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Future Treasures: The Book of Swords, edited by Gardner Dozois

Future Treasures: The Book of Swords, edited by Gardner Dozois

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The Book of Swords-smallA while back Gardner Dozois asked if I wanted a review copy of his upcoming “Sword & Sorcery” anthology, The Book of Swords.

Now, Gardner does not do small anthologies — neither in the physical sense, nor in the sense of their impact on the field. If the premier anthologist in the SF community was putting his time and energy into a collection of original sword & sorcery tales, then clearly the genre still has some life in it.

It wasn’t that long ago that I thought the era of big-budget (or even modest-budget) S&S anthologies was long over. What’s changed? The global phenomena that is GRRM’s Game of Thrones, that’s what’s changed. I don’t consider GoT to be sword & sorcery… but there’s no denying that publishers (and film producers) are a lot more interested in adventure fantasy all of a sudden. If the results are anything like The Book of Swords, I’m all for it.

The Book of Swords arrives next week in hardcover from Martin’s Song of Ice and Fire publisher Bantam Books, with sixteen brand new stories by Lavie Tidhar, Robin Hobb, Ken Liu, Matthew Hughes, Walter Jon Williams, C. J. Cherryh, Garth Nix, Ellen Kushner, Scott Lynch — and, yes, a brand new Song of Ice and Fire story from George R. R. Martin.

Fantasy fiction has produced some of the most unforgettable heroes ever conjured onto the page: Robert E. Howard’s Conan the Barbarian, Michael Moorcock’s Elric of Melniboné, Fritz Leiber’s Fafhrd and the Gray Mouser. Classic characters like these made sword and sorcery a storytelling sensation, a cornerstone of fantasy fiction — and an inspiration for a new generation of writers, spinning their own outsize tales of magic and swashbuckling adventure.

Now, in The Book of Swords, acclaimed editor and bestselling author Gardner Dozois presents an all-new anthology of original epic tales by a stellar cast of award-winning modern masters — many of them set in their authors’ best-loved worlds. Join today’s finest tellers of fantastic tales, including George R. R. Martin, K. J. Parker, Robin Hobb, Scott Lynch, Ken Liu, C. J. Cherryh, Daniel Abraham, Lavie Tidhar, Ellen Kushner, and more on action-packed journeys into the outer realms of dark enchantment and intrepid derring-do, featuring a stunning assortment of fearless swordsmen and warrior women who face down danger and death at every turn with courage, cunning, and cold steel.

Here’s the complete Table of Contents.

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Another View: The Difficult Experiment of Scott Oden’s A Gathering of Ravens

Another View: The Difficult Experiment of Scott Oden’s A Gathering of Ravens

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A-Gathering-of-Ravens-smallerI really wanted to like this book. With pleasure I listened to Oden speak on The Literary Wonder and Adventure Show. He talked at length about Tolkien (my own spiritual and literary master), and it seemed that Oden’s and my dials were approximately set. Oden’s book, like Tolkien’s most popular works, deals with “that northern thing” (though I just today learned that Tolkien objected, in part, to this characterization from W.H. Auden).

But Oden’s book is so grimdark that, while reading, I couldn’t find my feet. The work ostensibly is about an orc Hel-bent on revenge — and here is my first objection: the attitudes and actions of this orc, our “protagonist,” are indistinguishable from those of the larger majority of characters in the book. Grimnir, our orc, seems capable only of speaking and thinking in profanities. He murders even when there absolutely is no reason to. The only thing (in this book) we can’t accuse Grimnir of is the sin of rape. That assault remains to be committed by many of the other “human” characters you will find therein: your average male, in this portrayal, seems hardwired to enter rape mode the moment he lays eyes upon any “unprotected” female. Now, remember, Grimnir is supposed to be the “orc,” yet he doesn’t behave much differently from the novel’s many other human characters. Moreover, even when it doesn’t cost a character anything necessarily, few characters are liable to show any shred of kindness for one another. Oden’s narrator summarizes this world’s milieu thusly: “She [the character Etain] knew the score … and she knew sooner or later there would be a reckoning. Men did nothing — undertook no good deed, performed no kindness — without first attaching a price to it.” Oden’s characters, I suppose, are consummate Dark Age businesspersons.

