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Category: Vintage Treasures

Lost Classics of the Pulps: Guy Boothby’s The Curse of the Snake

Lost Classics of the Pulps: Guy Boothby’s The Curse of the Snake

Curse of the SnakeThe Curse of the Snake is the Guy Boothby title I have been waiting years to read. I previously covered the five books in his Dr. Nikola series as well as his 1899 novel, Pharos the Egyptian for Black Gate. Boothby is an author whose works have fallen into relative obscurity, but his influence was quite pervasive. A contemporary of Sir Arthur Conan Doyle and Bram Stoker, he turned out works that stand up well against their more celebrated efforts. Most importantly, the influence of Dr. Nikola is felt heavily upon Sax Rohmer’s Fu Manchu series and the character of Ernst Stavro Blofeld from Ian Fleming’s James Bond novels. Boothby’s great flaw was that he was a prolific author of serialized novels who made no effort to correct inconsistencies when his works were published in book form. This hurt his reputation and, along with the speed with which he produced new works, unfairly suggested he was little more than a hack.

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The Golden Age of Science Fiction: Make Room! Make Room!, by Harry Harrison

The Golden Age of Science Fiction: Make Room! Make Room!, by Harry Harrison

Cover by Keith Roberts
Cover by Keith Roberts

Cover by Richard Powers
Cover by Richard Powers

Cover by Alan Aldridge
Cover by Alan Aldridge

An award called The Prix Jules Verne would seem to be presented in France, and, in fact, such a literary prize was given out in France from 1927 to 1933 and 1958 to 1963 for fantasy and science fiction by French authors.  However, the Prix Jules Verne that was presented from 1975 to 1980 was a Swedish award about which little is known. The first one was given to Roland Adlerberth. Rolf Ahlgren, Eugen Semitjov, and Lars-Olov Strandberg for their service to Swedish science fiction.  Subsequent awards were presented to individual authors for specific novels. The first novel to win the award was Ursula K. Le Guin’s The Left Hand of Darkness.  The last award before it was discontinued was presented to Harry Harrison for Make Room! Make Room!.

Make Room! Make Room! is best known for being the inspiration for the 1973 Charlton Heston and Edward G. Robinson film Soylent Green, although there are significant differences between the film and the novel. The novel is an interesting and atypical work.  While the protagonist, Andy Rusch, is a police detective tasked with tracking down the murderer of Big Mike O’Brien and discovering if there are political implications in Big Mike’s death, it is not a police procedural and the crime and investigation often take a back seat. Harrison also provides the identity of the killer, as well as telling parts of the story from his point of view, throughout the book.

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Vintage Treasures: Re-Birth (The Chrysalids) by John Wyndham

Vintage Treasures: Re-Birth (The Chrysalids) by John Wyndham

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Cover by Michael Herring

In the 1950s, Ballantine Books reprinted much of John Wyndham’s science fiction in the US with memorable covers by Richard Powers, including The Kraken Wakes (1953), The Chrysalids (1955), Tales of Gooseflesh and Laughter (1956), Trouble with Lichen (1960), and The Infinite Moment (1961). In the process they also made up new names for it, because, you know, America. So The Kraken Wakes became Out of the Deeps, and The Chrysalids became Re-Birth.

In the mid-70s, which was when I was discovering John Wyndham, Del Rey repackaged four of Wyndham’s most popular novels with brand new modern covers. They were:

The Midwich Cuckoos (June 1976)
Trouble with Lichen (August 1977)
Out of the Deeps (December 1977)
Re-Birth (April 1978)

Wikipedia calls The Chrysalids “the least typical of Wyndham’s major novels, but regarded by some as his best.” In a ridiculously short 3-sentence review Kirkus said it was “SF on the fantasy side.” A far more reliable reviewer, Jo Walton at Tor.com, called it, “My favourite of his books… [it] set the pattern for the post-apocalyptic novel.” It’s is my favorite as well…. but mostly because it’s the only one set in Canada (Labrador, that strange slip of Quebec that belongs to Newfoundland). Here’s a snippet from Jo comments.

