A Report on Modiphius’s Robert E. Howard’s Conan: Adventures in an Age Undreamed Of — Part Two

A Report on Modiphius’s Robert E. Howard’s Conan: Adventures in an Age Undreamed Of — Part Two

Conan Player's Guide-small

This is the second article in my “explanation” of Conan 2d20. Last time I focused on 2d20’s core mechanic and on this game’s design philosophy insofar as it is an emulation of the “physics” and flavor of Robert E. Howard’s Conan fiction. This one will detail more aspects of gameplay, particularly player character components and action scenes.

Last article, I maintained that Conan 2d20 characters begin as powerful in mechanical ability (unless the alternative Shadows of the Past character generation is used). When I argue that this system is one of the better ones for Conan gaming, my rationale begins in this place. People who want to play a Conan version of Swords & Sorcery, I believe, don’t come to that desire by imagining operating a 1 Hit Die noob who is struggling to survive an attack of rats and who must run from most monsters. In contrast to this vision, Conan characters, though chronologically beginning their careers as young people, are formidable. Consequently, right away in the “campaign,” the GM is free to throw whatever she wants at the characters, just as Robert E. Howard challenged Conan with whatever he fancied, with whatever he believed would make an exciting story.

I realize I am thinking of Conan 2d20 in relation to the elephant (no, not that Elephant in the Tower, but that other elephant of gaming), and I’ll try to give it a rest after this. The comparison is in front of me because, as I explained last time, I have read many reports of people giving up on 2d20 because its rules are too far off from their familiar d20 expectations. My argument is that this is because Conan 2d20 is formulated, specifically, to emulate Robert E. Howard’s Conan. Whether it succeeds or not is very much still under discussion, and, elsewhere, that discussion goes on and on. But I believe that the Original Game, as awesome as it is, is built, out of its wargaming roots, as a melting pot or synthesis for all of fantasy literature. Conan 2d20 does Conan, just that, with all of its requisite limitations of “real” characters doing heroic things. The d20 iterations of Sword & Sorcery — even those “hacked” to better do Conan — still contain some difficult features, qualities inherent in and virtually impossible to remove from the system design. Chief among these is level-based advancement and, in most cases, the magic systems.

Read More Read More

Let’s Talk Sesshomaru

Let’s Talk Sesshomaru

sesshomaru 1

I would happily watch a couple of seasons of this man and his odd companions.

It’s no good. I’m still obsessing about the anime adaptation of Inuysasha. Specifically, about Sesshomaru as a character. He’s just so interesting. I’ve had some time to think about why I find Lord Shesshomaru such an interesting character to me, and I think it comes down to one thing.

Lord Sesshomaru is full of contradictions.

The elder to two brothers, and the only full-blooded demon of the pair, Sesshomaru appears to despise his younger half-brother, Inuyasha. Throughout the show, he stands opposed to Inuyasha, competing against him to acquire his father’s heirloom sword; Tessaiga. In their first battle over the sword, they exchange serious blows. Sesshomaru doesn’t hold back. The fight ends when Inuyasha cleaves his left arm off. He is, strangely, not particularly peeved about that, and seems to accept the outcome of that fight (even going so far as to reject his arm when it’s offered to him to reattach). The brothers clash frequently throughout the series, mostly over the sword. Several times, he mentions he does not consider Inuyasha his brother. Yet, he will go on to save Inuyasha from harm more than once, as big brothers sometimes do. He even seems to be quietly rooting for Inuysasha to prove himself worthy, while simultaneously trying to stop his little brother from advancing. This is never quite so apparent than when Inuyasha’s sword absorbs the power Sesshomaru himself had spent considerable time honing. Sesshomaru’s internal desire seems to be a powerful will to see Inuyasha prove himself as the rightful master of their father’s sword, while his external actions are by all accounts, designed to stop him from doing so. This contradiction – the brother who both disdains but loves his young brother — makes him fascinating.

Read More Read More

New Treasures: The First Sister by Linden A. Lewis

New Treasures: The First Sister by Linden A. Lewis

The First Sister-small The First Sister-back-small

The First Sister (Skybound Books, 2020). Jacket design by Nerd Productions.

