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Future Treasures: Nebula Awards Showcase 2019 edited by Silvia Moreno-Garcia

Future Treasures: Nebula Awards Showcase 2019 edited by Silvia Moreno-Garcia

Nebula Awards Showcase 2019-small Nebula Awards Showcase 2019-back-small

Cover art by Tiffany Dae

The Nebula Awards Showcase is one of the most prestigious and honored anthologies in Science Fiction. It has appeared every year since 1966, and been published by Pyr since 2012. Pyr’s once considerable output has slowed in the last year, and I was very pleased to see the 2019 Showcase volume picked up by one of the best of the new small press publishers, Parvus Press. It’s a significant coup for them, and I hope it’s a sign of even greater things to come.

Silvia Moreno-Garcia’s introduction is one of the most powerful non-fiction pieces I’ve read in a Nebula anthology in a long time, both a celebration of the increasing diversity in our field, and a bald statement about why it’s so vitally important.

When I first harnessed the courage to start sending my stories out in 2006, it truly was a frightening prospect. I had never seen a Latina writer in any of the fantasy and science fiction magazines I read, nor at a bookstore… The science fiction and fantasy section was virtually devoid of people like me…

It’s easy to declare that diversity is a done deal, or even worse, that diversity is a trend, a fad, which has run its course. It is easy to churn lists that purport to contain the 10 Best Science Fiction Novels of all time and find out that the only woman who made the list was Mary Shelley. Or to find threads with people saying that women can’t write Lovecraftian fiction because women are able to give birth and therefore cannot understand cosmic horror (I am not making this comment up)…

What is hard is to build a better, more inclusive publishing community. It’s hard to read widely, to read beyond the things that you are used to, to organize events which feature a broad variety of guests, to write lists which go beyond the usual suspects. It’s hard, but it’s not impossible… We call speculative fiction the literature of the imagination, so why not imagine a future in which a young writer can find plenty of authors to emulate? A future in which that author is not silent and scared and feeling like she has no stories to tell, as I was 13 years ago when I began my writing journey.

This year’s volume contains some magnificent material, including “Welcome to Your Authentic Indian Experience(TM)” by Rebecca Roanhorse, “A Human Stain” by Kelly Robson, and the complete text of Martha Wells’ Hugo and Nebula Award winning novella, All Systems Red, the first Murderbot tale. Here’s the complete tale of contents.

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New Treasures: A Choir of Lies by Alexandra Rowland

New Treasures: A Choir of Lies by Alexandra Rowland

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Alexandra Rowland’s first novel with Saga Press, A Conspiracy of Truths, was published just last year (and we covered it here). Publishers Weekly called it “An impressive and thoroughly entertaining fantasy,” and editor Navah Wolfe offered up this intriguing synopsis: “In a bleak, far-northern land, a wandering storyteller is arrested on charges of witchcraft… His only chance to save himself rests with the skills he has honed for decades — tell a good story, catch and hold their attention, or die.” The sequel A Choir of Lies was published earlier this month, and Paul Weimer at Tor.com gave it an enthusiastic review, saying:

In A Conspiracy of Truths, we are introduced to Chants, a self-selected group of people who travel the world, collecting and telling stories. Our main characters, Chant… and Ylfing, wind up in the country of Nuryevet, where Chant runs afoul of the law, winds up in prison, and — with the power of stories, and the help of a few people outside the prison — manages to overthrow a society…

In A Choir of Lies, the focus is on the former Ylfing, several years later… In Heyrland (a setting reminiscent of the heights of Early Modern Holland) he takes a job as a translator, helping to create a booming market for an odious but beautiful plant. And as the prices and money spent on these blooms increases and increases to the benefit of his employer, the dangers of a tulip-mania start to become painfully clear… But there is more going on than just that. The book, such as we have, is annotated, by someone who knows about Chants and who and what they are… Throughout the book, “Mistress Chant” extensively comments on what is written down, giving her own perspective, and criticism, and it is sometimes sharp indeed. And it challenges everything we think we know about Chants… My decision on whether I enjoy the metafictional, metatextual, cosmopolitan, erudite and engaging fantasy that Alex Rowland creates is clear – I most certainly do.

