Strange Plants, Ruined Cities, and the Dangers of Antarctic Exploration: Weirdbook #43

Strange Plants, Ruined Cities, and the Dangers of Antarctic Exploration: Weirdbook #43

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Cover by Fotolia

It was a pleasure to get the latest issue of Weirdbook in the mail last month. Sadly, as has become almost routine, editor Doug Draa devotes much of his heartfelt editorial to eulogizing a lost contributor, in this case the talented author Joseph S. Pulver. (Though in the process he did misspell Pulver’s name, something also fairly routine for Weirdbook. A spellchecker would have caught the mistake, and the ones in the next few sentences. Amateur editing is part of the magazine’s charm, and certainly doesn’t bother most readers, but better copyediting wouldn’t hurt.)

Here it is, Weirdbook #43. Our 13th regular issue since the relaunch. I really can’t decide on whether calling this our “Baker’s Dozen” issue of our “Advent of the Apocalypse” issue…

This issue contains one of Joeseph (sic) Pulver, Sr.’s last stories, “Will Home Remember Me?” I say “last” because Joe passed away April 24th. It such (sic) an honor to receive the story last year. Joe was a genuine giant of weird fiction and a great man in his own right. He’ll be missed by his legions of fans and friends.

I want to believe that he’s giving them hell this very minute in not-so-Lost Carcosa and is enjoying himselv (sic) immensely while doing so!

Godspeed, Joe.

Draa and Wildside committed to an aggressive publication schedule when they relaunched the magazine five years ago, and for the most part they’ve achieved it, producing nearly three issues per year (plus the occasional Weirdbook Annual). And the magazine looks fantastic, with consistently striking cover art, and top-notch interiors by the great Allen Koszowski. Issue #43 contains stories by Black Gate writers John R. Fultz and Darrell Schweitzer, plus Adrian Cole, Joseph S. Pulver, Sr, Glynn Owen Barrass, L.F. Falconer, and others.

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L. Frank Baum’s Oz Series: #1 The Wonderful Wizard of Oz

L. Frank Baum’s Oz Series: #1 The Wonderful Wizard of Oz

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If we were to look at the roots of American fantasy, or even world fantasy, the writer L. Frank Baum’s influence looms large in the pre-Tolkien era. The 1939 MGM The Wizard of Oz movie is an indelible part of world culture. Canvas for impactful movie villains and the Wicked Witch of the West tops most people’s lists. The movie is so pervasive in culture that we can forget the source novels, though.

The Wonderful Wizard of Oz, published in 1900, sold 3 million copies by 1956, when it entered the public domain. Baum wasn’t keen on sequels, but the fan mail from kids proved to be a powerful pressure and he ended up writing 14 Oz books before his death in 1919. Then the publisher hired Ruth Plumley Thompson to write another 21, and some other writers came later.

I’d of course seen the movie as a child and received the third Oz book (Ozma of Oz) from a classmate in grade six. I hadn’t known that the movie was based off of books, nor that there was a vast narrative mythology in prose form. I read Ozma of Oz and was charmed with the creativity, the tone, the promise of many more adventures, and began picking up other books as I encountered them.

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Delve Deep in Lost Catacombs in Empire of the Ghouls from Kobold Press

Delve Deep in Lost Catacombs in Empire of the Ghouls from Kobold Press

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Empire of the Ghouls (Kobold Press, April 2020)

The Free City of Zobeck, a booming trade city in Kobold Press’ popular Midgard, is one of my favorite modern adventure settings. It’s a terrifically imaginative urban environment with guilds, gangs, and gods, a notorious Kobold Ghetto, the Arcane Collegium, a clockwork wizard school, and much more. It was originally designed by Wolfgang Baur and, according to Kobold Press, is where the setting of Midgard was first born, “a clockpunk city forged in the fires of revolt, with monsters and magic drawn from the dark folktales of medieval Eastern Europe — plus details of devils, Kobold kings, and plots galore.”

