Black Gate – Page 1100 – Adventures in Fantasy Literature

Can You Hear Me Up There?

Friday, April 5, 2013 Violette Malan Comments 3 comments

What’s the difference between a catfish and a lawyer? One’s an ugly, scum-sucking bottom feeder, and the other is a fish.

An old joke, but a good one. As a joke, it works because of the shock, the unexpected conclusion. As an insult, it works because of a little concept called hierarchy.

Anyone who’s ever studied Shakespeare has read a book called The Elizabethan World Picture. It’s a great book, and essentially describes how people thought about the world back in Shakespeare’s day. I’d highly recommend reading it for yourself, but if I can sum it up quickly for you, it goes like this: up = good, down = bad.

What does that mean? Think it through: everything that’s high in the sky, you know, where the gods live, is good, and the higher the better. So, heaven, the sun, light itself, and so on. Everything that’s lower down is bad, and the lower it is, the worse it is. So, dirt, darkness, etc. Everything, including people, has a place on this scale. There’s a reason it’s the white knight who charges to the rescue, and that Goths dress in black. (I dress in black myself, so no mail please). Even people who’ve never watched a western know what it means to be a white hat.

This hierarchy permeates everything we do and think, everything we write and create – at least here in the western world. And very often without our being aware of it.

Hierarchy is the reason the Greek gods live on Olympus (highest mountain in Greece) and it’s the reason that Zeus (god of sky, thunder, etc.) is the ruler of said gods, and not Poseidon or Hades. It’s why kings had a divine right to rule, (they’re on top of the human hierarchy), and it’s why cleanliness is next to godliness – that is, it’s how we know cleanliness is a good thing.

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Roger Ebert, June 18, 1942 – April 4, 2013

Friday, April 5, 2013 John ONeill Comments 5 comments

Here in Chicago, the airwaves and local newspapers are thick with commentary about the life of Roger Ebert, who died of cancer yesterday at the age of 70.

Roger Ebert was born in Urbana, Illinois in 1942 and began writing for the News-Gazette at age 15, covering high school sports. While at the University of Illinois, he became a reporter for The Daily Illini in Urbana, eventually becoming editor in his senior year. I lived in Urbana for four years while completing my Ph.D, from 1987-1991, and can attest to the mark he left on the city. Ebertfest, the annual film fest he started in Champaign-Urbana in 1998, continues to this day.

Roger Ebert won renown primarily as the nation’s preeminent film critic, starting at the Chicago Sun-Times in 1967. His columns were syndicated in more than 200 newspapers, and he published more than 20 books and dozens of collections of reviews. His TV show Sneak Previews, co-hosted with Gene Siskel, was nationally distributed beginning in 1978. He became the first film critic to win the Pulitzer Prize for Criticism in 1975.

But Ebert left his mark on the genre as well, starting with early fanzines. A life-long science fiction fan, he wrote for some of the most famous SF fanzines of the 60s and 70s, including Pat and Dick Lupoff’s Xero. He provided the introduction to The Best of Xero, the 2005 Tachyon collection gathering many of its best articles (including some of his).

Ebert was diagnosed with thyroid cancer in 2002, and underwent multiple surgeries. On July 1, 2006, his carotid artery burst and he narrowly escaped death. He lost the ability to speak, and to eat or drink, taking all nutrition through a feeding tube. But he continued to write. He died on April 4th at the age of 70; the last sentence on his final blog entry, two days before he died, read “So on this day of reflection I say again, thank you for going on this journey with me. I’ll see you at the movies.”

Perhaps the best way to remember him is to sample his legendary wit. Several blogs have collected some of his finest critiques, including BuzzFeed’s Roger Ebert’s 20 Most Epic Movie Pans, and Inquisitr’s Our 20 Favorite Ebert Quotes. He will be missed.

An Open Letter from Jeremy Lassen at Night Shade Books

Friday, April 5, 2013 John ONeill Comments 14 comments

There’s been a great deal of debate among authors and editors over this week’s announcement from Night Shade Books regarding a sale to avoid bankruptcy.

SFWA sent an advisory note to members, advising them that the settlement is “likely in the best interest” of writers. Respected authors such as Michael Stackpole strongly disagreed, pointing out that the contracts offered by Skyhorse/Start cut ebook royalties in half and demand audio and second serial rights — whether or not NSB originally purchased them.

