ChiZine Publications Launches ChiTeen Young Adult Imprint

ChiZine Publications Launches ChiTeen Young Adult Imprint

chizineOur homies in Toronto, the almost-too-cool-for-planet-Earth ChiZine Publications, have announced a brand new imprint aimed at the YA market, ChiTeen.

“As a business, you can’t ignore the young adult market,” says co-publisher Brett Alexander Savory. “Over the last decade, writers like Rowling, Gaiman and Collins were consistently on bestseller lists. We’ve been wanting to get into the YA market for a couple of years, and now the timing is right.”

“The timing is right” is sometimes code for “We just couldn’t pass on this great book, so we launched a YA imprint to publish it.” That’s what it looks like to me anyway, as the new imprint already has its first title scheduled for release in spring 2014: The Unlikely But Totally True Adventures of Floating Boy and Anxiety Girl by Paul Tremblay (Swallowing a Donkey’s Eye, The Little Sleep) and Stephen Graham Jones (Growing Up Dead in Texas, The Ones That Got Away).

If Savory is co-publisher, our tenuous grasp of the English language leads us to believe there must be at least one more publisher. Turns out there is: Sandra Kasturi, so we tracked her down for a quote too. Caught during delicate international rights negotiations, Kasturi nevertheless gave up the following: “Our editorial style lends itself to young adult fiction. CZP embraces the dark, the bizarre, the unusual. So many teens feel isolated or different and are looking for that outlet. ChiTeen will offer the same dark and weird stories with strong writing that CZP is known for, just with subject matter more suited for a younger audience.”

When not issuing dueling quotes, Kasturi and Savory will serve as ChiTeen’s co-publishers, along with most of the CZP team. They tell us they are currently approaching authors to fill out their 2014 roster. Before you get all excited and dust off that YA masterpiece in your trunk, they are not currently open to un-agented submissions for the new imprint.

We last looked at ChiZine in October (ChiZine Publications’ eBooks Now Available on iTunes Store) and in December 2010 (A Salute to ChiZine Publications). Read more at the ChiZine website.

Librarians to the Rescue: Worldsoul by Liz Williams

Librarians to the Rescue: Worldsoul by Liz Williams

1540901072Worldsoul
Liz Williams
Prime (311 pp, $14.95 in paperback, August 2012)

Reviewed by David Soyka

The stereotypical image of your local librarian is that of a dowdy, matronly spinster who is constantly telling you to “shush” while your adolescent self is trying to do something vastly more interesting (usually involving a person with whom you are sexually attracted) than figure out the Dewey Decimal system. And, these days with whatever we need to find out only a Google away, who needs librarians anyway?

Well, it would seem the preservation of the underlying fabric of the universe does.

While it’s unlikely that Liz Williams will make librarians cool the way that William Gibson made noirish anti-heroes out of computer nerds, in Worldsoul, librarians brandish magical swords that speak. Not to hush people, but to help defend ancient texts against rogue storylines amongst book stacks that date to the fabled Library of Alexandria before it burned to the ground (at least on Earth).

The novel’s title is the name of an otherworldly realm quartered into distinct cultural, climatic and political realms (and probably having something to do with maintaining the “soul” of the mundane world as we in ordinary life understand it): a hot desert land of ancient Cairo; a cold Nordica where Loki the trickster is an imprisoned nutcase, albeit not totally powerless; the Court inhabited by beings called the “disir” who take human form but aren’t; and the Citadel, the land of the library. This city of Worldsoul somehow or another connects Earth with something called the Liminality, a multi-dimensional storehouse of storylines, the integrity of which no doubt has something to do with the preservation of life as we know it here in realityland.

Our librarian heroine, Mercy Fane, is struggling to counteract strange beings that have escaped from primeval manuscripts and the boundaries of their original storylines. And which take on a female personality that seems to have an agenda to fix some longstanding wrong:

[Mercy] thought of the thing she had seen; the thing that, mentally, she had started calling “the female.” Part of a story from so long ago that any humanity had surely been leached from her, if indeed she had ever possessed any. Something forgotten, that raged, like so many forgotten things. Something that wanted to be known.

And something that, now, would be.

p. 35

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Lawyer Bob Kohn submits Legal Brief in Comic Format in E-Book Case

Lawyer Bob Kohn submits Legal Brief in Comic Format in E-Book Case

appleamicusbrief-smallThere’s been a lot of passionate discussion and conjecture recently surrounding the U.S. Department of Justice’s case against Apple and several of the world’s largest publishers over alleged price-fixing for e-books. It’s a complicated case, with a lot at stake.