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The Golden Age of Science Fiction: “Mackintosh Willy,” by Ramsey Campbell

The Golden Age of Science Fiction: “Mackintosh Willy,” by Ramsey Campbell

Cover by Mark Berghash
Cover by Mark Berghash

The World Fantasy Awards are presented during the World Fantasy Convention and are selected by a mix of nominations from members of the convention and a panel of judges. The awards were established in 1975 and presented at the 1st World Fantasy Convention in Providence, Rhode Island. Traditionally, the awards took the form of a bust of H.P. Lovecraft sculpted by Gahan Wilson, however in recent years the trophy became controversial in light of Lovecraft’s more problematic beliefs and has been replaced with a sculpture of a tree. The Short Fiction Award (sometimes called short story award) has been part of the award since its founding, when it was won by Robert Aickman for “Pages from a Young Girl’s Journal.” In 1980, the year Campbell received the award for the story “Mackintosh Willy,” the convention was held in Baltimore, Maryland. Campbell tied for the award with Elizabeth A. Lynn for the story “The Woman Who Loved the Moon.”

Ramsey Campbell’s story “Mackintosh Willy” was initially published in the Charles L. Grant anthology Shadows 2. It is the story of a young boy who is finding his way in the world and even the familiar can have a sinister feel to it.  In this case, the homeless man who appears to live in one of the shelters in the park near where he lives causes caution in all the children in the area, although it is not clear that the man is doing anything to gain the reputation he has.

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The Return of The Thing: Frozen Hell by John W. Campbell

The Return of The Thing: Frozen Hell by John W. Campbell

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Cover by Bob Eggleton

Several years ago, while researching his groundbreaking book Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction (which Thomas Parker reviewed for us here), Alec Nevala-Lee found a yellowing letter from John W. Campbell that mentioned he’d donated his papers to Harvard Library. Alec tracked them down, and inside a carton in an offsite storage facility he made a major discovery: the original uncut version of “Who Goes There?”, which Alec calls “The greatest science fiction horror story of all time.” Last year John Gregory Betancourt of Wildside Press launched a hugely successful Kickstarter to publish it (raising $155,366 on a $1,000 goal), and the book appeared last month. Here’s John’s Kickstarter description.

In 1938, acclaimed science fiction author John W. Campbell published the novella “Who Goes There?,” about a team of scientists in Antarctica who discover and are terrorized by a monstrous, shape-shifting alien entity. The story would later be adapted into John Carpenter’s iconic movie The Thing (following an earlier film adaptation in 1951). The published novella was actually an abridged version of Campbell’s original story, called “Frozen Hell,” which had to be shortened for publication. The “Frozen Hell” manuscript remained unknown and unpublished for decades, and it was only recently rediscovered. “Frozen Hell” expands the Thing story dramatically, giving vital backstory and context to an already incredible tale. We are pleased and honored to offer Frozen Hell to you now, as Campbell intended it.

Frozen Hell will include a preface written by Alec Nevala-Lee, who rediscovered the “Frozen Hell” manuscript while doing research for his upcoming book Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction (Dey Street Books).

This is a highly anticipated book, and for good reason. I don’t know if the post-Worldcon negative publicity around John W. Campbell will impact sales at all, but I’m certainly still interested, and I know I’m not the only one. Frozen Hell was published by Wildside Press on October 8, 2019. It is 158 pages, priced at $15 in trade paperback and $6.99 in digital formats. The cover is by Bob Eggleton.

See all of our recent New Treasures here.

Vintage Treasures: City of Pearl by Karen Traviss

Vintage Treasures: City of Pearl by Karen Traviss

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Cover by Greg Bridges

Karen Traviss’s debut novel City of Pearl was a big hit here in the Black Gate offices, and it was passed around repeatedly and excitedly. We were far from the only ones who liked it — it was shortlisted for both the John W. Campbell Memorial Award for Best Science Fiction Novel and the Philip K. Dick Award, and came in third in the 2005 Locus poll for Best First Novel. It launched her career quite effectively, and it eventually became the opening novel in the 6-volume Wess’har Wars series.

