Black Gate – Page 843 – Adventures in Fantasy Literature

The Ballantine Adult Fantasy Series: Figures of Earth by James Branch Cabell

Monday, February 2, 2015 westkeith Comments 8 comments

Figures of Earth
James Branch Cabell
Ballantine Books (290 p, November 1969. $0.95)
Cover art by Robert Pepper

Okay, this one is probably going to be the last Cabell I read for a while. It turned out to be more of a slog than I expected. I’ll elaborate below.

Figures of Earth was the second volume of James Branch Cabell’s Chronicles of Fabled Poictesme, published as part of the Ballantine Adult Fantasy series. It is the story of how the swineherd Dom Manuel came to be the Count of Poictesme.

Poictesme is of course a fictional province in France. Cabell freely mixes real and imaginary locations in his work.

The story begins with Dom Manuel leaving his pigs to rescue the kidnapped daughter of a count from the sorcerer Miramon Lluagor. He hasn’t really been paying much attention to the pigs. Instead he’s been making human figures from clay because his mother told him from her deathbed that he should make a figure in the world. I suspect he misunderstood what she meant.

Anyway, Manuel sets off on his quest. Along the way, he meets the young woman Niafer, who is the one who actually gets them through the various magical traps along the way. Once they reach the sorcerer’s castle, they learn that things aren’t quite what they seem. The quest to rescue the princess is actually Miramon’s idea. She’s his wife, and he’s tired of her. Manuel and Niafer manage to reconcile the couple and start back down the mountain.

At the bottom of the hill, they are met by Grandfather Death. He is riding a black horse and has a white horse with him. Grandfather Death says that one of them must ride his white horse. Dom Manuel promptly volunteers Niafer to be the rider. She goes to her death without protest.

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The Public Life of Sherlock Holmes: Massey’s ‘The Speckled Band’

Monday, February 2, 2015 Bob Byrne Comments 2 comments

Massey_Intro I’ve posted about the stage play that Sir Arthur Conan Doyle wrote, based on his Holmes short story, “The Speckled Band.” In 1931, it was brought to the screen (though it had been filmed a few times before), with Canadian actor Raymond Massey in his first credited role.

Band was only the third Holmes “talkie,” following Clive Brook’s The Return of Sherlock Holmes (1929) and Arthur Wontner’s The Sleeping Cardinal (also 1931).

The film incorporates several of the play’s variations, including the name changes (Roylott to Rylott; Julia to Violet), the inquest, adding an Indian manservant, etc. One significant change from the original story is that Watson is a friend of the girl’s dead mother and is the one who brings the case to Holmes. This gives Athole (yep: that’s really his first name) Stewart’s Watson a meatier part in the story.

Stewart plays a more Doyle-like Watson, as compared to Ian Fleming, who played a doofus Doctor in Wontner’s Cardinal: the type of portrayal that, sadly, would be all to common in the coming decades. It’s nice to see a black and white era Watson who wasn’t there for comic relief.

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Peter Watts’ Rifters Trilogy

Monday, February 2, 2015 Matthew David Surridge Comments 3 comments

Starfish Usually I write here about books I’ve read and enjoyed. It’s really quite selfish: thinking about a good book extends the pleasure I get from reading it. This post, though, is a little different. I’m going to write about a science fiction trilogy in order to work out why I don’t like it more than I do. These are good books, even excellent books. But something about them didn’t grip me the way I would have thought they might.

The books are Peter Watts’ Rifters trilogy: Starfish, Maelstrom, and ßehemoth (that’s a Greek beta at the start of the last; for ease of typing, I’ll stick with the English B from here out). Starfish was Watts’ first novel, published in 1999, and Maelstrom followed two years later. Behemoth was split into two volumes for print publication; B-Max (Betamax, I suppose) was published in 2004, Seppuku in 2005. All these books are available for free on Watts’ web site.

They’re extremely well-written. The plot’s tight and fast-moving, the characters are multilayered, and the prose is both concise and, when it needs to be, beautiful. And they’ve got some potent themes, about power and science and the nature of humanity. I came away from them very impressed. And also somehow dissatisfied, for no reason I could put a finger on. So I will write about them here, and see if I can articulate for my own satisfaction what it was that I missed, and whether it was something in the books or something in myself in as a reader.

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Hitchhiker’s Guide to Edmond Hamilton: Who did Douglas Adams Really Read?

Sunday, February 1, 2015 Comments 9 comments

Last-of-the-Star-Kings2-Copy — …how is it that Hitchhiker’s Guide to the Galaxy reads like a rip-roaring Silver Age Space Opera with added humour and satire?

