What’s In A Name?

What’s In A Name?

VME labeledSo I’m in my brother’s bookstore, and I’m looking for my latest book, and I’m not finding it. Just as I’m thinking oh really? it strikes me that I’m looking for the wrong name.

I’m not sure how much of a secret it is (none for the people who read the bio at the end of my posts) but besides being Violette Malan, I’m also V.M. Escalada. I have to admit that when my agent first suggested I use a penname, my immediate reaction was unfavourable. There are all kinds of reasons for such a suggestion, however, some of which I touched on in a previous post. Today, I’d like to talk about the actual, practical experience.

At first the idea flustered me more than a little – you know writers, we can always see a worst case scenario. I had plenty of questions, and no one – it seemed – to go to for answers. Don’t get me wrong, my agent, and my editor, had plenty of helpful suggestions, just not for these actual, practical, concerns.

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Goth Chick News: Welcome to the Wonderful, Twisted World of Chas Kline

Goth Chick News: Welcome to the Wonderful, Twisted World of Chas Kline

Goth Chick Chas Kline

Every time I look through my archives, I realize you and I have been together quite a long time. So first off – thanks.

Thanks to you, I get to meet the coolest of the cool kids who contact Goth Chick News dying (sometimes literally) to get me to broker an introduction between them and the legendary readership of Black Gate.

It was at just such a time, back in December, 2014, that I had the pleasure of bringing you the twisted art and mind of Charles M. Kline. Back then Mr. Kline established the promotional high-water mark for his latest book – he sent me a coffin.

Delivered in a lovely gift bag there was a little tag which read, “A tisket, a tasket, a story in a casket,” causing the hands it passed through to be too creeped out to open it. So by the time it reached me, the curiosity alone almost did me in.

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Mage: The Hero Denied #0 and #1

Mage: The Hero Denied #0 and #1

Mage 0So, I’ve been meaning to get back into writing comic reviews, but there’s frankly been very little out there that got me excited. I’m more of an old school comic fan, preferring the comics that would actually take ten or fifteen minutes to read. Yeah, I’m a slow reader, but even I can push through most modern comics in two or three minutes without much trouble. All splash pages and dialogue-free scenes. It seems like most modern comic writers don’t know how to tell a serial story: each issue should be its own story, as well as a part of a greater narrative.

But I’ve long been a huge fan of Matt Wagner (check out my previous reviews for Mage: The Hero Discovered and Mage: The Hero Defined), so I knew I was going to be on board for the third and final part of his Mage trilogy: The Hero Denied. Issue #0 came out in July and, while it looked great, it was basically a half-issue meant to work as a teaser for the main book, so there wasn’t much to review. Also, I got suckered in by a nice issue #0 for the Red Sonja reboot that fed into a series that was disappointing. So I decided to wait until a proper issue #1 came out before deciding whether or not it was worth my time to commit to review the whole series.

Since you’re reading this, you can guess how I feel about issue #1.

But let’s start with issue #0. (spoilers to issues #0 and #1 beyond this point)

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Fantasia 2017, Day 3, Part 1: Cinematic Anthologies (SpectrumFest: Films from the Autism Spectrum and The International Science-Fiction Short Film Showcase 2017)

Fantasia 2017, Day 3, Part 1: Cinematic Anthologies (SpectrumFest: Films from the Autism Spectrum and The International Science-Fiction Short Film Showcase 2017)

The Kenners 3Saturday, July 15, looked like an unusual day for me at Fantasia: I’d mostly be seeing short films. It’d begin a bit after noon, with a set of shorts called SpectrumFest: Films from the Autism Spectrum, a collection of pieces from young filmmakers on the autism spectrum. Then would come this year’s edition of the International Science-Fiction Short Film Showcase, featuring eight science-fictional short films from around the world. Both showings looked fascinating, if in different ways. SpectrumFest was new to me, but I’d seen the SF showcases in previous years, and been impressed both by the individual films and by the way they worked together — if short films are loosely equivalent to prose short stories, the SF short film showcases make excellent anthologies.

