Voracious Volume One: Diners, Dinosaurs & Dives

Voracious Volume One: Diners, Dinosaurs & Dives

Voracious volume 1Kill Hitler. Obviously.

But what’s the second thing you’d do if you had access to a time machine? And keep in mind, I mean “had access to a time machine” and not “built a time machine.” Because if you built a time machine, then you’d be super-aware of not stepping on any butterflies and the bootstrap paradox and causal loops. And then you’d know that the best thing to do with a time machine is nothing because the ramifications are potentially universe-destroying.

But I digress. The second thing you’d do if you had access to a time machine is go see dinosaurs. At least, that’s what you’d do if you were a guy. Most boys were fascinated by dinosaurs when they were young and, even when we’re all grown up, there’s some primitive part of our brains that thinks, “I gotta see a dinosaur some time.” It’s a really primitive part of the brain, of course. The reptile part.

Voracious deals with the Hitler in the room quite easily. When Nate Willner inherits a fortune from his mysterious dead uncle, he also inherits his secret time machine. And the time machine has only pre-set coordinates, so Nate can’t go Nazi-hunting. Instead, he gets sent directly to the age of dinosaurs.

Six panels after a beautiful two-page spread illustration of dino-times, Nate is panicking and running for his life from some very large (and very obviously herbivorous) dinosaurs. Since the time suit he’s in is equipped with weapons, he reacts to the first dinosaur that follows him by setting it on fire. And while the implications of murdering a lifeform in the past is lost on him, Nate does notice that the burnt pterodactyl smells delicious.

Being a professional chef, Nate does the only logical thing: bring the dead dinosaur back to the present, cook it up and eat it. Once he confirms that dinosaurs are delicious, Nate decides to use the money he inherited to open a restaurant and the time machine he inherited to acquire lots of free meat that’s unlike anything his customers have ever tasted. Hi-jinks ensue.

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Future Treasures: The Year’s Best Science Fiction & Fantasy 2017, edited by Rich Horton

Future Treasures: The Year’s Best Science Fiction & Fantasy 2017, edited by Rich Horton

Rich Horton Years Best SF 2017-smallThe Year’s Best season is now in full swing. Jonathan Strahan‘s volume arrived April 18th from Solaris, and Neil Clarke‘s April 4th from Night Shade. Couple that with the 2017 Nebula Awards Showcase released last week from Pyr, and you have the beginnings of a decent SF library.

So why would anyone who has those volumes need another Year’s Best?

Simple, really. Where else will you find Lavie Tidhar’s groundbreaking novella “The Vanishing Kind?” Or Paul McAuley’s “Something Happened Here, But We’re Not Quite Sure What It Was?” Or Carrie Vaughn’s Hugo nominee “That Game We Played During the War?” Or Jason Sanford’s Nebula nominee “Blood Grains Speak Through Memories?” Or Cat Rambo’s almost-Nebula-nominated “Red of Tooth and Cog?”

Nowhere but in Rich Horton’s upcoming Year’s Best Science Fiction & Fantasy 2017, coming next month from Prime Books. This is Rich’s ninth volume, and over the years he’s proven to have both excellent taste and genuine skill ferreting out future classics in out-of-the-way places (such as private Patreon feeds, and the Beloit Fiction Journal.) He may well be the most widely-read of all the Year’s Best editors, and it shows in his Table of Contents every year.

Speaking of which, here’s the impressive TOC for his 2017 volume, with fiction from Charlie Jane Anders, Ian R. MacLeod, Genevieve Valentine, Rich Larson, Kameron Hurley, Carlos Hernandez, Chaz Brenchley, Adrian Tchaikovsky, and many others.

“Seven Ways of Looking at the Sun-Worshippers of Yul-Katan” by Maggie Clark (Analog)
“All that Robot Shit” by Rich Larson (Asimov’s)
“Project Empathy” by Dominica Phetteplace (Asimov’s)
“Lazy Dog Out” by Suzanne Palmer (Asimov’s)

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Sailing Against the Tides of Perdition: Pirates in Hell, edited by Janet and Chris Morris

Sailing Against the Tides of Perdition: Pirates in Hell, edited by Janet and Chris Morris

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Pirates in Hell (Heroes in Hell, Volume 20)
Edited by Janet and Chris Morris
Perseid Press. (456 pages, $22.40 in trade paperback, $8.99 in digital formats, April 10, 2017)
Cover Design and Cover Art: Roy Mauritsen
Book Design: Chris Morris

