Black Gate – Page 665 – Adventures in Fantasy Literature

Ann and Jeff Vandermeer’s The Big Book of Science Fiction Will be One of the Largest Anthologies the Genre Has Seen

Sunday, April 24, 2016 John ONeill Comments 6 comments

I’ve covered a handful of truly massive anthologies at Black Gate over the years — Otto Penzler’s The Vampire Archives and The Big Book of Adventure Stories spring to mind, as well as Ann and Jeff Vandermeer’s 1152-page The Weird — but I’m not sure I’ve ever come something as hugely ambitious as The Big Book of Science Fiction, edited by the Vandermeers, and scheduled to be released by Vintage this July.

Weighing in at 1,216 pages in oversized trade paperback, this could be one of the largest anthologies the genre has seen. Here’s the description.

Quite possibly the greatest science fiction collection of all time — past, present, and future!

What if life was neverending? What if you could change your body to adapt to an alien ecology? What if the pope were a robot? Spanning galaxies and millennia, this must-have anthology showcases classic contributions from H. G. Wells, Arthur C. Clarke, Octavia E. Butler, and Kurt Vonnegut, alongside a century of the eccentrics, rebels, and visionaries who have inspired generations of readers. Within its pages, you’ll find beloved worlds of space opera, hard SF, cyberpunk, the New Wave, and more. Learn about the secret history of science fiction, from titans of literature who also wrote SF to less well-known authors from more than twenty-five countries, some never before translated into English. In The Big Book of Science Fiction, literary power couple Ann and Jeff VanderMeer transport readers from Mars to Mechanopolis, planet Earth to parts unknown. Immerse yourself in the genre that predicted electric cars, space tourism, and smartphones. Sit back, buckle up, and dial in the coordinates, as this stellar anthology has got worlds within worlds.

And here’s the complete Table of Contents — including a rich assortment of world SF.

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Running with the Post-Apocalyptic Dogs: An Interview with Comic Creators Sam Sattin and Chris Koehler

Saturday, April 23, 2016 Derek Kunsken Comments 0 Comment

In May, Z2 Comics is going to be publishing Legend, a new series by writer Sam Sattin and artist Chris Koehler. I had previously interviewed Ian McGuity for his Z2 release Welcome to Showside and so when I saw the early news on Legend, I knew I wanted to have a chat with Sam and Chris.

Welcome to both of you and thanks for the chance to chat!

Sam and Chris: Thank you so much for having us. Black Gate magazine for life!

I read an advance copy of Legend. It’s strikingly different and I’m buying into the school that describes it as “Post-Apocalyptic Homeward Bound.” Can you give our readers a sense of what Legend is and what you were trying to do?

Sam: I love the idea of Legend being referred to as a “Post-Apocalyptic Homeward Bound.” But I also like describing Legend as a “Post-Apocalyptic Watership Down… meets The Walking Dead… and/or Game of Thrones?”

The thing that I love so much about Watership Down — along with other Richard Adams books, like The Plague Dogs — is how it employs myth. A much overlooked linchpin of Watership Down‘s success is its reliance on a religious text, one which turns a story of rabbits journeying from a home threatened by human development into a story of prophecy and redemption.

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New Treasures: The Orphan Fleet by Brendan Detzner

Saturday, April 23, 2016 John ONeill Comments 0 Comment

I’ve been following Brendan Detzner’s work with keen interest for the past few years. He’s published a number of tight, razor-sharp horror stories in places like Podcastle, ChiZine, Pseudopod, One Buck Horror, and other fine venues.

When I heard he was turning his hand to adventure fantasy, I jumped at the chance to be an early reader, and I’m glad I did. Here’s my enthusiastic blurb, which ended up on the finished novella, The Orphan Fleet.

The Orphan Fleet is terrific adventure fantasy — a non-stop tale of action and strange magic on a wind-swept mountain top where abandoned children have forged a free community, servicing far-traveling airships on sturdy wooden platforms. Here masked heroes with names like Golden Sam and The Sparrow are the ultimate celebrities — and the mysterious Count leaves shivers of terror wherever he treads. When that community is threatened by an admiral who demands the return of his prized daughter, it triggers a terrible war fought in the air, on the ground, and in the old abandoned scaffolding circling the mountain … a war where Golden Sam may prove himself a true hero after all, and the Count has a terrible role to play.

Michael Penkas reviewed two of Brendan’s previous collections for Black Gate: Scarce Resources and Beasts.

The Orphan Fleet was published by Attack Rabbit Books on April 15, 2016. It is 83 pages, priced at $2.99. Order copies directly at Amazon.com.

See all of our recent New Treasures here.

Uncanny Magazine Issue 9 Now on Sale

Saturday, April 23, 2016 John ONeill Comments 2 comments

Uncanny editors Lynn and Michael Thomas spill the beans on the March/April issue of Uncanny in their editorial.

