That Short Story Thing

That Short Story Thing

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Image by Myriam Zilles from Pixabay

Good morning, Readers!

Remember a while ago when I asked for story prompts for a sort-of communal writing jam? Yeah, well, neither did I until recently. I had a month to work on this, and so naturally I completely forgot about until the week it was due. University essays all over again. Nevertheless, I figured I’d try my hand at it anyway.

This was the only prompt I received:

She impatiently checked her watch, sighing and rolling her eyes as burning debris rained onto the ground around her.

Many thanks again to Jaina for that prompt.

Short stories are not my strong suit, so it’s probably going to be stupidly rough and less than brilliant. I’ve not written a short story in a long, long time. So, if you’re reading it, feel free to have a good chuckle at my expense. I tried. Also, I’m terrible at titles.

If you can do better (and I don’t think that’d be difficult), link to your story in the comments!

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Low-stakes Fiction in a High-stakes World: A Quiet Afternoon, edited by Liane Tsui and Grace Seybold

Low-stakes Fiction in a High-stakes World: A Quiet Afternoon, edited by Liane Tsui and Grace Seybold

GV Quiet Afternoon image 1-smallIn their recently released anthology A Quiet Afternoon, Canadian micropress Grace&Victory offer calm and gentle SFF tales for the reader who would rather curl up with a mug of tea and an afghan (or a slushie and a hammock, depending on the weather) than dart about the cosmos with lasers blasting.

Grace&Victory team members Victoria Feistner (co-founder and graphic designer), Laura DeHaan (slush reader and morale officer), Liane Tsui (chief editor), and Grace Seybold (co-founder, second editor and legalities wrangler) get together today to share their thoughts on low-stakes fiction in a high-stakes world.

You’ve talked about low-stakes fiction, which you call “Low-Fi.” What does that mean to you?

LD: Stories that are comfortable to read, that don’t excite feelings stronger than warm fuzzies or faint melancholy. Which might not sound terribly flattering, I know. I imagine most authors want their stories to sear a flaming brand across the brains of the readers and leave them shaken and awed by the majesty of the prose, but really what I’m looking for is instant nostalgia. I want to think back on the story fondly, I want to revisit it in the way you enjoy pulling on an old sweater or a tatty pair of shoes.

VF: When I am stressed out, sometimes relaxing with a good book – if the book is full of action, violence, tension – only serves to stress me out more. In such times I often turn to different genres – literary, travel memoir, biography, and the like – for escape into gentler adventures. And yet, when I do, a part of me misses my spec elements. Low-Fi is about bringing the mundane and slice-of-life stories prevalent in other genres into the SF fold. SF has long been about larger-than-life heroes and do-or-die plots, but here and there are stories where the stakes are much lower. Ursula LeGuin’s Changing Planes comes to mind, as does Natasha Pulley’s The Watchmaker of Filigree Street.

So how is Low-Fi different from existing subgenres? Should it be considered its own sub-genre or merely a “tag”?

LD: I think it’s more about tone than anything else. A queen is near death in “An Inconvenient Quest,” there’s deadly traps and adventure in “Hollow,” “Of Buckwheat and Garlic Braids” has a potentially murderous strigoi, but because of the tone we never feel like anyone’s really in danger. I think as well there’s a definite refusal of violence as a solution and an emphasis on conversation as the way to problem-solve. Again, “Hollow” is an adventure story where the characters cast spells and shoot arrows, but in the end it’s a conversation that resolves the situation.

It’s not something we actively set out to enforce, but it seems fitting that Low-Fi also avoids salty language. And while we have a couple smooches, anything beyond that probably wouldn’t be appropriate for Low-Fi.

So I’d say sure, make it a new sub-genre!

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A (Black) Gat in the Hand: YTJD – The Emily Braddock Matter (John Lund)

A (Black) Gat in the Hand: YTJD – The Emily Braddock Matter (John Lund)

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Yours Truly, Johnny Dollar, was a very popular radio show that ran from 1949 – 1962. Dollar was a free-lance insurance investigator – maybe the best in the business — who traveled all over the United States and beyond, to help insurance companies stay on the right side of the financial ledger. He’s famous for fully expensing his trips: claiming ten cents for an aspirin for a job-induced headache is standard. Each episode opens with some company hiring him to look into a claim on their behalf. He usually has a quip early on (“Hi Johnny, are you free?” “Available, yes. Free, no.”), and then travels to the scene of the affair.

