half, and gives the rest back to the innocent.”

He’s an introspective guy, somewhat philosophical in his rejection of industrialized urban society, and for a narrator delivering page-turner suspense, he often digresses into ruminations about society’s failings and his own shortcomings and disillusionment. Far from bogging the story down, these imaginative digressions have made McGee one of the most memorable and celebrated characters in twentieth-century American fiction. And in his creative metaphors, he shows a strong streak of the dystopian mind.

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New Treasures: Haxan by Kenneth Mark Hoover

Monday, December 8, 2014 John ONeill Comments 1 comment

I’ve written a few times now about the terrific finds I made in the Dealers Room at the World Fantasy Convention. I know I’m probably starting to sound like a broken record, but when you have the opportunity to sample the very best new books from the most dynamic and exciting independent publishers in the industry, the need to share is pretty strong. So you’ll have to bear with me a bit until I get this out of my system.

I’ve already covered the treasures piled high on the Valancourt and Hippocampus Press tables, as well as Daryl Gregory’s We Are All Completely Fine and Lois H. Gresh’s anthology Dark Fusions – Where Monsters Lurk! But I haven’t even mentioned the Chizine table yet, and that’s a serious oversight. A catalog of the agonizing choices would take more time than I have tonight, so I’ll have to content myself with the first book I bought: Kenneth Mark Hoover’s weird western Haxan, the first in a new series.

Thermopylae. Masada. Agincourt. And now, Haxan, New Mexico Territory, circa 1874. Through a sea of time and dust, in places that might never be, or can’t become until something is set right, there are people destined to travel. Forever. Marshal John T. Marwood is one of these men. Taken from a place he called home, he is sent to fight an eternal war. It never ends, because the storm itself, this unending conflict, makes the world we know a reality. Along with all the other worlds waiting to be born. Or were born, but died like a guttering candle in eternal night… Haxan is the first in a series of novels. It’s Lonesome Dove meets The Punisher… real, gritty, violent, and blatantly uncompromising.

The sequel, Quaternity, will arrive March 31, 2015.

Haxan was published by Chizine Publications on July 1, 2014. It is 250 pages, priced at $16.99 in trade paperback and $9.99 for the digital edition.

“The Distances Between Things”: Patricia A. McKillip’s The Changeling Sea

Monday, December 8, 2014 Matthew David Surridge Comments 4 comments

I’ve written a few times about my ongoing fascination with fantasy from the 1980s. That fascination led me to pick up a used copy of The Changeling Sea, a short 1988 novel by Patricia A. McKillip. McKillip isn’t specifically a 1980s writer — her first novel, The House on Parchment Street, was published in 1973, and she’s produced work steadily ever since; her last novel, The Bards of Bone Plain, came out in 2010 and a collection of short stories, Wonders of the Invisible World, was published in 2012. (You can find some reviews of her recent work at Black Gate: here Isabel Pelech looks at The Sorceress and the Cygnet, and here Thomas M. MacKay looks at Harrowing the Dragon). But having read some of her work from the 70s, specifically the Riddle-Master trilogy, I’d hoped to get a sense of how her work had developed through the 80s. And perhaps find the sort of unexpected angle on the fantastic some of the fantasy of that period provides.

And I did; I thought the book was excellent. It’s no surprise at all to see it was a finalist for the 1990 Mythopoeic Award. It’s precisely in the way it evokes the feel of a folktale, the feel of myth mixed with the matter of common life, that the book shines. It’s about love, and loss, and magic, and change. It has something of the feel of what now would be called young-adult fiction, with the specific kind of complexity that form can present: a young person encountering the adult world edge-on, struggling to understand what they’re finding, dealing with things that went wrong a generation ago, and trying to do no further wrong.

On a small island, one of seven making up a kingdom in a northern sea, a fifteen-year-old girl named Peri works at an inn. Her fisherman father has been taken by the sea a year ago, since which time her mother has drawn into herself. Finally, Peri can take it no more and casts a hex upon the sea. A prince becomes involved; and the magic takes a strange twist. A wandering wizard passes by. Things and people change, metamorphose magically and otherwise, and Peri must take a journey into the strange world under the ocean before the fate of land and sea will become clear.

