Birthday Reviews: Clark Ashton Smith’s “The Maze of Maal Dweb”

Birthday Reviews: Clark Ashton Smith’s “The Maze of Maal Dweb”

Cover of Double Shadow, artist unknown.
Cover of Double Shadow, artist unknown.

Clark Ashton Smith was born on January 13, 1893 and died on August 14, 1961. Along with H.P. Lovecraft, he was one of the major authors at Weird Tales, writing stories which were similar to the dark fantasies Lovecraft wrote.

Smith maintained a correspondence with Lovecraft for the last 15 years of Lovecraft’s life. While Lovecraft wrote about Cthulhu, Smith wrote about the far future Zothique. Smith was named the Cordwainer Smith Rediscovery Award winner in 2015.

“The Maze of Maal Dweb” first appeared in a limited edition chapbook, The Double Shadow and Other Fantasies, published by Smith in 1933. A the time the story was called “The Maze of the Enchanter.” It received its first general publication, and under its better known title, in the October 1938 issue of Weird Tales, edited by Farnsworth Wright.

Smith included it in his 1944 collection Lost Worlds and it has frequently been reprinted since, including translations into Dutch, German, French, and Italian. Maal Dweb also appeared in Smith’s story “The Flower-Women.”

“The Maze of Maal Dweb” has Tiglari working his way through a swamp to retrieve his beloved, Athlé, from the titular lord of the solar system. Despite Maal Dweb’s palace being impregnable, Tiglari has somehow managed to acquire knowledge of the dangers that lie within, so he can arm himself appropriately for his quest.

Similarly unexamined is how Maal Dweb, a recluse who is never seen by anyone except the women he orders sent to him, can successfully rule his vast domains. Similarly, the palace is seemingly unpopulated except by the petrified forms of Maal Dweb’s previous victims. Rather than a living home in which to live, Maal Dweb sits like bait in his trap, waiting for doomed adventurers to come to him.

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Future Treasures: The Beauty by Aliya Whiteley

Future Treasures: The Beauty by Aliya Whiteley

The Beauty Aliya Whiteley-smallI don’t know about you lot, but I like my dystopian horror filled with cosmic weirdness, strange fungi, and terrifying tales told around post-apocalyptic campfires.

Okay, that’s fairly specific. I blame the pre-release copy for Aliya Whiteley’s novella The Beauty, which has admittedly sparked my imagination. The Beauty was originally published in the UK in 2014 by Unsung Stories, where it was promptly nominated for the Shirley Jackson and Saboteur awards, and chosen by Adam Nevill as one of his favorite horror tales. He calls it “A story of cosmic fecundity and fungal weirdness that I couldn’t put down.” Kirkus Reviews labeled it “gut-wrenching… renders a world that exists somewhere between post-apocalyptic and fable-esque… unforgettably grotesque.” It arrives in trade paperback next week from Titan Books.

Somewhere away from the cities and towns, in the Valley of the Rocks, a society of men and boys gather around the fire each night to listen to their history recounted by Nate, the storyteller. Requested most often by the group is the tale of the death of all women.

They are the last generation.

One evening, Nate brings back new secrets from the woods; peculiar mushrooms are growing from the ground where the women’s bodies lie buried. These are the first signs of a strange and insidious presence unlike anything ever known before…

Discover the Beauty.

The Beauty will be published by Titan Books on January 16, 2018. It is 288 pages, priced at $12.95 in trade paperback and $7.99 for the digital version.

See all our coverage of the best in upcoming fantasy, SF and horror here.

The Top Five Books I Read in 2017

The Top Five Books I Read in 2017

Ghost-Talkers-Mary-Robinette-Kowal-smaller Red Country Joe Abercrombie-small Revenger-Alastair-Reynolds-smaller

Another year has passed, dear readers, which means that I’m mandated to assess the books I read in 2017 and declare my favorites. Of course, this mandate is self-imposed, and the difficulty of figuring out which books to pick this year is also self-inflicted. I’ve learned how to put down a book after 50 pages if I don’t enjoy it and move on, which means that the books I finished this year are all ones that I enjoyed on some level. I know, woe is me. But cut me some slack, because instead of a cop-out top ten list like last time, this year I forced myself to cut down my selections and present you with a Top Five. Note that these aren’t necessarily all books released in 2017; I just happened to read them in the last year.

Last year, I made an offhand comment that if I was forced under pain of death to absolutely pick a #1 title for 2016, I’d have chosen An Inheritance of Ashes by Leah Bobet. I’ve decided that for each of these annual posts (presuming I’m still around here in a year’s time) I’m going to nominate one book as my top pick for the year, and then list the rest in alphabetical order. Any ranking beyond #1 is going to be arbitrary anyway, since each of these novels is amazing in different ways.

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Birthday Reviews: Jack London’s “A Thousand Deaths”

Birthday Reviews: Jack London’s “A Thousand Deaths”

Black Cat, May 1899
Black Cat, May 1899

Jack London was born on January 12, 1876 and died on November 22, 1916. Best known as an adventure author for his novels The Call of the Wild, White Fang, and The Sea Wolf, he also wrote novels which would be considered proto-science fiction, perhaps most notably Before Adam. Active in socialist causes, many of his works supported the rights of workers, including his dystopian novel The Iron Heel, which has appeared as a preliminary nominee on the Prometheus Hall of Fame ballot twice.