When the pandemic hit the US hard in mid-March, the flow of review copies to the Black Gate offices dried up virtually overnight. It’s like the whole publishing industry came to a complete standstill, holding its collective breath.

Things are slowly returning to normal in August, and we’re starting to receive a regular flow of books again. And to my surprise, the publishing house with the most impressive late-summer line up (so far) is Skybound Books. It includes Linden A. Lewis’s debut The First Sister, an epic space opera which follows a comfort woman, a soldier questioning his allegiances, and a non-binary hero seeking save the solar system. Library Journal selected it as the Debut of the month, calling it “A layered, action-filled plot… a powerful entry into the space opera genre.” And in her feature review at NPR, Jessica Wick said it “might be just the book you’ve been waiting for.”

Are you interested in political maneuverings and space economics, fantastically rich worldbuilding and sneaky spy stories? … First Sister might be just the book you’ve been waiting for….

The titular First Sister’s role is to act as confessor and provide wordless “comfort” for any Gean soldier — unless the captain claims exclusive rights by naming her “First.” Abandoned by one captain, she scrambles to keep her position when a new captain — the dashing hero, Saito Ren — takes command of the warship Juno. Then she is tasked by her Sisterhood with breaking their own commandments to report her captain’s secrets…

There’s a great deal of heart in The First Sister, where the future is sleek and messy, saturated colors and gritty shadows both. The scientific marvels of the Icarii will stay with me, poisonous environment and physical bodies transformed, as full of glory as a sunset… The First Sister is also an enjoyable action-adventure in space with likable characters, engagingly cinematic visuals, and high Cool Factor.

The First Sister was published by Skybound Books on August 4, 2020. It is 344 pages, priced at $26 in hardcover and $13.99 in digital formats. The jacket design is by Nerd Productions. Read a generous excerpt, the complete first two chapters (33 pages) at Tor.com.

See all our recent New Treasures here.

A (Black) Gat in the Hand: C.M. Kornbluth’s Pulp

A (Black) Gat in the Hand: C.M. Kornbluth’s Pulp

Kornbluth_PolkaEDITEDSteven H Silver and I shared office space in the dungeon…cellar…basement….journalist’s suite (yeah, that’s it) at the Black Gate World Headquarters. Then, Steven published his cool new novel, After Hastings, and got moved above ground level. He tapped out a message to me on the pipes and said that it has taken a while for his eyes to get used to all that natural light. But before he moved on up, we worked on the joint post you are now reading. I look at a hardboiled PI story by C. M. Kornbluth. Then Steven follows with one of the author’s science fiction stories. Kornbluth wrote a lot more of the latter, than the former. So, read on from the pride of the BG World Headquarters underground offices!

C.M. Kornbluth started to emerge as a science fiction star, then went off and earned a Bronze Star for service in The Battle of the Bulge. He resumed his writing career and died at the young age of thirty-four. Primarily in the late forties, he wrote sixteen mystery stories for the pulps. Two of those appeared in Black Mask in 1946. “Beer-Bottle Polka” introduced tough PI Tim Skeat in the September issue, and he made a return appearance in November with “The Brooklyn Eye.” All of his other mystery stories were one-offs, without a recurring character.

Skeat gets a phone call from Detective Lieutenant Angonides, telling him to come to the crime scene, where a dead body has been found. The stiff had been tied to a bed and seriously tortured with a broken beer bottle. It ain’t pretty. One of Skeats’ business cards had been found in the deceased’s hat band, prompting the call. Skeat tells him the man was a nut who visited his office, tried to sell him a secret, and was sent packing.

Angonides doesn’t like that answer. He has Skeat taken down to the station. And when he still doesn’t like that answer, down into the basement. First he sweats Skeat with a hot spotlight. And when that doesn’t work, he punches him over and over, right below a rib. Then moves about six inches to the side and repeats the process. Skeat isn’t a suspect in the killing. Angonides is just convinced he knows more than he’s telling. So he works him over. Skeat doesn’t change his story and is beaten into unconsciousness. And told not to bother filing a complaint. He takes his undeserved beating and heads to a Turkish bath for treatment, and falls asleep there.