First came SpectrumFest. Montreal’s Spectrum Productions is a non-profit organization who works with youth and young adults on the autism spectrum, giving them resources and equipment to express themselves creatively through film and animation. Among other programs, Spectrum runs summer camps and a weekly after-school program, as well as Saturday morning cartoon-making workshops. This year, Fantasia hosted an exhibition of some of the films created by the young filmmakers working with Spectrum in a showcase that was free to the public. Almost two dozen of the student filmmakers’ productions were screened, collectively a stunning and unpredictable burst of creativity.

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Galaxy Science Fiction, November 1953: A Retro-Review

Galaxy Science Fiction, November 1953: A Retro-Review

Galaxy Science Fiction November 1953

The November, 1953 issue of Galaxy Science Fiction is one of the better ones, from my perspective. Aside from the continuation of The Caves of Steel by Asimov, Michael Shaara and Roger Dee contributed a pair of good tales.  (The cover art is by Ed Emshwiller.)

“Keep Your Shape” by Robert Sheckley – Pid and his crew arrive on Earth to prepare for a mass invasion. All previous teams failed in their missions for unknown reasons. The Grom (a race of shape-shifters), conquer new worlds as a course of survival. The dangers of Alterationism and Shapelessness are at the forefront of Pid’s mind, but he’s determined to succeed where all other teams failed.

Sheckley does a good job with the Grom, who aren’t very close to humans but still have motives and ideas that I can understand. It’s a fun read.

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Future Treasures: Paperbacks from Hell: The Twisted History of ’70s and ’80s Horror Fiction by Grady Hendrix

Future Treasures: Paperbacks from Hell: The Twisted History of ’70s and ’80s Horror Fiction by Grady Hendrix

Paperbacks-From-Hell-smallerBack in May, during her annual trip to C2E2 here in Chicago, Goth Chick reported on a fascinating fall release she discovered at the Quirk Books booth.

Finally, a trip to C2E2 would not be complete without a stop at the Quirk Books booth… You’re probably familiar with some of their more popular recent titles including Miss Peregrine’s School for Peculiar Children and the legendary Pride and Prejudice and Zombies.

We’ve found some personal favorites through Quirk including The Resurrectionist and last year’s find, My Best Friend’s Exorcism by Grady Hendrix. As it happens, Mr. Hendrix has another gem on the market entitled Paperbacks from Hell.

Billed as “The twisted story of ’70s and ’80s horror fiction,” Paperbacks from Hell takes readers on a tour through the horror paperback novels of the 1970s and ’80s. Page through dozens of amazing book covers featuring well-dressed skeletons, evil dolls, and knife-wielding killer crabs. Read shocking plot summaries that invoke devil worship, satanic children, and haunted real estate. Hendrix offers killer commentary and witty insight on these trashy thrillers that tried so hard to be the next Exorcist or Rosemary’s Baby. It’s an affectionate, nostalgic, and unflinchingly funny celebration of the horror fiction boom of two iconic decades, complete with story summaries and artist and author profiles.

Frankly, I couldn’t have found a more perfect beach read.

Paperbacks from Hell will finally be released next month. It is lavishly illustrated, with color pics of countless 70s and 80s paperback covers. Here’s a few examples.

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Visiting Minster Lovell Hall in Oxfordshire, England

Visiting Minster Lovell Hall in Oxfordshire, England

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Minster Lovell Hall with St. Kenelm’s Church to the left

As usual in the summer, my family and I are in Oxford, where I ensconce myself in the Bodleian Library and research my books. It’s been a rainy summer, in stark contrast to last month’s frying heat of Lanzarote, and so we haven’t been able to get out and about much. Good for my wordcount, bad for my travel addiction.

So when the clouds finally broke last weekend we rushed out onto an easy six-mile country ramble along the River Windrush to visit Minster Lovell Hall, a 15th century manor house set in the lovely English countryside.

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New Treasures: Haunted Worlds by Jeffrey Thomas

New Treasures: Haunted Worlds by Jeffrey Thomas

Haunted Worlds Jeffrey Thomas-small Haunted Worlds Jeffrey Thomas-back-small

Jeffrey Thomas is best known for nearly a dozen novels, collections, and shared world anthologies set in the city of Punktown, a crime-ridden metropolis on the colony world Oasis, a city of aliens, mutations, private detectives, and sentient machines. His Punktown novels include Deadstock (2007) and Blue War (2008), and his most recent collection was Ghosts of Punktown, published by Dark Regions Press in 2016. Punktown is also the setting for the last publication from Miskatonic River Press, a Kickstarter-funded setting book for Call of Cthulhu that is very late but still appears to be (fingers crossed) in the pipeline (the latest updates from May and July seem upbeat).

