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New Treasures: Strange Worlds

New Treasures: Strange Worlds

strange-worldsBack on October 7th I reported on a promising little artifact called Strange Worlds,  an anthology of sword and planet stories from Space Puppet Press, collected and edited by Jeff Doten.

Now I’m holding a copy in my hot little hands, and I can report that it’s just as cool as it looks.

Strange Worlds collects nine pieces of original fiction from Ken St. Andre, Charles A. Gramlich, Paul R. McNamee, Lisa V. Tomecek, Charles R. Rutledge, and others.

Each story is also illustrated by Doten with a full color plate, done in loving homage to the Ace Doubles of the 50s and 60s, where much of the most-loved sword & planet in the genre first appeared.

Doten also provides some fine black & white interior illustrations for each story.

Interior color plate by Jeff Doten
Interior plate by Jeff Doten
It’s a quality package, and no mistake. There’s even a 13-page full-color “Strange Worlds” comic, written and illustrated by Doten, rounding out the book.

It’s very clear to me that Doten knows his stuff, and his love and knowledge of the genre comes across on every page. There’s even a three-page Suggested Reading list, an invaluable reference for modern fans covering virtually every major practitioner of the genre — from Edgar Rice Burroughs, Otis Adelbert Kline, Gardner Fox, Leigh Brackett, and Lin Carter, all the way up to more modern writers experimenting in the same playground, such as S.M. Stirling.

In his introduction Doten says Strange Worlds was “my effort to rectify the tragic lack of Sword and Planet stories in the modern world.” He has succeeded with flying colors.

Strange Worlds is 189 pages printed on quality stock in oversize format. It is available from Space Puppet Press for $27 plus $3.75 U.S. shipping, and richly deserves your support.

Order today from strangeworldsanthology.com.

On the Trail of Vanished Pulps

On the Trail of Vanished Pulps

canadian_war_stories2Collectors have at times in the past discussed the possibility that there may be some fiction magazines issues from the last 100 years for which no copies exist anywhere. Anyone who is disheartened by this news, might take comfort from the following tale which I thought some might enjoy and/or find interesting.

I maintain a sizable online index of fiction magazines at Galactic Central, and although I don’t plan to start any serious work on the Adventure Fiction Index until 2012 (at least), I have spent a little time identifying where there are gaps in the data I have so as to maximise the time I had to fill the gaps.

Top of my list is Canadian War Stories for which, when I started, details were known only of 3 of the presumed 14 published issues – see here.

I knew of the existence of one other issue in “fannish” hands, but in five years had been unable to persuade the owner to send me the Table of Contents (ToC) for the index. As it happened, when I nudged him, he sent me the ToC by return – 4 down, 10 to go!

I put out pleas on the Fictionmags and PulpMags newsgroups, but nobody had any other issues, so the next step was to look at online library listings. No issues were listed for the British Library (or any other British academic library) or the Library of Congress, which wasn’t surprising, but AMICUS (the catalogue of Canadian libraries) identified a single library (the Canadian War Museum) which had a single issue, but it was one I was missing and they kindly sent me the ToC free of charge (they would charge me $15 for a scan or mail me a photocopy free – go figure) – 5 down, 9 to go!

Next up was Google.

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The Nightmare Men: “The Judge”

The Nightmare Men: “The Judge”

fearful-rock-other-precarious-locales-selected-stories-manly-wade-wellman-hardcover-cover-artA man of great height and greater girth, Judge Keith Hilary Pursuivant, after retiring from the bench, devoted his golden years to investigating the occult in the works of North Carolina author, Manly Wade Wellman. Pursuivant, with his broad bulbous nose and protruding, warm eyes, was one of a half-dozen occult investigators created by Wellman over the course of his career, though the Judge has the distinction of being the first, and, in many ways, the most important of the lot.

Pursuivant made his first appearance in Weird Tales in 1938, in the story, “The Hairy Ones Shall Dance”, wherein the Judge faced off against a werewolf. He appeared in Weird Tales three more times from 1938 to 1941, in “The Black Drama”, “The Dreadful Rabbits”, and “The Half-Haunted”, respectively facing off with a vampiric Lord Byron, demon-rabbits and ghosts. All of these stories have been anthologized on a number of occasions, and have all been collected in the 2001 Nightshade Books collection Fearful Rock and Other Precarious Locales.

