Black Gate

Here’s the second of three consecutive months of SF magazines I recently bought, each a different specimen of the canonical “Big Three” of that time. The first, the December 1965 issue of Galaxy, is here.

Edward Ferman was the Editor of F&SF at this time, as he had been for a while. (I have heard that even while his father Joseph was listed as Editor, Edward was actually doing the job.)

The cover is by Jack Gaughan, illustrating “L’Arc de Jeanne,” by Robert F. Young. Of course there was no interior artwork, excerpt for Gahan Wilson’s cartoon. There were also no ads except for the Classifieds in the F&SF Marketplace, and except for one or two inhouse ads. This issue did feature the Statement of Management and Circulation. Average Paid Circulation, 53,831. Average Mail Circulation, 16,644.

The features include Wilson’s Cartoon, a very brief “Science Springboard” by Theodore L. Thomas, about smog, and Isaac Asimov’s Science column, this time called “The Proton Reckoner,” about counting things, lots of things, like the protons in the universe.

And there is a book review column by Judith Merril. She writes from London, in September of 1965, and her subject is how much better things are in England: the drinking, people’s looks, the rock and roll, and the SF — the New Wave SF (though Merril does not here use that term). She focuses on three major fairly young writers: J. G. Ballard, Brian W. Aldiss, and John Brunner.

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I picked up a few magazines at an antique store near Columbia, MO, last week, including three consecutive issues — of different magazines — from the end of 1965/beginning of 1966: the December 1965 Galaxy, the January 1966 F&SF (reviewed here), and the February 1966 Analog. The first one I got to was the Galaxy.

This is from more or less the center of Frederik Pohl’s editorial tenure. Galaxy in this period was bimonthly, with two sister magazines — Worlds of Tomorrow, also bimonthly, and Worlds of If, which was monthly. (I admit I had not known that — I thought it was also bimonthly, and I’m surprised that Galaxy, the “senior” magazine, was not the monthly one.) Galaxy was generously sized, at 196 pages (including covers), with about as much fiction as Analog and Asimov’s feature these days. By contrast Worlds of Tomorrow had 164 pages per issue, and If only 132. The latter two were 50 cents, but Galaxy was 60 cents. (I find this mixture of format, frequency, and pricing in three magazines from the same stable rather intriguing.)

The cover of the December 1965 Galaxy is by Pederson, illustrating “The Mercurymen”, by C. C. MacApp. (Galaxy typically only credited last names for artists — apparently this particular artist was named John Pederson, Jr. — I’m not very familiar with his work, and not too impressed with this particular example!) Interiors were by Gray Morrow, Giunta, Jack Gaughan, and Wood. (The artists whose first names I know are, not surprisingly perhaps, the better ones, though I am told that John Giunta and Wally Wood were well known for work in comics.) There are a fair number of ads — more than often in SF magazines — though somewhat low rent ones: Rosicruans, hypnotism, the Puzzle Lovers Club, the Book Find Club, book plates (from Galaxy), and the Duraclean Company.

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