A Choir of Lies is a far cry from a typical fantasy, and that’s a huge part of its appeal (and a fantasy retelling of Holland’s infamous Tulip Mania of 1637 sounds fascinating). It was published by Saga Press on September 10, 2019. It is 464 pages, priced at $26.99 in hardcover, and $7.99 for the digital version. The cover is by Nick Sciacca (I think).

See all our recent New Treasures here.

New Treasures: Gamechanger by L.X. Beckett

New Treasures: Gamechanger by L.X. Beckett

Gamechanger-smallCanadian writer A. M. Dellamonica has published a pair of fantasy series with Tor, Indigo Springs and the The Hidden Sea Tales trilogy. Her sixth novel Gamechanger is a significant departure, a near-future SF thriller that Publishers Weekly says “recalls the whiz-bang joy and gleeful innovation of Neal Stephenson’s Snow Crash,” and it’s being released under the pseudonym L.X. Beckett. Early notices have been terrific; here’s the enthusiastic coverage from Kirkus Reviews.

A cerebral fusion of science fiction, mystery, and apocalyptic thriller — masterfully seasoned throughout with provocative social commentary…

Set in the year 2101, in a world devastated by economic and ecological collapse (thanks in part to an American president known as He Who Could Not Be Named), the story largely revolves around Cherub “Rubi” Whiting, an internationally famous virtual reality gamer and fledgling lawyer. Her current client is Luciano Pox, an accused online terrorist who could be a mastermind hacker, a malware-infested AI, an elderly human who has somehow uploaded their consciousness, or an alien scout trying to destabilize humankind before the coming of a massive invasion fleet. Meeting with the elusive Pox proves dangerous… but the story’s real fuel comes from the author’s placement of backstory breadcrumbs throughout the novel. There is a lot to digest here, from humankind’s obsession with social media and their almost full immersion in cyber-reality to the brutal consequences of global warming to life extension advances to the mass consumption of printed protein as one of the only viable food sources left. A thought-provoking cautionary tale that will, hopefully, compel readers to see the condition of our civilization and our planet with more clarity and understanding.

A visionary glimpse into the future — the narrative equivalent of a baseball bat to the skull.

Read the complete review here. Our previous coverage of A. M. Dellamonica includes:

Birthday Reviews: A.M. Dellamonica’s “A Key to the Illuminated Heretic”
Read A.M. Dellamonica’s “The Glass Galago” at Tor.com
A Daughter of No Nation

Gamechanger was published by Tor Books on September 17, 2019. It is 572 pages, priced at $26.99 in hardcover and $14.99 in digital formats. The cover is by Stephan Martiniere.

Read the complete (8-page) first chapter here, and see all our recent New Treasures here.

The Cost of Becoming Royalty: Crown of Coral and Pearl by Mara Rutherford

The Cost of Becoming Royalty: Crown of Coral and Pearl by Mara Rutherford

Crown of Coral and Pearl-smallTwins Nor (coral) and Zadie (pearl) live in Varenia, a world built on stilts above the ocean. The floating village makes a living diving for and collecting rare pearls that have healing capabilities and trading them to Ilara, a distant kingdom.

In addition to pearls, Ilara also barters for queens. Once every generation, the most beautiful woman in Varenia is sent to land to become Ilara’s next lady sovereign.

Nor and Zadie have been preparing their entire lives to become royalty: protecting their skin and hair with ointments and treatments; not playing too hard to avoid accidents that might mar their complexions; and learning the etiquette expected of queens. Unfortunately, accidents aren’t entirely avoidable, and Nor’s cheek is ultimately scarred for life in a struggle with a fishing net while diving. After the accident any hope of being chosen as queen is smashed. Ironically, Nor is the more adventurous of the twins, and she has always yearned for more than what her tiny village can offer. Zadie is content in her small, floating world, in love with a local boy Sami and happy to live a life of the familiar.

However, a grave and tragic encounter with a sea jelly leaves Zadie unable to make the journey even after she’s chosen as the royal successor. In a dangerous plot, Nor disguises her scar and takes her twin’s place. The king doesn’t take kindly to imposters, and Nor is aware that Varenia’s entire fresh water supply was once cut off when a different woman was sent in place of the chosen one due to illness. Knowing the risk, Nor sets off on an adventure full of intrigue, politics and romance.