“A Thousand Deaths” was purchased by Herman Umbstaetter and published in the May 1899 issue of Black Cat. The magazine reprinted the story in 1917 and it has been published in several science fiction collections over the years, including a reprint in The Magazine of Fantasy and Science Fiction in 1967 when Ed Ferman was the editor. It has been reprinted in various London collections and science fiction anthologies over the years.

“A Thousand Deaths” is the story of a man who has been disowned by his wealthy parents and forced to make his own way in the world. He has found a niche for himself as a merchant marine, but when the story opens, he is drowning in San Francisco Bay, having decided rather precipitously to leave the ship he had been working on. He passes out in the water and when he awakens, he finds himself revived on a pleasure yacht which happens to belong to his father, who does not recognize him.

His father is interested in finding a way to stave off death and has, in fact, brought the narrator back to life. Without revealing his identity to his father, the two agree that the narrator will allow his father to kill him in various ways and bring him back to life to test his various hypotheses. The father is depicted as a monster, reminiscent of Jules Verne’s Captain Nemo or H.G. Wells’s Doctor Moreau. His two assistants, whose only notable characteristic is that they are black, unfortunately, allow the casual racism of the period in which the story was written to shine through.

The narrator eventually tires of the experimentation, especially when he realizes that his father is doing much more to him than his father has told him. He effects an escape after managing an unlikely scientific breakthrough that allows him to follow in his father’s monstrous footsteps.

The story was clearly written at a time when it was believed that science would eventually be able to solve all of life’s (and death’s) problems, and while it doesn’t have a Frankensteinian “There-were-things-man-was-not-meant-to-know” lesson to it, London definitely makes the implication that technological advances needed to be tempered by man’s humanity.

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Goth Chick News: Alien Roller Coast Goals (or What I Will Be Doing the First Time Chicago Is Snowed In)

Goth Chick News: Alien Roller Coast Goals (or What I Will Be Doing the First Time Chicago Is Snowed In)

Aliens the Ride-small

Contrary to what you may have heard from my fellow Black Gate staffers, I really was pretty good last year. I give Santa a lot of credit for ignoring the fake news which came out of our Chicago office about me hanging little bat skulls on the company tree and spray-painting all the candy canes black. Instead he decided to grant my two biggest wishes: for an HTC Vive virtual reality headset and the latest release of Planet Coaster to go with it.

Anyone who knows me knows I am absolutely mad for roller coasters and the game Planet Coaster by Frontier is, in my opinion, the quintessential environment for building the most extreme coasters and then watching with sadistic glee while your guests line up to ride it and promptly get sick afterwards. However, with the addition of the Vive VR, you can now personally line up to ride it and then get sick afterwards.

In other words, it rocks utterly.

Having spent more hours than I can to count immersed in Planet Coaster since its first release in 2016, I consider myself pretty adept at creating fanciful yet heart stopping coasters in the virtual world. But today, I must bow to the guru, the sensei, the ultimate Jedi Master of Planet Coaster, super-fan Hin Nya.

Nya has utilized Planet Coaster to create Aliens: The Ride, a 15-minute experience that takes you on a virtual trip through the scariest theme park attraction (n)ever made.

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The Last Jedi: The Creature of the Lagoon Trashes the Toxic Tropes (Porg is a Verb)

The Last Jedi: The Creature of the Lagoon Trashes the Toxic Tropes (Porg is a Verb)

256 last Jedi Poster
“Don’t try to porg me!”

(Spoilers after the cut. But seriously, if that matters to you, look at the date! You should have seen the movie by now.)

I liked The Last Jedi.

We liked The Last Jedi: my wife, my 14yr old son, my 10 yr old daughter, and me, I liked it.

It wasn’t prose Military Science Fiction, so we didn’t hold it to the standards of a Tanya Huff or Jack Campbell novel. Nor was it Mundane SF, so those bombs didn’t bother us. Rather, we sat down and enjoyed it the way we also enjoyed Guardians of the Galaxy.

Last Jedi Bleep This
“BLEEP this! BLEEP this also! And this in particular. BLEEP this guy…!”

It was less EC Tubb than the last instalment, and more (according to my son) like an RPG campaign that kept changing GMs and (so I reckoned) flipflopping between Traveller and FATE.  My daughter loved seeing girls having adventures (though, being 10, she rather takes this for granted), liked the light saber fights, and also the porgs. (“Porg” is now a verb in our house, as in, “Don’t try to porg me into giving you more chocolate ice cream.”)

I’ll admit I also enjoyed the very thing that seems to have upset so many knee-jerk critics: it went through the tropes the way the Creature of the Lagoon goes through scenery and people in that hilarious NSFW mashup on YouTube:

BLEEP this! BLEEP this also! And this in particular. BLEEP this guy…!