Read More Read More

The Alternate History You’ve Been Waiting For: A Declaration of the Rights of Magicians by H.G. Parry

The Alternate History You’ve Been Waiting For: A Declaration of the Rights of Magicians by H.G. Parry

A Declaration of the Rights of Magicians-smallA Declaration of the Rights of Magicians
H.G. Parry
Redhook (545 pages, $28 in hardcover/$14.99 digital, June 23 2020)
Covered designed by Lisa Marie Pompilio

Susanna Clarke’s monumental Jonathan Strange & Mr Norrell created a believable history of English magic and interwove this history into the story of her main characters. In A Declaration of the Rights of Magicians, H. G. Parry attempts to do something similar. Whereas Clarke’s book was set during the Napoleonic Wars, Parry’s takes place in the decades leading up to this, chronicling the abolitionist movement in England, slave revolutions in the Caribbean, and the French Revolution. And whereas Clarke invented her own eponymous characters, Parry brings actual historical actors to life in her magical alternate history.

In 1779, the trade in African slaves flourishes. Besides the horror of kidnapping and the Middle Passage, in Parry’s history slaves are also force-fed alchemical substances that make it physically impossible for them to resist commands. They are imprisoned in their own bodies. In England, where only the aristocracy can use magic freely, the young member of parliament William Wilberforce is working with his close friend and eventual Prime Minister William Pitt to pass legislature outlawing the slave trade. In France, meanwhile, magic is even more tightly regulated, with commoner magicians forced to wear bracelets that burn when they illegally use their magic. (For commoners, this means any time they use their magic.) This system of control exists because of the Vampire Wars of the previous centuries, when vying vampire sovereigns used Europe as their personal chessboard. When the vampires were defeated, dark magic was banished outright and nations signed a concord to never use magic in war again.

This is the background against which Parry’s novel follows three main strands of revolution: a revolution of slaves in Haiti through the eyes of Fina, a former slave learning she has a unique magic; the French Revolution, triggered by the desire to give commoners the right to practice magic but quickly becoming something much darker; and the idealistic revolution for abolition Wilberforce and Pitt are pursuing in the halls of the British Parliament. The plot has the feel of a gathering storm, as our characters realized someone is pulling strings to plunge Europe back into war.

Read More Read More

Vintage Treasures: Land of Dreams by James P. Blaylock

Vintage Treasures: Land of Dreams by James P. Blaylock

Land of Dreams-back-small Land of Dreams-small

Land of Dreams (Ace, 1988). Cover by James Warhola

In 1986 James Blaylock’s novelette “Paper Dragons,” originally published in Robin McKinley’s anthology Imaginary Lands, was nominated for a Nebula award, and received a World Fantasy Award. A year later Blaylock returned to the same setting with Land of Dreams, a contemporary fantasy that Science Fiction Chronicle called “Blaylock’s best novel to date, one that will undoubtedly catapult him into prominence,” and which caused Gardner Dozois to proclaim, “James P. Blaylock is one of the most lyrical and inventive of all new writers.”

Land of Dreams was Blayock’s hardcover debut, originally published by Arbor House with a colorful but rather middlin’ cover by Viido Polikarpus. It was reprinted in paperback by Ace a year later, with a spectacular wraparound cover by James Warhola that definitely got my attention. So did the rave review from Kirkus.

Striking, beautifully turned surreal fantasy, Blaylock’s remarkable hardcover debut. In the alternate-world northern California coastal village of Rio Dell, strange events mark the approach to the eerie, highly magical 12-year Solstice. Hungry young Skeezix and his friend Helen live at the orphanage run by the stern, repellent Miss Flees (she feeds them nothing but cabbage soup) and her horrid sidekick, Peebles. Along with their friend Jack, Skeezix and Helen discover a gigantic shoe washed up on the beach, and haul it to Dr. Jensen, who’s already puzzling over a collection of similarly enormous artifacts. The beach is invaded by hermit crabs, small at first; but, as Solstice approaches, the crabs grow larger — the last is the size of a house. A darkly ominous Carnival arrives, travelling magically along train tracks that have decayed into uselessness… Skeezix and Jack unravel the multiple mysteries in a stunning and satisfying conclusion. Weird, complex, wise, original, delightful: pounce!