I could not put this book down and finished it in about a day. Rutherford has created a really interesting setting, and the world building is polished and sure. The floating world of Varenia is described incredibly well, and you’re immediately immersed in the salty sea breezes and vibrant colors of Nor and Zadie’s world — and, in contrast, the cold and dark of New Castle, where Nor settles into her new life on land. Nor is a fantastic protagonist with a very well-developed character – she’s everything you want a fierce female to be, yet with a soft and complex relationship with her sister. I enjoyed Nor’s story arc immensely.

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Ghostly Corners in a Fictional London: Where Shadows Gather by Michael Chislett

Ghostly Corners in a Fictional London: Where Shadows Gather by Michael Chislett

WHERE SHADOWS GATHER ~ MICHAEL CHISLETT-smallWhere Shadows Gather
Michael Chislett
Sarob Press (224 pages, £33.95/$60.00 [including shipping], July 2019)
Cover by Paul Lowe

Following his previous, acclaimed Sarob Press collection In the City of Ghosts Michael Chislett provides another bunch of ghostly tales, mostly set in the fictional London borough of Milford and the suburb of Mabbs End. Five stories are brand new, whereas eight have previously appeared in genre magazines (especially the excellent Supernatural Tales).

Chislett has a knack for creating creepy urban atmospheres, depicting sinister encounters and eerie experiences. Although, in my opinion, not up to the level of his previous collection, the present volume confirms his ability to create elegantly written, disquieting stories.

Among my favorite pieces are: “In the Garden,” an unusual story of botanical horror, where an ordinary garden of a London suburban house becomes the venue for ancient pagan forces, “Downriver,” an atmospheric tale where a walk along the Thames turns into a veritable nightmare and “The Raggy Girl”, a modern, disturbing ghost story revolving around a frightening apparition among the ruins of an old apartment building now being demolished.

A couple of stories are actually taking place overseas, such as the gloomy “The Coast Guard” set on the Baltic shore, hosting strange foxes and other horrific creatures.

The two highlights of the book are  “Mara,” an excellent, dark tale of vampirism featuring a beautiful but deadly vixen and an equally dangerous gentleman, and the outstanding “Endor,”a powerful, intoxicating mix of witchcraft, eroticism and possession.

A warning to the potential reader: if you’re interested in this book hurry up and order a copy. As usual, Sarob Press volumes have a limited print run and become quickly unobtainable.

Here’s the complete Table of Contents.

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Get a Free Sword & Sorcery Anthology from DMR Books!

Get a Free Sword & Sorcery Anthology from DMR Books!

The Infernal Bargain and Other Stories

DMR Books, helmed by the tireless Dave Ritzlin, is one of the more exciting modern publishers of science fiction & fantasy. Bob Byrne and I shared a table with Dave at the Windy City Pulp & Paper show here in Chicago last year, and we got to see first hand how enthusiastically modern readers respond to his books.

Last month DMR released a free sample book with stories from DMR’s previous releases, upcoming titles, and a few you won’t find anywhere else. The Infernal Bargain and Other Stories contains eleven thrilling tales of swords and sorcery by Clifford Ball, Nictzin Dyalhis, Howie K. Bentley, and many others. How are the stories connected? In each one, “Mighty warriors do battle with foul demons, nefarious wizards and strange monstrosities!” Here’s the complete Table of Contents.

“The Infernal Bargain” by D.M. Ritzlin
“Thannhausefeer’s Guest” by Howie K. Bentley
“Into the Dawn of Storms” by Byron A. Roberts
“Grumfobbler” by Gael DeRoane
“The Mountains Have Eyes and the Woods Have Teeth” by Harry Piper
“The Sapphire Goddess” by Nictzin Dyalhis
“The Gift of the Ob-men” by Schuyler Hernstrom
“The Thief of Forthe” by Clifford Ball
“Black Genesis” by Mark Taverna
“Adventure in Lemuria” by Frederick Arnold Kummer, Jr.
“The Heaviest Sword” by Geoff Blackwell

Get your free digital copy right here.