“But that’s the Way It Was,” a number on Goodreads might say, defending Oden’s work from the very few negative reviews I can find there (here and here are two well-said assessments). What these apologists are claiming is that the worldview of the so-called Dark Ages is exactly this: murder whenever you can get away with it, rape whenever you like (for those who like it, I guess, who are all young pre-modern men). I don’t entirely agree with this representation. In the worst possible reading, this might represent the author’s views of the natural state of humankind freed from the fetters or checks thankfully supplied by modernity. In the best possible reading, this representation assumes that, at least in the area of moral development, humans who happened to live a mere millennia ago might be considered pre-human in these respects. Granted, the spread of more nation-building and socializing beliefs and philosophies such as Christianity might have a civilizing influence on a pre-modern worldview, might even be of some aid in the sense of an evolving moral consciousness. But this book barely acknowledges even this. It ostensibly presents two competing worldviews, that of northern paganism and that of Christianity, but, in this book, in practice adherents to either faith might as well be indistinguishable. They merely serve one team in a two-sided competition that is drawn as equal in every respect. Again, apologists should be quick to point to aspects of history that reveal a number of Christians as hypocritical and intolerant throughout their persecutions. Granted, but are you going to deny that there remain some fundamental differences and worldviews between the two perspectives, and therefore requisite actions and behaviors on behalf of the religion’s adherents? To this point Oden seems to relent, to some measure, in the second and much-preferred half of the book, in the figures of King Brian and his freed thrall Ragnar. But we’ll get to that in a moment.

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New Treasures: The Gates of Tagmeth by P. C. Hodgell

New Treasures: The Gates of Tagmeth by P. C. Hodgell

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The Gates of Tagmeth-smallFletcher Vredenburgh has been steadily reviewing P. C. Hodgell’s Chronicles of the Kencyrath series here at Black Gate. In his article on the opening volume, God Stalk, Fletcher wrote:

Out of the haunted north comes Jame the Kencyr to Rathilien’s greatest city, Tai-Tastigon. From the hills above, the city appears strangely dark and silent. She arrives at its gates with large gaps in her memory and cat claws instead of fingernails. She’s carrying a pack full of strange artifacts, including a ring still on its owner’s finger… and she’s been bitten by a zombie. Wary, but in desperate need of a place to heal, Jame enters the city. So begins God Stalk, the first book in P.C. Hodgell’s Kencyrath series and one of my absolute, bar none, don’t-bother-me-if-you-see-me-reading-it, favorite fantasy novels…

I’m so grateful Carl gave me this book thirty years ago. P.C. Hodgell seems so far below the general fantasy radar, I don’t know if I would have ever heard of her at all, which is pretty darn shameful.

You can read his compete review here.

Fletcher wrapped up with volume 7, The Sea of Time, back in December, writing,

Now I, and every other fan of Hodgell’s, will have to wait nearly a year for the next volume, The Gates of Tagmeth… It’s taken over thirty years to get to this point, so I guess I can wait another eight months.

The Gates of Tagmeth arrived in trade paperback from Baen right on time on August 1st. I’m looking forward to Fletcher’s review, but you can get the jump on him by ordering a copy today. Here’s the description.

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Check out the Table of Contents for The Best American Science Fiction and Fantasy 2017, edited by Charles Yu and John Joseph Adams

Check out the Table of Contents for The Best American Science Fiction and Fantasy 2017, edited by Charles Yu and John Joseph Adams

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The Best American Science Fiction and Fantasy 2017-small The Best American Science Fiction and Fantasy 2017-back-small

Charles Yu, the author of How to Live Safely in a Science Fictional Universe, named one of the best books of the year by Time magazine, also knows his way around a short story, with two collections to his credit, Third Class Superhero (2006) and Sorry Please Thank You (2012). He’s a fine choice to edit this year’s edition of Mariner Books’ The Best American Science Fiction and Fantasy, which was edited by Joe Hill in 2015, and Karen Joy Fowler in 2016. The Series Editor is John Joseph Adams, editor of Lightspeed, Nightmare, and about a zillion SF and fantasy anthologies.

