Black Gate – Page 614 – Adventures in Fantasy Literature

Vintage Treasures: The Best Science Fiction of the Year #3, edited by Terry Carr

Tuesday, September 6, 2016 John ONeill Comments 18 comments

The Best Science Fiction of the Year 3 Terry Carr-small

The Best Science Fiction of the Year 3 Terry Carr back-small

How did Terry Carr’s Best Science Fiction of the Year paperback anthology series last an incredible sixteen years, from 1972 until his death in 1987?

It’s not that hard to figure out. When early volumes were as amazing as #3, released in July 1974, it didn’t take long for these books to establish a stellar reputation — and a staunchly loyal readership.

How incredible was The Best Science Fiction of the Year #3?

It contains some of the finest science fiction stories of all time, packed into one slender volume. Like “The Women Men Don’t See” by James Tiptree, Jr… perhaps her most famous story, and that’s saying something. And Vonda N. McIntyre’s Nebula Award-winning “Of Mist, and Grass, and Sand,” which became the basis of her 1978 novel Dreamsnake (which swept the Hugo, Nebula, and Locus Awards the following year.) And Harlan Ellison’s classic “The Deathbird,” the Hugo and Locus Award-winning title story of his celebrated 1975 collection Deathbird Stories. Plus Gene Wolfe’s famous “The Death of Dr. Island,” winner of the Locus and Nebula awards for Best Novella.

And an unassuming little story by a young writer named Ursula K. Le Guin, “The Ones Who Walk Away from Omelas,” which won the Hugo Award for Best Short Story, and is considered by many (me included) to be one of the finest short stories ever written. And lots more — including a Jack Vance novella, plus stories by Philip José Farmer, Alfred Bester, R. A. Lafferty, Robert Silverberg, and F. M. Busby. All for $1.50!

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Beneath Ceaseless Skies 207 Now Available

Tuesday, September 6, 2016 John ONeill Comments 0 Comment

Black Gate is up against Beneath Ceaseless Skies for a World Fantasy Award this year, and I don’t mind telling you, that’s some stiff competition. BCS has been publishing since October 2008 — nearly 8 years — hitting its bimonthly schedule without missing a beat. Speaking as someone who managed one issue a year, that’s pretty impressive. It’s become one of the top markets for Adventure Fantasy, and has published stories by Aliette de Bodard, Gemma Files, Catherynne M. Valente, Fran Wilde, Kameron Hurley, E. Catherine Tobler, Tina Connolly, Sarah Pinsker, Cat Rambo, Yoon Ha Lee, K.J. Parker, Rachel Swirsky, Bruce McAllister, Saladin Ahmed, Carrie Vaughn, and many others.

Of particular note to Black Gate readers, they’ve also published a fair number of BG authors, including Derek Künsken, Rosamund Hodge, Richard Parks, Brian Dolton, and Chris Willrich.

If you haven’t made the time to check it out, it’s not too late. Issue #207 of Beneath Ceaseless Skies is now available, completely free on their website. It is dated September 1 and features fiction by Marie Brennan and Thomas M. Waldroon, a podcast by Marie Brennan, a Audio Vault podcast by Marie Brennan, and a Novel Excerpt by James Morrow. Here’s the complete Table of Contents.

“To Rise No More” by Marie Brennan
Ada shook her head, staring once more at the Thames. “I do not think what I had in mind will work. The size of the wing, if it is to be large enough to lift me—my body cannot possibly generate enough force to move it. Not with the speed required.” Especially not when she kept growing. Every inch meant more weight for the wings to lift, without a commensurate gain in strength.

“George & Frank Tarr, Boy Avencherers, in ‘Beeyon the Shours We Knowe!!!!’” by Thomas M. Waldroon
Where’s it all come from? George wondered. Where you think it comes from? Frank scoffed. It’s fields and roads and house lots. It’s America, running westwards to somewhere else, anywhere else, someplace maybe better, like Great-Grandpaps did, and like Papa did, and just like we’re doing.

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Cugel in Golarion: Song of the Serpent by Hugh Matthews

Tuesday, September 6, 2016 Fletcher Vredenburgh Comments 4 comments

The woman looked over at Krunzle, who was making sure no morsel of the meal escaped his needs. “What of you, errand-runner? Do you know much of where we are heading? Or anything, for that matter?”

