Black Gate – Page 764 – Adventures in Fantasy Literature

New Treasures: Shadows of Carcosa, edited by D. Thin

Wednesday, October 28, 2015 John ONeill Comments 4 comments

I think there’s something about October that drives publishers to repackage classic horror tales for a new generation.

Earlier this week we looked at Leslie S. Klinger’s new anthology In the Shadow of Edgar Allan Poe, which collects tales published between 1816-1914; today it’s D. Thin’s handsome new book from New York Review Book Classics, Shadows of Carcosa: Tales of Cosmic Horror by Lovecraft, Chambers, Machen, Poe, and Other Masters of the Weird, published on October 6th. It collects tales from roughly the same era, 1833-1927, all with the theme of the cosmically weird.

“The true weird tale has something more than a secret murder, bloody bones, or a sheeted form clanking chains. An atmosphere of breathless and unexplainable dread of outer, unknown forces must be present; a hint of that most terrible conception of the human brain — a malign and particular suspension or defeat of those fixed laws of Nature which are our only safeguard against the assaults of chaos and the daemons of unplumbed space.” —H. P. Lovecraft

This collection features some of the greatest masters of extreme terror, among them Edgar Allan Poe, Ambrose Bierce, Bram Stoker, and Henry James, and includes such classic works as Arthur Machen’s “The White People,” Algernon Blackwood’s “The Willows,” and of course Lovecraft’s own weird and hideous “The Colour Out of Space.”

Here’s the complete Table of Contents.

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Down These Mean Streets the Obsessive Biographer Must Go

Wednesday, October 28, 2015 William Patrick Maynard Comments 0 Comment

NOTE: The following article was first published on February 28, 2010. Thank you to John O’Neill for agreeing to reprint these early articles, so they are archived at Black Gate which has been my home for over 5 years and 250 articles now. Thank you to Deuce Richardson without whom I never would have found my way. Minor editorial changes have been made in some cases to the original text.

Literary biographies can sometimes prove to be a peculiar form of torture. I suppose their purpose is to see if the reader is still capable of mustering the same affection for the author’s work after reveling in every personal flaw the biographer was able to uncover. Biographies are the ultimate way of evening the score with those whose talent we will never equal. They reassure us that the gifted individuals who gained immortality through their work were certainly no better and frequently even worse human beings than those of us who admire them. Thanks to literary biographies, many view the father of sword & sorcery as a clinically depressed mama’s boy angry at the world and the father of hardboiled fiction as…well, let’s face it… there was nothing you could ever say about Hammett he didn’t already tell you about himself. This article concerns itself with Judith Freeman’s biography of Raymond Chandler, The Long Embrace.

I would not say that the book is unworthy of attention. Judith Freeman is an exceptional writer. She traces Chandler’s footsteps (even though it has been more than half a century since his death) by visiting every place he lived, worked, and vacationed and describes what she finds in a voice that Chandler fans will frequently recognize. It is a voice that is as evocative of Chandler’s work as the book’s title. The trouble is that Freeman isn’t writing a new Philip Marlowe mystery so much as transposing herself in Chandler’s shoes as a fellow author and kindred spirit. As the book unravels, she comes to share Chandler’s devotion to his wife and muse of over thirty years. The result is a bit like watching Otto Preminger’s classic film noir, Laura (1944) in that The Long Embrace shifts its focus and unfolds into a growing love story between a living person and a dead woman the narrator never met. Some readers will find the result enchanting, others will just find it creepy.

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Cover Reveal: Mechanical Failure by Joe Zieja

Tuesday, October 27, 2015 John ONeill Comments 0 Comment

Saga has released over two dozen books in 2015 — pretty darn good for a brand spanking new imprint — and their 2016 line up promises to be even more stellar, with titles from Kat Howard, A. Lee Martinez, Genevieve Valentine, and Black Gate author Frederic S. Durbin. Last week we gave you a peek at Mike Brooks’ debut novel Dark Run, a space opera SFFWorld calls “a Firefly-like tale.”

This week we take a look at Zor Zieja’s Mechanical Failure, the tale of a smooth-talking ex-sergeant and smuggler forced back into military service just as rumors of war begin to escalate, on sale from Saga Press June 7, 2016.

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Ten Terrifying Canadian Books For Halloween

Tuesday, October 27, 2015 John ONeill Comments 2 comments

Helen Marshall tipped us off this morning to this marvelous little article at the CBC website, promoting “10 of the scariest Canadian reads… From horrific dystopias to creepy, creaky old mansions.”

There’s plenty of familiar titles on the list, from Margaret Atwood’s famous bestseller The Handmaid’s Tale to Nick Cutter’s breakout novel The Troop, to Nalo Hopkinson’s dark fantasy Brown Girl in the Ring. But there’s also a nice assortment of surprises, including James Grainger’s tale of a weekend reunion of old friends that goes horribly wrong, Harmless; Samuel Archibald’s upcoming collection Arvida, packed with tales of wild beasts, haunted houses and spooky road trips; Jacqueline Baker’s novel of H.P. Lovecraft’s secret assistant, The Broken Hours; and Helen Marshall’s own 2012 collection Hair Side, Flesh Side.