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New Treasures: Do You Dream of Terra-Two? by Temi Oh

New Treasures: Do You Dream of Terra-Two? by Temi Oh

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Cover design by Krista Vossen

I’ve recently signed up for Audible, Amazon’s downloadable audiobook service, and it’s totally changed my daily commute to downtown Chicago. I’ve finished three audiobooks in the past two weeks, and enthusiastically filled up my queue with titles from my to-be-read pile. Sure, it’s a little irritating to pay for audio versions of books I already own, but the satisfaction of finally making progress on that towering pile more than makes up for it.

If anything can interrupt that victorious clearing of the dusty pile on my night table, it’s a highly acclaimed debut. There have been a few in the last two months, and one of the most compelling is Temi Oh’s Do You Dream of Terra-Two?, which NPR calls “Gorgeous. Thoughtful. Contemplative.” And Colleen Mondor at Locus reviewed it warmly, saying:

This book is a doorstop, but it’s also an incredibly unique and realistic space novel that will give read­ers a lot to think about and should not be missed… various space agencies have been working on various plans to reach a distant planet, Terra-Two, and have begun a colonization project. As humans have already been to Mars and there are other missions slightly beyond that point, reaching Terra-Two is not im­possible. The problem is that it will take over 20 years to get there, and so the first astronauts need to be very young when they depart. The solution is a space academy for teenagers and a selection of six of them to launch, with four older, experi­enced astronauts, when the younger “beta” group is under 20 years old….

In most space operas, there is an attack or some other horrific drama brought upon the people traveling in space. There certainly is, eventually, something dramatic that happens to the crew of the Damocles (spoiler alert: no aliens), but most of the narrative involves itself with the quieter dramas involved in the reality of this great commitment the young crew has made… once on Damocles, once they have settled into what will become a years-long rhythm of life and work, then the proverbial wheels start to come off the bus… Do You Dream of Terra-Two? is not the usual sort of space novel; it’s an investment in relation­ships, a look at how complicated the social aspects of interstellar space travel will likely be. Temi Oh takes big risks with this big novel, and I think she accomplishes some big things. It’s not what you expect but, in every important way, it’s what you really need to read.

I haven’t decided yet if Do You Dream of Terra-Two? will displace any of the titles on my Audible queue, but I did pick up a print copy. It was published by Saga Press on August 13, 2019. It is 532 pages, priced at $16.99 in trade paperback and $7.99 in digital formats. The cover was designed by Krista Vossen. See all our recent New Treasures here.

New Treasures: The Year’s Best Science Fiction & Fantasy 2019, edited by Rich Horton

New Treasures: The Year’s Best Science Fiction & Fantasy 2019, edited by Rich Horton

The Year's Best Science Fiction & Fantasy 2019-smallThe latest volume of Rich Horton’s Year’s Best snuck up on me. I know, I’m supposed to be on top of these things. For some reason I was expecting it later in the year, but it popped up in my Amazon cart last week, in stock and everything.

Rich produces my favorite Year’s Best every year, but hasn’t always seemed totally comfortable with all the trappings of being an editor. He hasn’t shown the same enthusiasm for lengthy introductions or Yearly Summations that Gardner Dozois famously did, for example. But in the last few years Rich seems to have really found his voice, and these days I find I really enjoy his intros. He avoids Gardner’s critical edge, for example, focusing instead on the collegial nature of the science fiction community.

This year he gives an affectionate shout out to his nominal competitors for your Best of the Year dollars, including editors Jonathan Strahan, Ellen Datlow, Neil Clarke, and even Gardner, who passed away last year, shortly before his Thirty-Fifth Annual Collection was released, ending an era. Have a look.

There are a lot of Best of the Year volumes in our field, and frankly I recommend them all. One of the features of SF in 2018 is how much of it there is. There’s enough short fiction that the Hugo shortlist can very nearly ignore men, and still be mostly full of strong stories. (There are a couple of duds, but so it always was.) There’s enough that both the Hugo and Nebula shortlists can completely ignore the traditional print SF magazines (F&SF, Asimov’s, Analog, and Interzone, let’s say), and still be mostly full of strong stories. How then to resolve that issue? Read as many of the Best of the Year volumes as you can, I say! (And, hey, why not subscribe to one of the print magazines, if that’s possible? And try some original anthologies as well.)

The main distinction, of course, for each of these books is the editor’s individual tastes. (Or so Hannibal Lecter tells us)… if I think my book is the best — and I do! — it’s for the obvious reason that my personal taste aligns pretty closely with the editor’s! But that said, I am abashed year after year to realize that Jonathan or Ellen or Neil or one of the other editors, (or, sigh, Gardner!) has chosen a gem or two I really should have taken myself.