The thief returned her a level gaze. “I know who I am and what I can do,” he said. “I find that usually suffices.” He arranged a piece of fish on a crumb of bread and popped both into his mouth.

from Song of the Serpent

I have read only a tiny fraction of Matthew Hughes’ prodigious output. What I have read, his Jack Vance-inspired stories of the Purloiner Raffalon, I like very much (see my reviews here, here, here, and here). Those four stories, plus five others, will be collected and released next year. I can safely write that that will be an immediate purchase for me.

A few weeks ago, when he posted about a novel he wrote back in 2012 for Paizo’s Pathfinder Tales, I was intrigued.

Back in 2008 at World Fantasy Convention in Calgary, I was in the bar when Erik Mona, publisher of Paizo Books, told me he was a great Jack Vance fan and that he liked my work. He asked me if I had a book for him. As it turned out, I was looking for a publisher for Template, my stand-alone Archonate space opera that had been brought out as limited collector’s editions by PS Publishing.

I sent it to him and he brought it out as part of the series, Planet Stories, which (like Template) were decidedly retro science fiction.

Later, Erik told me that he also published novels set in the Pathfinder RPG universe’s world of Golarion, and asked me if I would be interested in doing one. He also said he would really like it if I would do a Cugel the Clever story. I love the Cugel stories and said I’d be delighted.

So we made a deal and I wrote a novel originally called Out of the Blue that was retitled Song of the Serpent before publication in 2012. It told the tale of a thief named Krunzle the Quick who, like Cugel, is fast on his feet – he has to be because, again like Cugel, he’s not as smart as he thinks he is.

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Old Dark House Double Feature III: The Ghost in the Invisible Bikini (1966) and Ghost of Dragstrip Hollow (1959)

Monday, September 5, 2016 William I. Lengeman III Comments 2 comments

The Ghost in the Invisible Bikini
American International Pictures (1966)
Directed by Don Weis
Written by Louis M. Heyward and Elwood Ullman
Starring: Basil Rathbone, Boris Karloff, Tommy Kirk, Deborah Walley, Aron Kincaid

I’m not sure how the phrase “everything but the kitchen sink” originated. Perhaps to describe this movie, which pulls out all the stops. As with Ghost of Dragstrip Hollow, I went into it with very low expectations and ended up being surprised.

I’m pretty sure this is the only movie ever made that starred Basil Rathbone, Boris Karloff and Tommy Kirk. Black Gate readers will probably know the first two names and I think it’s safe to say that this movie wasn’t the highlight of their careers, although Rathbone turns in an energetic performance.

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New Treasures: Warren the 13th and The All-Seeing Eye by Tania Del Rio and Will Staehle

Monday, September 5, 2016 John ONeill Comments 2 comments

Looking over Will Staehle’s art for the book Warren the 13th and The All-Seeing Eye, I’ve never been closer to believing Lewis Carroll’s adage that all good books must be illustrated.

12 year-old Warren is the sole surviving heir to a grand (but rapidly decaying) old hotel. When a strange bandaged guest arrives, Warren’s deliciously self-absorbed Aunt Annaconda soon becomes convinced that he’s after the All-Seeing Eye, a magnificent treasure that family legend says is hidden someone on the property. The result is a madcap treasure hunt and Warren, determined to find his rightful inheritance first, soon joins the search. But first he’ll have to contend with strange monsters, sinister witches, bizarre mazes and secret codes, and a long-forgotten riddle.

This 224-page book is heavily illustrated, with art on virtually every page. The New York Times Book Review calls it “an engaging mystery… with a few nice twists and surprises along the way,” and Publishers Weekly says it’s “stylish, exciting, funny, and just slightly macabre.” That’s good to know, but I can make up my mind on Staehle’s artwork right now — and I think it’s fantastic.

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The Public Life of Sherlock Holmes: The Master Plot Formula (per Lester Dent)

Monday, September 5, 2016 Bob Byrne Comments 3 comments

Lester Dent was a prolific pulp author, best remembered for creating the adventure hero, Doc Savage.