Fifteen men on the Dead Man’s Chest
 Yo-ho-ho, and a bottle of rum!
Drink and the devil had done for the rest
 Yo-ho-ho, and a bottle of rum!
― Robert Louis Stevenson, Treasure Island

Ahoy there! Well here we are — another year and another volume in the wonderful, shared-universe series, Heroes in Hell, which I am proud to be part of. This brand-new, sea-faring adventure set in hell is called Pirates in Hell, and it is the 20th volume in this award-winning series since its inception back in 1986. Once again we’ve tried to do a little something different, as the title suggests: bring you an action-packed, swashbuckling, multi-author novel that still retains all the hallmarks of this very literary series: drama, pathos, philosophy, action, humor… and so much more. This, which I now present to you, is a preview, a bit of teaser promo to hopefully whet your appetite. Here is the book’s main story arc, according to series creator, editor, publisher and contributing author, Janet Morris.

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New Treasures: The Never King by James Abbott

New Treasures: The Never King by James Abbott

The Never King James Abbott-small The Never King James Abbott-back-small

‘James Abbott’ is a pseudonym for Mark Charan Newton (Nights of Villjamur, the Legends of the Red Sun series). I’m not sure why he’s trying out a pseudonym, but the official biography reads “James Abbott is a pseudonym for an established author who is trying an exciting new direction,” so I’m guessing The Never King is a noticeable departure from his previous stuff. Whatever the case, it’s getting some good notice, SFX says it has:

Flashes of Joe Abercrombie-style grit… it also boasts a modern sensibility: an ugly despot on the throne, religious strife, refugees, the role of propaganda… with likable characters and well-paced battles, it’s an accomplished tale.

The Never King was published in the UK by Pan on May 18, 2017. It is 499 pages, priced at £8.99 in paperback and £4.99 for the digital edition (copies are also available in the US through multiple online retailers). The cover was designed by Neil Lang.

The 2016 Nebula Award Winners

The 2016 Nebula Award Winners

All-the-Birds-in-the-Sky-medium Every-Heart-a-Doorway_Seanan-McGuire-small Arabella of Mars-small

The 2016 Nebulas were presented by the Science Fiction Writers of America at the 52nd Annual Nebula Awards Weekend on Saturday, May 20th, at the Pittsburgh Marriott City Center in Pennsylvania.

Unlike the last two events (which were held in Chicago), I was unable to attend this year, which I regret. But somehow they went on without me, and gave out Nebula Awards anyway. Here’s the complete list of winners.

Novel

All the Birds in the Sky, Charlie Jane Anders (Tor Books)

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A Healthy Dose of Old-fashioned Adventure: Kristen Britain’s Green Rider Series

A Healthy Dose of Old-fashioned Adventure: Kristen Britain’s Green Rider Series

Kristen Britain Green Rider series

Successful fantasy novels evolve towards a series. That’s like the fourth law of Thermodynamics. An expression of the natural order of the universe. Readers demand it; publishers are more than happy to accommodate, and authors…. well, what author can refuse her public?

Kristen Britain’s debut novel Green Rider was very successful. It was only the second hardcover fantasy debut DAW ever published (the first was Tad Williams’s Tailchaser’s Song), and the extra effort paid off. I received a review copy while I was the editor at SF Site in 1998, and when I gave it to my niece Sabrina to get her opinion, her mother called to complain that she spent all her time in her room reading, and wouldn’t come down for dinner. I wasn’t at all surprised to see it become a New York Times bestseller, and kick off one of the first major fantasy series of the 21st Century.

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May Issue of The Dark Now on Sale

May Issue of The Dark Now on Sale

The Dark Issue 25 May 2017-smallThe May issue of The Dark has new fiction by A.M. Muffaz and Eliza Victoria, plus reprints by Samantha Henderson and Damien Angelica Walters. Charles Payseur at Quick Sip Reviews thinks highly of the Muffaz.

This is a story of sinking horror, of death and the proximity of death, of abuse that everyone agrees to look away from. The piece focuses on Tentzin, a man who delivers supplies to a house where the dead are prepared to be fed to griffons as part of the culture’s death rituals. The keeper of the house and preparer of the dead, Nurgu, lives there with his son, Dolgo, and his new wife, Tashi. New wife because she was delivered like a sack of salt to Nurgu following the death of his previous wife… It’s a creepy story that does a great job building up the world in order to reveal the shadow living at its heart. The action isn’t fast but there is a deep power to it and an uncomfortable silence left in its wake. A great read!