Douglas Adams famously wasn’t an SF fan — apparently he “only got to about page 10” of most SF books (source) .

How odd, then, that Hitchhiker’s Guide to the Galaxy reads like a rip-roaring Silver Age Space Opera with added humour and satire.

Douglas Adams always told the same story about the birth of his magnum opus:

One night in 1971 a 19-year-old English hitchhiker named Douglas Adams lay drunk in a field in Innsbruck, Austria. He had with him a borrowed copy of Hitchhiker’s Guide to Europe by Ken Welsh.

No mention of reading widely in the genre.

Really?

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The Recent Best: The Fantasy Catalog of Prime Books

Sunday, February 1, 2015 John ONeill Comments 5 comments

In November of last year I attended the World Fantasy Convention in Washington, D.C. I’d never been to the city, and there was a tremendous amount to do and see — including the National Mall, the Washington Monument, the White House, the Vietnam Veterans Memorial, and the Lincoln Memorial.

All very impressive, even for a Canadian like me. But three months later, the place that’s lingered longest in my mind is the convention Dealer’s Room. It was packed with dozens of tables from the finest publishers in the genre, all showing their latest wares. Since I pay attention to the market every day, I naturally assumed there wouldn’t be a lot of surprises, even in a target-rich environment like that.

I was dead wrong. Walking from table to table, and seeing the dazzling display of novels, anthologies and collections piled in dense stacks before all the smiling vendors, drove home just how marvelously rich and diverse our industry is. Since returning from the convention I’ve tried hard to replicate that experience here, in a series of posts showcasing the catalogs of several of the most impressive publishers. So far I’ve covered Valancourt Books and ChiZine Publications; today we turn our attention to the gorgeous catalog of Prime Books.

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Belated Movie Review #1: 10,000 B.C.

Sunday, February 1, 2015 Adrian Simmons Comments 9 comments

I was interested in 10,000 BC (10KBC) when it first came out, but somehow never got around to seeing it. Finally rented it. I am going to RECOMMEND it — with the caveat that if you go in with an understanding that this is a pulp fantasy lost-world adventure.

As we all surely know, some movies are good, some are bad, and some are okay but hampered by their advertising campaign (or lack thereof, in the case of John Carter). 10KBC fits in the latter category. Here’s the thing. If you’re going in anticipating something kinda historically accurate, like say Quest for Fire*, you’ll be disappointed.

Framing is what this movie needed! It needed to start with a couple of archeologists unearthing a golden pyramid topper and their elation being clouded by the fact that it is 5,000 years older than the oldest pyramid. Dum dum duuum! Or, alternately, a 1940s guy pacing in his room next to a typewriter, wracking his brain for ideas — baby needs a new pair of shoes and all that — taking a big drink of something brown and boozy then snapping his fingers. “Ice Age Atlantean adventure!” he shouts, then starts typing.

Did I mention the Atlantean influence? See, that’s what the ads should have communicated. Once you realize that the there is an Atlantean lost-world/we-are-the-gods tie-in, all is good! It’s as if you’ve had something brown and boozy, and can thus forgive a lot in a movie. Had I been in charge of the movie, much less its advertising, I would have mentioned it waaaay earlier.

Anyway, if you want your stone-age adventures (and at HFQ we most certainly do as, exemplified by Last Free Bear and Living Totem), then 10K BC is for you!

* Yes, I realize that “Quest for Fire” isn’t actually that historically accurate.

Adrian Simmons is an editor for Heroic Fantasy Quarterly. His last article for us was Frodo Baggins, Lady Galadriel, and the Games of the Mighty. See more of his thoughts as the HFQ Facebook page.

Vintage Treasures: Vulcan’s Hammer by Philip K. Dick/ The Skynappers by John Brunner

Saturday, January 31, 2015 John ONeill Comments 0 Comment

One of the things I love about the early Ace Doubles is that they frequently paired young writers who later became superstars. It’s like finding a movie starring Scarlett Johansson and Elijah Wood when they were both 10 years old (that move exists, by the way. It’s called North. Don’t see it.)

The 1960 Ace Double Vulcan’s Hammer/The Skynappers is a fine example. It paired the 32-year old Philip K. Dick — well established by that point, with seven novels under his belt — with an up-and coming British author, the 26-year old John Brunner, whose first novel Threshold of Eternity had appeared as an Ace Double the previous year. Both went on to stellar careers. Indeed, they’re two of the most highly regarded SF writers of the 20th Century.

