Robert E. Howard: The Day That I Was Born

Robert E. Howard: The Day That I Was Born

reh1

Robert E. Howard, author and poet, was born on January 22, 1906. In an undated letter to his friend Clyde Smith (“Salaam/Again glancing…), Howard wrote of this day in the poem, “I Praise My Nativity.”

“Oh, evil the day that I was born, like a tale that a witch has told;
I came to birth on a bitter morn, when the sky was dim and cold.
The god that girds the loins of Fate and sends the nighttime rain,
He diced my game on an iron plate with dice carved out of pain.
“This for the shadow of hope,” laughed he, as the numbers glinted up,
“This for a spell and this for Hell, and this for the bitter cup.”
A Shadow came out of the gloom of night and covered me with his cowl
That carried the curse of The Truer Sight and the blindness of the owl.
Oh, evil the day that I was born, triply I curse that day,
And I would to God I had died that morn and passed like the ocean spray.”

While he may have wished to God that he had died that morn, as one of his legions of fans, I’m grateful that he didn’t. And I have about twelve hundred reasons for my gratitude: the over four hundred short stories and more than seven hundred poems that he wrote.

Unlike many of the Black Gate readers, I’m relatively new to the writings of Robert E. Howard. I became interested in him when I saw the movie The Whole Wide World in 2006. I started with the Del Reys: The Savage Tales of Solomon Kane and Kull Exile of Atlantis. I also read my way enthusiastically through all the Conan stories and then everything else of Howard’s I could get my hands on. I haunted the REH eBay offerings looking for the books and stories I didn’t have.

My efforts were rewarded. I was *there* when Dark Agnes, Valeria and Howard’s strong women flashed their swords and fought beside men as equals. I laughed out loud at Meet Cap’n Kidd and the other Breckenridge Elkins tales, relished Lord of Samarcand and chewed my nails during Pigeons in Hell.

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Better Late Than Never…

Better Late Than Never…

71056_199372154485_5464068_nWell, with only about a week left to go in January, today I just received a copy of the December Realms of Fantasy.  You remember, the last one that Warren Lapine could afford to publish, originally available only as a download, but I guess he decided to have a last hurrah.  A February 2011 edition is due out soon from new publisher Damnation Books.

Though I recognize that media tie-ins have always been part of the magazine’s business plan, the less said about a Harry Potter cover, the better.  Four stories: “Queen of the Kanguellas” by Scott Dalrymple, “Maiden, Mother, Crone” by Anne Leckie & Rachel Swirsky, “The Banjo Singer” by Dennis Danvers and “Tools of the Devil” by Jerry Oltion.

I was never a big fan of the magazine, though I was sorry to hear it was going, and glad to hear that it is coming back.  Here’s hoping the third incarnation does the trick.

Of Joe Gores, Ace Atkins and Wrestling with Hammett’s Legend

Of Joe Gores, Ace Atkins and Wrestling with Hammett’s Legend

4330071663_4e7a003ec4The recent passing of veteran mystery writer Joe Gores on the anniversary of Dashiell Hammett’s own death set me thinking about Hammett’s enduring legacy and continuing influence on detective fiction.

Gores was born too late to fight for a place in the Holy Trinity of hardboiled detective fiction alongside Hammett’s immediate heirs Raymond Chandler and Ross Macdonald, but the influence of the man who did so much to transform hardboiled fiction was no less strong in Gores’ work.

While most commentators would agree that the DKA series was Gores’ crowning achievement, my own preference was for his 1975 novel, Hammett and his last book, 2009’s Spade & Archer.

Gores’ death led me to pick up Ace Atkins’ 2009 novel, Devil’s Garden. Atkins’ book is a semi-fictionalized account of Hammett’s real-life involvement as a Pinketeron operative gathering evidence for the scandalous Fatty Arbuckle trial in 1921.

devilsgardeninside-198x300Thirty-five years earlier, Gores had likewise fictionalized Hammett’s Pinkerton days when he immersed himself in real and imagined political corruption in Roaring Twenties San Francisco in his novel, Hammett.

When granted the honor of penning a prequel to The Maltese Falcon, Gores later drew heavily on Hammett’s own experiences as a Pinkerton to fill in Sam Spade’s back story. Atkins has much in common with Gores in that both men are natural writers who can easily make one envious of their prodigious talent and, at times, frustrated that they aren’t quite as perfect as you wish them to be.