Our cover is by the designer of the universally famous Space Unicorn logo, the fantastic Katy Shuttleworth, and is called “Strange Companions.” Our new fiction this month features a gorgeous and intricate examination of love and obsession by Rachel Swirsky, “Love Is Never Still,” a haunting and passionate story by Shveta Thakrar, “The Shadow Collector,” Max Gladstone’s fantastic and fun yarn “Big Thrull and the Askin’ Man,” Kelly Sandoval’s heart–wrenching and beautiful “The Wolf and the Tower Unwoven,” and finally Simon Guerrier’s cheeky and bittersweet “The Artificial Bees.” As we write this, David Bowie passed away only a few weeks ago. In memory of Bowie and how his work affected many of us, our reprint this month is Daryl Gregory’s surreal Bowie examination “Just Another Future Song,” originally published in Glitter & Mayhem, the SF/F nightlife/roller derby anthology we co–edited with John Klima.

Our essays this month feature Jim C. Hines poking holes in a tired defense of racism by historical figures, Kyell Gold introducing us to the fabulous world of furry fandom, an examination of the “Phildickian” existence of author George R. R. Martin by Javier Grillo–Marxuach, and finally a fascinating discussion about the increasingly blurred lines between “fan” and “pro” by Mark Oshiro.

All of the content became available for purchase as an eBook (PDF, EPUB, MOBI) on March 1, 2016.

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Blogging Sax Rohmer’s The Insidious Doctor Fu Manchu, Part Four – “Redmoat”

Saturday, April 23, 2016 William Patrick Maynard Comments 1 comment

NOTE: The following article was first published on April 4, 2010. Thank you to John O’Neill for agreeing to reprint these early articles, so they are archived at Black Gate which has been my home for over 5 years and 260 articles now. Thank you to Deuce Richardson without whom I never would have found my way. Minor editorial changes have been made in some cases to the original text.

“Redmoat” was the third installment of Sax Rohmer’s serial Fu-Manchu, first published in The Story-Teller in December 1912. The story would later comprise Chapters 7-9 of the novel, The Mystery of Dr. Fu-Manchu (initially re-titled The Insidious Dr. Fu-Manchu for U.S. publication) in 1913. “Redmoat” is significant for delving into the aftermath of the Boxer Uprising. As we discussed in Part Three, this conflict leant credence to the Yellow Peril fiction that had been steadily gaining in popularity over the preceding fifty years. More importantly for our purpose, the Boxer Uprising provided a motive for Dr. Fu-Manchu’s actions.

There are two principal supporting players to the story who are worthy of greater consideration. The first is the Reverend J. D. Eltham. Reverend Eltham had earned a name for himself during his missionary days in China as “Parson Dan.” Nayland Smith tells Dr. Petrie that Eltham “held off two hundred Boxers at a hospital in Nan-Yang with only a garrison of a dozen cripples and a German doctor for support.” The heroic clergyman’s evangelical zeal had resulted, according to Smith, in the Boxer Uprising. While ascribing the blame for that conflict on a single missionary is more than a bit implausible, it is interesting that Rohmer, an Edwardian author, took a critical view of the British Empire and recognized that intolerance to Chinese culture not only hindered the goal of religious conversion, but sparked China’s decision to drive the foreigners out of their country by whatever means necessary. It is also interesting to note that as Fu-Manchu is the personification of the Yellow Peril, so Parson Dan is the personification of colonial intolerance at its worst.

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Storming (Err…. Escaping) the Temple of Elemental Evil

Friday, April 22, 2016 Bob Byrne Comments 0 Comment

I’m sure you read my look at the Dungeons and Dragons Adventure Board Game series. I mean, who hasn’t? Anywhoo, I decided to try and solo the first adventure in The Temple of Elemental Evil (ToEE). I’ve not played Castle Ravenloft, but so far, I’ve found Legend of Drizzt to definitely be the easiest of the series, with Wrath of Ashardalon much tougher. After a few plays of Temple, I determined it to be even harder to win.

ESCAPE – That’s the name of the adventure. This one begins with the Massacre Site tile, rather than the Start Tile. Somewhere between the eighth and thirteenth tiles is the Guard Room tile. Once you find that, you lay the Start Tile next to it and if you can end your Hero Phase on the Start tile, you win.

Knowing how brutal this game is, I chose to play Barrowin, the female Gold Dwarf Cleric. Her healing power would most definitely be needed. Her stat line is 16 AC, 8 HP, 5 Speed. And when she uses a Daily or Utility power, one hero (which can be her) on her tile regains 1 HP.

I also House Rule that the monsters do not attack on the turn that they are placed. This is a big change, but I think that ToEE and Wrath are extremely difficult to win without that change.

You can click on the pictures to enlarge them and get a better look at what’s going on.

How did I do? Well, Barrowin made it to the 14^th turn, which is at least a moral victory. See how it all turned out below.

