Goth Chick News: Evil Dead is Alive and Well

Goth Chick News: Evil Dead is Alive and Well

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image002You really shouldn’t read from that book.

I mean seriously.

Put it down.

Oh well, you’re screwed.

A remake of Sam Raimi’s horror film franchise Evil Dead finally has a release date in 2013 after a couple of false starts, some casting shuffles, and a change of director that had fans screaming for the wrong reasons.

As early as 2005, it had been confirmed that a remake of Evil Dead would be made. At that point, it was to be produced by Bruce Campbell and Sam Raimi, but would not include any references to the original characters. It was also said that the movie would be about a group of teenagers that go to the cabin and find the book, but the similarities with the 1981 version would end there.

However, in August 2007, Bruce Campbell revealed in a radio interview that the proposed remake was “going nowhere” and “fizzled” due to extremely negative fan reaction.

The rumor mill went quiet after that, until July, 2011 when Ghost House Pictures (Sam Raimi’s production company) announced it would be producing a remake with Fede Alvarez directing and Diablo Cody refreshing the script. That’s when the legions of The Dead cried foul.

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New Treasures: Obsidian & Blood by Aliette de Bodard

New Treasures: Obsidian & Blood by Aliette de Bodard

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obsidian-blood-smallAs a reader over 40, I have a certain responsibility to gripe about modern fantasy. To point out how things were better in my day, complain how “kids today” just don’t appreciate good writing, and dismiss current trends as crass commercialism. It’s a thankless job, but it’s been handed down to me by countless generations of grumpy old readers, and I take it seriously.

It ain’t easy, either. For one thing, I have to ignore a lot of really excellent work by Jeff VanderMeer, Neil Gaiman, Howard Andrew Jones, James Enge, John Fultz, and dozens of others, just to have any kind of credibility at all. And when a trend comes along that I really like, I have to shut the hell up about it. And trust me when I tell you, it’s hard for me to shut the hell up about anything.

For example: when I was a kid, fantasy novels went out of print all the time. If you missed ’em, too bad for you — that was the price you paid for not getting hip to the best writers fast enough. You had to sit around and listen to all your friends talk about Do Androids Dream of Electric Sheep, nodding along and gritting your teeth. (At least, that’s what I imagine it would have been like, if I’d had friends).

Not any more. These days when a popular paperback dies, it just returns months later in a new, improved format, like Gandalf the White. Or the Priceline Negotiator.

Case in point: Aliette de Bodard’s Acatl novels. The first, Servant of the Underworld, published in paperback by Angry Robot in October 2010, was a fascinating murder mystery set in the Aztec capital of Tenochtitlan, where the end of the world is kept at bay only by the magic of human sacrifice.

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Teaching and Fantasy Literature: Some Dubious Ideas and Some Good That Came of Them

Teaching and Fantasy Literature: Some Dubious Ideas and Some Good That Came of Them

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When I learned my first child would be a boy, one of my first stops was the library, where I checked out a huge stack of books about boys: how they think, how they learn, how they’re socialized, with all the attendant parental and teacherly how-tos and cautionary tales. I was wary of essentialism, but willing to consider the possibility that the big recent developments in neuroscience might have something new to tell me. Since my son would not be born yet for some months, I tried out the most promising of the books’ insights on my students. Childhood in a masculine mode–any version of a masculine mode–is a foreign country to me. I wanted what I always want when I’m about to fly off to terra incognita. I wanted a map, a phrasebook, and a Rick Steves guide to the notable sights. That and a good highlighter pen will get me through as much touristing as I’ve ever been able to afford.

Only it turned out I wasn’t a tourist, or even a long-term expatriate. I was a character in a portal fantasy, the kind this essay on io9 praises, in which people cross through the portal from each world into the other, and nobody’s normality is stable. As it turned out, I had lived my entire life as a character in that portal fantasy without knowing it. None of my maps or phrasebooks could be relied upon.

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Edgar Rice Burroughs’s Mars, Part 10: Llana of Gathol

Edgar Rice Burroughs’s Mars, Part 10: Llana of Gathol

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llana-of-gathol-1st-edBack on Mars, and closing in on its finale, after my short sabbatical… What can I say? It seems Synthetic Men of Mars will suck out the desire to keep trudging forward from even the most dedicated ERB enthusiast.

Llana of Gathol is the first of the two story collections that close out the published Barsoom epic: it contains four novellas chronologically linked together to produce an episodic novel… one that hopefully improves upon the failed previous book.