So complicated, in fact, that the judge demanded that attorney Bob Kohn re-submit his 25-page legal brief against the DoJ’s settlement with three publishers in just five pages. Frustrated by the tight page limit, Kohn made legal history by submitting his brief in the form of a comic strip.

His argument — that the settlement harms the public, and Amazon’s aggressive price-setting on e-books is presumed illegal — remains the same in the new brief. But as Publisher’s Weekly observed earlier this week:

His rendering is brilliant — not only is it a not so subtle jab at the court for limiting such a complicated case to five page briefs, as a comic strip, the brief will be widely digestible for the general public who may not have the gumption to plow through a typical legal brief.

Brilliant it may have been, but it didn’t have the impact Kohn was hoping for, as yesterday the judge approved the DOJ’s proposed settlement.

It still makes compelling reading, however. You can read Kohn’s inspired comic brief here.

New Treasures: Black Bottle by Anthony Huso

New Treasures: Black Bottle by Anthony Huso

black-bottle2I’ve been looking forward to Black Bottle ever since I read Matthew David Surridge’s review of the first volume in the two-book series, The Last Page (Tor, 2010) in Black Gate 12. Here’s what he said, in part:

The Last Page is a high fantasy steampunk novel, and a love story. We follow the sexually charged relationship between the improbably named Caliph Howl, heir to the throne of the northern country of Stonehold, and a witch named Sena. The two of them meet at university, go their own ways, and then come together again after Caliph has become king and Sena has acquired a vastly powerful magical tome. Unfortunately, Caliph is facing a civil war against a national hero, and Sena’s book has a lock which can only be opened at a fearsome emotional cost…

The first volume in a two-book series, it manages the trick of both providing a satisfactory conclusion and keeping the story going; in fact, the conclusion suggests the story has taken a turn, and perhaps is going to head in wild new directions. But what really makes the first book work is its language. The prose is strong, quick and dense in the best ways. The diction, the word choice, is inventive; the imagery is both original and concise. At its best, Huso’s language recalls Wolfe or Vance…

From the plot summary for Black Bottle, that twist Matthew mentions seems dark indeed:

Tabloids sold in the Duchy of Stonehold claim that the High King, Caliph Howl, has been raised from the dead. His consort, Sena Iilool, both blamed and celebrated for this act, finds that a macabre cult has sprung up around her. As this news spreads, Stonehold — long considered unimportant — comes to the attention of the emperors in the southern countries. They have learned that the seed of Sena’s immense power lies in an occult book, and they are eager to claim it for their own.

Desperate to protect his people from the southern threat, Caliph is drawn into a summit of the world’s leaders despite the knowledge that it is a trap. As Sena’s bizarre actions threaten to unravel the summit, Caliph watches her slip through his fingers into madness. But is it really madness? Sena is playing a dangerous game of strategy and deceit as she attempts to outwit a force that has spent millennia preparing for this day. Caliph is the only connection left to her former life, but it’s his blood that Sena needs to see her plans through to their explosive finish.

Sounds intriguing, right? But it was when I saw yesterday’s Facebook post from the distinguished Dave Truesdale, Black Gate‘s Managing Editor for our very first issue, that my interest in the book was truly piqued.

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Sax Rohmer’s The Adventures of Nayland Smith

Sax Rohmer’s The Adventures of Nayland Smith

rohmer-the-green-spider-231x350the-haunting-of-low-fennel21Sir Denis Nayland Smith is the largely unsung protagonist of all of Sax Rohmer’s novels and stories featuring the notorious Dr. Fu Manchu. The brilliant Chinese criminal genius constantly overshadowed the stalwart British subject who did his best to route his megalomaniacal schemes over the course of thirteen novels and four shorter works published between 1912 and 1959. The legendary villain overshadowed Sir Denis to such a degree that many readers were unaware that the author showcased Smith without his customary nemesis in three short stories published between 1920 and 1932.