Besides the aforementioned four tales, Pursuivant appeared as a supporting character in a number of Wellman’s other stories, including his Silver John novel, The Hanging Stones, where he aids John the Balladeer, another of Wellman’s occult investigators, in combating a tribe of inbred, druidic werewolves. And, even if he doesn’t appear, Pursuivant is likely mentioned…indeed, the Judge looms over Wellman’s other occult investigators like a guardian angel, wielding knowledge, wit and wisdom in support of humanity’s more active defenders.

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The Nightmare Men: “The Ghost-Seer”

The Nightmare Men: “The Ghost-Seer”

9781840225396Aylmer Vance, agent of the enigmatic Ghost Circle, made his first appearance on the nightmare stage in 1914. The creation of husband-and-wife writing team Alice and Claude Askew, Vance appeared in eight consecutive issues of The Weekly Tale-Teller between July and August. The stories-“The Invader”, “The Stranger”, “Lady Green-Sleeves”, “The Fire Unquenchable”, “The Vampire”, “The Boy of Blackstock”, “The Indissoluble Bond” and “The Fear”-ranged from grotesque to gentle, and are, by and large, of a slower pace than those featuring Vance’s contemporaries, such as Carnacki. Only one of the stories has been regularly anthologized (“The Vampire”), with the rest languishing in obscurity until the release of recent collections by Ash-Tree Press and Wordsworth Editions respectively.

Like John Silence, Vance inhabits an England of soft spiritual influence, where elementals, ancient memories and ghostly manifestations cling to the unseen corners and visit just long enough to inject the mundane with a booster shot of the strange. Unlike Carnacki’s Outer Monstrosities and Malign Visitors, the apparitions that Vance faces are utterly human in their aspect, if not their motivation. Death is no barrier to the desires of the flesh or the dreams of the determined, and it is when these elements intrude on the hard-won peace of the Edwardian mind that the Ghost-Seer must intervene.

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Edgar Rice Burroughs’s Venus, Part 3: Carson of Venus

Edgar Rice Burroughs’s Venus, Part 3: Carson of Venus

carson-of-venus-1st-edition-coverFive years have passed since Edgar Rice Burroughs wrote Lost on Venus, and the world has undergone a startling and disturbing metamorphosis. Something sinister and confusing is taking place in Europe, and across the Atlantic waters the people of the United States are growing concerned at the saber-rattling of Nazi Germany. The poverty-crippled period in which ERB wrote the previous Venus books has given way to a time of escalating fear of a second great war.

Does this have anything to do with the next novel of the Venus saga, 1938’s Carson of Venus? Of course not. That the villains of the book are called “the Zanis,” and that they rule through a tyrannical personality-cult dictatorship complete with ritualized salutes, concentration camps, and rampant murder of political undesirables is mere coincidence.

Our Saga: The adventures of one Mr. Carson Napier, former stuntman and amateur rocketeer, who tries to get to Mars and ends up on Venus, a.k.a. Amtor, instead. There he discovers a lush jungle planet of bizarre creatures and humanoids who have uncovered the secret of longevity. Carson finds time during his adventuring in the various warring countries of the planet to fall for Duare, forbidden daughter of a king. Carson’s story covers three novels, a volume of connected novellas, and a final orphaned novella.

Previous Installments: Pirates of Venus (1932), Lost on Venus (1933)

Today’s Installment: Carson of Venus (1938)

The Backstory

Edgar Rice Burroughs was in a creative slump at the close of the 1930s. The success of the Johnny Weissmuller Tarzan films at MGM and the creation of his own publishing company meant a steady flow of revenue, but the famous author found his new fiction getting rejected from the regular magazine markets that had featured him for more than twenty years. Even Tarzan was no longer dependable. Burroughs was not a young man anymore, and the magazine rejections seemed to hint that his best writing years were behind him. At least he could always publish the books through his own company, but the publicity from magazine serialization was an important way to boost sales.

It was during this turbulent time that ERB tried a few experiments. After leaving the Venus series alone for five years, he returned to it with a spy story reflecting the political tensions of the day.

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Elwy Yost, July 10, 1925 – July 21, 2011

Elwy Yost, July 10, 1925 – July 21, 2011

elwy-yost1I know, I know.  You’ve never heard of Elwy Yost.