As Fletcher Vredenburgh has recounted here at Black Gate, he discovered Blaylock with the delightful trilogy that began with The Elfin Ship (1982), but Land of Dreams was the book that really put Blaylock on the map for me. The Ace edition was handed around and excitedly discussed among my circle of friends in Ottawa in 1988.

Read More Read More

We Are All Genetic Brothers: The Life and Fiction of Clifford D. Simak

We Are All Genetic Brothers: The Life and Fiction of Clifford D. Simak

Simak Time and Again-small Simak Way Station-small Smiak A Choice of Gods-small

Time and Again (Ace, 1976), Way Station (Manor Books, 1975), and A Choice of Gods (Berkley Medallion, 1977).
Covers by Michael Whelan, unknown, and the great Paul Lehr

116 years ago this week, one of the finest science fiction authors or the 20th century was born. He died 32 years ago, in 1988. And currently he is almost forgotten, which is a great shame and also a great pity, since his humanism, his respect for all living creatures and his tolerance for the alien, the divergent, the different viewpoints, backgrounds and expectations are qualities no less needed now than when he was alive.

I’m talking about Clifford D. Simak, author of seminal works of sf like Time and Again (1951), City (1952), Time Is the Simplest Thing (1961), Way Station (1963), All Flesh Is Grass (1965), A Choice of Gods (1972), as well as of dozens of unforgettable short stories. The author who said, in an interview,

When I talk of the purpose of life, I am thinking not only of human life, but of all life on Earth and of the life which must exist upon other planets throughout the universe. It is only of life on Earth, however, that one can speak with any certainty. It seems to me that all life on Earth, the sum total of life upon the Earth, has purpose. If the means were available, we could trace our ancestry – yours and mine – back to the first blob of life-like material that came into being on the planet. The same thing could be done for the spider that spun his web in the grass, and of the grass in which the web was spun, the bird sitting in the tree and the tree in which he sits, the toad waiting for the fly beneath the bush, and for the fly and bush. We are all genetic brothers. The chain of life, tracing back to that primordial day of life’s beginning, is unbroken…

Clifford Simak was a newspaper man and an author. He wrote of love for all living things, of respect for life and of acceptance both of the supreme importance of life and of the inevitable differences between living things. Reading him as a child, I learned from him the importance of tolerance and inclusiveness. His was one of the important voices in science fiction. He still should be.

Your Standard Consume-all-life-in-the-galaxy Deal: Aurora Burning, Book 2 of The Aurora Cycle by Amie Kaufman and Jay Kristoff

Your Standard Consume-all-life-in-the-galaxy Deal: Aurora Burning, Book 2 of The Aurora Cycle by Amie Kaufman and Jay Kristoff

Aurora-Rising-small Aurora Burning-small

Covers by Charlie Bowater

Aurora Rising, the first volume of The Aurora Cycle by Amie Kaufman and Jay Kristoff, had Black Gate reviewer Elizabeth Galewski drawing comparisons to Firefly, Anne McCaffrey’s The Rowan, The Fifth Element and Star Wars.

Amie Kaufman and Jay Kristoff [are] the New York Times bestselling authors of The Illuminae Files… While this novel features all new characters and a different universe from their previous books, it offers the same nonstop action, messy romantic relationships, sarcastic voice, and space operatics that will please longtime fans and win new ones… The perspective shifts between many different characters, and fun schematics interrupt the flow of text at intervals. The Hadfield’s survivor, Aurora, has a similar plot function to the weird psychic girl in the Firefly movie Serenity and looks like Anne McCaffrey’s famous female telepaths in The Rowan and Damia. There appears to be a cameo by the opera diva from The Fifth Element, as well as a scene set in the famous Star Wars bar.

Kaufman and Kristoff both live in Melbourne, Australia. The second volume in The Aurora Cycle, Aurora Burning, features “an ancient evil — you know, your standard consume-all-life-in-the-galaxy deal… [but] Squad 312 is standing by to save the day.” It was published by Knopf Books on May 5, 2020. It is 512 pages, priced at $18.99 in hardcover and $10.99 in digital formats. The cover is by Charlie Bowater (who also produced the stellar cover for Shveta Thakrar’s upcoming Star Daughter.) Get all the details on the first volume here.

See all our coverage of the best new SF and Fantasy series here.

