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Category: Vintage Treasures

Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “The Black Stranger”

Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “The Black Stranger”

The Conquering Sword of Conan-smallHoward Andrew Jones and Bill Ward are wrapping up their re-read of The Conquering Sword of Conan by Robert E. Howard, the third and final omnibus volume collecting the complete tales of Conan, with what Howard calls “my most pleasant surprise so far during the re-read,” the story “The Black Stranger.” It was never published during Robert E. Howard’s lifetime, appearing for the first time in Karl Edward Wagner’s anthology Echoes of Valor in 1987. Here’s Bill:

Like “Beyond the Black River” which precedes it, “The Black Stranger” is a tale set in the Pictish wilderness of Hyboria that sees a vulnerable outpost of civilization overrun by the wild men of the wood. But this time around the threat of the Picts — still an Amerindian analog — serve as more of a backdrop to the infighting and machinations of pirate captains, an exiled nobleman, and a cagey Conan. Again REH draws on the American frontier for inspiration, but it isn’t the dominant theme of the piece, which also manages to end on a far more up tempo note despite the carnage. Wild battles, double-crossing, pirate treasure, and a mysterious demonic stranger are all skillfully woven together into a complex but nonetheless fast-paced adventure that stands solidly alongside the better Conan stories.

Read the complete exchange here.

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Vintage Treasures: Science Fiction Carnival, edited by Fredric Brown and Mack Reynolds

Vintage Treasures: Science Fiction Carnival, edited by Fredric Brown and Mack Reynolds

Science Fiction Carnival paperback-small Science Fiction Carnival paperback-back-small

In the early 50s, everyone was busy trying to prove how grown up science fiction was. That it wasn’t just kid’s stuff, pulp tales of alien invasions that only appealed to fourteen year-old boys. The earliest genre anthologies on the market — like Groff Conklin’s The Best of Science Fiction (1946) and Healy and McComas’ Adventures in Time and Space (1946) — strained to show the ambitious side of SF, its respect for science and the unique way it examined the future.

In 1953, Fredric Brown and Mack Reynolds decided to take a very different approach, displaying instead the fun side of SF in their classic anthology Science Fiction Carnival. It collected stories showing “a sharply sardonic view of our future” from Murray Leinster, Richard Matheson, William Tenn, Henry Kuttner and C. L. Moore, Eric Frank Russell, and many others.

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Despair All The Way Down: The Illearth War by Stephen R. Donaldson

Despair All The Way Down: The Illearth War by Stephen R. Donaldson

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“You’re determined to make this hard, aren’t you? You’re determined to make it hard for everyone.”

                                                                  Hile Troy to Thomas Covenant

If Lord Foul’s Bane (go here for my review) with its rapist leper hero is a trip into the Black Hole of Calcutta, its sequel, The Illearth War (1978) is an unremitting journey into the blackest space over the event horizon. Where the first book offered hope to its characters with the successful completion of their quest, this one holds out no hope even in victory. At the best of times there is only a stay of certain execution. Mostly, though, there is loss, deep and devastating loss.

It’s also a book that almost defeated me. For three weeks it defied my efforts to put into words what I thought was going on in it and what I thought of it. It’s not that it’s super complicated, but it’s a shadowy thing that required more work than I’m used to to understand its guts.

The Illearth War is a story steeped in existential dread. Both inaction and action in the face of soul-crushing evil seem to lead to disastrous ends. To believe or not to believe? To fight or not to fight? To kill or to be killed? Does it make any difference? This is heady stuff for fantasy and bound to put off more casual readers, but Donaldson takes on the debate with conviction and seriousness.

The dilemma is addressed primarily by contrasting Thomas Covenant’s attitude toward the Land with that of a new character from our world, Hile Troy. Covenant refuses to accept the magical Land, its healing properties, or to lift a finger to save it, while Troy fully embraces it and is completely dedicated to its survival. Each man is convinced of the rightness of his path, and both suffer calamitous losses for their convictions. Covenant scoffs at Troy for thinking he can thwart Lord Foul while Troy berates Covenant for refusing to fight. Donaldson plays these titans, inaction versus action, against each other like musical counterpoints. Each reflects off the other, exposing its opponent’s dangers and rewards. This is the heart of The Illearth War.