It’s a painful situation for all involved. For readers anxious to see Night Shade’s future releases — including several volumes of popular ongoing series — this sale is the only way to avoid the rights to those titles ending up in bankruptcy court (where the majority may well simply die).

There’s no question that Night Shade made mistakes and burned a lot of bridges over the past few years, and that this latest unpleasantness has brought out more than a few writers with an axe to grind. As a publisher who ran a fantasy magazine as a labor of love for over a decade, until the mounting losses simply became too great to bear, I know well the kind of pain owners Jason Williams and Jeremy Lassen are experiencing now. Night Shade was one of the most dynamic and exciting publishers in the genre, willing to take extraordinary risks buying and promoting work from many new writers, and it’s undoubtedly painful to see so many of those writers apparently delighted to dance on their corpse.

Jeremy Lassen has written an open letter to his writers, and the industry at large, articulating just what’s at stake with this offer from Skyhorse and Start. The complete text of Jeremy’s letter follows.

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P.G. Sturges Delivers His Best Yet

Friday, April 5, 2013 William Patrick Maynard Comments 1 comment

Angel’s Gate is the third entry in P. G. Sturges’s award-winning Shortcut Man hardboiled mystery series. The book sat on my night stand untouched for a week or so as I couldn’t shake the suspicion that it would mark the descent into formula that befalls most series. It would still be amusing and Sturges’s prose would still be engaging, but it would be the inevitable come down after the joy and freshness of the first two titles.

Early on in the book, there is a sequence where Dick Henry, the Shortcut Man, is hired by a client to find her sister who came out to Hollywood seeking fame and fortune ten years before and has since fallen off the map. It’s a familiar scene that immediately recalls Raymond Chandler’s The Little Sister, likewise a hardboiled mystery about Hollywood scandal and hypocrisy. That book was Chandler’s fifth and, while still essential reading, it lacks the freshness and vitality of his early Philip Marlowe mysteries.

I was certain I would feel the same way about Angel’s Gate. Happily, I was dead wrong.

The premise this time revolves around a highly successful movie director who disfigures and tortures a starlet during a drug-fueled sex romp and the lengths his handlers are willing to go to protect the director’s reputation and prevent bad publicity coming down upon his current production. Complicating matters is the fact that the starlet is one of a stable of nearly thirty nubile women that the reclusive and highly idiosyncratic movie mogul Howard Hogue has selected as his personal concubines. Hogue doesn’t share his women. Hogue is also the director’s producer. Early on, Sturges establishes the madness of big studio Hollywood as a house of cards just waiting for the Shortcut Man to blow it down.

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Art of the Genre: The Joy and Pain of Kickstarter [and How Backed Projects Still Fail]

Friday, April 5, 2013 Scott Taylor Comments 15 comments

The first Kickstarter success, and it was a true joy!

In early November 2011, I attended World Fantasy Con in San Diego with John O’Neill and the Black Gate crew. It was a truly eye-opening experience for the ‘writer me’ as I’d attended many conventions in my day, but nothing that was so cloistered and dedicated specifically to the art of writing.

I well remember sitting in my room after the first day of listening to readings and thinking to myself, ‘Holy Crap, you absolutely C-A-N’-T do this!’ [Seriously, just listen to Claire Cooney recite any of her works from memory and tremble beneath the power of a truly gifted writer].

After I got home from the convention, I crawled into bed for three days and didn’t come out again because for the first time in my life I felt the power of ‘real’ writers and how far I had to go to reach the level of their talent.

When I finally emerged from my cocoon of despair, I clicked on Facebook and found a post from old time D&D artist Jeff Dee concerning something he called Kickstarter. It was a curious thing, this Kickstarter platform, and the more I researched it, the more I thought, ‘Huh, maybe I’m not Claire Cooney, but I bet I can get a book made anyway.’

At the same time, John O’Neill, our fearless leader at Black Gate, was thinking of creating his own line of novels from Black Gate under the power of the current business model he’d used to help found the magazine, namely his own pocket venture capital. I asked him to try Kickstarter and he declined, so I bet him, in no uncertain terms, that no matter what he managed to do with his book line at Black Gate, that using Kickstarter I would outsell him by a multiple of 10 and produce twice as many original books as he could.

Thus began 2012, something I like to call ‘The Year of Kickstarter’. Not only had I discovered this platform, now three years old in the marketplace and ready to tip the balance of acceptability, but so had EVERYONE else.