Mysterious But Significant Parentage went up in a puff of wasted fan theories. As did Dark Lord, Wise Mentor, Heroic Sacrifice Saves the Day, Ancient Wisdom, Epic Redemption.  (“BLEEP this guy, BLEEP those books, BLEEP in particular this tree…“)

The movie even trashed some of the things fans mock about Star Wars. The Jedi really aren’t the good guys. Darth Emo really is a boy in a stupid mask.

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New Treasures: The Red Men by Matthew de Abaitua

New Treasures: The Red Men by Matthew de Abaitua

The Red Men Matthew de Abaitua-small The Red Men Matthew de Abaitua-back-small

The Red Men, Matthew de Abaitua’s debut novel, was originally published in trade paperback in 2009 by British fantasy small press Snowbooks. This is the first US edition. It follows de Abaitua’s two previous novels with Angry Robot, IF THEN and The Destructives.

In his acknowledgements de Abaitua says the theory of time as a solid state that he explores in the book “was put to me in an Italian restaurant in Northampton by Alan Moore.” The Red Men was shortlisted for the Arthur C. Clarke award, and filmmakers Shynola adapted the first chapter into a gripping short called Dr. Easy, which you can watch here. The book was widely praised when it first appeared; Will Self said “De Abaitua operates on the smiling face of the present to reveal the grimacing skull of the future.” And Golden Apples of the West said “With The Red Men, De Abaitua joins the ranks of Philip K Dick, J G Ballard, Rudy Rucker and Lavie Tidhar, writers who see and understand what’s happening to reality before the rest of us do.”

The Red Men was published by Angry Robot on November 7, 2017. It is 368 pages, priced at $7.99 in paperback and $6.99 for the digital version. The cover is by Raid71.

Birthday Reviews: Jerome Bixby’s “The Holes Around Mars”

Birthday Reviews: Jerome Bixby’s “The Holes Around Mars”

Galaxy January 1954-small Galaxy January 1954-back-small

Cover by Mel Hunter

Jerome Bixby was born on January 11, 1923 and died on April 28, 1998. His story “It’s a Good Life” was adapted into an episode of The Twilight Zone and The Twilight Zone Movie. He wrote scripts for four episodes of Star Trek, including “Mirror, Mirror,” and co-wrote a story with Otto Klement which became the basis for the film Fantastic Voyage. He served as the editor of Planet Stories from mid 1950 through July 1951 and went on to serve as Horace L. Gold’s assistant at Galaxy.

When he first envisioned the story that became “The Holes Around Mars,” he was planning on what is now known as flash fiction ending with a joke. He discussed it with Gold, who convinced him to stretch it out and in the writing, he extended it again until it took its present form. It was first published in Galaxy in the January, 1954 issue, edited by Horace L. Gold. The story has been reprinted numerous times and translated into French, German, and Italian.

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John DeNardo on the Definitive List of 2017’s Best Science Fiction and Fantasy

John DeNardo on the Definitive List of 2017’s Best Science Fiction and Fantasy

The-Stone-Sky-N.K.-Jemisin-smaller The-House-of-Binding-Thorns-smaller A Conjuring of Light-small

As he does every year, John DeNardo breaks down the Best of the Year lists to find the most widely acclaimed science fiction, fantasy, and horror books of the last 12 months. Why does he do it?

I love looking at book-related “Best of the Year” lists because it’s fun to see what made the cut and how lists differ from one another. Even better: lists stoke my desire to read and point me towards books I may have otherwise skipped over. However, an abundance of “Best of” lists begs the question: which books truly deserve that label? Which books are the absolute best?

Intent to find some concrete answer to those admittedly subjective questions, I began an intense session of OCD-fueled list aggregation and spreadsheet manipulation to find which science fiction and fantasy books garnered the most mentions. The result is a very unscientific ­— but nonetheless worthwhile — “Best of the Best” list of the science fiction and fantasy books that debuted in 2017.

For those (like me) who want to read the books that everyone is talking about, and get a jump on the 2018 awards season, John’s meta-list is invaluable. Let’s see what’s on it.

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Vintage Treasures: The World Fantasy Awards, Volume One and Two

Vintage Treasures: The World Fantasy Awards, Volume One and Two

First World Fantasy Awards-small The World Fantasy Awards Volume Two-small

The World Fantasy Convention is my favorite convention by a pretty fair margin, and the highlight of the con every year is the presentation of the World Fantasy Awards. They were first given out at the very first World Fantasy Convention in Providence, Rhode Island in 1975, and they’ve been awarded every year since. The list of recipients is like a Who’s Who of the major authors in the genre, and the award has come to be the most significant honor in American fantasy, alongside the Nebula and Hugo Awards (both more generally given to works of science fiction).

The Nebula Award winners are collected annually in the Nebula Awards Showcase, which has been continuously published for 51 years (we covered the latest volume, edited by Julie E. Czerneda, here), and the Hugo Winners were famously collected in some of the most popular SF anthologies of all time, Isaac Asimov’s The Hugo Winners, which ran to multiple volumes (we looked at that series here). But even most SF collectors are unaware that there are two volumes collecting World Fantasy Award winners, originally published in hardcover by Doubleday in 1977 and 1980.

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