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Beyond Ever After: Into the Woods

Beyond Ever After: Into the Woods

Into the Woods poster-smallWhenever I walk into my local chain bookstore, I am immediately attracted to a display near the entrance which bears the enticing banner, “Former Bestsellers.”

Here reside the Grishams, the Clancys, and the Kings of last year and the year before, pushed off the pedestal of the New and the Now by the never-ceasing flood that issues from the mouth of modern publishing. It is a great place to grab a good read, cheap.

It is, alas, the fate of even the most successful book to eventually become a “former.” A quick consultation of the New York Times bestseller list reveals that the number one hardcover fiction book of this first week of 2015 is Gray Mountain by John Grisham. It is, I am sure, an efficient and effective novel, but if we could leap forward two or three hundred years and conduct a cyborg-on-the-street interview, what is the likelihood that any of our subjects would be able to name the characters or recount the plot of Gray Mountain?

Of course I’m being unfair to Grisham, a writer who is a straightforward, popular entertainer of the moment with no aspirations to membership in the Pantheon. Might we do better asking our 24th century citizen about A Farewell to Arms, or Lolita, or Portnoy’s Complaint? Yes? Umm… no, I think.

What could we ask about with any chance of success — never mind centuries from now, but even today? (Outside the halls of the English Department, I fear that the great works of Hemingway, Nabokov, and Roth wouldn’t fare any better than Forever Amber — and if you’ve never heard of that one, that’s my point, and if you have… oh, just sit down and be quiet!) Here’s a guess — Snow White, Little Red Riding Hood, Rumplestilskin, Hansel and Gretel, stories that were already old when Jacob and Wilhelm Grimm first collected them two hundred years ago.

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Adventure On Film: Richard Lester’s The Three Musketeers

Adventure On Film: Richard Lester’s The Three Musketeers

three rideI can hear the protests already: “Don’t you mean Alexander Dumas’s The Three Musketeers?” Well, yes. In a way. But I refer here to the film, not the novel. This 1973 outing is one of perhaps eight full-length film adaptations of this grand French chestnut, and, as directed by Richard Lester, it’s essential viewing for all fans of action, swordplay, and pace.

Indeed, to cut and slash the weighty novel down to a manageable length, no small violence has been done to the text, and the film practically tumbles over itself trying to keep up with its own story-telling requirements. Lester fills each rowdy frame with visions of period France; in his crowd scenes, there’s so much going on that the film bears an immediate second viewing, just to keep up with the busy visuals.

Best of all, of course, are the fabulous, kinetic, and often hilarious sword fights. Athos, Porthos, and Aramis may be musketeers, but there’s hardly a discharge of powder and shot to be found; these heroes (dandies and drunks, really) live by the sword, full stop.

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The Public Life of Sherlock Holmes: Arthur Wontner, the Third Great Holmes

The Public Life of Sherlock Holmes: Arthur Wontner, the Third Great Holmes

Simpson_Wontner
Joseph Simpson’s drawing from 1908
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Wontner; circa 1935

With his turn-of-the century stage play, William Gillette was the first great Sherlock Holmes. Eille Norwood was the second, making a series of popular silent film adaptations of Doyle’s stories in the early twenties. The third great Sherlock Holmes, Arthur Wontner, is one of my personal favorites.

Britain’s Twickenham Film Studios snagged Wontner after his successful performance as Sexton Blake (a detective hero of British schoolboys) and signed him to play the world’s foremost private consulting detective. The Sleeping Cardinal was a hit in England, with Wontner’s performance praised widely. Picturegoer Weekly wrote: “Wontner’s rendering of Sherlock Holmes is wholly convincing, even to the smallest mannerisms.”

Retitled The Fatal Hour to better appeal to action-oriented American audiences, it played for over a month on Broadway, which was unheard of at the time for a British film. In those pre-Oscar days, it even won the New York Critics’ Cinema Prize as the best mystery drama.

