Interzone #235 July-August
The new Interzone features “Insha’ Allah” by Matthew Cook, “For Love’s Delerium Haunts the Fractured Mind” by Mercurio D. Rivera, “The Walrus and the Icebreaker” by Jon Wallace, “Eleven Minutes” by Gareth L. Powell and “Of Dawn” by Al Robertson. There’s also an interview with Lisa Goldstein and the usual assortment of book and video reviews. as well as David Langford’s “Ansible Link” column.
The publishers are reintroducing lifetime subscriptions. What you’re buying, in essence, is a 10-year subscription at the current rate. If you think you’re going to live for at least another decade, and you think the magazine will also be around for as long, and this could be a bargain for whatever time you and the magazine have after that. If that weren’t enough, you can also opt for joint lifetime sub that gets you sister publication Black Static for a slightly reduced rate than the individual rates. Sign your life away here.
Master of Devils
Sohaib Awan at Fictional Frontiers interviews Black Gate Managing Editor Howard Andrew Jones on his first novel The Desert of Souls, non-Western fantasy, juggling modern expectations in historical fiction, and much more:
I’ve refrained from talking about Conan the Barbarian (2011) until now, despite my love for Robert E. Howard’s works. But now that we’re poised on the eve of its U.S. release, I thought I’d weigh in with my personal hopes—and fears—regarding the film.
Sunday was the fiftieth anniversary of the death of Clark Ashton Smith. We morbid fans of a writer with a delectable taste for morbidity love to celebrate death anniversaries as much as birth ones, and the seduction of the half-century mark is too great to dismiss.
Fantasy fiction is very often set either in the European Middle Ages, or in lands that are intentionally highly reminiscent of the Middle Ages in terms of technology and social structure. It is true that the use of European medieval settings is less common now than it has been, and also true that there have always been counter-examples. But it seems that much fantasy still relies on the European Middle Ages to define itself, one way or another. Sadly, one often has a sense that these backgrounds are not wholly thought-through; not realised as completely as they might be. The setting in a lot of fantasy, particularly I think in commercial fantasy fiction, seems to be a very generic Middle Ages in which medieval stereotypes mix with unexamined modern assumptions.