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The Exhumation of Myra Maynard

Friday, April 22, 2016 William Patrick Maynard Comments 1 comment

Most people have never heard of The Mysteries of Myra, much less seen the surviving footage. This 1916 silent serial was produced by publishing magnate William Randolph Hearst and directed by The Wharton Brothers for The Whartons Studio in Ithaca, New York. As late as the early talkie era, New York was still a rival for Hollywood with Paramount Pictures based on the East Coast until the early 1930s. The Mysteries of Myra was intended to carry on the tradition of The Perils of Pauline and The Exploits of Elaine, it was the work of the same screenwriter of those two lucrative serials, Charles Goddard, but The Mysteries of Myra was very different from any serial before or since in terms of structure and content.

Charles Goddard’s 15 chapter screenplay was developed from an original story treatment by real life occult detective, Hereward Carrington. Dr. Carrington was a member of the infamous Society for Psychical Research and a colleague of Harry Houdini. While a skeptic who exposed many false claims of psychic phenomena and hauntings, Dr. Carrington was also a believer in demonic possession, the afterlife, and other preternatural occurrences. The hero of the piece, Dr. Payson Alden, occult detective is clearly based on Hereward Carrington. The Mysteries of Myra is concerned with Dr. Alden’s efforts to save heiress Myra Maynard from the occult society, The Black Order and to win her heart from her contemptible fiancé , Arthur Varney, who is the right hand man of The Grand Master of The Black Order.

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The Girl The Gold Watch And Everything

Friday, April 22, 2016 Violette Malan Comments 9 comments

MacDonald Gold Watch1 John D. MacDonald is one of my favourite crime writers, and he’s probably best known for his Travis McGee series, starting with The Deep Blue Goodbye (1964) and ending with The Lonely Silver Rain (1985). Others, such as Glen Cook, have used this device after him, but I’m fairly certain that MacDonald’s the first person who identified individual books in his series by giving each one a title colour.

While John D. is well worth looking into for any of his genre or non-genre novels, I’d like to draw your attention in particular to his only SF contribution, The Girl, the Gold Watch, and Everything.

In this story a mild-mannered young man, Kirby Winter, inherits from his uncle a watch that will stop time for everyone except the person holding it. Of course Uncle Omar used the watch to make himself rich, but he also did a lot of good. He tried to keep as low a profile as possible, but unscrupulous types figured out he had something that gave him a edge in the money world, and now they’re after Kirby to get whatever it is for themselves. That’s the essential problem and conflict of the novel, and with the help of Bonnie Lee Beaumont, a young woman who happens to be a good deal quicker off the mark and savvy about the world than Kirby is, the problem gets solved.

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Goth Chick News: Waist Deep in the Horror or Covering the Halloween and Haunted Attractions Show 2016

Friday, April 22, 2016 Sue Granquist Comments 0 Comment

A 4 a.m. wakeup call, ten hours in the car, more coffee and Mountain Dew than can reasonably be tallied, two shots of Fireball whisky and over 100K square feet of blood, guts and latex.

No, it isn’t the Black Gate holiday party in Vegas. If it were, there would be way more than two shots of Fireball…

It is in fact, the biggest haunt show of the year; the Transworld Halloween & Haunted Attraction Show in St Louis, Missouri and Black Gate photog Chris Z and I are hopping on the road at zero-dark-thirty to cover it for the sixteenth year running – Chicago to Saint Louie and back in one day.

WTF? I hear you asking. But trust me when I say getting an inside peep at this “industry only” show is well worth the long day and the dry cleaning bill to get the smell of rotting flesh (courtesy of Sinister Scents) out of our Black Gate polo’s.

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Future Treasures: The People in the Castle by Joan Aiken

Thursday, April 21, 2016 John ONeill Comments 5 comments

My introduction to Joan Aiken was her marvelous novel The Cuckoo Tree, which I had pressed on me by my friend Alex Lambert more than 30 years ago. That led me to Black Hearts in Battersea, Midnight is a Place, and The Whispering Mountain.

Small Beer Press, which has brought us many delightful volumes over the years, will be publishing a collection of Joan Aiken’s “Selected Strange Stories” next week, and I’m looking forward to it. Kirkus Reviews calls it:

A welcome anthology of fantasy stories by a 20th-century master. The author of the beloved classic gothic for children The Wolves of Willoughby Chase, Aiken (1924-2004) also wrote hundreds of works of popular fiction that spanned the genres, from fantasy to horror to historical fiction, including several Jane Austen sequels. Naturally the tone of her books and short stories varies with their content, but its main notes include sophisticated, spritely satire and the darker moods of literary fairy tales. Fans of Wolves will recognize the honorable orphans and cruel guardians who populate these tales. Typically the wicked meet with fitting fates and the innocent triumph, though for Aiken, a good death counts as a happy ending. She plays with the contrast between the eldritch and modern culture and technology: ghosts and dead kings out of legend who contact the living by telephone, a doctor who writes prescriptions for fairies, a fairy princess who’s fond of Westerns.

The People in the Castle will be published by Small Beer Press on April 26, 2016. It is 256 pages, priced at $24 in hardcover and $14.99 for the digital edition. The cover, “The Castle in the Air” (1939) is by Joan Aikman. Kelly Link provides an introduction, and you can read a complete sample story, “The Cold Flame,” at Tor.com.