This year’s volume officially goes on sale on Tuesday, but I saw a copy on the shelf yesterday at Barnes & Noble, so it’s out in the wild. It’s the last of the Year’s Best volumes we track here at Black Gate, but it’s also one of the most interesting. It contains fiction by Leigh Bardugo, E. Lily Yu,y Nisi Shawl, Jeremiah Tolbert, Peter S. Beagle, N.K. Jemisin, Genevieve Valentine, Catherynne M. Valente, Greg van Eekhout, Caroline M. Yoachim, and many others — including two stories by Dale Bailey. Here’s the complete TOC.

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Murder, Mystery and Intrigue: The Grim Company Trilogy by Luke Scull

Murder, Mystery and Intrigue: The Grim Company Trilogy by Luke Scull

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The Grim Company-small Sword of the North-small Dead Man's Steel-small

When I first heard of Luke Scull’s debut fantasy novel The Grim Company, which features a band of mercenaries in the service of the White Lady, I assumed it was an homage to Glen Cook’s classic debut novel The Black Company, about a band of mercenaries in the service of the Lady. But folks have compared it more frequently to Joe Abercrombie than Cook. Here’s Niall Alexander at Tor.com.

The Grim Company is as grimdark as fantasy gets… [it] is a genuinely great debut: fun yet fearsome, gritty and gripping in equal measure… In truth, no-one does grimdark fantasy better than Joe Abercrombie, but by the dead, Luke Scull comes incredibly close. The Grim Company can’t quite eclipse the likes of The Heroes, or Red Country; all told, though, this is a more satisfying debut than The Blade Itself.

In large part that’s thanks to an action-packed narrative, paced like a race. There’s never [a] dull moment in The Grim Company — even in the middle, where most stories sag. Here, there and everywhere there are extraordinary set-pieces: battles, by and large, but what battles they are! In the interim, there’s murder, mystery and intrigue; a meaningful, if somewhat simplistic magic system; no shortage of snappy banter; and such smooth worldbuilding that I hardly noticed it happening… Shiver me timbers, The Grim Company is pretty brilliant… a sterling exemplar of what the genre has to offer today.

Read the complete review here.

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New Treasures: The Tensorate Series by Jy Yang

New Treasures: The Tensorate Series by Jy Yang

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The Red Threads of Fortune-small The Black Tides of Heaven-small

I continue to be impressed with the scope and ambition of the Tor.com novella series. With a release nearly every week for the past two years, the line has rapidly grown to some 100 novellas and full-length novels, and it shows no signs of slowing down.

It’s also doing some innovative and exciting things that no one else is attempting (and I don’t just mean hogging nearly all the novella-length award nominations). Case in point: JY Yang’s ambitious story cycle The Tensorate Series, composed of the twin novellas The Red Threads of Fortune, The Black Tides of Heaven, and two more upcoming novellas. The New York Times calls the first two volumes “Joyously wild stuff. Highly recommended.”

They were published simultaneously today. Here’s the descriptions.

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The Dead Ride Fast

The Dead Ride Fast

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The Dead Ride FastHey nerds! My latest collection, The Dead Ride Fast, is available at Amazon and Kobo.

It certainly feels like there’s been a recent abundance of weird Western fiction. Just this past summer alone several anthologies appeared on shelves, and even straitlaced historical magazines like True West have published listicles celebrating the genre.

Yet oddly we seem to have hit peak weird West way back in 2014, with searches today chugging along at 50 percent of that frequency. Still, the fact that searches haven’t dropped precipitously suggests a steady and abiding interest in cowpokes and aliens and zombies.

The Dead Ride Fast bundles together five previously published short stories of mine that appeared in Black Static and anthologies such as Eric Guignard’s Dark Tales of Lost Civilizations (nominated for a Stoker!). Also included is an original story involving a spoopy haunted house.

A gang of bank robbers arrives in a town where everyone knows the future. A prospector discovers the cost of gold is the loss of himself. An abandoned ranch house conceals a dark history. An ailing sailor is initiated into a secret world after consuming an unusual medicine. A businessman reopens a silver mine that should have been left sealed. Two young girls confront a string of unnoticed disappearances.

Just in time for Halloween! Makes a great gift!

If you’re interested in the collection’s provenance — how the book came together and the stories behind the stories — I’ve been blabbering about it at my blog.