But you probably didn’t grow up in Ontario in the late 70s and early 80s. Those who did knew and loved Elwy Yost.

Elwy Yost was the host of TVOntario’s Saturday Night at the Movies from 1974–99 and, more importantly to me, the half-hour weekday show Magic Shadows, from 1974 until the mid-80s.

When I was 12 years old in 1976, my after-school ritual was well-established. Walk home from Sir Wilfred Laurier High School, finish homework, eat dinner, and then stretch out on the living room floor, lying on my stomach with my feet in the air, to watch Magic Shadows.

Magic Shadows presented classic Hollywood movies, cut into half-hour serials and introduced by Yost with erudite and infectious enthusiasm. Best of all, Yost had an unapologetic fondness for the occasional monster movie, including King Kong, Gorgo, and others. On those weeks when the main feature would wrap up by Thursday, Friday would feature an episode of a true film serial like The Adventures of Captain Marvel, Mysterious Doctor Satan, or Captain America.

For those who do remember, here’s the animated intro to Magic Shadows on YouTube, and a sample of classic Yost as he introduced the 1954 Marlon Brando pic Desirée. Watching these two clips brought me right back to the late 70s. [Thanks to my friend Todd Ruthman for sending them my way.]

In later years Elwy Yost was overshadowed by his son, Graham Yost, who moved to California to become a screenwriter (Speed, Broken Arrow) and writer/director (of the HBO miniseries The Pacific). Speed was the last movie Yost hosted before retiring from Saturday Night at the Movies in 1999. Elwy Yost wrote Magic Moments from the Movies and two young adult novels, Secret of the Lost Empire and Billy and the Bubbleship, and a mystery novel, White Shadows.

I would develop a lasting fondness for pulp fiction when I discovered pulp magazines later in high school. But it was Elwy Yost who showed me that the best adventure fiction — yes, even monster movies — deserved to be preserved and studied with the same loving attention as the finest cinema. He was a man who loved film, and who communicated that love to an entire generation of young Canadians.

I miss him already.

The Nightmare Men: “The Ghost-Finder”

The Nightmare Men: “The Ghost-Finder”

Carnacki!William Hope Hodgson’s Carnacki outlived his creator with a tenacity that Hodgson, a bantam rooster of a man, would have appreciated. Thomas Carnacki, resident of 472 Cheyne Walk, London, first appeared in a series of five stories (“Gateway of the Monster”, “The House Among the Laurels”, “The Whistling Room”, “The Horse of the Invisible”, and “The Searcher of the End House”) in The Idler Magazine in the January through April, as well as June, issues of 1910. But despite Hodgson’s death in World War I, Carnacki carried on in a further four stories (“The Thing Invisible”, “The Hog”, “The Haunted Jarvee” and “The Find”) retrieved from Hodgson’s papers by his wife. All nine stories are available in a variety of printed, electronic and audio forms.

But that wasn’t the end. Carnacki’s career was further chronicled by other writers, including A. F. Kidd, Andrew Cartmel, Barbara Hambly, Alberto Lopez Aroca, Kim Newman, Willie Meikle and Alan Moore. He battled evil alongside the Second Doctor and Sherlock Holmes, as well as Mina Murray’s League. He appeared on television, played ably by Donald Pleasance. He’s even inspired a concept album! But in each of his incarnations, Carnacki combined ancient sorceries and Edwardian science to face the squealing, swine-faced threats of the Outer Void.

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Blogging Alex Raymond’s Flash Gordon, Part Nine – “The Tusk Men of Mongo”

Blogging Alex Raymond’s Flash Gordon, Part Nine – “The Tusk Men of Mongo”

tusk-men-12flash“The Tusk Men of Mongo” was the ninth installment of Alex Raymond’s Flash Gordon Sunday comic strip serial for King Features Syndicate. Originally printed between February 7 and April 18, 1937, “The Tusk Men of Mongo” picks up the storyline where the eighth installment, “The Forest Kingdom of Mongo” left off with Flash and Dale unknowingly venturing into Tusk Men territory. The Tusk Men are a Neanderthal-like race of blue-skinned men with prehensile tails. They live in tribes and have fashioned crude tools such as axes. One of their scouts spies Flash and Dale and despite Flash carrying a makeshift spear, they are quickly overwhelmed by five of the Tusk Men.