Dick Powell recorded the first audition for the part, but passed on the show to make Richard Diamond, Private Eye (a show I thoroughly enjoy). Charles Russell (Inner Sanctum) became the first Dollar, succeed not long after by Edmond O’Brien (White HeatThe Wild Bunch), and then John Lund (Foreign Affair, High Society). Bob Bailey had the longest, and most successful, run. When the show moved from Hollywood to New York, he quit to remain on the West coast. Robert Readick (his career spanned over five decades in radio) took over in New York, and finally, it was Mandel Kramer (The Edge of Night). Today, we’ll look at a John Lund episode.

One of the Lund episodes which I really like, because it has a Raymond Chandler feel to it, is The Emily Braddock Matter, which aired on May 19, 1953. You can listen to the episode here: scroll down to number 24.

A woman is passing bad checks out on the West coast, and the Baltimore Liability insurance company calls on Dollar to fly out to California to stop her. She’s hit three of their covered hotels. Of course, Philip Marlowe – and his prototypes, such as Johnny Dalmas – operated out of southern California, with the fictional Bay City being Santa Barbara. But Dollar has cases all over the world, so that wasn’t really a Chandler trigger.

“Expense account item one, $158.16; Plane fare and incidentals, Hartford to Santa Barbara.” And off we go!

His local police contact is out, so Dollar heads to the Harbor Inn, where Glenn Sheridan is the hotel operator who had been taken in by the crook. He has twenty years experience in the business, but said she was the best he’s seen. She bluffed her way through a four-day stay, giving Sheridan a forged check for $813 when she left. She had been well dressed, with fancy luggage (which she probably bought with a forged check), spending big money in the dining room every evening. She totally fooled him.

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What if King Harold had Prevented the Norman Conquest: After Hastings by Steven H Silver

What if King Harold had Prevented the Norman Conquest: After Hastings by Steven H Silver

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Cover designed by Laura Givens

Steven H Silver is one of Black Gate‘s most prolific contributors. He produced many reviews for the print magazines, sold me the terrific short story “The Cremator’s Tale” back in 2013, and has written an astonishing 471 articles for the blog.

Steven’s many accomplishments don’t end with Black Gate, however. He’s an acclaimed editor, co-editing three DAW anthologies with Martin H. Greenberg (Wondrous Beginnings, Magical Beginnings, and Horrible Beginnings), and the two volume Selected Stories of Lester del Rey for NESFA Press. His most recent anthology is Alternate Peace (June 2019), co-edited with Joshua Palmatier. From 2004-2012 he was the publisher and editor of ISFiC Press, and his annual fanzine Argentus has been nominated for the Hugo Award multiple times. In fact Steven has received 17 Hugo nominations over the years.

Last week Steven’s writing career entered an exciting new phase with the publication of his long-awaited debut novel After Hastings, a masterfully constructed alternate history from one of the field’s true experts. I asked Steven to say a few words about it for BG readers, and this is what he shared:

After Hastings is an exploration of a world in which King Harold of England successfully beats back the Norman Conquest but finds himself facing other enemies, both domestic and foreign, leading him to jump start the reformation four hundred years early.

After Hastings was published by Ring of Fire Press on July 10, 2020. It is 347 pages, priced at $15.99 in paperback and $5.99 in digital formats. The cover was designed by Laura Givens. Order copies here.

See all our coverage of recent releases by Black Gate staff here.

James Davis Nicoll on Five Science Fiction & Fantasy Works Inspired by Role Playing Games

James Davis Nicoll on Five Science Fiction & Fantasy Works Inspired by Role Playing Games

Son of a Liche-small The Order of the Stick 4 Don't Split the Party-small Spiderlight-smaller

I enjoyed James Davis Nicoll’s recent posts here at Black Gate, Ten Classic Unplayed RPGs, and Ten WTF Moments from Classic RPGs. James and I were both introduced to role playing games in Canada in the late 70s, and he shares both my fascination and enduring sense of wonder with the early games of that era.