Our Saga: The adventures of Earthman John Carter, his progeny, and sundry other natives and visitors, on the planet Mars, known to its inhabitants as Barsoom. A dry and slowly dying world, Barsoom contains four different human civilizations, one non-human one, a scattering of science among swashbuckling, and a plethora of religions, mystery cities, and strange beasts. The series spans 1912 to 1964 with nine novels, one volume of linked novellas, and two unrelated novellas.

Today’s Installment: Llana of Gathol (1941)

Previous Installments: A Princess of Mars (1912), The Gods of Mars (1913), The Warlord of Mars (1913–14), Thuvia, Maid of Mars (1916), The Chessmen of Mars (1922), The Master Mind of Mars (1927), A Fighting Man of Mars (1930), Swords of Mars (1934–35), Synthetic Men of Mars (1938)

The Backstory

I discussed at length ERB’s decision to write novellas he could later gather into episodic novels in my review of Escape on Venus, one of the three collections he wrote simultaneously, rotating through settings. Escape on Venus was a massive bust, but part of the reason for its failure is that Venus is a minor location in ERB’s canon. The Earth’s core fared better with Savage Pellucidar. And what of Mars, so far Burroughs’s most consistent setting for quality? Could changing writing methods rescue readers from the mistakes that made Synthetic Men of Mars a glaring black mark on the series? …

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Marvel Feature: Red Sonja 7 (plus Conan the Barbarian 66, 67, and 68)

Marvel Feature: Red Sonja 7 (plus Conan the Barbarian 66, 67, and 68)

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marvel-feature-7-coverSo the next issue blurb at the end of Marvel Feature 6 was just a bit misleading. After you went back to the comic shop (or newsstand or drug store or wherever people went in 1976 to get comics), paid your thirty cents for Conan the Barbarian 66, and got the issue back home, you would discover that it wasn’t a continuation of the story from Marvel Feature 6 at all. No, “Daggers and Death-Gods!” instead told the story of Conan and Belit docking in Massantia to trade some “honest loot, freely plundered.” After some tense negotiating, they are told of a missing page from the Book of Skelos being kept in the Temple of a Thousand Gods. There’s a hefty reward being offered by an unknown client (who works through a middleman) to anyone who can steal the page from the temple. Conan and Belit make their way through the temple and, after nearly killing eachother, thanks to a caretaker’s spell, they find the page … and Red Sonja. So issue 66 actually tells a story parallel to the one we just finished, with the promise that the next part will, for real this time, be told in issue 67.

Well, we’ve already invested sixty cents into this story, so we might as well invest another thirty to find out where it ends. Issue 67 opens with four pages of re-caps to the stories we read in Marvel Feature 6 and Conan the Barbarian 66. After the recaps, Sonja and Belit have exactly one panel of dialogue before Belit draws her sword and tries to kill her. Red Sonja called her a serving wench and that was all it took because, as Belit is fond of reminding us, she’s actually the daughter of the death-goddess Derketa (Belit believes this because Belit is crazy). The fight lasts for three panels before Belit concedes that Red Sonja is a better swordswoman and throws her sword aside. But she hasn’t conceded the fight, only changed weapons. Apparently, Belit (like all crazy girlfriends) carries a knife. At this point, Red Sonja probably realizes that Conan has enough problems with his delusional knife-wielding girlfriend, so she opts instead to grab the page, slice through the torch that lights the chamber, then flee under cover of darkness. Because Red Sonja only has crazy delusions of grandeur after watching her entire family murdered. For Belit, it’s a lifestyle.

The rest of the issue is Conan promising Belit that he’ll track down Sonja and the page, then getting sidetracked when he discovers an old friend has been imprisoned for murdering one of the town guard (which he’s done so many times, you’d think he’d be surprised to find that some people actually get arrested for it). After killing a half-man/half-tiger (honestly, no one’s even surprised by this sort of thing any more), he frees his friend and discovers that he was locked in the cell next to the man who originally stole the page (small world, Roy Thomas, awfully small world). He meets back up with Belit and they take in this new bit of information just as Red Sonja races past them on horseback. We’re told that the story will be continued in Marvel Feature 7.

