New Treasures: The Wheel of Osheim, Volume Three of The Red Queen’s War by Mark Lawrence

New Treasures: The Wheel of Osheim, Volume Three of The Red Queen’s War by Mark Lawrence

Prince of Fools-small The-Liars-Key-small The Wheel of Osheim-small

Mark Lawrence is the author of the bestselling Broken Empire trilogy (Prince of Thorns, King of Thorns, and Emperor of Thorns), the final volume of which won the 2014 David Gemmell Legend Award. The trilogy told the story of Jorg Ancrath’s devastating rise to power, and Mark returned to the same world for his second trilogy, The Red Queen’s War, which began with Prince of Fools (2014) and The Liar’s Key (2015). The final volume, The Wheel of Osheim, was published in hardcover last week. Here’s the description.

All the horrors of Hell stand between Snorri Ver Snagason and the rescue of his family, if indeed the dead can be rescued. For Jalan Kendeth, getting back out alive and with Loki’s key is all that matters. Loki’s creation can open any lock, any door, and it may also be the key to Jalan’s fortune back in the living world.

Jalan plans to return to the three w’s that have been the core of his idle and debauched life: wine, women, and wagering. Fate however has other plans, larger plans. The Wheel of Osheim is turning ever faster, and it will crack the world unless it’s stopped. When the end of all things looms, and there’s nowhere to run, even the worst coward must find new answers. Jalan and Snorri face many dangers, from the corpse hordes of the Dead King to the many mirrors of the Lady Blue, but in the end, fast or slow, the Wheel of Osheim always pulls you back. In the end it’s win or die.

We published the first chapter of Prince of Thorns, with a brand new introduction by Mark, here, and Howard Andrew Jones’s interview with him is here. Mark’s long article on writing and selling The Prince of Thorns (and the early rejection letters he got from Black Gate) is here.

The Wheel of Osheim was published by Ace on June 7, 2016. It is 432 pages, priced at $27 in hardcover and $13.99 for the digital edition. The cover is by Jason Chan.

John DeNardo on How to Start Reading Science Fiction: Short Stories

John DeNardo on How to Start Reading Science Fiction: Short Stories

Year's Best Science Fiction 8 Dozois-smallSF Signal editor John DeNardo has been writing some fine articles for Kirkus Reviews recently — like February’s Speculative Fiction Books You Can’t Miss, and The Best of the Best of 2015. I’ve been browsing through some of his earlier articles, and particularly enjoying his 6-part series on How to Start Reading Science Fiction from 2011. Here’s a snippet from Part 4: Short Stories, which packs in some terrific recommendations for SF readers old and new.

Just like snacks, SF/F anthologies — collections of stories by a variety of authors — come in an assortment of flavors.

Some great anthologies for folks starting down the road of science fiction include Science Fiction 101 edited by Robert Silverberg; The Science Fiction Hall of Fame series, edited by various editors; The Wesleyan Anthology of Science Fiction edited by Arthur B. Evans, et. al.; and The Secret History of Science Fiction edited by James Patrick Kelly and John Kessel — all these offer fantastic, well-rounded selections of stories.

A handful of retrospective anthologies offer editors’ picks for best stories. Popular ones include Gardner Dozois’ Year’s Best Science Fiction series, the longest-running retrospective series in print… The Best Science Fiction and Fantasy of the Year series edited by Jonathan Strahan; [and] The Year’s Best Science Fiction & Year’s Best Fantasy series edited by Rich Horton…

Sometimes anthologies are centered on a common theme… Anthologies don’t necessarily need a theme to be good. Some notable unthemed anthologies include Lou Anders’ Fast Forward series; George Mann’s The Solaris Book of New Science Fiction series; Sharyn November’s Firebirds series; and Jonathan Strahan offers Engineering Infinity, Life on Mars, as well as the Eclipse series of sf/f. Top-notch fiction abounds!

Read the complete article here.

Vintage Treasures: The Sky Children by Donald Olson

Vintage Treasures: The Sky Children by Donald Olson

The-Sky-Children-Donald-Olson-small The-Sky-Children-Donald-Olson-back-small

I don’t know a lot about Donald Olson, but IMDB tells me The Sky Children was his only novel. He did publish three short stories, in Alfred Hitchcock’s Mystery Magazine and The Twilight Zone Magazine, between 1973 and 1981, but that’s about it.

But Mr. Olson isn’t really the most intriguing thing about The Sky Children. That would be the moody and effective cover, by an uncredited artist who also produced many covers for Avon in the mid-70s, including several anthologies like Roger Elwood’s Demon Kind, and others. A little investigation has not produced an immediate answer to this riddle, so I thought I’d post it here and see if anyone can help.