No matter how many times I’ve read Hammett’s five novels and the posthumous collections of his short fiction, I never cease to be amazed at his perfection. Chandler’s remark that Hammett repeatedly wrote scenes that struck readers as wholly original is not mere hyperbole; it still rings true today despite the endless parodies and imitations. It is also what makes following in his footsteps so difficult.

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Gemmell’s Legend Remains a Rousing Call to Arms

Gemmell’s Legend Remains a Rousing Call to Arms

legendI love pre-battle speeches. Arnold’s “Then to hell with you!” prayer to Crom before the battle of the mounds, and Theoden’s exhortation to the Rohirrim just before their charge on the Pelennor Fields (“spears shall be shaken, shields shall be splintered!”), to name two, make me want to pick up spear and shield and wade into the fray (of course Kenneth Branagh’s Band of Brothers/St. Crispin’s Day speech from Henry V remains the best). Even though I’d never want to fight in a real shield wall, the power of these speeches admittedly gives me second thoughts.

That’s probably why I loved reading David Gemmell’s Legend (1984) so much. Gemmell’s debut novel is more or less a buildup to (and execution of) a monumental battle scene, and its rousing inspiration speeches don’t disappoint. In terms of the printed page Legend ranks right up alongside Steven Pressfield’s spectacular Gates of Fire for galvanizing battle-speeches.

Here’s one sample as delivered by Druss, the eponymous “legend” from whom the novel derives its name. Druss is an aging warrior and a veteran of innumerable battles who dusts off his axe Snaga and treks to the defense of the fortress Dros Delnoch, like an aging athlete coming out of retirement to prove he can still play. On the eve of the final battle, he rouses the outnumbered Drenai to stand with him, one last time:

Theoden leads the charge...
Theoden leads the charge...

“Some of you are probably thinking that you may panic and run. You won’t! Others are worried about dying. Some of you will. But all men die. No ever gets out of this life alive.

I fought at Skeln Pass when everyone said we were finished. They said the odds were too great, but I said be damned to them! For I am Druss, and I have never been beaten, not by Nadir, Sathuli, Ventrian, Vagrian, or Drenai.

By all the gods and demons of this world, I will tell you now — I do not intend to be beaten here, either!” Druss was bellowing at the top of his voice as he dragged Snaga into the air. The ax blade caught the sun and the chant began.

“Druss the Legend! Druss the Legend!”

If you like the above monologue, you’ll probably love Legend. If not, well, there’s always Magic Kingdom for Sale: Sold.

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Deathless, The Comic

Deathless, The Comic

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Last year, I had the honor of reading Catherynne M. Valente’s newest book Deathless while it was still in its drafty stages.

It’s that wonderful old story of Marya Morevna and Koschei the Deathless, only it’s set in Revolutionary Russia, and then all whammied up with Valente magic and spat back out like a beautiful bullet, and wow!

And now it’s about to come out!

In celebration of this, Tor.com has put Deathless: The House Committee, a comic released in limited edition at Arisia last week, onto its website, to be read in its entirety.

Check it out! It’s really beautiful!

And, in my opinion, Deathless is the best thing Valente has ever written. She just keeps getting better and better, but this one takes a really big Black Russian Cake!

The book is, in fact, available for pre-order.

A Talk with Amal El-Mohtar

A Talk with Amal El-Mohtar

bghoneyWhen you taste honey, do you think of ravenfolk, the wicked and the lovely? Do you find sex, death and trickery on your tongue? Ms. Amal El-Mohtar does. Amal was given 28 vials of honey. She tasted one vial per day over the course of one month and wrote down her impressions – some days in prose, others in poetry. These writings have been published as The Honey Month.

Seriously, you should buy the book for “Day 27: Leatherwood Honey” alone. It made me gasp. Never mind “Day 11: Blackberry Honey” wherein the universe reminded me what it’s like to have a poem bust open a heart ventricle and fill it with breath-catching melancholy.

Black Gate found Amal wandering in our godswood. We yelled, “HALT, TRESPASSER!” not knowing who she was. As we ran at her ready to tackle, she pulled an ancient blade from behind her back and, well, hmm, embarrassing though it be, we were unarmed. As it’s our swindling nature to distract folks with words we sat down and began to ask her questions. Ms. El-Mohtar very kindly answered these instead of chopping off our heads and we forgave her for trespassing in our godswood.