It’s not an argument made lightly or with straw men. Donaldson digs deeply into each man’s mind and character, exploring the complex motives and reasoning behinds their choices.

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Witch Doctors and Mind-Reading Sleuths: Richard Powers’ Interior Art for 1950s Men’s Adventure Magazines

Witch Doctors and Mind-Reading Sleuths: Richard Powers’ Interior Art for 1950s Men’s Adventure Magazines

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In going through several hundred issues of men’s adventure magazines for this year’s upcoming Jerry Weist estate auction at the Windy City Pulp and Paper Convention, I came across the interior illo above by Richard Powers. It’s from the January 1957 issue of Men.

I was actually surprised how many great artists appeared in the issues of Men that I went through, including Bama, Saunders, De Soto, Belarski and many, many more. Some really great art in there!

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New Treasures: The Birthgrave Trilogy by Tanith Lee

New Treasures: The Birthgrave Trilogy by Tanith Lee

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Tanith Lee passed away on May 24 of last year, and her loss was a major blow to fantasy readers around the world — especially fans of heroic fantasy. In the fast-paced world of modern publishing, the death of an author frequently means the death of their backlist as well, since without new books being released to drum up interest, older titles can quickly be forgotten.

So I was extremely pleased to see DAW, Lee’s long-time US publisher, re-release her first fantasy novel The Birthgrave in a handsome new edition last June, followed by Shadowfire, the second title in the trilogy, last September. The final volume, Hunting the White Witch, arrives on bookshelves tomorrow, completing the trilogy.

The Birthgrave (452 pages, $7.99 print & digital, June 2, 2015)
Shadowfire (304 pages, $7.99 print & digital, September 1, 2015)
Hunting the White Witch (304 pages, $7.99 print & digital, February 2, 2016)

All three covers are by Bastien Lecouffe Deharme.

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Undying Compassion and Fearless Ecoterrorism: Hayao Miyazaki’s Nausicaa of the Valley of Wind

Undying Compassion and Fearless Ecoterrorism: Hayao Miyazaki’s Nausicaa of the Valley of Wind

Nausicaa of the Valley of Wind box-smallNausicaa of the Valley of Wind will exceed your expectations. You must have many, what with the comics having been written by Hayao Miyazaki.

Prepare to ask yourself what lengths you would go to save your world from destroying itself, and prepare to detest characters who at first seem like antagonists but then prove that no one is wholly good or bad. More than anything, prepare to fall in love with Nausicaa, one of the most compassionate heroines ever to exist on paper.

The love within an individual who possesses as much compassion as she does can overcome any struggle born from hate. She does so without ceasing. Her story is told within the span of four graphic novels, and they do indeed read like novels.

The people of the Valley of Wind cherish their princess. She lives for them as much as she lives for her world. When the Ohmu, a group of insects inhabiting her world, begin a perilous journey, her compassion compels her to follow.

She then embarks on an endless journey through myriad wars, all the while attempting to bring them all to an end. Along the way, we meet memorable characters such as Kushana, an invincible warlord with a past worthy of a comic of its own and her sidekick, Kurotowa, who could do without Nausicaa. Not everyone shares his sentiments, least of all Lord Yupa, her uncle who adores her and remains by her side through much of the story.

The same can be said for Asbel, a young pilot who devotes much of his time to locating Nausicaa. His superior, an elderly pilot named Mito, guides him through life and acts as the father figure he needs.

This brings me to the relationship between Ketcha, Asbel’s younger sister, and Lord Yupa, whom she encounters with her brother. He remains devoted to her throughout the story, and their friendship mirrors that of his connection to Nausicaa.

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Space Gods: From Tin Foil Hats to Marvel’s Eternals

Space Gods: From Tin Foil Hats to Marvel’s Eternals

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Kirby’s ever-energetic and inventive art.

In 1968, around the time that 2001: A Space Odyssey was in theaters, booksellers had Chariots of the Gods? Unsolved Mysteries of the Past, by Erich Von Daniken. It was such a big seller that I had no trouble acquiring a second-hand copy for 25 cents in the mid-1980s, and even as a thirteen-year old, I couldn’t make it more than a few pages into its soft-headed nonsense.

Von Daniken’s thesis of course was that the pyramids, Stonehenge, the Nazca Lines, and so on were beyond the abilities of previous civilizations, and required visiting space visitors to explain their existence.