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Zenna Henderson’s The Anything Box

Zenna Henderson’s The Anything Box

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The Anything BoxAs so often happens, I was at a book fair the other week when, again as so often happens, I stumbled on a book by a writer I’d heard of at some point and about whose work I was vaguely curious. In this case, the writer was Zenna Henderson and the book was a collection of sf and fantasy short stories called The Anything Box. Which, upon reading, I found to be quite intriguing.

Henderson was born in 1917 and died in 1983. Most writing I’ve found about her online (including her homepage, her SF Encyclopedia entry, and this excellent appreciation by Bud Webster) mention some or all of the following things: that she was a Mormon, that she taught Japanese-Americans in an internment camp during World War Two, and that she was one of the few women writing sf in the 1950s under an obviously female first name. Her work has influenced Orson Scott Card, Lois McMaster Bujold, and Connie Willis.

Henderson seems to be best known for her stories about the People, refugee aliens trying to make lives for themselves on Earth. None of those pieces are in The Anything Box. These stories stand alone; most, but not all, focus on teachers, children, and domestic life. Their technique is mainly simple and direct: straight-ahead narrative prose, eschewing tricks of chronology or unreliable narrators. “Things” uses alien vocabulary extensively, and “Turn the Page” borders on a Bradbury-like expressionistic lyricism, but on the whole the book is good solid 50s commercial prose. Which does some unexpected things.

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Star Trek Into Darkness Poster Fuels Gary Mitchell Speculation

Star Trek Into Darkness Poster Fuels Gary Mitchell Speculation

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star-trek-into-darkness-smallJust to review, Black Gate is a website with a laser-like focus on the best in new and neglected fantasy. If you want science fiction, there’s plenty of other places for that. Except maybe for Star Trek, because that has William Shatner and we’re big fans.

Now that we’ve cleared that up, I’d like to point you to the just-released poster for the upcoming Star Trek Into Darkness, featuring a trenchcoat-clad badass standing on a mound of rubble that used to be Federation stuff, starting at other Federation stuff he could also knock over. Just to drive home the point, his profile forms part of a crumbling Federation emblem (click the image at right for a bigger version).

That’s one cool poster. It’s also done absolutely nothing to dampen ongoing speculation that the villain this time is none other than Gary Mitchell, Kirk’s friend and helmsman who became all glow-eyed and megalomanical after slamming into the edge of the galaxy at warp 3 in “Where No Man Has Gone Before.” Neither has the film’s official description:

When the crew of the Enterprise is called back home, they find an unstoppable force of terror from within their own organization has detonated the fleet and everything it stands for, leaving our world in a state of crisis. With a personal score to settle, Captain Kirk leads a manhunt to a war-zone world to capture a one man weapon of mass destruction.

As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew.

For the record, I think this is a great choice. “Where No Man Has Gone Before” was the second pilot and one of the show’s earliest episodes, and frankly one of its best. And if the poster and teaser description are any indication, the action this time won’t take place on a remote planetoid covered in giant styrofoam rocks, but a populated center where the stakes are a lot higher and the explosions a lot bigger. Finally, as reported some time ago, Sherlock actor Benedict Cumberbatch has been cast as the film’s villain, and I think he’d make a magnificent Gary Mitchell, both as a jovial lieutenant commander and as an all-powerful psychic loonie.

Star Trek Into Darkness is directed by J. J. Abrams, and written by Alex Kurtzman, Damon Lindelof and Roberto Orci. It is the twelfth feature-length Star Trek film and the sequel to 2009’s Star Trek. It is set for release on May 17, 2013.

Electric Velocipede 25 Now Available

Electric Velocipede 25 Now Available

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electric-velocipede-25-smallJohn Klima’s groundbreaking magazine Electric Velocipede continues to innovate in its new electronic format. John tells us:

This is one of our strongest issues to date. I’m very proud of the stories and poems (nine!) in it. The stories will be going up through bi-weekly through the end of the year, but we’re putting the entire issue on sale right away so that people can get it now and read it on their e-reader of choice… Our first story, “The Night We Drank Cold Wine” by Megan Kurashige has received incredible response from readers to date.

Many of you are already helping spread the word about the issue, but because I think it’s pretty special that we’re at our 25th issue (with four issues planned for next year!)

Let’s talk turkey for a moment. Electric Velocipede is one of the best independent genre magazines out today, period. It’s been nominated for the World Fantasy Award four times and won the 2009 Hugo Award for Best Fanzine.

In September, it closed a successful Kickstarer round, funding the next four issues, and even reached the $7,500 stretch goal that allowed it to make electronic versions of all its past issues.