Thomas’ recent short fiction has appeared in Interzone, World War Cthulhu, The Children of Old Leech, Year’s Best Weird Fiction, Weird Fiction Review, and many other fine places. His latest book, Haunted Worlds, collects some of his most recent fiction, including the Lovecraftian tale “The Temple of Ugghiutu,” two stories set in Punktown, and several previously unpublished stories. The foreword is by Ian Rogers.

Haunted Worlds was published by Hippocampus Press on August 1, 2017. It is 248 pages, priced at $20 in trade paperback. There is no digital edition. The cover art and frontispiece are by Kim Bo Yung. Get complete details and order copies at the Hippocampus website.

A Gathering of Ravens by Scott Oden

A Gathering of Ravens by Scott Oden

To you, I am orcneas. To the Dane, I am skraelingr. The blasted Irish would name me fomorach,” Grimnir said, then smote his breast with one black-nailed fist. “But I am kaunr! Do you understand now?”

Grimnir from A Gathering of Ravens

 

oie_155021fZFaLK07You know me: I’m the guy who reads mostly old swords & sorcery novels and short stories. Aside from a few by Milton Davis and P.C. Hodgell, I haven’t read many new S&S novels. My experience with contemporary fantasy novels has been mostly… disappointing.

I’m also a guy who is on record as disliking the utilization of orcs in modern fantasy. In the works of their creator, J.R.R. Tolkien, orcs are perversions of elves created by Middle-earth’s satan figure, Melkor. In modern fantasy they’ve become little more than woefully misunderstood warriors — basically fantasy Klingons. So, when Scott Oden sent me a copy of his latest book, A Gathering of Ravens (2017),  and I learned its protagonist was an orc, my hopes weren’t high. Well, Oden’s novel knocked the heck out of any prejudices I had. New or old, this book kicks ass, and is one of the best swords & sorcery novels I’ve read in a while.

Grimnir, the last of his race, lives on the Danish island of Sjaelland, dreaming of revenge against Bjarki Half-Dane, the man who killed his brother, Hrungnir. His desire to cleave his enemy with his trusty seax (a old Germanic sword), leads him from Denmark to England, and finally to the field of Clontarf, in Ireland.

Etain is a young woman, disguised as a man, bound for Roskilde to evangelize the Danes. After a bloody run-in with Grimnir, she finds herself bound to him and forced to act as his guide across the British Isles in search of his prey. With no recourse but to stay by his side, she follows him into the mystic heart of Yggdrasil, the world tree, traveling through time and space. The mismatched pair, devout Christian woman and resoundingly pagan monster, face off against numerous supernatural and mundane foes before reaching the book’s rousing conclusion on a field outside of Dubhlinn. Their story lets up only a few times, but those calmer passages serve to allow magical creatures or armies the time to marshall their forces for the next burst of violence.

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Call for Backers! Solarpunk: Ecological and Fantastic Stories in a Sustainable World Campaign on Kickstarter, in Conjunction with a Video Interview with Sarena Ulibarri, Editor-in-Chief of World Weaver Press

Call for Backers! Solarpunk: Ecological and Fantastic Stories in a Sustainable World Campaign on Kickstarter, in Conjunction with a Video Interview with Sarena Ulibarri, Editor-in-Chief of World Weaver Press

The Kickstarter campaign for Solarpunk: Ecological and Fantastic Stories in a Sustainable World is now live!

What is this, you ask? Well, let me explain the history. Solarpunk is an emerging subgenre that focuses on sustainable energy, and many believe the rest of the world has a head start on the solarpunk movement. This anthology, being funded by the Kickstarter, was originally published in Brazil, in Portuguese, and is known internationally as one of the earliest examples of solarpunk. World Weaver Press wants to bring it to the northern hemisphere and the English language.

I sat down with Sarena Ulibarri, the editor in chief of World Weaver Press, for an interview that explores who she is, what World Weaver Press publishes, and a brief history of solarpunk and this anthology.

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