The Sky Children was published by Avon Books in 1975. It is 144 pages, priced at $1.25. The cover artist is uncredited. I bought an unread copy online last month for under $1.

In Short Fiction, 2016 Belongs to Rich Larson and Dominica Phetteplace

In Short Fiction, 2016 Belongs to Rich Larson and Dominica Phetteplace

Interzone-261-smaller Asimov's Science Fiction March 2014 Asimovs SF July 2016-small

It’s all subjective, but 2015 really seemed to be the year of Sam J. Miller and Kelly Robson. If you weren’t reading their stuff you were missing something special. There were others, like Alyssa Wong, but you needed to read Sam and Kelly. Just like the year before it was Kai Ashante Wilson and Usman Malik.

While thankfully none of those fine writers have gone away, this year seems to belong to Rich Larson and Dominica Phetteplace, both of whom have had fine stories in a range of publications. Larson has had strong work in Interzone, Analog, F&SF and elsewhere, while Phetteplace has set up home in Asimov’s with a series of excellent stories. She also has a new one in the upcoming July/August F&SF, “Spells Are Easy If You Have The Right Psychic Energy,” that I really enjoyed. And both authors are in the current issue of Asimov’s, July 2016 (above right).

Using Feedback from Beta Readers and Editors: The Parable of Frankenstein’s Monster

Using Feedback from Beta Readers and Editors: The Parable of Frankenstein’s Monster

frankenstein
A book, my friends, is like Frankenstein’s monster.

Beta readers — friends who read and comment on your work — and, if you are lucky or flush, professional editors, are great. They tell you things like:

“The characters seemed thin… I just lost interest.”

“The main character was such a #### that I couldn’t read on.”

“Too much technical detail. I got bored.”

“The fight scenes went on too long.”

And they are always right — because reading is a subjective experience — but they are usually wrong, because the issue is usually not the issue.

It’s like Frankenstein’s Monster.

No, really. Let me explain…

In fact, let me tell you a story.

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Tor.com is Buying Science Fiction Novellas

Tor.com is Buying Science Fiction Novellas

Tor.com bannerTor.com is on a roll. Their new line of novellas has been a commercial and critical hit — the $2.99 digital price pretty much makes them irresistible, and Nnedi Okorafor’s Binti just won a Nebula Award. Plenty of others in their catalog are getting award attention, too. And in addition to their premium publishing line, they continue to publish fine novellas for free on their website.

All in all, it’s not an exaggeration to say that Tor.com has helped usher in a new era for the novella in SF & Fantasy publishing. They certainly haven’t done it alone — Clarkesworld, Beneath Ceaseless Skies, and other top sites have all recently announced that they’re starting to publish longer work — but they’ve definitely led the way in making the novella sexy again.

So I was delighted to see Tor.com recently open a new reading period for unsolicited novellas. Here’s the announcement.

Starting June 5th, Lee Harris and Carl Engle-Laird will be reading and evaluating original novellas submitted by hopeful authors to http://submissions.tor.com/tornovellas/. You can find full guidelines here, and we highly recommend you read the guidelines, because we’re doing things a little differently this time. Until the end of June, Tor.com will only be considering novellas of between 20,000 and 40,000 words that fit one of the following science fiction subgenres:

  • Time Travel
  • Space Opera
  • Near Future Thriller
  • Cyberpunk

…As always, both Lee Harris and Carl Engle-Laird actively request submissions from writers from underrepresented populations. This includes, but is not limited to, writers of any race, gender, sexual orientation, religion, nationality, class and physical or mental ability.

If you’ve had that unfinished space opera/cyberpunk thriller gathering dust on your hard drive, now is definitely time to polish it off an submit it! Read complete details here.

Future Treasures: Icon by Genevieve Valentine, Book II of The Persona Sequence

Future Treasures: Icon by Genevieve Valentine, Book II of The Persona Sequence

Persona Genevieve Valentine-small Icon Genevieve Valentine-small

Genevieve Valentine’s first novel Mechanique received a Nebula nomination and placed #2 on the Locus Award list for Best First Novel. Her second was the highly acclaimed The Girls at the Kingfisher Club. Her third, Persona, was the first installment in The Persona Sequence; it was released last year as part of the freshman class of Saga Press releases, and very warmly received.

The sequel, Icon, arrives at the end of the month. Here’s the description.

Suyana Sapaki survived an assassination attempt and has risen far higher than her opponents ever expected. Now she has to keep her friends close and her enemies closer as she walks a deadly tightrope — and one misstep could mean death, or worse — in this smart, fast-paced sequel to the critically acclaimed Persona.

A year ago, International Assembly delegate Suyana Sapaki barely survived an attempt on her life. Now she’s climbing the social ranks, dating the American Face, and poised for greatness. She has everything she wants, but the secret that drives her can’t stay hidden forever. When she quickly saves herself from a life-threatening political scandal, she gains a new enemy: the public eye.