By February of 2012, Kickstarter money contribution records were falling almost weekly in every category imaginable, especially in computer games. Funding was surging to unforeseen levels with millions of dollars going to video games, art books, albums, miniatures, you name it.

I watched, I studied, and I saw the evolution taking place right before my eyes, but in so doing I also caught the wave and road with it on my new publishing company I’d affectionately named Art of the Genre after this blog. By February, I’d managed my first successful Kickstarter, The Cursed Legion novel, with former AD&D art legend Jeff Easley.

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Goth Chick News: Conjuring a Good Old-Fashioned Scare

Thursday, April 4, 2013 Sue Granquist Comments 0 Comment

Admittedly, I’m a complete sucker for ghost hunting shows.

Yes, they can be painfully cheesy; from Grant Wilson’s (Ghost Hunters – SciFi Channel) earnest takes to the camera while expounding on how blessed he is to be able to help tormented souls, to Zak Bagans’s (Ghost Adventures – Travel Channel) shameless dramatics, I love every one of them.

But here’s a question for those who’ve tuned in: did you ever wonder what would happen if just once something truly horrifying actually reached out and touched one of them?

It’s an amusing thought – there’s Zak asking the “ghost” if it would give a sign it can hear him and suddenly a full bodied apparition shows up, pokes him in the nose, and says, “Yeah, I’m standing right here you tool.”

And the next thing you know, Zak and the whole GA crew are “retired.”

Well apparently I’m not the only one who imagined something similar – only they’ve taken it several steps (miles?) further.

Director James Wan already has some pretty substantial horror “street-cred” as the mind behind Saw, Dead Silence and Insidious. And as these films represent a more in-your-face kind of scare than generally appeals to me, I am really anticipating his latest outing.

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Dominate Your Desktop with an Eye of Sauron Lamp

Thursday, April 4, 2013 John ONeill Comments 3 comments

It’s not that I need a new desk lamp. It’s just that, when you discover that there exists a desk lamp crafted as a scale model of Sauron’s fortress at Barad-dûr, your life is not complete until you have one.

ThinkGeek is offering these beauties, designed by Richard Taylor as 21-inch replicas of the 9-foot tall model used to film The Lord of the Rings.

The lamps are sculpted from polystone and finished with a protective layer of polyurethane. They weigh 22 pounds and, yes, include a roving eye mounted at the top. They are priced at $299.99.

You can order yours from ThinkGeek today.

One final detail: note that these went on sale on April 1, and be sure to click on the “Buy Now” button to see actual availability.

Marie Corelli and the Quality of Badness

Thursday, April 4, 2013 Matthew David Surridge Comments 1 comment

Marie Corelli I don’t often write here about bad books. Partly that’s because I don’t usually care to give them publicity. Partly it’s because I don’t usually care to think further about an unrewarding reading experience. Mostly, though, it’s because to me a bad book is typically an uninteresting book. And what I really want to write about, when I write about a book, is what makes it interesting. Still, there are always exceptions. And of course it’s always worth challenging one’s ideas of what ‘bad’ means. So this time out I want to talk about some books by a writer who was, in her time, notorious for literary badness.

Marie Corelli, born in 1855 as Marie Mackay, published her first novel, A Romance of Two Worlds, in 1886. It launched her career as a best-selling and critically despised author. She went on to write two dozen novels, a number of short stories, and several volumes of nonfiction. Her popularity only began to dwindle at about the time of the First World War; she died in 1924. Reviewers had never warmed to her work, and her obituary in the London Times stated that “even the most lenient critic cannot regard Miss Corelli’s work as of much literary importance.” For several decades she fell into obscurity, but lately a new wave of critics and biographers have been taking another look at her accomplishments.

Certainly Corelli’s an interesting figure. A fair amount of her work has elements of fantasy or of what would come to be called science fiction. In her day, she outsold Doyle, Wells, and Kipling, and was loved by readers of all walks of life, up to and including Queen Victoria. She never married; she seems to have been born out of wedlock to a journalist and writer named Charles Mackay, and took the name ‘Corelli’ for herself as part of an early attempt to establish a career as a pianist. For 40 years she lived with another woman, Bertha Vyver. Different biographers draw different conclusions: here’s one article arguing they were lovers, here’s another stating they weren’t. Both pieces get at another subject of interest — Corelli’s influence on later writers. The latter article argues that Corelli’s 1887 novel Thelma, which I haven’t read, was a significant influence on Tolkien’s Gollum. The first argues that her 1889 Ardath was an influence on Dunsany.