Rogue Blades author: Kosru’s Road

Rogue Blades author: Kosru’s Road

Howard changed my lifeThe following is an an excerpt from Howard Andrew Jones’ essay for the upcoming book from the Rogue Blades Foundation, Robert E. Howard Changed My Life.

I kept missing Conan. He was all over the place in the 1970s as I was growing up. I couldn’t help but be drawn to the covers of the Marvel comic books that featured him, but I was a little kid and embarrassed to be seen reading anything with such scantily clad beauties in it.

Maybe if I’d been a little less shy I’d have read those comics anyway, but I simply didn’t dare. I stayed mostly with prose, devouring the Heinlein juvenile science fiction adventures, Ray Bradbury collections, the Prydain Chronicles, The Dark is Rising sequence, and anything that was Star Trek or remotely like it.

By the mid- to late-’70s, when I had discovered Dungeons & Dragons and its now famous recommended reading list, Appendix N, I hit the library, the bookstore, and the used bookstore in search of everything on it and, unfortunately, came up woefully short. This time, pure bad luck kept me from reading Robert E. Howard. When it came to Appendix N, the library held only the last few Amber books. I didn’t want to read them out of order, and I couldn’t find much of anything from the list at the bookstore.

By chance, the used bookstore had not a single Conan paperback. Instead it stocked the best of the Lankhmar books, the first three Corum books by Michael Moorcock, and a friend had the Amber novels the library lacked. Mostly because of these books I was transformed from a devoted science fiction fan who occasionally tried fantasy into a dedicated reader of fantasy, but the glories of Howard’s writings were still undiscovered territory.

In the years that followed, I saw the rows of Conan pastiche and was rightfully dubious.

Read More Read More

In 500 Words or Less: Dominion: An Anthology, edited by Zelda Knight and Ekpeki Oghenechovwe Donald

In 500 Words or Less: Dominion: An Anthology, edited by Zelda Knight and Ekpeki Oghenechovwe Donald

Dominion An Anthology of Speculative Fiction from Africa and the African Diaspora-smallDominion: An Anthology of Speculative Fiction from Africa and and the African Diaspora (Volume 1)
Edited By Zelda Knight and Ekpeki Oghenechovwe Donald
Aurelia Leo (270 pages, $18.99 paperback, $8.99 eBook, August 17, 2020)
Cover by Henrique DLD

Dominion is a tough one to accurately summarize. During the Kickstarter way back, the editors said they were looking for speculative fiction about “the legacy and future of Africa and the African diaspora.” As I read, I had to remind myself how complicated that legacy is – which is reflected in these myriad and complicated stories.

I should warn you that some of its stories are rough. I choose that word carefully, and for multiple reasons. There’s a lot of dark fantasy and horror in here, some of it graphic and hard to read. But it reflects horror and darkness that’s real, making for some powerful stories.

“The Unclean” by Nuzo Onoh, for example, doesn’t pull its punches examining oppression of women, specifically through a problematic arranged marriage that can’t be easily escaped, even through supernatural means. Neither does Michael Boatman with “Thresher of Men” – a story that felt viscerally angry to me, channeled through a goddess of vengeance set upon an American town with a deep history of racist violence.

As a reviewer, it was interesting to find a balance of lighter stories, too – or at least stories where the issues the characters face are more microscopic and focused. Nicole Givens Kurtz ‘s “Trickin’” is still bloody but also kind of delightful, following a half-forgotten trickster looking for tributes on Halloween night. (Also love the mystery of the post-downturn city where it’s set – what happened there, Nicole?) “Sleep Pap, Sleep” by Suyi Davies Okungbowa is fabulous Africanjujuism (I believe “The Unclean” fits that genre, too), in this case weaving the understanding that you shouldn’t grave-robbing a blood relative with a young man’s guilt about his father’s death and how he treats his closest friend.

On the science fiction side, one of my favorites is Marian Denise Moore’s “A Mastery of German” about a young up-and-comer at a research firm, assigned to evaluate a project on transferring learned memories. There’s a neat implication discussed about ancestral memory and slavery, told through Candace’s relationship with her history-hunting father (which is an adorable sidebar, by the way). But the focus is mostly on ethics: is it all right to pay someone to take their memory of learning German (for example) and then do whatever you want with it? No easy answer there.

Read More Read More