When Rohmer created the character a century ago, Smith was depicted as a colonial administrator, stationed in Burma and granted a roving commission by the Home Office to bring Dr. Fu Manchu to justice. His childhood friend, Dr. Petrie, played Watson to Smith’s Holmes, chronicling his adventures for posterity and ably assisting him wherever possible. Petrie’s job was made easy in as much as Smith rarely did any actual detecting. The duo generally reacted to Fu Manchu’s latest atrocity and then spent the rest of the book trying to anticipate his next move, check him, be captured, escape, and inevitably lead a daring raid that would end in something less than a complete success. Despite it all, Smith and Petrie persevered and when Rohmer ended the initial run of the series in 1917, readers likely expected they had heard the last of Nayland Smith’s exploits. Rohmer, however, was too fond of the character to let him retire peacefully.

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Goth Chick News – Behind the Screams at Fear City

Goth Chick News – Behind the Screams at Fear City

image002Much like a debutante in a designer tulle dress, only different, we here at Goth Chick News also count down the days until the start of “the season.”

What is “the season” to those of us who will never be invited for cucumber sandwiches at Buckingham Palace?

It’s that time of year that kicks off after Labor Day and runs through November 1.  It is bracketed at one end by the appearance of Spirit shops in every empty strip mall location and the 75%-off-sale in said stores at the other, and is affectionately known as Halloween to everyone else.

Considering this may well be the very last one, this year we kicked off “the season” in a spectacular and appropriately apocalyptic fashion (it is 2012 after all).

As mentioned last week, Black Gate photographer Chris Z and I had the pleasure of meeting the devious master minds behind one of Chicago’s premier haunted attractions: Fear City.  Co-owners Chuck Grendys (also the proprietor of the movie-building shop, Big City Sets) and Jim Lichon (an Emmy-winning set decorator for Harpo Studios) invited us to visit during the day before all the screaming starts, and we burned rubber out of the Black Gate office parking lot to bring you the scoop.

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Teaching and Fantasy Literature: How to Use Your Proud Geek Heritage to Survive The Scarlet Letter

Teaching and Fantasy Literature: How to Use Your Proud Geek Heritage to Survive The Scarlet Letter

What a book to assign to high school students! The plot plods, the characters wallow, the ending claims to be happy but is, in most readers’ experience, a huge downer. The book manifests many forms of excellence, too, but it’s simply the wrong book for high school, and it’s part of a canon of eat-your-brussels-sprouts literature that notoriously turns boys off from reading in general.

Fortunately, I have discovered a secret reading protocol that takes some of the sting out of Hawthorne.

American teenagers will probably be stuck with The Scarlet Letter for many generations to come, for several reasons. One good reason: It offers insights into both the Puritan world of its characters and the mid-nineteenth-century world of its author–it’s a sort of curricular three-for-one bargain. Another good reason: Nathaniel Hawthorne was an immensely important author, with an influence that galvanized both contemporaries like Poe and Melville and generations of authors since. (It bears noting that a small minority of readers actually like The Scarlet Letter. Maybe some of them will come visit our comment thread and offer other perspectives. That would be cool.) However, not all the biggest reasons are so, well, reasonable.

Crappy Reason 1: Everybody who trains for certification to teach high school English is required to write lesson plans for The Scarlet Letter, so they’ll have a unit to run with, no matter where in the country they get a job. This means when you study The Scarlet Letter, even if your teacher is a veteran by then, you may be  getting a unit s/he wrote as a college sophomore. The chicken-and-egg flipside of this phenomenon is that, because almost any certified English teacher has already been required to prepare a lesson plan for The Scarlet Letter, school districts regard it as safer to put on required reading lists than other classics that would require more fresh preparation on the part of their already overworked faculty.

Crappy Reason 2: If your poor English teacher had to suffer through The Scarlet Letter when s/he was in high school, and then again in college literature classes, and then a third time in education classes, that book may come to seem as inevitable as death and taxes. Cognitive dissonance may set in, too: I was made to suffer my way through preparing to teach this book, therefore the book must be appropriate and worthwhile to teach.

But you came here for my secret reading protocol, my survival plan, so let’s get on with that.

Read The Scarlet Letter as a failed fantasy novel.

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Worldcon Wrap-up

Worldcon Wrap-up

black-gate-booth
The Black Gate booth. From left to right: John O’Neill, Howard Andrew Jones, James Enge, and part of Donald Crankshaw’s head. Also, the back of Peadar Ó Guilín. Click for bigger version.

I was almost to Chicago last Thursday when I realized I’d gotten so wrapped up in the audio book of The Name of the Wind that I’d missed my turn. Fortunately, I found another way to Interstate 90 and the Hyatt Regency. And when I finally reached the dealer’s room, I was able to lodge a personal complaint with Patrick Rothfuss himself for writing so well that I got distracted.