James maintains his own site, jamesdavisnicoll.com, one of the better SF book blogs. (This month he’s reviewed Roger Zelazny’s 1969 minor classic Creatures of Light and Darkness, David Gerrold’s A Matter for Men from 1983, and Silvia Moreno-Garcia’s just released Mexican Gothic, about a perfect blend of old and new in my book.) But what I want to highlight today is his regular column at Tor.com, and in particular his June 10 article “Five SFF Works Inspired by RPGs.” Mostly because it showcases one of the greatest webcomics ever created, Rich Burlew’s brilliant Order of the Stick.

Of course, the standard by which RPG-themed satire is judged is Rich Burlew’s long-running Order of the Stick (2003 to present). What began as a gag-a-strip stick-figure webcomic mocking the quirks of 3rd and 3.5th edition D&D quickly grew into something more. Sane Man fighter Roy Greenhilt has assembled a ragtag gang of eccentric colleagues and set out to defeat the evil lich Xykon. Seventeen years later, the lich is still… uh, “alive” may be the wrong word… active.

What began as a simple plan to find and kill an undead being of unparalleled power and evil has spiralled into an epic tale featuring grand sieges, true love, tragic death, character growth, and increasingly alarming revelations about the likely fate of this world. It’s an impressive work. There are reports that a conclusion looms, so this would be a good time to catch up on the archive. Note that print collections are available.

The article also discusses J. Zachary Pike’s Dark Profit Saga, Meg Syverud & Jessica “Yoko” Weaver’s webcomic Daughter of the Lilies, Adrian Tchaikovsky’s 2016 novel Spiderlight, and Phil Kahn and T Campbell’s long-running webcomic Guilded Age. Read the whole thing here.

Vintage Treasures: The Aliens Among Us by James White

Vintage Treasures: The Aliens Among Us by James White

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The Aliens Among Us by James White. Ballantine Books, 1969. Cover by Paul Lehr

I’ve read very little by James White, and that’s a serious oversight.

White was an Irish SF writer who’s not very well remembered today, but he was a big deal in SF circles in the 80 and 90s. He began writing professionally in 1953, and published some 20 novels and five collections in a career than spanned nearly five decades. His last novel Double Contact appeared in 1999, the year he died.

White’s most popular creation was Sector General, a deep space medical installation that treats all the races of the galaxy. It was the setting for a long-running series — a dozen novels and collections — published between 1957-1999. Most of the stories were fairly light fare, low-stakes galactic hospital drama, but their enduring popularity earned White a solid rep. A total of four omnibus collections were published, one by the Science Fiction Book Club (Tales of Sector General, 1999), and three by Orb, Beginning Operations (2001), Alien Emergencies (2002), and General Practice (2003). Believe it or not, all three of the Orb volumes are still in print, nearly two long decades later. That’s an impressive legacy.

If White can keep omnibus editions in print for 20 years, why do I say he’s not well remembered? Because while Sector General remains popular among older fans, White’s star has otherwise dimmed significantly. How little demand is there for his work? Five years ago when I won a nearly complete set of James White — 24 vintage paperbacks — on eBay, I was the only bidder. The price? $5.

I still think White speaks to modern audiences, and that’s why I’m still talking about him. Today I want to point you towards his second collection, The Aliens Among Us, published by Ballantine in 1969.

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Demanding Answers on the Harlot Table in the Dungeon Masters Guide

Demanding Answers on the Harlot Table in the Dungeon Masters Guide

Dungeon Master's Guide Emirikol the Chaotic

Emirikol the Chaotic, by Dave Trampier. From the Dungeon Masters Guide (TSR, 1979)

So. Some of my older gentlemen friends are feeling upset and disenfranchised by Wizards of the Coast’s disclaiming of the values and mindsets of early D&D. It feels like a betrayal to them, for what I’m sure is a variety of reasons.

But I have, on more than one occasion, wanted to share this iconic illustration from the 1st edition Dungeon Masters Guide with kids in my middle school club and stopped. Because I remember the steel in my daughter’s eyes as a preteen, squinting at the facing page and saying, “Hey, what’s that?”

Pointing, of course, to the obligatory harlot table. “How come there are 10 extra ugly terms for women in the harlot table, but nothing for mercenaries, thieves, nobles, or tradesmen?” Cocked eyebrows that demanded to know why I would accept this rubbish at all.

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Rogue Blades Author: He Himself was in Every One of Them

Rogue Blades Author: He Himself was in Every One of Them

The following is an excerpt from Rusty Burke’s essay for Robert E. Howard Changed My Life, an upcoming book from the Rogue Blades Foundation.