It’s an exciting time for the magazine and if you’re not paying attention, you’re missing out on some of the most exciting short fiction the field has to offer.

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Black Gate Online Fiction: The Bones of the Old Ones by Howard Andrew Jones

Black Gate Online Fiction: The Bones of the Old Ones by Howard Andrew Jones

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bones-of-the-old-ones-contest-win11

Black Gate is very pleased to offer our readers an exclusive first look at the latest Dabir and Asim novel by Howard Andrew Jones, the acclaimed author of The Desert of Souls and Pathfinder Tales: Plague of Shadows.

As a snowfall blankets 8th century Mosul, a Persian noblewoman arrives at the home of the scholar Dabir and his friend the swordsman Captain Asim. Najya has escaped from a dangerous cabal that has ensorcelled her to track down ancient magical tools of tremendous power, the bones of the old ones.

To stop the cabal and save Najya, Dabir and Asim venture into the worst winter in human memory, hunted by a shape-changing assassin. The stalwart Asim is drawn irresistibly toward the beautiful Persian even as Dabir realizes she may be far more dangerous a threat than anyone who pursues them, for her enchantment worsens with the winter. As their opposition grows, Dabir and Asim have no choice but to ally with their deadliest enemy, the treacherous Greek necromancer, Lydia. But even if they can trust one another long enough to escape their foes, it may be too late for Najya, whose soul is bound up with a vengeful spirit intent on sheathing the world in ice for a thousand years….

Howard is also the author of The Desert of Souls, Pathfinder Tales: Plague of Shadows, and the short collection The Waters of Eternity. His stories of Dabir and Asim have appeared in a variety of publications over the last ten years, and led to his invitation to join the editorial staff of Black Gate magazine in 2004, where he has served as Managing Editor ever since. He blogs regularly at the Black Gate web site and maintains a web outpost of his own at www.howardandrewjones.com.

Dabir and Asim first appeared here in “Sight of Vengeance” (from Black Gate 10), and “Whispers From the Stone,” (Black Gate 12). They are some of the most popular stories to appear in our pages.

The Bones of the Old Ones is published by Thomas Dunne Books. It is a 307-page hardcover available for $25.99 ($12.99 ePub and PDF), and will be released on December 11. Learn more at Macmillan.com.

Read the first two chapters of The Bones of the Old Ones here.

Dive Into a Bleak Future with Anomaly

Dive Into a Bleak Future with Anomaly

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anomalyReviewing a cool new book or game for Black Gate used to be easy. Sit down in my big green chair for a few hours, type up my thoughts, and then I’m free to spend the rest of the day polishing my Bone action figures.

That was before Anomaly, the massive 370-page graphic novel from Spawn artist Brian Haberlin and Pixar board member Skip Brittenham. Anomaly is a groundbreaking glimpse into the future, in more way than one.

First off, this thing is massive. The huge 7-pound hardcover is a full 15 inches by 10 inches, just slightly smaller than a Buick. Make sure you sit in a sturdy chair to read it (and maybe do some wrist exercises to limber up first). It’s so big they had to create a new publishing company just to get it out the door: Anomaly Publishing.

Second, it comes with something called Ultimate Augmented RealityTM, which means that to thoroughly experience the book I had to have the right gadgets. Following the instructions, I innocently pointed my iPhone at page 7. A 3-D image of a clicking alien popped up on my screen, moving around and making alien-guy sounds. When my son tried to flip the page, alien dude fell over.

“It’s a 3D representation that obeys the laws of gravity,” Tim noted. “Boggles the mind,” his brother Drew agreed.

Finally, Anomaly offers a more traditional glimpse into the future through its story, a space opera set in 2717, when humanity has conquered the stars and is in turn controlled by The Conglomerate, a profit-focused corporation that rules with an iron fist. Jon is a disgraced ex-enforcer for The Conglomerate, doing menial jobs in high orbit over a poisoned planet Earth, when he’s given a second chance: to protect the daughter of a high-ranking executive on a daring first contact mission. There’s more going on than meets the eye, however, and the high-stakes mission quickly goes off the rails as the explorers encounter lethal terrain, deadly mutants, strange magic, and corporate intrigue and betrayal on a mysterious world.

Anomaly is 370 pages (314 of story and another 56 of appendices) from Anomaly Publishing. It will be published December 1, 2012, with a cover price of $75. Check out the cool YouTube promo video here.