Zobeck has been well supported over the years, with releases like Tales of Zobeck, Streets of Zobeck, and multiple editions of the Zobeck Gazetteer. But the most ambitious supplement to share geography with the free city is Empire of the Ghouls, funded by a hugely successful 2019 Kickstarter that raised over $168,000.

Weighing in at a massive 345 pages in full color, the standalone Empire of the Ghouls is a complete adventure campaign for characters from 1st to 13th level, fully compatible with 5th edition D&D and other modern RPGs. It details a Ghoul Imperium in the depths of the underworld and a series of interconnected adventures that delve deep into its secrets.

This heavy and highly readable volume is one the more ambitious and entertaining adventures to cross my desk in years, and it’s now available to all. Here’s a look at the wonders within.

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Future Treasures: The Fractured Void: A Twilight Imperium Novel by Tim Pratt

Future Treasures: The Fractured Void: A Twilight Imperium Novel by Tim Pratt

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Twilight Imperium, Third Edition (Fantasy Flight Games, 2004), and The Fractured Void (Aconyte, November 2020)

Tim Pratt has been nominated for all the major genre awards, including the Nebula, World Fantasy, Sturgeon, Mythopoeic, and Stoker, and he won a Hugo in 2007 for his short story “Impossible Dreams.” His most recent books include the Axiom trilogy, and the 10-volume Marla Mason series.

His upcoming book is a space opera with a twist — it’s based on the rich background created for Twilight Imperium. Yes, that Twilight Imperium, Fantasy Flight’s epic (and I do mean epic) game of space conquest, politics, and trade. Designed by Christian T. Petersen and first released in 1997, Twilight Imperium is one of the most successful science fiction games of the last few decades. It’s been continuously in print for over two decades, and gone through four editions. The mythos that has grown up around the game and its 17 playable races is sprawling and rich, and certainly deserving of a line of fiction novels. I’m definitely looking forward to the first, The Fractured Void, and Pratt is an excellent choice to kick off the line. Here’s the publisher’s description.

A brave starship crew are drawn into the schemes of interplanetary powers competing for galactic domination, in this epic space opera from the best-selling strategic boardgame, Twilight Imperium.

Captain Felix Duval and the crew of the Temerarious quietly patrol a remote Mentak Coalition colony system where nothing ever happens. But when they answer a distress call from a moon under attack, that peaceful existence is torn apart. They rescue a scientist, Thales, who’s developing revolutionary technology to create new wormholes. He just needs a few things to make it fully operational… and now, ordered to aid the scientist, the Temerarious is targeted by two rival black-ops teams intent on reacquiring Thales. Can Felix trust Thales? Or is this a conspiracy to tip the balance of power in the galaxy forever?

The Fractured Void will be published by Aconyte on November 3, 2020. It is $16.95 in trade paperback and $9.95 in digital formats. Get more details and read an excerpt here, and check out the handsome fourth edition of Twilight Imperium at the Fantasy Flight website.

See all our recent coverage of the best in upcoming SF and fantasy books here.

19 Movies Presents 13 Lucky Movies for Halloween Viewing

19 Movies Presents 13 Lucky Movies for Halloween Viewing

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Here’s thirteen movies in five groups suitable for double, or, if you have the stamina, triple feature viewing. Have a safe and fun Halloween!

British Films

We begin with two British films which couldn’t be more diverse in their approach.

Curse of the Demon/Night of the Demon

One movie, with two titles, this 1957 film starring Dana Andrews was directed by Jacques Tourneur who also directed Cat People and I Walked With A Zombie. The U. S. version, (Curse of the Demon) is an 83 minute version of the original 95 minute British release, which is the better film.

Andrews plays an American psychologist who travels to England to attend a scientific conference and gets caught up in investigating the death of a colleague, possibly at the hands (or claws) of a satanic cult. Andrews is so superciliously smug that you may find yourself rooting for the cultists. The screenplay is based on the classic M. R. James short story, “The Casting of the Runes.” Commonly and cheaply available on DVD (one release contains both versions), the truncated version is also available to rent on Prime Streaming.