Flash and Dale are bound and led many miles away to a vast network of caves where the Tusk Men dwell. There, we learn that the Tusk Men can speak a simple form of English as well as their own bestial language, and that they are cannibals who have captured Flash and Dale to devour them. The tribe is ruled by One-Tusk who claims Dale for his mate. Dale pleads for Flash’s life is to be spared to no avail. Just as he is about to be pitched into the flames, Flash breaks free of his bonds and fights against his captors. The Tusk Men greatly outnumber him and the Earth man is quickly recaptured. Death appears unavoidable.

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Marvin Kaye to Edit Weird Tales

Marvin Kaye to Edit Weird Tales

weird-tales-358Marvin Kaye, author and editor of 28 genre anthologies, including Weird Tales: The Magazine That Never DiesMasterpieces of Terror and the Unknown, and the World Fantasy award-winning The Fair Folk, has reportedly purchased Weird Tales from John Betancourt of Wildside Press, with the intention of editing it himself.

Current editor Ann VanderMeer reported the news on her blog:

I am very sad to have to tell you that my editorship at Weird Tales, which has included one Hugo Award win and three Hugo Award nominations, is about to come to an end. The publisher, John Betancourt of Wildside Press, is selling the magazine to Marvin Kaye. Kaye is buying the magazine because he wants to edit it himself. He will not be retaining the staff from my tenure. I wish him the best with the different direction he wants to pursue, including his first, Cthulhu-themed issue. The current issue of Weird Tales is #358, just published. My last issue will be #359, which Kaye plans to publish in February…

The past five years reading fiction for Weird Tales magazine has been an honor for me. I had a blast doing this but I have also contributed to the canon of “the weird tale”— a responsibility I take seriously, not only for the readers of today, but for the readers of tomorrow. This iconic magazine originally blazed a trail for new approaches to dark fantastical fiction, and I did my best to return to that legacy.

Technically the Weird Tales name is owned by Robert Weinberg and Victor Dricks, who purchased it in the late 1970s, and who have licensed it to multiple publishers over the past three decades, including Terminus Publications, DNA Publications, and Wildside Press.

While VanderMeer’s tenure at Weird Tales was occasionally controversial — especially among sword & sorcery fans — she took some brave risks with the magazine. With Stephen H. Segal she presided over an ambitious and successful redesign in 2007, brought home the first Hugo Award in the history of the magazine in 2009, and she assumed his post as editor-in-chief when Segal departed in January of last year. I thought she did a fine job, and she will be missed.

On the other hand, always glad to see a good Cthulhu-themed issue. I’m looking forward to seeing where Kaye intends to sail with Weird Tales.  I expect it will be places both strange and familiar.

Edgar Rice Burroughs’s Venus, Part 1: Pirates of Venus

Edgar Rice Burroughs’s Venus, Part 1: Pirates of Venus

pirates-of-venus-first-edition-coverNext year brings the hundredth anniversary of Edgar Rice Burroughs’s first two published novels: A Princess of Mars and Tarzan of the Apes, as well as a big-budget film version of A Princess of Mars from Disney. (The film is saddled with the unfortunately bland title of John Carter. Fear of a Red Planet?) The effect these novels had on popular cultural was immense: they created a whole medium, they altered the nature of reading for pleasure. Pulp magazines existed before Edgar Rice Burroughs had the idea he could write better than the tripe found in the publications where he was working to place ads; but it was the success of first Under the Moons of Mars (the serial title for A Princess of Mars) and then Tarzan of the Apes in 1912 that made the pulps into the artillery of the Reader Revolution. The pulps turned the U.S. into a nation of readers, and ERB fired the first two shots in the revolution.

Then, twenty years into the revolution, he fired off the few rounds of his “Venus” series.

I have planned some festivities for the upcoming centenary of the Burroughs Upheaval. One is an ambitious project I have wanted to try on Black Gate for the last two years. But as a prologue to my 2012 ERB projects here in 2011, I’ve chosen to present a look at Burroughs’s least popular series, the last one he started before his death.

These posts will have a different structure from my usual free-form analysis style. Inspired by columns I’ve seen on the movie review sites I frequent (particularly “Franchise Me” on CHUD.com), I’ve laid out a template for tackling each of the five installments of the Edgar Rice Burroughs “Venus Saga.” An experiment? Or an admission that trying to go academic on this series feels like the wrong approach? I’m not sure myself, but here it goes….

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