The story included elements of “The Empty House” and “The Final Problem,” though Colonel Moran only plays a minor part and Moriarty himself shoots at the bust of Holmes! Norman McKinnel’s Moriarty is one of the more under-appreciated portrayals of the Professor.

Wontner, who bore a strong resemblance to Sidney Paget’s drawings, received rave reviews. A few years later, the famous American Sherlockian Vincent Starrett wrote, “No better Sherlock Holmes than Arthur Wontner is likely to be seen and heard in pictures in our time…his detective is the veritable fathomer of Baker Street in person.”

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Marvel Casts Luke Cage

Marvel Casts Luke Cage

Luke Cage NetflixI’ve been following the news surrounding Marvel Entertainment’s upcoming Netflix shows with a great deal of interest. Originally announced last November, the plan is for Netflix to launch four live-action dramas focused on Marvel’s street-level heroes, leading to “a mini-series programming event” that will rival the blockbuster Avengers. Quoting from the press release:

Led by a series focused on Daredevil, followed by Jessica Jones, Iron Fist and Luke Cage, the epic will unfold over multiple years of original programming, taking Netflix members deep into the gritty world of heroes and villains of Hell’s Kitchen, New York. Netflix has committed to a minimum of four, thirteen episodes series and a culminating Marvel’s The Defenders mini-series event that reimagines a dream team of self-sacrificing, heroic characters.

Like many Marvel fans, I’ve been very intrigued by the possibilities of a gritty, realistic TV series focused on some of the most popular characters in the Marvel canon. A big reason for all the excitement is the collaboration of Marvel and Netflix; the latter has a stellar rep based on the ground-breaking House of Cards, starring Kevin Spacey. Daredevil is already underway, with episodes set to premiere in May 2015. It will be followed by Jessica Jones, which stars Krysten Ritter (Veronica Mars, Breaking Bad) as a retired superhero with post-traumatic stress disorder working as a private detective in New York. Jones was created by Brian Michael Bendis and Michael Gaydos for the excellent (and underrated) comic Alias (2001-2004), the flagship title in Marvel’s adult MAX imprint.

A recurring character in Alias was Jones’s boyfriend — none other than Luke Cage, one of the most famous superheroes of the 70s and 80s. Cage first appeared in Marvel’s Hero For Hire #1 in June 1972, and it’s believed he’ll guest-star first in Jessica Jones before spinning off into his own series. Yesterday Marvel announced that Cage would be played by Mike Colter, who’s currently playing a drug kingpin on The Good Wife.

There’s been lots for superhero fans to talk about in the last few weeks. Our latest Marvel news was the announcement that Benedict Cumberbatch was confirmed to play Doctor Strange.

A Fond Farewell to Stephen Colbert and Craig Ferguson, Fellow Fantasy Aficionados

A Fond Farewell to Stephen Colbert and Craig Ferguson, Fellow Fantasy Aficionados

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“We’re all mad here. I’m mad. You’re mad… You must be, or you wouldn’t have come here.” — The Cheshire Cat

This past week marked the end of two of the most original TV programs of the last decade: The Colbert Report (2005-2014) and The Late Late Show with Craig Ferguson (2005-2014).

They challenged conventions, shook up the status quo, thumbed their noses at Big Brothers both political and corporate — all while wearing a healthy Cheshire Cat grin. I also want to thank them for not shying away from sharing their love for the genres of wonder.

We wish to bid them a fond farewell, but since we here at Black Gate are focused on fantasy and speculative fiction, I won’t pay tribute to all the ways Stephen Colbert and Craig Ferguson were innovative, iconoclastic, and unique in the realm of late-night talk shows. There is plenty of that going around. Instead, I’ll just note how both hosts shared an appreciation for fantasy and science fiction.