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Goth Chick News: Tempting Fate with Gravedigger Unholy Rye

Goth Chick News: Tempting Fate with Gravedigger Unholy Rye

Goth Chick Rye

Tamworth Distilling Company in New Hampshire has a limited addition rye on offer just in time for Halloween, which has very season-appropriate story behind it.

Tamworth, like other distilleries, uses maple syrup as an ingredient in some of its whiskies. Tamworth master distiller Jamie Oakes was onsite at a local farm observing the tapping of maples trees early one spring, when a local man on the crew stopped the other men from tapping one of the oldest trees on the farm. All he would say was, “We don’t tap that one.”

Turns out that particular tree sat smack in the middle of a small plot of ten, very worn-down headstones. Out of curiosity, and due to its extremely old appearance, Oakes undertook research to try to find out who was buried in the small plot but came up pretty much empty-handed. None of the tattered headstones showed names or dates, but property records indicated the graves belonged to early settlers from around the mid-1700s.

Like the plot of any respectable horror movie, there’s always that one guy who just can’t leave well enough alone, and Jamie Oakes is that guy. It took him a few years to convince his colleagues at Tamworth that what they really needed to do was tap that tree. And in September 2019, Tamworth Distilling released its first small batch of Graverobber Unholy Rye, a whiskey flavored with maple syrup made from the tree growing amidst those graves.

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Barbarians at the Gates of Hollywood by P. J. Thorndyke

Barbarians at the Gates of Hollywood by P. J. Thorndyke

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Let me start with a story from when I was fifteen and had yet read only the Lancer Conan the Warrior, but was friends with several serious Conan (and Kull, and Solomon Kane) readers. They learned that Creation Con in Manhattan would include a presentation about the upcoming movie Conan the Barbarian featuring Valeria actress Sandahl Bergman, and they quickly convinced a bunch of us to get tickets. On a Saturday afternoon, we made the drive into the city. My memories of the convention itself are pretty hazy, but the movie preview is etched in my brain. Bergman was beautiful and funny. Any teenage boy would want to see the movie after seeing her. The rest of the presentation, though — woohoo, it stank. It was a slide show, just a batch of lifeless stills that, if they didn’t kill our enthusiasm for the movie, they definitely dimmed it. Nonetheless, we all saw it as soon as we could.

All these years later, I can’t speak to how my friends felt, but I hated the movie. I just rewatched it and now, having read all of Howard’s original stories several times, I hate it even more. But that’s a conversation for another day. My opinion, sadly, didn’t matter, and Conan the Barbarian became a cult success, helped make Arnold Schwarzenegger a star, and set the stage for an explosion of barbarian-themed movies. It’s that eruption of films starring loin-clothed, overly-muscled warriors that is the subject of  Barbarians at the Gates of Hollywood by P.J. Thorndyke.

When I stepped back from reviewing at Black Gate (almost two years ago — holy shlamoley!) I knew there could always be something to lure me back. Clearly, John O’Neill knew what that something was when he saw it. He e-mailed me a copy of Barbarians at the Gates of Hollywood, I scanned it and immediately knew I had to read it.  It opens with a solid history of sword & sorcery and closes with a brief explanation of why the film genre died. The heart of the book are synopses of dozens, if not all, of swords and sorcery movies of the eighties. If you’ve ever had any interest in movies like Thor the Conqueror or how Richard Corman came to produce such fare as Deathstalker II: Duel of the Titans in Argentina, this is the book for you.

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A World of Pirates and Victorian Detectives: The Map of Unknown Things Trilogy by Rod Duncan

A World of Pirates and Victorian Detectives: The Map of Unknown Things Trilogy by Rod Duncan

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Covers by Will Staehle, Amazing15, and Kieryn Tyler

Rod Duncan’s debut was the supernatural mystery trilogy The Fall of the Gas-Lit Empire, a series I found fascinating in part due to the main character, Elizabeth Barnabus, a woman who lives a double life as herself and as her brother, a private detective.