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Explore an Old School Mega-Dungeon with Pacesetter’s The Blood Cult

Monday, December 8, 2014 John ONeill Comments 3 comments

Gary Con is probably my favorite gaming convention. It’s not nearly as large as, say, Gen Con, but it’s friendly, focused on old-school role playing — and a lot closer to Chicago.

I really enjoyed Gary Con VI last March, and brought home a box crammed with treasures. And then I must have forgotten about it, because I just stumbled on it as I was straightening out the library to make room for the Christmas tree. I was supposed to be clearing away junk and vacuuming, and instead I ended up crossed-legged on the floor, with the box empty and the contents spread everywhere, like a kid at Christmas.

I found all kinds of goodies in that box, like back issues of the old-school gaming journal Fight On, omnibus compilations of the hilarious Knight of the Dinner Table comic, and a handful of boxed adventure supplements.

It was the latter that really grabbed my attention. There was a Whisper & Venom, a thoroughly professional production from Lesser Gnome, with a beautiful fold-out map, custom miniatures and color cards, and even a box of dice. And there was The Blood Cult, a heavy box that came crammed full of adventure books and over a dozen two-color maps — just like the classic TSR adventure sets like Dragon Mountain and The Ruins of Undermountain.

I never did get the Christmas tree up (which means I have some making up to do with my wife). But I did spend some quality time with The Blood Cult, and trust me — it was worth it.

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The Public Life of Sherlock Holmes: The Science Fictional Solar Pons

Monday, December 8, 2014 Bob Byrne Comments 6 comments

A few weeks ago, I wrote about the best of all Holmes pastiches, August Derleth’s Solar Pons. I mentioned that Pons had a more open-minded view towards the supernatural. This was certainly reflected in four stories that Derleth co-authored with noted science fiction writer Mack Reynolds.

Just last week, John O’Neill wrote a post about Anthony Boucher. As he mentioned, Boucher, along with J. Francis McComas, was the founder of the seminal Magazine of Fantasy & Science Fiction.

In January of 1953, they wrote to Derleth. Reynolds had submitted “The Adventure of the Snitch in Time,” a pastiche in which Sherlock Holmes receives a visitor from an alternate time-space continuum. The editors loved the idea, but, “Unhappily, Mack did not in any sense of the word recreate Holmes, Watson, or Baker Street! Outside of the plot idea, the story was, to be wholly frank, lousy!”

Also, to avoid trouble from those pesky Doyle brothers, none of the characters were named: wholly unsatisfactory.

So, the two editors wrote to Reynolds, suggesting that they have Derleth rework it into a Solar Pons story. Reynolds loved the idea, sending back, “I’d appreciate it if you’d give Augie Derleth first chance at it. It was after reading his Solar Pons stories that I got the idea for Snitch. Besides that, I’m an admirer of the old Seigneur of Sauk City and it would be a privilege to have a story appear under a collaborative by-line…”

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Self-published Book Review: The Rude Adventures of Trenchfoot by Reuben Dendinger

Sunday, December 7, 2014 Donald Crankshaw Comments 0 Comment

If you have a book you’d like me to review, please see the submission guidelines here. I’ve run short on books that I’ve received in the past year, so anything new has a good chance of being reviewed. I won’t be posting a review in January, since I’ll be spending time with my family over Christmas, and not at all because I’ll be too busy playing Dragon Age: Inquisition.

I’ve been doing these reviews for the past two years, and this is the first time I’ve had a paperback to review. It’s been a while since I’ve read a paperback of any sort. I’ve grown used to e-books, so it was something of a novelty to read an actual physical copy of The Rude Adventures of Trenchfoot by Reuben Dendinger.

The Rude Adventures of Trenchfoot is described by its author as quasi-satire. That may be underselling the satire somewhat. Whether it’s the horse that chews its way through miles of dirt, the three young men that overload a virility draining machine through the sheer power of their manliness, or the magical fusion of two half-dead people into one fully living and one fully dead person, this is not a book that takes itself too seriously. I may have classed it more as parody than satire, a mocking take on gritty sword and sorcery, with perhaps a bit more grit than you really want.