Daniel Park was hoping for the story of a lifetime. And he got her. He’s been following Suyana for a year. But what do you do when this person you thought you knew has vanished inside the shell, and dangers are building all around you? How much will Daniel risk when his job is to break the story? And how far will he go for a cause that isn’t his?

Icon will be published by Saga Press on June 28, 2016. It is 322 pages, priced at $24.99 in hardcover, and $7.99 for the digital edition

The Further Adventures of Cija the Goddess: Jane Gaskell’s Atlan Saga, Part II

The Further Adventures of Cija the Goddess: Jane Gaskell’s Atlan Saga, Part II

Orbit Futura Cover
Orbit Futura Cover
Pocket Books Cover (Boris Vallejo)
Pocket Books Cover (Boris Vallejo)

A Tale of Two Books

Back in December I wrote about Jane Gaskell’s classic 1960’s fantasy novel The Serpent. We pick up the story with a book that’s been published here and there as the second in the series, The Dragon.

Calling this Book Two is a bit of a misnomer, as certain publishers have included this slim volume as part of The Serpent. For our purposes (and because the Orbit Futura series I have at hand separated them into two distinct volumes), I am referring to it as a separate book. My copy weighs in at 206 pages of small print, continuing the exploits of our reluctant heroine, the young goddess Cija.

The two-book split is preferable in at least one sense, in that it acts as a visual divide that emphasizes events in the tale.

You see, our heroine is growing up. From her secluded upbringing we saw her blunder from point to point in The Serpent. She was naïve and had a skewed sense of the real world, having had only books — chiefly romances and sagas — to help her form opinions in her youth. One got the distinct impression that life happened to Cija.

That kind of inherent fatalism starts to change in The Dragon.

Of course, there’s another advantage to having two editions – awesome cover art. I would love to know who painted the covers of the Orbit Futura series, but the artist isn’t credited. One needs a magnifying glass to appreciate it fully, but the cover of The Dragon is not only captivating, in my humble opinion, but also shows that the artist has done his homework, as it depicts events within the book almost as accurately as the author’s fine prose.

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Amazing Stories, October 1962: A Retro-Review

Amazing Stories, October 1962: A Retro-Review

Amazing Stories October 1963-small Amazing Stories October 1963-back-small

Back to Cele Goldsmith’s Amazing. This is a minor issue in context.

The cover is by an artist I’m not familiar with, Bill Conlon. The interiors are by Virgil Finlay, Austin Briggs, George Schelling, Lloyd Birmingham, and Dan Adkins. Norman Lobsenz’ editorial is about science vs. the humanities. The science fact article is called “The Nuclear Putt-Putt,” by Frank Tinsley, and it’s about Project Orion (the notion of propelling a spacecraft by nuclear bombs). Sam Moskowitz contributes a profile of the late Henry Kuttner, reflecting the view that much of what he wrote under his own name was garbage, so no one could believe he was behind the Lewis Padgett stories.

S. E. Cotts’ book review column covers Great Science Fiction by Scientists, edited by Groff Conklin; The Long Tomorrow, by Leigh Brackett; Return to Otherness, by Henry Kuttner; Telepath, by Arthur Sellings; and The Super Barbarians, by John Brunner. He praises the Conklin anthology for its off-center focus — the fiction of actual working scientists — less than for the quality of the actual stories. The review of The Long Tomorrow is an out and out rave (with an apology for having taken so long to get around to it).

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New Treasures: Alive by Scott Sigler

New Treasures: Alive by Scott Sigler

Alive Scott Sigler-small Alive-Scott Sigler-back-small

New York Times best-selling writer Scott Sigler is the author of fifteen novels, included Infected and Pandemic. His popular Generations Trilogy began with Alive, published in hardcover in July of last year, followed by Alight, released on April 5 of 2016. The final novel, Alone, is scheduled to be released in March of next year.

Alive follows the story of a band of young teens who awaken in a coffin-strewn underground chamber, and the disturbing discoveries that await them when they finally escape. Led by a girl who has no memory of her identity, they explore a labyrinth of corridors filled with bones and dust… and much worse. Cherie Priest (Boneshaker) calls it “A tense, unsettling page-turner of a story — both deeply strange and wildly compelling,” and Entertainment Weekly say it “lives up to its hype, packing plenty of thrills.” It was an Amazon Best Book for July 2015. Del Rey released a trade paperback edition earlier this year, at the bargain price of $10. Well worth checking out.

Alive was published by Del Rey on February 2, 2016. It is 369 pages, priced at $10 in trade paperback, and $9.99 for the digital edition. The cover was designed by David G. Stevenson.