Neither of these two books is particularly well remembered, however. In fact, if you’re a Brunner fan and interested in reading The Skynappers, this 55-year old paperback is pretty much the only way to get it.

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New Treasures: Ourselves by S.G. Redling

Saturday, January 31, 2015 John ONeill Comments 0 Comment

S.G. Redling’s first novel Flowertown, a taunt conspiracy thriller set in a town quarantined by an experimental pesticide spill, appeared in 2012. Since then she’s dabbled in a variety of genres, including space adventure (Damocles, 2013), and industrial thrillers (The Widow File and its sequel Redemption Key, both 2014).

Now she turns her hand to the vampire novel with Ourselves, the first novel in The Nathan Series, which introduces readers to the mysterious Nathan, a secret society concealing a vampiric race hiding among us in plain sight.

Dangerous, deadly, invisible — and they have always been among us.

An ancient, enigmatic race, the Nahan have protected their secret world by cultivating the myths of fanged, bloodsucking monsters that haunt legends. Yet they walk through our world as our coworkers and our neighbors, hiding in plain sight and coexisting in peace. They survive… and they prosper.

A shy young dreamer, Tomas wanders through his life with help from his good friends and influential family on the ruling Council. Now, he’s decided his future lies with the Nahan’s most elite class: the mysterious Storytellers. But his family is troubled by his new choice — and by his new girlfriend, Stell, a wild, beautiful, and deadly outcast from a fanatical Nahan cult.

As Tomas descends into the dark wonders of the Nahan’s most powerful culture, Stell answers her own calling as an exceptional assassin. But when a lethal conspiracy threatens their destinies, Tomas and Stell must unite their remarkable talents against the strongest — and most sinister — of their kind.

Ourselves was published by 47North on January 27. It is 322 pages, priced at $14.95 in trade paperback, and $4.99 in digital format. The cover was designed by Stewart A. Williams.

The World of New Publishing Models: Serialized Self-Published Novellas by Traditionally Published Authors: Nigh, by Marie Bilodeau

Saturday, January 31, 2015 Derek Kunsken Comments 2 comments

I wanted to talk to Marie Bilodeau, a multi-Aurora-nominated Ottawa-area author about her new novel, Nigh. It is an apocalypse story, a magical one, which is an original twist, but it’s also taking an old-school/new-school leaf in that Marie decided to serialize the novel as several novellas and self-publish them. So I sat virtually with Marie and the disjointed conversation that follows is the best one out of twenty-six takes…

So what’s fun about Nigh?

FAERIEPOCALYPSE!

Stop! That’s not even a real word! God, let’s start again. Take twenty-five….

No! Keep typing! It is a word! That’s what fun. I’ve taken all the old scary faerie stories and thought about what would happen if the veil between our world and theirs suddenly collapsed. It’s not pretty. It’s definitely dark fantasy that could also be considered horror.

Plus, since I’m a professional storyteller, I’m also going to be performing a set of traditional faerie stories, woven in with some bits of Nigh, as bonus-can’t-read-this-on-the-page material. No, but seriously: FAERIEPOCALYPSE!

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Drizzt Do’Urden Simply Won’t Stop Adventuring: Myke Cole on Learning to Love Serial Fantasy

Friday, January 30, 2015 Myke Cole Comments 5 comments

My name is Myke Cole, and I have a hard time with serial fantasy.

Yes, that’s right, I’m admitting it right up front. I’m wading into the hornet’s nest and making my confession.

More than three books in a series and I start to nod off. At five, you’ve pretty much lost me. It’s happened to me again and again and again. In A Song of Ice and Fire, I honestly don’t really care what happens after Dance. I followed Bernard Cornwell’s Richard Sharp through twelve books before I finally decided that, no matter how awesome his further adventures might be, I couldn’t get excited about them. Daniel Abraham’s The Widow’s House is the fourth book in his absolutely stunning Dagger and Coin series, and I know I’ll get to it… eventually.

It’s happened to me time and again with comic book series. Fables, Hundred Bullets, Sandman and on and on and on. I reach a point 5 or 6 or 10 trades in where I just sort of throw up my hands.

And all of the above examples are for good books. The kind of books that resonate and transport, the kind of books that make you want to give up writing because you’ll never be in the same league as that author.

For years, I’ve hid my head in the company of other fans, bit my tongue and kept my opinions to myself. Because Brandon Sanderson wound up rounding out The Wheel of Time series at fourteen books. Because Drizzt Do’Urden simply won’t stop adventuring, because fans LOVE long serials.

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