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Night Shade Attempts to Avoid Bankruptcy with a Sale to Skyhorse Publishing

Thursday, April 4, 2013 John ONeill Comments 16 comments

Word has begun to spread this morning that Night Shade Books is in negotiations with Skyhorse Publishing and Start Publishing in an attempt to avoid bankruptcy.

Night Shade has contacted authors to explain the situation, and excerpts from those letters have been posted online:

As you probably know, Night Shade Books has had a difficult time after the demise of Borders. We have reached a point where our current liabilities exceed our assets, and it is clear that, with our current contracts, sales, and financial position, we cannot continue to operate as an independent publisher. If we filed for Chapter 7 bankruptcy, or liquidation, the rights to your books could be entangled in the courts for years as could past or current unpaid royalties or advances. However, we have found an alternative, which will result in authors getting paid everything they are due as well as finding a future home for their books, subject to the terms and conditions stated in this letter.

The deal is not yet finalized and, in fact, hinges on how many authors approve changes to their existing contracts.

Some, including Jeff VanderMeer, have asked the publisher to revert rights back to authors prior to declaring bankruptcy. That’s not likely to be an option however, as its existing publishing contracts are Night Shade’s most valuable asset. As Harry Connolly points out on his blog, bankruptcy courts generally frown on publishers who do that, and such revisions are routinely overruled in court during bankruptcy proceedings.

The loss of Night Shade would be a real blow to the field. Known for taking risks on new writers, they’ve also published some of the most celebrated authors in the genre, including Paolo Bacigalupi, Iain M. Banks, Martha Wells, Manly Wade Wellman, Greg Egan, Glen Cook, Kage Baker, Jay Lake, Elizabeth Bear, Lucius Shepard, and many others. But there have been omnibus signs for the past several years, including a deep sale last April, authors leaving their stable, and others. Publishers Weekly has more detail on the potential sale here; io9‘s report is here.

Teaching and Fantasy Literature: How to Rehabilitate a Readicidal Maniac

Thursday, April 4, 2013 Sarah Avery Comments 1 comment

It’s good to be back at my Wednesday spot here at Black Gate. Two weeks ago, I got home from my favorite annual convention, Lunacon, to find that the kitchen sink had been left running all weekend. That added a few things to my To Do list, and believe me, I’d rather have been blogging. So here’s a long post, for all the thinking that didn’t land on the screen while my house vibrated with the roar of industrial dehumidifiers:

When a student asks me to translate an especially jargon-laden assignment from his high school, I think to myself, To the teacher who wrote this, all these buzzwords seemed like the best way to explain her idea. Surely there is an idea under here somewhere. And sometimes, when I have been as flummoxed as the kid sitting next to me at the kitchen table is, I have wondered if the fault might not be with me, or with my more freewheeling, less methodical training for college teaching. There have been times when I wondered what I missed by abandoning my almost-completed requirements for state certification in favor of grad school. I learned to speak fluent literary theory, and forgot how to speak educational jargon. Now that I’ve escaped from the classroom altogether to do the entrepreneurial tutor thing, I find that neither literary theory nor educational theory is all that useful for communicating with or helping students.

Am I wrong to dismiss the methods of most of my students’ high school teachers?

Thanks to Kelly Gallagher’s Readicide: How Schools Are Killing Reading and What You Can Do About It, that doubt will probably never plague me again. His critique of how reading is taught in most public schools is damning, and his plea to English teachers to push their profession in a better direction is urgent. As in most of the teaching books I’ve talked about here, there’s an argument for allowing students to read “high-interest reading material,” a term that includes fantasy, science fiction, and horror, along with all the other stuff human beings read for pleasure. (It’s a widely used term, despite its puzzling implication that all the books that do make it into formal curricula are somehow low-interest.) What’s unusual about Gallagher’s book is its explanation of why common teaching methods are so pernicious that even “high-interest reading material” cannot protect students’ love of reading from the good intentions of their schools.

Let’s skip most of what Gallagher has to say about high-stakes standardized testing and educational politics — I groove on reading about that stuff, but you probably don’t — and go straight to what freely chosen pleasure reading can do.

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