And speaking of Doc Savage, there is currently a Shane Black film project to star Dwayne ‘The Rock’ Johnson as The Man of Bronze. Hopefully it will introduce Savage and Dent to a new generation.

The Doc Savage stories were published under the house name of Kenneth Robeson, which is a reason Dent’s name isn’t as well-remembered as it should be.

Dent cranked out 159 Doc Savage novels, but he also wrote hundreds of short stories for the pulps across several genres, including war, westerns and mysteries. The John D. MacDonald fan (which should be everyone!) might want to check out his two Oscar Sail stories for a little hint of Travis McGee. “Sail” is included in the massive (over a thousand pages!) anthology from Otto Penzler, The Black Lizard Big Book of Black Mask Stories.

Will Murray (whose name you’re going to be seeing again here at Black Mask very soon) compiled a thorough bibliography, and it includes a very nice intro about Dent.

Dent, who died in 1959, a few weeks after suffering a heart attack, left behind a master plot formula for generating 6,000 word short stories. I’m going to let you read it below, in full, then give you some comments related to it from one of the top fantasy authors of all time.

This is a formula, a master plot, for any 6000 word pulp story. It has worked on adventure, detective, western and war-air. It tells exactly where to put everything. It shows definitely just what must happen in each successive thousand words. No yarn of mine written to the formula has yet failed to sell. The business of building stories seems not much different from the business of building anything else.

Here’s how it starts:

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Self-published Book Review: Valley of Embers by Steven Kelliher

Sunday, September 4, 2016 Donald Crankshaw Comments 2 comments

If you have a book you’d like me to review, please see this post for instructions to submit. I’ve received very few submissions recently, and I’d like to get more.

Valley of Embers by Steven Kelliher is primarily the story of Kole Reyna and Linn Ve’Ran. Although Linn Ve’Ran is a skilled and dedicated hunter and warrior, she is not an Ember like Kole, a Landkist given power to control flame by the land. But the land from which Kole’s power comes is not the titular valley where Kole’s and Linn’s people live, but the desert from which their ancestors fled from the war between the Sages. Before he fell in battle, the King of Ember struck a bargain with the Sage White Crest to shelter his people in the valley. Separated from the desert for decades, those born as Embers are fewer and weaker each generation. Instead, some are gifted with the native Landkist power of the valley, the healing and dreaming of the Faeykin. But it is the Embers who are especially valued, to fight the Dark Kind who have returned, bearing the corruption of the Eastern Dark from whom the Emberkin fled years before.

Everyone wonders what had become of the White Crest, who was to be their protector. Some think that he fell shortly after the King of Ember, when he shattered the land to turn back the Eastern Dark. Others think that in his isolation, he is unaware of their plight, or thinks that they can handle things themselves, or is too busy fighting the far greater threat of the Eastern Dark. Since the night of his mother’s death while seeking out the White Crest and the dream he had of her fall, Kole has believed that the White Crest has turned against them, and it is he who sends the Dark Kind.

But while Kole is given permission to seek out the White Crest and get some answers, he is delayed when he suffers a grievous injury by a Sentinel, one of the Dark Kind’s lieutenants, who can convert humans to their cause. While he fights the darkness that seeks to turn him, Linn Ve’Ran gathers some friends and strikes out without him. Her party quickly runs into trouble when they encounter an army of Dark Kind besieging the Valley’s largest city, Hearth, and only half of them make it to the mountains where the White Crest dwells.

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Future Treasures: Everfair by Nisi Shawl

Sunday, September 4, 2016 John ONeill Comments 0 Comment

Nisi Shawl has been writing short stories for over two decades, and her long awaited first novel, an historical fantasy steampunk tale set in the Belgian Congo, will be released this week. It explores one of the darkest periods in human history — King Leopold’s African holocaust — and imagines what might have been if the native peoples of the Congo had developed steam technology of their own. It’s a fascinating premise, and Everfair is one of the most intriguing literary offerings of the fall.