City of Pearl tells the ambitious tale of the clash of several distinct alien civilizations near Cavanagh’s Star in the year 2299. In his review of the novel and its sequel Crossing the Line at SF Site, Stuart Carter wrote:

This isn’t hard SF by any means. Although the laws of physics are largely obeyed they’re not particularly important to the story; there’s no arousing military- or techno-porn, and precious little ‘common-sense’ machismo or gung-ho soldiering. It’s worth mentioning that there are philosophical similarities with The Dispossessed, but these books are, in my opinion, even deeper and more complex than Ursula K. Le Guin’s classic, and they’re still far from over.

Another glorious aspect of these two books is that they’re almost the antithesis of everything Trek: humans haring round the universe imposing their morality and point-of-view upon anyone who can listen, and always, eventually, turning out to be right, or at least admirable. And if we’re not even admirable then at least we have bigger guns than everyone else to console ourselves with. In Karen Traviss’s universe we’re seen as being far from admirable and even further from right, and it looks like being a very hard, possibly even fatal, lesson for us to learn… If you want to read something that will leave you thinking, perhaps if you’re a fan of Ursula K. Le Guin, Kim Stanley Robinson or, more generally, of intricately gloomy English science fiction, then this series is one you want to read — I promise.

City of Pearl didn’t just hit with the critics. It is still in print, 15 years long after it was originally published; an extraordinary feat by any measure. Here’s the complete list of all six novels in the series.

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Ralph Arnote: In the Middle of Interesting Stories

Ralph Arnote: In the Middle of Interesting Stories

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Paperback editions of Ralph’s Willy Hanson novels: Fallen Idols (Tor, 1992), False Promises (Forge, 1995), and Evil’s Fancy (Forge, 1996)

Note: Most of this comes straight out of my wee tiny brain. So, dates may be off, but I’m telling these stories as best as my memory allows. I also have a few people from the industry vetting some of my stories.

Ralph Arnote was in the middle of many interesting book and magazine stories. Ralph was manager of sales for Ace (where I worked for him), for Ballantine, and Beagle Books, and, he finished his sales career heading up sales for Tom Doherty and Tor Books.

After retiring, Ralph wrote several novels for Tor. We lost Ralph in 1998 after a heart attack. Harry Hills called and let me know Ralph had passed.

During a brilliant career, Ralph was known and welcome everywhere. He always wanted to build a ship, sail to Singapore, and drink a Singapore Sling at Raffles. I’m certain Ralph had his share of Singapore Slings, but he never got around to building that boat.

One of my favorite stories, Ralph was working for Capital Distribution. Capital was a small magazine and book distributor. Ralph had just lost his book line, so he had a sales force but nothing to sell.

That year, the ABA (American Booksellers Association) met in Washington DC. One afternoon, Ralph was dining al fresco, when an older gentleman asked to share Ralph’s table. This man was Ian Ballantine, founder of many successful publishing companies, one of the people, if not “the” person who brought paperback books into their greatest glory (Several Ian Ballantine stories will appear here at a later date.).

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The Golden Age of Science Fiction: The Book of the Dun Cow, by Walter Wangerin, Jr.

The Golden Age of Science Fiction: The Book of the Dun Cow, by Walter Wangerin, Jr.