It’s a great guide to some of the best seasonal scares north of the border. Check it out — and click on any if the pics in the article to read the full review.

Future Treasures: The Shards of Heaven by Michael Livingston

Tuesday, October 27, 2015 John ONeill Comments 1 comment

Michael Livingston’s short stories in Black Gate revealed a keen talent for mixing history and fantasy — especially his acclaimed tale “The Hand That Binds (BG 9),” a fabulous retelling of the legend of Beowulf. His story “At the End of Babel” (Tor.com) is another fine example. His first novel, on sale next month from Tor Books, reveals the secret history of Ancient Rome, and the hidden magic behind the history we know.

Julius Caesar is dead, assassinated on the senate floor, and the glory that is Rome has been torn in two. Octavian, Caesar’s ambitious great-nephew and adopted son, vies with Marc Antony and Cleopatra for control of Caesar’s legacy. As civil war rages from Rome to Alexandria, and vast armies and navies battle for supremacy, a secret conflict may shape the course of history.

Juba, Numidian prince and adopted brother of Octavian, has embarked on a ruthless quest for the Shards of Heaven, lost treasures said to possess the very power of the gods — or the one God. Driven by vengeance, Juba has already attained the fabled Trident of Poseidon, which may also be the staff once wielded by Moses. Now he will stop at nothing to obtain the other Shards, even if it means burning the entire world to the ground.

Caught up in these cataclysmic events, and the hunt for the Shards, are a pair of exiled Roman legionnaires, a Greek librarian of uncertain loyalties, assassins, spies, slaves… and the ten-year-old daughter of Cleopatra herself.

Michael Livingston’s The Shards of Heaven reveals the hidden magic behind the history we know, and commences a war greater than any mere mortal battle.

The Shards of Heaven will be published by Tor Books on November 24, 2015. It is 414 pages. priced at $25.99 in hardcover and $12.99 for the digital version. It is the opening volume in an epic new historical fantasy series set against the rise of the Roman Empire.

The Testament of Tall Eagle by John R. Fultz

Tuesday, October 27, 2015 Fletcher Vredenburgh Comments 5 comments

In his 1978 essay “On Thud and Blunder,” Poul Anderson pointed out that heroic fantasy was “overpast for drawing inspiration from other milieus — Oriental, Near Eastern, North and Black African, Amerindian, Polynesian.” While I’m still looking for Polynesian swords & sorcery, Black Gate alumnus John R. Fultz, has written the first full Native American novel of heroic fantasy that I’m aware of: The Testament of Tall Eagle (2015).

I must admit I’ve corresponded and debated with John several times about heroic fantasy. He’s as deeply conversant with the history of S&S as anybody I know. He brings that knowledge plus a deep love for the genre to his writing. I recommend his collection The Revelations of Zang as well as his Books of the Shaper trilogy — both are wildly inventive and fun. So I went into his new book expecting good things and I was not disappointed.

Fultz’s novel is a wonderful throwback to the golden days of swords & sorcery of the 1970s. In only 324 pages, Testament recounts the adventures of Tall Eagle, a young man of a Great Plains Indian tribe in the days just before the introduction of horses to his people. It’s possessed of a straightforward narrative that’s as lean and fierce as a wolf. Instead of the Clark Ashton Smith-like prose of his previous books, much of Testament reads like a brutally realistic historical saga of 17th century Plains Indian life… until the monsters show up. And they do, in great, slimy droves.

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Blogging Sax Rohmer’s The Wrath of Fu Manchu, Part Two

Tuesday, October 27, 2015 William Patrick Maynard Comments 2 comments

When Rohmer scholar, Dr. Robert E. Briney compiled a posthumous hardcover collection of the author’s rare and previously uncollected short fiction in the early 1970s, he included three short stories that were first published in This Week magazine in between Rohmer’s last two Fu Manchu novels. The stories were subsequently reprinted in sequence in Edgar Wallace Mystery Magazine between January and March 1966 where the latter two stories were retitled. The hardcover collection, The Wrath of Fu Manchu and Other New Stories was first published in the U.K. in 1973 by Tom Stacey. A U.S. mass market paperback edition from DAW Books followed in 1976. The collection was subsequently reprinted in 2001 as part of Allison & Busby’s Fu Manchu Omnibus – Volume 5. Titan Books will reprint the original collection as a trade paperback in March 2016.

“The Eyes of Fu Manchu” was serialized in two installments in This Week magazine on October 6 and 13, 1957. It first appeared in book form when Dr. Briney added it to the 1970 Ace paperback collection, The Secret of Holm Peel and Other Strange Stories. The story opens with Sir Denis Nayland Smith attending a lecture at the Sorbonne by an American scientist, Dr. Gregory Allen. Dr. Allen is a specialist in the possible chemical means of halting or even reversing the effects of aging. Sir Denis correctly believes Dr. Allen’s research will draw him to the attention of Dr. Fu Manchu. He makes plans to attend Dr. Allen’s upcoming lecture at King’s College in London with Dr. Petrie who is flying in from Cairo.