Ferguson first. He took the late-night talk show format and deconstructed it, creating a sort of parody of the genre in a way similar to how Pee Wee Herman created a parody of a manic children’s variety show. To lampoon the obligatory sidekick, he brought in Geoff Peterson, a talking robot skeleton. Geoff made such a funny sidekick, in fact, that the one-off joke became a staple of the show.

Ferguson, that Scottish raconteur, is an avowed and devoted Whovian. For most of the show’s run, sitting on his desk next to his rattlesnake drink mug could be seen a scale model replica of the TARDIS (just like the one I got from my wife last Christmas!). When asked by guests about it, he unabashedly declared his love for the Time Lord.

Stephen Colbert, though… Black Gate readers, I can confidently say that he is one of us…

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Watch the Selkie-riffic Trailer for Song of the Sea

Watch the Selkie-riffic Trailer for Song of the Sea

I’m a fan of the gorgeous animated film The Secret of Kells, released in 2009 by Cartoon Saloon and directed by Tomm Moore and Nora Twomey. So I was very pleased to hear that Cartoon Saloon’s next feature, Song of the Sea, premiered at the 2014 Toronto International Film Festival, back in September, and will go into wider release later this month.

Song of the Sea is the tale of Ben and Saoirse, who live in a lighthouse with their father, and the strange shell flute Saoirse discovers that unlocks a magical secret from their mother’s past. The voice cast includes Brendan Gleeson (Harry Potter‘s Mad Eye Moody), David Rawle as Ben, and Lisa Hannigan.

Song of the Sea was directed Tomm Moore. Check out the strikingly beautiful animation in the trailer below. It will have a limited release here in the US starting on December 19, and I’ll be certainly keeping an eye out for it.

Benedict Cumberbatch Confirmed as Doctor Strange

Benedict Cumberbatch Confirmed as Doctor Strange

Benedict CumberbatchA few weeks ago, Marvel Studios leaked that it was in discussions with Benedict Cumberbatch to take the lead role role in its upcoming superhero film Doctor Strange. Several outlets picked it up as a news story, but I thought it was strange. Who announces they’re “in talks?” Don’t you keep that quiet until terms are concluded? Cumberbatch is about as hot as a young actor can get, what with the title role in Sherlock, and his roles in Star Trek: Into Darkness, The Hobbit, and The Imitation Game. Making a big noise in the press about your top choice before you even start negotiating seems like a sure way to drive up the price for the talent — or to end up disappointing fans.

Well, either Marvel knew the outcome in advance, or they just really know what they’re doing, as this week they announced they’d reached terms with Cumberbatch. He will appear in the film version of Doctor Strange, to be released in 2016 as part of Phase 3 of the Marvel Cinematic Universe. Producer Kevin Feige said:

Stephen Strange’s story requires an actor capable of great depth and sincerity. In 2016, Benedict will show audiences what makes Doctor Strange such a unique and compelling character.

Doctor Strange was created by Stan Lee and Steve Ditko in 1963 (not long after they co-created Spider-man). As I said when we first discussed it here, I hope the film draws inspiration from Ditko’s fantastic art, and especially the way he portrayed the dimension-hopping adventures of his sorcerer-hero. Marvel announced the director would be Scott Derrickson (who directed the fabulously creepy Sinister, and Deliver Us from Evil), back in June.

Doctor Strange is scheduled to be released in November 4, 2016. It will be directed by Scott Derrickson, from a screenplay by Jon Spaihts (Prometheus).

Goth Chick News: Dr. Jekyll Meets The Incredible Hulk on British Television… Kind Of

Goth Chick News: Dr. Jekyll Meets The Incredible Hulk on British Television… Kind Of

Dr. Jekyll Meets The Incredible Hulk-smallThis all seems kind of inevitable when you think about it.

Here in the good ol’ US of A, superheroes have been reigning supreme on the big screen for some time, while zombies are unstoppable on the small. So if you’re a British television executive gazing longingly across the pond at the entertainment bank being made over here, you’re probably also thinking how to capitalize on it at home without seeming so…well, American.