Part of Von Daniken’s “evidence” is that the artistic styles we see in previous civilizations are better explained as ancient peoples depicting the space suits of their alien visitors. Big toke time.

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A Crossover Too Far

A Crossover Too Far

Combined-ForcesBulldog_Drummond_1st_edition_cover,_1920A. J. Smithers is a respected author of fiction and non-fiction titles with a special dedication to the Clubland fiction of Dornford Yates, John Buchan, and H. C. “Sapper” McNeile. His 1983 novel, Combined Forces was subtitled Being the Latter-Day Adventures of Richard Hannay, “Bulldog” Drummond, and Berry and Co. Clubland literary scholar Richard Usborne praised the book and Smithers’ willingness to expose the dark sides of its characters’ lives. Wold Newtonians sometimes seek out this rare work because of the literary crossover within its pages. I approached the book first as a Bulldog Drummond completist and secondly as a fan of Richard Hannay.

While most people know of The Thirty-Nine Steps thanks to Alfred Hitchcock’s celebrated film version, they are unaware of how different the character of Richard Hannay is in John Buchan’s fiction. Most are unaware that Hannay appeared in a total of seven spy thriller novels by Buchan published between 1915 and 1940. Unlike many long-running series, Buchan chose to have Hannay age in real time and grow as a person as he marries and settles down and even retires. Buchan’s approach appears to have influenced some of Gerald Fairlie’s modifications to Hugh Drummond’s character and life as he continued the series after Sapper’s death.

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The Books of David G. Hartwell: The Dark Descent and The World Treasury of Science Fiction

The Books of David G. Hartwell: The Dark Descent and The World Treasury of Science Fiction

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We lost David Hartwell on January 20th. This is our second article in a series that looks back at one of the most productive careers in our industry.

Last time we looked at two of David’s earliest anthologies, Masterpieces of Fantasy and Enchantment and Masterpieces of Fantasy and Wonder, released in 1988 and 1989. Here I want examine two more monumental anthologies he produced in the late 80s, both seminal to the field: The Dark Descent (October 1987) and The World Treasury of Science Fiction (January 1989).

The Dark Descent, subtitled The Evolution of Horror, is one of the most important horror anthologies ever published. Weighing in at a massive 1104 pages, it’s one of the most detailed and insightful surveys of horror fiction we have. Showcasing 56 of the best horror stories ever written, it traces the development of modern horror from the classic work Edgar Allan Poe, M. R. James, Charles Dickens and H. P. Lovecraft, all the way to Shirley Jackson, Manly Wade Wellman, Fritz Leiber, Karl Edward Wagner, Philip K. Dick, Gene Wolfe, and Stephen King. The Dark Decent won the World Fantasy Award for Best Anthology.

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When Morocco Really Was Adventurous: Reading Lords of the Atlas

When Morocco Really Was Adventurous: Reading Lords of the Atlas

9780330024365-uk-300For people who have never been there, Morocco conjures up images of decadent ports, imposing casbahs, mysterious medinas, and mountains filled with bandits. It’s a mystique the tour companies like to perpetuate for this modern and rapidly changing country.

I feel like a bit of a cheat tagging my series of Morocco posts as “adventure travel,” but I’m a blogger and that tag brings in the hits. While Morocco is safe and easy to travel in, it wasn’t so long ago that the mystique was the reality. A classic study of this freebooting era is Gavin Maxwell’s Lords of the Atlas.

Researched in the 1950s, it looks at the twilight era of the old Morocco. The book opens with a slave unlocking the gate to an aging, all-but-abandoned Casbah in the remote Atlas Mountains. This man was one of the last retainers of the Glaoui family, which for two generations grew an empire in Morocco’s rugged mountains, became pashas of important cities, and even played kingmaker.

Maxwell has an eye for lurid detail, especially beheadings. You can feel the writer’s enthusiasm when he speaks of how, just a little over a century ago, the city gates of Morocco would be festooned with the heads of criminals and traitors. The heads had been preserved in salt, a job reserved for the Jews. The Jewish quarter even earned the name mellah, Arabic for “salt.” Even well salted, the heads would eventually rot and fall down into the crowd below, once almost hitting a delegation from England.

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