Everfair is a wonderful Neo-Victorian alternate history novel that explores the question of what might have come of Belgium’s disastrous colonization of the Congo if the native populations had learned about steam technology a bit earlier. Fabian Socialists from Great Britian join forces with African-American missionaries to purchase land from the Belgian Congo’s “owner,” King Leopold II. This land, named Everfair, is set aside as a safe haven, an imaginary Utopia for native populations of the Congo as well as escaped slaves returning from America and other places where African natives were being mistreated.

Nisi Shawl’s speculative masterpiece manages to turn one of the worst human rights disasters on record into a marvelous and exciting exploration of the possibilities inherent in a turn of history. Everfair is told from a multiplicity of voices: Africans, Europeans, East Asians, and African Americans in complex relationships with one another, in a compelling range of voices that have historically been silenced. Everfair is not only a beautiful book but an educational and inspiring one that will give the reader new insight into an often ignored period of history.

Everfair will be published by Tor Books on September 6, 2016. It is 384 pages, priced at $26.99 in hardcover and $12.99 for the digital edition. The cover is by Victo Ngai.

Read a sample chapter at Tor.com.

Blogging Marvel’s Master of Kung-Fu, Part Three

Sunday, September 4, 2016 William Patrick Maynard Comments 1 comment

Master of Kung Fu #22 sees the welcome return of artist Paul Gulacy who came and went a bit in these early issues. The first half of the story sees Shang-Chi set upon by Si-Fan assassins at a Chinese restaurant in New York before infiltrating his father’s skyscraper base of operations. Fu Manchu has captured both Sir Denis Nayland Smith and Black Jack Tarr. Shang-Chi stows away aboard Fu Manchu’s private jet unaware of their destination. Once on the ground, he follows as his father’s minions lead their captives to a cave in the side of a mountain which has been filled with dynamite. Shang-Chi rescues the two Englishmen and prevents the detonation which would have seen Fu Manchu kill his archenemy in the same instant he destroyed Mount Rushmore. Doug Moench, like Steve Englehart before him, has an embarrassment of riches that are largely squandered with insufficient page count to fully develop his narrative. This would soon change, however, and make the series one of the finest published in the 1970s.

Most of Marvel’s Giant-Size quarterly titles were throwaways, much like too many of their special Annual editions, but Giant-Size Master of Kung Fu #2 was a 40-page epic designed to showcase both the character of Shang-Chi and the talents of the series’ writer and artist, respectively. Doug Moench had been harboring a desire to address racism and bigotry directly and a series with an Asian protagonist gave him the perfect forum to do so. Paul Gulacy now had the freedom to display martial arts fighting as well as moving displays of romance and longing relying solely on the power of his images in a string of panels that conveyed storytelling free of words. Even more significant is the fact that Gulacy’s depictions of lust and attraction never pandered to titillation as the artist evinced a mature understanding of the art form’s possibility. The fact that he was strongly influenced by cinema and Steranko’s pop art work of the 1960s take nothing away from the fact that Gulacy was coming into his own as an artist with this title.

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Gamma 3, 1964: A Retro-Review

Sunday, September 4, 2016 Rich Horton Comments 1 comment

Here’s a bit of a curiosity — a magazine I had not heard of until quite recently.

Gamma was a short lived digest magazine published out of North Hollywood, CA, between 1963 and 1965. Five issues total were published, the first three edited by William Nolan (best known, probably, for writing Logan’s Run with the recently late George Clayton Johnson, but an active writer since 1956 and still publishing new stuff now, age 88). Because of its location*, perhaps, they attracted some writers associated with the movie business, and in general published a mix of SF and Fantasy, and of writers both from within and without the genre, that reminded me of F&SF, especially in its first few years.

*(Indeed, of the 9 writers in this issue, 7 (as far as I can tell) were based in California, and those who weren’t (Malamud and Highsmith) are the most prominent and the only “non-genre” writers.) The interior art is by Luan Meatheringham, an LA artist active in the ad industry and as a freelancer, who seems to have disappeared from notice.

The cover is called “Expedition to Jupiter,” by Morris Scott Dollens, and it depicts a spaceship and a couple of astronauts on what I take to be Ganymede or Callisto, with Jupiter in the sky.

There is one feature, an interview with the editor (using a false name) of a Soviet publishing house, discussing the state of Soviet SF. (By coincidence, I just read a similar piece in Amazing.)

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