The hero, Trenchfoot, was born full-grown from the union of the night and the earth, with a destiny to travel from the south pole of his birthplace to the equator and decide the nature of the Cosmic Night. The Cosmic Day of the past 500,000 years is coming to an end, and order must give way to chaos, but whether that will be the (relatively) benign chaos of lunacy or the hellish chaos of nihilism has yet to be decided. That is Trenchfoot’s role.

He is joined on his adventures by his male lover the swordsman Cass, his female lover Hyppa, and the scholar and astronomer Thexeded, who foresees the impending collapse of order and civilization and is all for it. Also joining him is the dirt-eating and wine-drinking horse, Oar, born like Trenchfoot from the night and the earth—who’ve apparently had a lot of children, among them inanimate objects, prophecies, and animals, but no humans before Trenchfoot.

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Support the Six by Six Kickstarter, Containing the Complete Cineth Stories by Martha Wells

Sunday, December 7, 2014 John ONeill Comments 3 comments

Long time readers will remember Martha Wells’s Cineth stories, “Holy Places,” “Houses of the Dead,” and “Reflections,” which first appeared in Black Gate 10, 11, and 12. They were some of the most popular stories we every published, and they helped put Black Gate on the map.

All three stories feature her characters Giliead and Ilias. “Holy Places” was reprinted in Lightspeed magazine, but the others have never been reprinted — although I’m often asked when they might be available in a more permanent edition. So I was very pleased to hear the following news from Martha this week:

I’m involved in a kickstarter this month… It’s short story collections by six different authors (me, Tina Connolly, Brenda Cooper, Stephen Gaskell, Bradley P. Beaulieu, and Will McIntosh) with reprints and some stories original to the collection. The new short story I’ll have in it is a Nicholas and Reynard story set before The Death of the Necromancer, called “Night at the Opera,” so I thought some Black Gate readers might be interested.

We serialized Martha’s complete novel The Death of the Necromancer here.

We frequently hear about publishing Kickstarter projects, but this one looks very special indeed. Six by Six brings together six terrific fantasy and SF authors, each of whom contributes six stories, for 36 stories in all — including all three Giliead and Ilias tales from Black Gate magazine.

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Art of the Genre: Playing D&D 5E and an In-Depth Look at the new DMG

Sunday, December 7, 2014 Scott Taylor Comments 6 comments

The new 5E artwork reflects Chris Nolan's Dark Knight, which upon reflection might not be such a great thing. — The new 5E artwork reflects Chris Nolan’s Dark Knight, which upon reflection might not be such a great thing.

I’ve spoken a bit in the past about both the 5E Player’s Handbook, as well as the Monster Manual, but today I’d like to take a more in-depth look at the system and the new Dungeon Master’s Guide that will be released this week (the 9th) from Wizards of the Coast.

Unlike my fearless editor John O’Neill, I’m actually going to give you a look at the product beyond reading the jacked cover. [Sorry John, but I couldn’t resist.]

So, let’s get started. My initial impression of D&D 5E was that I wouldn’t be interested in learning a new system as I hadn’t even attempted to pick up D&D 4E. However, after reading the Player’s Handbook, I was intrigued, as were my gaming friends, who had recently returned to playing traditional Advanced Dungeons & Dragons in 2011 after a two year romance with Pathfinder.

Their interest, as well as a thorough read of the PHB, had me wanting to see how the system played on a table. Luckily, in early November, I got the chance to go back to my home town for a weekend in which an extended 5E session was planned.

Delving into the mechanics once more, I designed two characters, both from my Fleetwood family tree, and had the opportunity to lay hands on the system in a way a simple read won’t allow. Character creation, as any gamer knows, is paramount in getting your feet wet, and so once I had characters in hand I was even more excited to see how my abilities would interact with dice, once play began.

As per our usual dynamic, the DM duties were shared by both myself, running the social aspect of the campaign, and my old DM Mark, who ran the traditional dungeon delve side of a new campaign entitled ‘The Runelands of Daro’, set in my Nameless Realms.

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