Here is our chat with Amal El-Mohtar:

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Goth Chick News: 13 Questions for Catherine Mary Stewart

Goth Chick News: 13 Questions for Catherine Mary Stewart

image015The gentlemen staff of Black Gate tirelessly seeks out ways to entertain you. There have been cross-country zeppelin rides and waist-high stacks of manuscripts to pour over, seeking only the crème de la crème of stories to tell and the most interesting tidbits to pass along. The boys often go for days without showering, living only on beer and pizza while spending countless, sleepless hours reading the latest comics or playing the latest video games; all for your enjoyment and approval. During these marathon sessions of creativity, toilet sets are left up and the communal fridge sprouts intricate science experiments, which I am sure have some unobvious value.

It’s exhausting to watch, really.

But here in the underground bunker of Goth Chick News, we’re generally just concerned with the tequila supply and whether plugging in the blender while five Xboxes are going upstairs will cause a breaker to trip.

That is, until two weeks ago.

It was then that I brought you a collection of favorite scary movies from the 80’s, gleaned from an outwardly cool-looking, mixed group of New Years Eve revelers; with a goal to either remind you of a picture you’d forgotten, or tempt you into something classic that you may never have heard of.

As it turns out, plenty of you have heard of Catherine Mary Stewart.

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A Review of Daemon World (Warhammer 40,000)

A Review of Daemon World (Warhammer 40,000)

daemon-world-newDaemon World
Ben Counter
BL Publishing (414 pp, $7.99, 2009 (originally published in 2003))
Reviewed by Bill Ward

The world of Warhammer 40,000 takes ‘dark’ to a whole new level, with a constellation of warring races in various shades of gray (for example, the ‘good guys’ of the Imperium have no qualms about eradicating entire planets within their own empire), a bleak, medieval gothic aesthetic oozing with fanaticism, intolerance, and cruelty, and an essentially hopeless outlook for humankind.

Indeed, the series tagline, “In the grim darkness of the future there is only war,” gets at the heart of the 40k setting, though it misses somewhat the undercurrent of black humor and parody that have been present in this universe since its inception. But the enormously popular world of the 41st millennium is more than just a space opera version of Warhammer Fantasy – despite its space elves and orks, Warhammer 40,000 is a unique and appealing setting that has been steadily accruing a history and a body of lore for over twenty years, all of which makes it much more complex and interesting than it may appear at first blush. It is a richly detailed, dark fantasy of the future that synthesizes everything from Paradise Lost to Star Wars, H.R. Geiger to H.P. Lovecraft, Dune to Starship Troopers.

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Art Evolution 19: RK Post

Art Evolution 19: RK Post

Art evolves, one generation of role-players leading into the next and each attaches it’s best memories to the artists that defined their games of choice. This ongoing series continues, but if you’ve missed previous entries they can be found here.

deadlands-doomtown-or-bust-255With the help of Wizards of the Coast I had my ‘Caldwell Lyssa’, and the weeks for the project were growing short. These final days became the most trying for me as artists started to hedge, deadlines were missed, and suddenly I faced the possibility that I might not get twenty artists when I was assured only months before that I’d have twenty-five.

Still, with every prick of a thorny dropout, there were those who provided a silver lining. Out there among the countless catalogues of incredible gaming work there were some artists who simply smiled and said ‘when do you need it’.

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Goblin Fruit: Winter 2011

Goblin Fruit: Winter 2011

"Come buy, come buy!"
"Come buy, come buy!"

Do you remember Amal El-Mohtar? Poet, writer, Black Gate blogger?

Well! As I may have mentioned once or twice, she and Jessica P. Wick (who turns back into a mermaid when you spray her with a hose) co-edit a ‘zine called Goblin Fruit, which publishes “poetry of the fantastical.”

And… THE WINTER ISSUE IS LIVE!!! It’s ALIVE, I tell you! With (O my leaping lords of the great down under), soul-salivating art by Melbourne’s Omi Fam!

If we go by the art alone, this issue would be like a wolf pelt stuffed with sentient diamonds, or a lantern carved from a human skull. But I know the names of some of the poets (Rose Lemberg of Stone Telling, Leah Bobet of Ideomancer, Mari Ness of the Oz Blog at Tor.com, Loreen Heneghan, Christopher W. Clark, Jeannine Hall Gailey, Michelle Muenzler, and Neile Graham), therefore the possibilities for this issue are as endless as a winter’s night.

Go check it out! If you dare.

We last covered Goblin Fruit in our three-part review of the magazine.