Cover by Ronald Keller
Cover by Ronald Keller

Cover by James Marsh
Cover by James Marsh

Cover by Carl Lundgren
Cover by Carl Lundgren

The National Book Awards were established in 1936 by the American Booksellers Association. Although the Awards were not given out between 1942 and 1949 because of World War II and its aftermath, the awards were reestablished in 1950 and given out annually since then. Since 1950, only US authors are eligible for the award, which is designed to celebrate the best of American literature, expand its audience, and enhance the value of good writing in America. From 1980 through 1983, the American Book Awards were announced as a variation of the National Book Awards, run by the Academy of the American Book Awards. While the National Book Awards were selected by a jury of writers, the TABA program relied on entry fees, committees, and voters made up of groups of publishers, booksellers, librarians, and authors and critics. The change was controversial and a group of authors including Nelson Algren, Saul Bellow, Bernard Malamud, Joyce Carol Oates, Philip Roth, and Susan Sontag, among others, called for a boycott of the award. The American Book Award included genre categories, presenting awards for mysteries, science fiction, and westerns. Two awards were presented in the science fiction category, one for hardcover, one for paperback. The genre awards were abandoned after a single year. The only winner of the National Book Award for Paperback Science Fiction was Walter Wangerin, Jr.’s The Book of the Dun Cow, which had originally been published in hardcover in 1978 and reprinted in paperback in 1979. The Awards were presented in New York on May 1, 1980 at a ceremony hosted by William F. Buckley and John Chancellor. Isaac Asimov presented the science fiction awards.

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Vintage Treasures: Cats Have No Lord and The Tangled Lands by Will Shetterly

Vintage Treasures: Cats Have No Lord and The Tangled Lands by Will Shetterly

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Covers by Janny Wurts and E. T. Steadman

Will Shetterly has a fine back-catalog of fantasy novels, most from the 80s and 90s. They include Witch Blood (1986), Elsewhere (1991), and his most famous book, Dogland (1997). With his wife Emma Bull he created and edited the popular Liavek shared universe anthologies.

He began his career as a novelist with the wonderfully-titled Cats Have No Lord, released back in April 1985. It came in sixth in the annual Locus Poll for Best First Novel (losing out to Tad Williams, Guy Gavriel Kay, Michael Swanwick, and Carl Sagan, but ahead of Geoff Ryman, Judith Tarr, Sheila Finch, and Dan Simmons — no shame placing 6th in a year like that!) Four years later he published a prequel, The Tangled Lands. In a 2012 post on his blog, Shetterly looked back fondly at Cats Have No Lord, while openly acknowledging its flaws.

Cats Have No Lord is my first novel. I had tried to write several more ambitious — meaning, more pretentious — books and gave up on them because they were awful, so I finally decided to learn how to write by writing something with everything I’d loved as a kid. If I missed any fantasy cliches of the ’70s, I don’t know what they were: this book has a spunky female thief, a mysterious swordsman, a magician, and a big barbarian. Oh, and a talking horse.

It sounds awful, but my love must’ve shown through, or maybe readers were more desperate or more kind in those days. Booklist said, “The first-rate world building, the unique cast of characters, and the author’s clever whimsey make it absorbing reading. Recommended.”

“Unique” must mean they thought I did good things with the characters, but every single one began with a trip through Central Casting to see who was available. Literally.

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The Golden Age of Science Fiction: The Unlimited Dream Company, by J.G. Ballard

The Golden Age of Science Fiction: The Unlimited Dream Company, by J.G. Ballard

Cover by Bill Botten
Cover by Bill Botten

Cover by Carlos Ochiagavia
Cover by Carlos Ochiagavia

Cover by Peter Goodfellow
Cover by Peter Goodfellow

The British Science Fiction Association (BSFA) Awards have been presented by the British Science Fiction Association since 1970 and were originally nominated for and voted on by the members of the Association. The Best Novel Award was one of the original awards and the first two were won by John Brunner for his novels Stand on Zanzibar and The Jagged Orbit. J.G. Ballard would be nominated for the Best Novel award three times, only winning on his first nomination in 1980.

Ballard’s novel The Unlimited Dream Company is told by Blake, an antihero and narrator so unreliable it is difficult for the reader to determine if anything he says in the course of the novel is real or merely the result of Blake’s own warped perception. The novel opens with Blake relating how as a young man he moved in with a woman, wound up killing her, and stealing an airplane before crashing it into the Thames. His first victim is never mentioned again and throughout the novel it isn’t clear if Blake died in the crash, if everything he relates in the book is the subject of visions brought about by his drowning and asphyxia, or if any of it actually happened to him and the community of Shepperton, where all the action takes place.

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