Here’s the complete Table of Contents for the 2019 volume of The Year’s Best Science Fiction & Fantasy.

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New Treasures: Velocity Weapon by Megan E. O’Keefe

New Treasures: Velocity Weapon by Megan E. O’Keefe

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Two years ago I wrote a couple of articles about Megan E. O’Keefe’s Scorched Continent trilogy. The opening volume, her debut novel Steal the Sky, was nominated for the David Gemmell Morningstar award, and Beth Cato called it “like an epic steampunk Firefly.” The last book in that series appeared in 2017, so I’ve been keeping my eye out for something new from her, and it finally arrived early this summer. And it looks like space opera, my favorite new genre! Is the world good to me, or what. Here’s what Kirkus said about it.

The last thing Sanda Greeve remembers is her ship being attacked by rebel forces. She’s resuscitated from her evacuation pod missing half a leg — and two centuries — as explained to her by the AI of the rebel ship that rescued her. As The Light of Berossus — aka Bero — tells her, she may be the only living human for light-years around, as the war wiped both sides out long ago. Sanda struggles to process her injuries and her grief but finds friendship with the lonely spaceship itself. Sanda’s story is interspersed with flashbacks to the war’s effects on her brother, Biran, as well as scenes from a heist gone terribly wrong for small-time criminal Jules. The three narratives, separated by a vast gulf of time, are more intertwined than is immediately apparent. When Sanda rescues Tomas, another unlikely survivor, from his own evacuation pod, she learns that even time doesn’t end all wars….

Meticulously plotted, edge-of-your-seat space opera with a soul; a highly promising science-fiction debut.

That’s tantalizing enough for me; I bought a copy last week. I want to dig into this one right away — which may mean I have to spring for the audio version. I’ve been traveling a lot recently (9 states in the last two weeks), and I find listening to books while I’m driving is a lot more productive that trying to stay awake reading in a hotel room.

Velocity Weapon was published by Orbit in June, 2019. It is 505 pages, priced at $15.99 in trade paperback and $9.99 in digital formats. The cover is by Sparth. See all our recent New Treasures here.

New Treasures: Echoes: The Saga Anthology of Ghost Stories edited by Ellen Datlow

New Treasures: Echoes: The Saga Anthology of Ghost Stories edited by Ellen Datlow

Echoes The Saga Anthology of Ghost Stories-small Echoes The Saga Anthology of Ghost Stories-back-small

Saga Press has produced some really extraordinary Saga Anthology volumes over the last few years, all edited by John Joseph Adams. They include:

Loosed upon the World: The Saga Anthology of Climate Fiction, edited by John Joseph Adams (2015)
What the #@&% Is That?: The Saga Anthology of the Monstrous and the Macabre, edited by John Joseph Adams (2016)
Cosmic Powers: The Saga Anthology of Far-Away Galaxies, edited by John Joseph Adams (2017)

Last week saw a massive new entry in their annual anthology series. Echoes: The Saga Anthology of Ghost Stories collects brand new stories (and three reprints) by a Who’s Who of modern horror writers: John Langan, Nathan Ballingrud, Paul Tremblay, Pat Cadigan, Seanan McGuire, Joyce Carol Oates, Richard Bowes, Gemma Files, Nick Mamatas, Terry Dowling, Aliette de Bodard, Dale Bailey, Alice Hoffman, Garth Nix, Jeffrey Ford, M. Rickert, and many others. It’s a feast for horror fans, in a year that hasn’t seen many decent scary anthologies. Over at Tor.com, Lee Mandelo already has an enthusiastic review.

Echoes is an absolute behemoth of an anthology… Some are ghost stories with science fictional settings, others purely fantastical, others still realist — but there’s always the creeping dread, a specter at the corner of the story’s vision. The sheer volume of work Datlow has collected in Echoes fills out the nooks and crannies of the theme with gusto… I was immensely satisfied by the big tome, and I’d recommend it for anyone else who wants to curl up around a spooky yarn — some of which are provocative, some of which are straightforward, all of which fit together well.

Here’s a few of Lee’s story recommendations.

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