It wasn’t long ago that I’d arrive at a convention and be surrounded by strangers or literary luminaries I was too nervous to approach. When I turn up these days, there are still a lot of strangers, but there are plenty of familiar faces as well. Before I’d even checked in, I bumped into Tom Doyle, and shortly after registering my complaint with Patrick Rothfuss, I was welcomed by Arin Komins and Rich Warren  to their used books booth, Starfarer’s Dispatch.

Rich showed me a rare Harold Lamb book, then, as I noticed it contained an insert about Lamb I had no knowledge of, he handed me a CD with scans of the material. That was incredibly kind of him. I then signed a complete set of the Harold Lamb books I’d edited and personalized Arin’s copy of The Desert of Souls, which she had liked so much that I gifted her with an ARC of The Bones of the Old Ones.

Purely by chance, I kept down the aisle to the left and came instantly to the Black Gate booth where John O’Neill, (now with beard) occupied a booth surrounded by old but well-cared for paperbacks and stacks of Black Gate magazines. The booth remained a gathering spot for friends, acquaintances, and staff members throughout the convention, which is why the talented Peadar Ó Guilín and Donald Crankshaw were manning the booth with O’Neill. I’d never had the chance to meet Peadar before, but his gentle humor put me immediately at ease. We chatted for a while and then James Enge wandered up with his brother Patrick. While the Mighty Enge was settling into the room we shared, I retrieved a box of The Desert of Souls hardbacks to sell at the Black Gate booth. (We sold ’em all before the end of the convention!)

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My surprise date with Amber Benson, Mary Robinette Kowal, Pat Rothfuss, and Terry Brooks

My surprise date with Amber Benson, Mary Robinette Kowal, Pat Rothfuss, and Terry Brooks

So yesterday afternoon I got a phone call. It was from the Madison, WI area and I was like: I don’t know anyone in Madison. So I let it go to voicemail.

A few minutes later, I get a private message on FaceBook…

Cool surprise number 1: It was Pat Rothfuss. He’s like: give me a buzz. So I do (realizing that the missed phone call was probably from him). Pat answers and says there’s been a bit of a mix-up and he’s sorry for the short notice, but would I like to be on his new Geek & Sundry show, The Story Board.

What follows is a dramatic presentation of the two seconds that followed that question:

Me to anyone watching at that moment: O.o

Me in my head: Hell yeah, I’ll be on your show.

Me on the phone: I’d be delighted.

So we exchange all the details. I knew about his new show. A few weeks ago, I’d watched part of Episode 1 with urban fantasists Diana Rowland, Emma Bull, and Jim Butcher. And back then, I was all like: man it’d be cool to be on a show like that.

Little did I know…

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Edgar Rice Burroughs’s Mars, Part 9: Synthetic Men of Mars

Edgar Rice Burroughs’s Mars, Part 9: Synthetic Men of Mars

1st-edtion-synthetic-men-of-marsGreetings, late 1930s ERB! How have you been? Oh, not that great? Yes, I know how it is. I’ve read enough of your output from these days.

In this long trip across Burroughs’s Mars, I have now reached the conclusion of Phase #3 of the Barsoom books, with the last work of the 1930s. Synthetic Men of Mars is also the last novel Edgar Rice Burroughs wrote in the series. He turned to novellas after this, resulting in two collections, one posthumous. So the ninth book of Barsoom is a eulogy of sorts.

And “eulogy” is the appropriate word: let’s pause to remember the good times, because the good times are gone.

Our Saga: The adventures of Earthman John Carter, his progeny, and sundry other natives and visitors, on the planet Mars, known to its inhabitants as Barsoom. A dry and slowly dying world, Barsoom contains four different human civilizations, one non-human one, a scattering of science among swashbuckling, and a plethora of religions, mystery cities, and strange beasts. The series spans 1912 to 1964 with nine novels, one volume of linked novellas, and two unrelated novellas.

Today’s Installment: Synthetic Men of Mars (1939)

Previous Installments: A Princess of Mars (1912), The Gods of Mars (1913), The Warlord of Mars (191314), Thuvia, Maid of Mars (1916), The Chessmen of Mars (1922), The Master Mind of Mars (1927), A Fighting Man of Mars (1930), Swords of Mars (1934–35)

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