Black Gate

Over at his blog, The Urban Sprawl Project, Ben Peek celebrates the release of Leviathan’s Blood, the sequel to 2014’s The Godless.

You should buy it. You should review it. You should tell your friends about it. Perhaps even your enemies.

I’m pretty happy with it, myself. It’s the middle of the trilogy, the Empire of the Children Trilogy, and there are things in this book that I am absurdly pleased with. There is a set of scenes here that I worked towards from the moment I settled on the narrative structure of the book. (It is, for those of you who have not heard me say it before, a structure that echoes the 12/13 episode structure that TV shows have adopted in the last decade. One of my favourite shows of this was Deadwood, and I remember, way back when I began work on The Godless, how interesting it would be for a fantasy book to echo that.) It’s strange to have a moment laid out in a book beyond the first while you’re writing it, but frankly, the whole series is laid out in that fashion, which will hopefully make for an interesting rereading for people. But anyhow, I am absurdly pleased with this.

Any novel with a structure inspired by Deadwood is okay in my book.

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Daniel Polansky’s first novel, Low Town, was followed by two sequels, Tomorrow the Killing (2012) and She Who Waits (2013). His recent entry in Tor.com‘s line of novellas, The Builders, is a dark anthropomorphic fantasy featuring a company of warriors keeping a low profile after being on the losing end of a grueling war. In our recent contest, in which we invited readers to summarize their favorite novella in one sentence, it was hands-down the most popular choice, with entries like these:

The Builders by Daniel Polansky is Beatrix Potter as directed by Sam Peckinpah — Greg Hersom
The Builders by Daniel Polansky: Redwall meets The Wild Bunch, and it all goes to hell — Rich Miller
The Builders is the best critter tale ever: Winnie the Pooh this ain’t! — Lee Hunter

His 2015 novel Those Above, the opening entry in The Empty Throne, was called “Machiavellian clockwork glory” by Mark Lawrence. The second and final novel in the series, Those Below, was published by Hodder & Stoughton in the UK last month.

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I’m always on the lookout for a good adventure SF series, and James Gunn’s pair of connected novels, Transcendental and Transgalactic, definitely look like they fit the bill. The books follow the adventures of Riley, a burned out war vet, and Asha, a woman on a pilgrimage to the Galactic Edge, as they investigate a mysterious alien prophet at the head of a new religious movement — and deal with the strange powers their investigation eventually gives them.

Transcendental was published by Tor in 2013, and is now available in trade paperback (see the back cover at right; click for bigger version.) Transgalactic was released in March in hardcover; here’s the description.

When Riley and Asha finally reached the planet Terminal and found the Transcendental Machine, a matter transmission device built by an ancient race, they chose to be “translated.” Now in possession of intellectual and physical powers that set them above human limitations, the machine has transported them to two, separate, unknown planets among a possibility of billions.

Riley and Asha know that together they can change the galaxy, so they attempt to do the impossible — find each other.

Transcendental was published by Tor on August 27, 2013. It is $25.99 in hardcover, $15.99 in trade paperback, and $9.99 for the digital edition. The cover is Stephan Martiniere.

Transgalactic was published by Tor on March 22, 2016. It is $26.99 in hardcover, and $12.99 for the digital edition. The cover is by Thom Tenery.