Howard changed my life

“We are what we pretend to be, so we must be careful about what we pretend to be.”
Kurt Vonnegut, Mother Night

conan #4From the cradle to the grave, Life is one long roleplaying game. Every day presents us with new situations that require us to make choices, and those choices, while opening up new opportunities, will generally close off other possibilities. (Unless certain physicists are right, and each possibility opens a new universe. But that’s another essay altogether.) Of course, in Life the game is enormously complex, because each of us is playing many characters, many roles, often juggling several at once, and each of these roles is very interactive, depending to some degree on how other people respond to the character we are playing, and how we respond to theirs. Fortunately, most of us slide in and out of these roles unconsciously: if we had to actually think about what our role in the scene is and how we should play it, I think we would most likely flub our lines.

We don’t always recognize when we’ve come to a crucial decision point, one which will set the course for our future. Spring 1971: I was in college, in a Religious Studies class, and struck up a conversation with a guy who was doodling some great comics in his notebook. As we talked, I casually remarked that I’d given my comics, baseball cards, and other ‘kid stuff’ to my brother. Next class, Charlie Williams tossed a comic onto my desk and said, “Read that and tell me it’s kid stuff.”

It was Conan the Barbarian #4, “The Tower of the Elephant,” and the first page pulled me in. Not only was it my introduction to the work of Robert E. Howard, but Charlie guided me into the whole world of Marvel Comics, which for some reason I had missed. (I read Sgt. Fury and His Howling Commandos during a war comics phase when I was about twelve or thirteen, but somehow managed to be unaware that Marvel did superheroes, as well. I was a DC guy, especially Green Lantern and Batman, all the way. Probably poor distribution to the comics racks at the few stores in my community.)

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New Treasures: Murder Ballads and Other Horrific Tales by John Horner Jacobs

New Treasures: Murder Ballads and Other Horrific Tales by John Horner Jacobs

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Covers by Jeffrey Alan Love

John Horner Jacobs’s new collection Murder Ballads and Other Horrific Tales has arrived from JournalStone, and my, my. It looks very handsome on my bookshelf right next to A Lush and Seething Hell, his 2019 collection of two novellas of cosmic horror. Yes indeed. The fabulous covers are by Jeffrey Alan Love, and they do look very sharp side by side.

Murder Ballads collects 10 tales of weird horror, and has been called “masterful… marvelously eerie” by Publishers Weekly, in case you let things like reviews sway you (instead of cool cover art, which is the way we prefer to be swayed here at Black Gate.) Here’s the description.

A terrifying collection of horror and crime noir from the author of Southern Gods and A Lush and Seething Hell.

Featuring ten tales, two never before in print, Murder Ballads and Other Horrific Tales is an exciting glimpse into the dark territories of the human heart.

These are coming-of-age stories. Stories of love and loss, grief and revenge. Survival and redemption. From old gods to malevolent artificial intelligences, vampires to zombies to ghosts, Jacobs exposes our fears and worst imaginings.

CONTAINS THE SEQUEL TO SOUTHERN GODS

The sequel to Southern Gods they mention so breathlessly in that last line is the title story, a novella that PW calls “a southern gothic extravaganza.” Here’s a look at the back cover.

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Goth Chick News: Who Doesn’t Love (Halloween) Legos?

Goth Chick News: Who Doesn’t Love (Halloween) Legos?

Haunted Legos

Nothing is quite as satisfying as a good Lego project. It must be a hold-over feeling of accomplishment from childhood that has caused a serious surge in Lego fandom in the last ten years, boosted still further these days by the fact we’re mostly stuck at home. Lego credits its recent success to adult fans who find building Lego projects relaxing, which I can personally vouch for, at least until you step on one.

Lego is still privately held by the Kristiansen family in Denmark, but recently released financial info has Lego sales up $5.5 billion in the first half of 2020. Difficult as it is to imagine, the company was on the brink of ruin about 15 years ago, but today is cited a one of the biggest turnarounds in corporate history due to embracing themed tie-in sets and a multi-generational fan base.

Speaking of themed tie-in sets, I’m always on the lookout for a new Legos, telling myself I’ll eventually turn my collection over to someone’s child (unlikely). And Lego, like me, considers any time of year fair game for a Halloween offering which is why I’m particularly excited about their announcement this week.

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