His next project, The Map of Unknown Things, is set in the same world. It opened with Queen of all Crows (2018), in which Elizabeth investigates the disappearance of an airship that went down in the Atlantic. Sydney Shields at The British Fantasy Society said “Duncan’s Gas-lit Empire reads and feels like the world of a Victorian detective adventure (think Sherlock Holmes, the Blake & Avery Mysteries, Charles Dickens) but the twist is that the year is actually 2012… Definitely recommend.” The Outlaw and the Upstart King was published last year, and the third volume, The Fugitive & the Vanishing Man, arrived in January of this year. Here’s an excerpt from the PW review:

Illusionist spy Elizabeth Barnabus has barely returned from her pirate voyage in The Outlaw and the Upstart King when she is forced to venture back to the fringes of the Gas-Lit Empire in the exhilarating third installment of Duncan’s The Map of Unknown Things series. Upon returning to London, Elizabeth must recount her adventures to the hostile Patent Office, a clever bit of exposition that will ease new readers into the steam punk world of this alternate history. When the Patent Office brands Elizabeth a traitor, she flees to America and the untamed wilds of the Oregon territory to track down her long-lost twin, Edwin, and prove her patriotism… But trouble’s brewing in Oregon, and Elizabeth is torn between loyalty to her twin or her beloved Empire. The charismatic duo at the heart of this adventure are sure to please.

The Fugitive & the Vanishing Man was published by Angry Robot on January 14, 2020. It is 401 pages, priced at $14.99 in trade paperback and $6.99 in digital formats. The cover is by Kieryn Tyler. Read the first three chapters at Issuu.com.

See all our recent coverage of the best new series fantasy here.

In 500 Words or Less: The Language of Beasts by Jonathan Oliver

In 500 Words or Less: The Language of Beasts by Jonathan Oliver

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The Language of Beasts
By Jonathan Oliver
Black Shuck Books (392 pages, $25.99 hardcover, $8.99 eBook, October 1, 2020)
Cover by Simon Parr

We’re approaching Halloween, so let’s talk horror and the weird! I was looking at earlier reviews of Jonathan Oliver’s debut collection The Language of Beasts and what I found interesting is how often it’s described as both horrific but heartfelt – keeping people up at night by speaking to our humanity. And it’s true. (All of it, Han.) There have been so many accolades already for this collection that I’m not even sure what else I can add, but I’ll try.

One of my issues with modern horror is how creators keep leaning into the freaky, bloody, disgusting parts of the genre, which isn’t my thing. Jon’s stories do the opposite; you could replace the horrific with something else “spec” and the core of the story would be the same. They’re about characters with deep backstories that affect their entire life; people facing some of the worst traumas imaginable, made worse because they’re experiences we know are too common. “Tea and Sympathy” starts with a young woman whose husband dies suddenly of a heart defect, and then leads to his spirit returning to her using men who are near death. The body-snatching and haunting isn’t the part that got to me: it’s the knowing that, at barely thirty-one, if something happens to me I would want to do everything in my power to make sure my partner was okay, even at the expense of the soon-to-be-deceased. That’s a startling realization to grapple with, but making you consider things like that is one of the most powerful aspects of Jon’s writing.

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A Sinister Quartet: An All Authors-Signed Giveaway, with 4 Original Postcards by Paula Arwen Owen

A Sinister Quartet: An All Authors-Signed Giveaway, with 4 Original Postcards by Paula Arwen Owen

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We, the authors of The Sinister Quartet, have done it all this year!

We’ve done ZOOM readings! We’ve made up playlists, recipescocktails (and mocktails!) to go with our dark-hearted stories! We’ve done a Reddit AMA, and The Big Idea over at Scalzi’s blog!

Lately, we did that GINORMOUS interview with Zig Zag Claybourne here at Black Gate magazine!

And now, we’ve got PRESENTS! For YOU!

We’re doing a GIVEAWAY here at Black Gate magazine!

HERE’S HOW IT WORKS.

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