The May cover is by Vincent Chong. Here’s the Table of Contents for issue #24, cover-dated May 2017.

The Bone Beaters” by A.M. Muffaz
The Lark Ascending” by Samantha Henderson (from Tomorrow’s Cthulhu, 2016)
Queen Midnight” by Eliza Victoria
When We Taste of Death” by Damien Angelica Walters (from Exigencies, 2015)

The Dark is co-edited by Silvia Moreno-Garcia and Sean Wallace, with assistance by Jack Fisher. It is published online and in digital formats, and includes two original stories and two reprints each issue. You can read issues free online, or help support the magazine by buying the ebook editions, available for the Kindle and Nook in Mobi and ePub format. Issues are around 50 pages, and priced at $2.99 through Amazon, B&N.com, Apple, Kobo, and other fine outlets — or subscribe for just $1.99 per issue. If you enjoy the magazine you can contribute to their new Patreon account here. You can also support The Dark by buying their books, reviewing stories, or even just leaving comments.

Read the May issue here, and see their complete back issue catalog here. We last covered The Dark with the March issue. See our May Fantasy Magazine Rack here, and all of our recent Magazine coverage here.

The Top Black Gate Posts in April

The Top Black Gate Posts in April

Traveller Core Rulebook Mongoose-back-small Traveller Core Rulebook Mongoose-small

The most popular topic at Black Gate last month was the new edition of the classic SF role playing game Traveller from Mongoose Publishing. And the most popular blogger was our roving games reporter M Harold Page, who covered the new edition in two posts that both made the Top Ten. Well done, Mr. Page! (However, we need to talk about those expense reports from that Altairian space bar. What exactly is a “Pan Galactic Gargle Blaster?”)

Meanwhile, back here on Earth, Ryan Harvey had the overall most popular post in April, with exciting news on the upcoming Godzilla sequel. Hot on his heels was David B. Coe, with an article on setting and the craft of worldbuilding. Next up was Sean McLachlan, our man in Egypt, who donned a worn fedora and penetrated deep into the early tombs of ancient Egypt, sending back a trove of photographic evidence (and two mummified spiders, which thrilled Goth Chick to no end.) Rounding out the Top Five was Robert Zoltan’s far-ranging discussion with BG Managing Editor Howard Andrew Jones, on the master of Sword & Sorcery himself, Robert E. Howard.

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The Complete Carpenter: Escape From New York (1981)

The Complete Carpenter: Escape From New York (1981)

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There are no guards in this article. Only the author and the words he has typed. The rules are simple: once you go in, you do not come out … unless you click on a link or a bookmark or close the browser tab or …

Jumping out of The Fog and back into the fire as I move into the most intense period of John Carpenter’s career: the one-two knockout punch of Escape From New York and The Thing.

Escape From New York was the second movie Carpenter made under a deal with Avco Embassy. The production budget was $6 million, the largest amount of money Carpenter had yet worked with, but still tight for an ambitious SF picture. By comparison, 1981’s James Bond movie, For Your Eyes Only, had a budget of $28 million, and that was a cost-cutting move for the series after Moonraker. And the small drama On Golden Pond cost $15 million. Escape From New York ended up a hit, grossing more than four times its budget, making it one of the most successful films in Carpenter’s career — and, unfortunately, one of his few hits of his most productive decade.

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Fantastic Stories of Imagination, February 1962: A Retro-Review

Fantastic Stories of Imagination, February 1962: A Retro-Review

Fantastic February 1962-small Fantastic February 1962-back-small

The cover for this issue is by Leo Summers. Interior illustrations are by Dan Adkins (who also contributes the back cover) and Walker. The editorial recounts two recent cases of apparently fantastical occurrences in real life — with, in both cases, pretty straightforward mundane explanations. The letter column features letters from Leo A. Brodeur (a professor of French Literature at Laurentian University), discussing SF writers as “the poets of science”; and R. Martinkivi, praising the magazine.

The stories are:

Novelets

“A Bit of the Dark World,” by Fritz Leiber (12,500 words)
“A Silence of Wings,” by Daniel F. Galouye (10,500 words)

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