That’s when you decide to take a very English literary character (no ghastly dime-store comics here, I can tell you) and make him into a superhero – well sort of. But he’s not going to be happy about it because by God we are British after all. So he’s going to be rather tortured and guilt-ridden and all that – none of this happy swinging from spider webs or flying around in iron suits. Oh, and there will be monsters mixed in there too.

And this is how we get a new television series starring Dr. Jekyll and Mr. Hyde, commissioned by the oldest commercial network in the UK.

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Review of Sinister: Is Bagul the New Bogeyman on the Block?

Review of Sinister: Is Bagul the New Bogeyman on the Block?

Irelyn Ozment's depiction of a "bad robot," November 2014
Irelyn Ozment’s depiction of a “bad robot,” November 2014

Anyone who has used the search engine Google more than once knows that it automatically generates ads based on your search terms that are then embedded into your search list. Aside from a little yellow “Ad” button, they look deceptively like more search results, tricking the unwary 2-a.m. web surfer into accidentally clicking on them and then being nightmarishly whisked off to some random retail site. The algorithm often creates nonsensical advertisements, proving yet again that we are still a long way off from AI (or even, in some cases, from I).

When I did a search for “Bagul,” aka Mr. Boogie aka ancient Babylonian deity who consumes the souls of children, the following three ads popped up at the end of my first page of hits (actual web links redacted, because I do not want to be responsible for you unleashing Mr. Boogie onto yourself or your family):

1. Bagul Store: Bagul: super cheap Hurry while stocks last!

2. Bagul – 70% Off – Lowest Price On Bagul: Free shipping, in stock. Buy now!

3. Bagul up to 70% off – Bagul sale: Compare prices and save up to 70%

If you’ve seen the 2012 film Sinister, the thought of having Bagul shipped to you for free should be absolutely chilling. Even if he is up to 70% off. Just 30% of Bagul will probably still mean certain death for you and your loved ones. In fact, someone inadvertently clicking on one of these ads could be the premise for Sinister 2, the sequel.

On the recommendation of several people (well, two — but since one of them was Black Gate ed-in-chief John O’Neill, that should count as several), I selected Sinister as my Hallowe’en 2014 viewing. After the last peals of “trick or treat” had long since dwindled away down the dark, cold streets, and our own little homespun Mrs. Munster (yes, that is what my 5-year-old specifically chose to be this year) and zombie cop had been tucked into their beds to sleep off their Hershey/Mars/Nestle comas, my wife and I inserted the Blu-Ray we’d rented into the player. My wife promptly fell asleep, but that has no bearing on the quality of the movie in question. For the next hour and fifty minutes, I was transfixed. I’ve got to concede: for this genre of film, this one is a high water mark.

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Firefly Friday: Leaves on the Wind Comic

Firefly Friday: Leaves on the Wind Comic

Serenity_Leaves_on_the_Wind_HC_coverThe film Serenity brought a fair amount of closure to fans of Firefly, but as with any great story it didn’t end there. Each character goes through events in the film that transforms them in some way, and the story is never over. The classic hero’s journey ends not with the climactic battle, but with the return. The hero comes back to where he (or she) began and, through the events, has been transformed. Indeed, often their home itself has been transformed in some way, even if only in the way they view it.

The 6-issue limited comic book limited series, now collected together in Serenity: Leaves on the Wind (Amazon) completes the “Return” aspect of the hero’s journey for our crew … and since it’s a story in its own right, it also contains a full journey within it, with a new call to action, a new conflict, a new shift under the feet of the heroes. New allies and enemies are introduced, and the crew continues to change.

The series begins in the aftermath of Serenity, where the revelations about the origins of the Reavers spark heated debate across the ‘Verse. While pundits debate the veracity of the allegations, both the Alliance and a growing New Resistance movement are looking for the man who started it all: Malcolm Reynolds.

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