Rohmer mines one of his own life’s episodes when he encountered and began an extramarital affair with a young bohemian woman while on a voyage to Madeira. Here, Gregory Allen meets a young bohemian woman named Mignon while crossing the English Channel. Mignon is an artist and, upon learning Gregory abandoned his study of art for science, she makes some pointed remarks about his abandoning the bohemian life of freedom and truth for one of compromised values as part of the Establishment. Her words seem to sting Dr. Allen as much as her beauty and youth charm him just as Rohmer, the former bohemian turned established bestselling author and husband must have felt when he began his own affair with a younger free spirit on his voyage to Portugal years before.

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Apex Magazine #77 Now on Sale

Monday, October 26, 2015 John ONeill Comments 0 Comment

In his editorial this month, Jason Sizemore tells us a little about the latest issue, and dishes out some excellent Halloween advice.

This month, we offer four original short stories by D.K. Thompson, Aaron Saylor, Maurice Broaddus and Arkady Martine. These stories are nothing alike in tone, setting, style, or mood. But they all share a central theme of “protection.” If you enjoy unique explorations of a singular conceit, then we have a great issue for you. And if you want your eyebrows raised and your tropes turned upside down, then read “Super Duper Fly” by Maurice Broaddus. If this story doesn’t start a discussion, then I will be very disappointed in you!

Or if you simply like a good werewolf story, well, we have that, too. It is the Witching month, after all!…

While this issue comes out several weeks prior to Halloween, I would like to close with a word of advice. If you’re giving out candy to trick-or-treaters, remember that nobody likes candy corn. Nobody.

Here’s the complete TOC.

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Forbes on the Tragic Failure of Jem And The Holograms

Monday, October 26, 2015 John ONeill Comments 8 comments

Last week Box Office Mojo reported that Guillermo del Toro’s gothic horror film Crimson Peak “crashed and burned into 2,984 theaters to the tune of an estimated $12.8 million.” So what did it make of Jem And The Holograms‘ historically bad take of one-tenth of that total this weekend, $1.3 million from 2,413 theaters? It calls it one of “the year’s biggest flops… the fourth worst opening for a film in more than 2,000 theaters.”

Jem And The Holograms was a much-loved 80s cartoon produced by Hasbro, Marvel, and Sunbow (the same team behind G.I. Joe and Transformers). Featuring the plucky Jerrica Benton, whose father left her virtually flawless hologram technology that allowed her to disguise herself as a beautiful pop singer, Jem was the brainchild of comics writer Christy Marx (Sisterhood of Steel, Conan, Red Sonja). Forbes writer Scott Mendelson sees the massive failure of the live-action version as a genuine tragedy.

The film took a source material that is over-the-top colorful and over-the-top exciting, filled with larger-than-life characters and musically-charged action sequences where Jem and her friends had to both be kick-ass rock stars and kick-ass crime fighters at the same time, and made a toned-down, muted, and overly patronizing “young girl gets in over her head due to fame and artistic success and forgets what matters” fable that basically penalized its young heroes for wanting and achieving success and power…

It was the kind of film that Josie and the Pussycats spoofed a decade ago, and basically operated as a dark-n-gritty origin story that spent the entire film building up to the possibility of maybe seeing a Jem movie that Jem fans wanted to see the first time out in a would-be sequel. Okay, so a cheap film that spit on the source material bombed, who cares right? Well, here’s the rub: The overriding message of Jem and the Holograms is that a girl-centric action cartoon from the 1980′s doesn’t deserve or justify even 5% of the resources given without a second thought to boy-centric properties cashing in on 80′s nostalgia.

Read the complete article here.

Vintage Treasures: None But Man by Gordon R. Dickson

Monday, October 26, 2015 John ONeill Comments 2 comments

When I was young, there was a peculiar sub-genre of science fiction that many folks attributed to the influence of John W. Campbell, the legendary editor of Astounding. If you were an SF reader in the 1950s-1980s, you read a fair share of novels in which mankind began a reign of conquest in outer space, carving a glorious empire among the stars. And when we inevitably crossed paths with aliens who frustrated our boundless ambitions, we’d show those godless E.T’s in relatively short order why you don’t mess with homo sapiens.

This always seemed to me to be a uniquely American branch of SF. Growing up in Ottawa, right across the river from the province of Quebec, my natural response when I met folks from an alien culture, with their own strange language and incomprehensible customs, was not to immediately attempt to assert my superiority. Instead you tried to score some French comics, and asked if they minded if you dated their sister. And if they drove a truck, you bought poutine from them, because that stuff was frickin’ manna from heaven.

To my mind Gordon R. Dickson (who was born in Edmonton, Alberta, in 1923) was never part of the Manifest Destiny in Outer Space crowd but, like most career SF writers at the time, he tried a little bit of everything. His 1969 novel None But Man, the tale of ‘brave human frontiersmen’ who defy a peace treaty and engage in guerrilla warfare against “unhuman Aliens” rather than surrender their homes, seemed pretty firmly in the “Nobody does war the way humans do” Campbell tradition.

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