Unsolved Murders and Powerful Ghosts: Lockwood & Co by Jonathan Stroud

Unsolved Murders and Powerful Ghosts: Lockwood & Co by Jonathan Stroud

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Lockwood & Co The Screaming Staircase-small Lockwood & Co The Whispering Skull-small Lockwood & Co The Hollow Boy-small Lockwood & Co The Creeping Shadow-small

Two months ago I bought the second novel in Jonathan Stroud’s five-volume Lockwood & Co series. I don’t usually buy middle volumes in a series, at least not when I don’t have any of the other books. But this one had a whispering skull on the cover, so I’m sure you understand.

It did serve to introduce me to the entire series, though (the book, not the whispering skull). Jonathan Stroud is probably best known for his best-selling Bartimaeus Trilogy; here he turns his narrative powers to the tale of a teenage ghost-hunting agency in an alternate-history England infested with Visitors, malevolent spirits that can only be detected by young people with psychic gifts. Three such talented youngsters band together in London to form Lockwood & Co, facing a series of increasingly-horrifying challenges in these middle grade adventures.

The final volume in the series, The Empty Grave, was published this month in hardcover.

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New Treasures: New Fears, edited by Mark Morris

New Treasures: New Fears, edited by Mark Morris

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New Fears Mark Morris-small

This delightful treasure showed up unbidden in my mailbox this week. It’s advertised as the first of a new series of original horror anthologies, which would be a major addition to the field. Editor Mark Morris (Toady, Vampire Circus, and The Society of Blood) gave the scoop to Ginger Nuts of Horror earlier this year.

Having grown up reading the Pan and Fontana Books of Horror and Ghost Stories, plus numerous other anthologies edited by the likes of Peter Haining, Michel Parry, Richard Davis and Mary Danby, it has always been one of my keenest ambitions to edit an annual – and hopefully long-running – non-themed horror anthology of new, never-before-published stories for the mass market.

Now, thanks to Titan Books, I’ve finally got that chance. I’ve signed an initial contract for two volumes of New Fears, with hopefully more to come in the future… In the first volume you’ll find stories which explore ancient myths in new and innovative ways, stories of human evil, stories of unnamed and ambiguous terrors, and stories where the numinous and the inexplicable intrude upon what we perceive to be reality in unexpected ways. You’ll find humor, and hope, and grief, and sadness, and regret, and impenetrable darkness. You’ll find stories that surprise you, unsettle you and shock you. But most of all, you’ll find stories that grab you and draw you in and compel you to keep turning the pages.

New Fears contains brand new fiction from Adam Nevill, Ramsey Campbell, Angela Slatter, Nina Allan, Chaz Brenchley, Kathryn Ptacek, Christopher Golden, Alison Littlewood, and many others. See more details here.

Here’s the complete TOC.

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New Treasures: The Raft by Fred Strydom

New Treasures: The Raft by Fred Strydom

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The Raft Fred Strydom-smallFred Strydom’s debut novel The Raft was published in hardcover last year, and the B&N Sci-Fi & Fantasy Blog called it “One of the sharpest premises in 2016… a must-read.” In a starred review, Publishers Weekly said “Strydom’s debut subverts postapocalyptic fiction… [it] reinvigorates the genre with a suspenseful concept and intimately realized characters. A sucker punch of a novel.”

I never saw the hardcover, but the trade paperback reprint from Talos caught my eye at the bookstore last week. Have a look.

“The day every person on earth lost his and her memory was not a day at all. In people’s minds there was no actual event . . . and thus it could be followed by no period of shock or mourning. There could be no catharsis. Everyone was simply reset to zero.”

On Day Zero, the collapse of civilization was as instantaneous as it was inevitable. A mysterious and oppressive movement rose to power in the aftermath, forcing people into isolated communes run like regimes. Kayle Jenner finds himself trapped on a remote beach and all that remains of his life before is the vague and haunting vision of his son.

Kayle finally escapes, only to find a broken world being put back together in strange ways. As more memories from his past life begin returning, the people he meets wandering the face of a scorched earth — some reluctant allies, others dangerous enemies — begin to paint a terrifying picture. In his relentless search for his son, Kayle will discover more than just his lost past. He will discover the truth behind Day Zero — a truth that makes both fools and gods of men.

The Raft was published in hardcover by Talos Press on May 3, 2016, and reprinted in trade paperback on May 16, 2017. It is 432 pages, priced at $15.99 in trade paperback and $25.99 for the digital edition. Read a brief excerpt at Books Live.