Black Gate

I have the week off between Christmas and New Year’s. Much of will be spent laying out Black Gate 15, to be sure, as well as catching up on my towering e-mail backlog.

But if you can’t recline in the glow of the Christmas tree and read at least one new book, it hardly counts as a vacation, does it? Santa brought me several great titles this year, but the one I’ve got my eye on at the moment is the latest novel by A. Lee Martinez: Too Many Curses. Martinez is the author of The Automatic Detective, Gil’s All Fright Diner, and A Nameless Witch, and his newest promises to continue in the same light-hearted vein as those:

The wizard Margle the Horrendous takes special pride in never killing his enemies. Instead, he transforms them into various accursed forms and locks them away in his castle. His halls are filled with his collection of fallen heroes and defeated villains, along with a few ordinary folk who were just unfortunate enough to draw Margle’s attention.

It’s Nessy’s duty to tend this castle. It’s a lot of work, but she manages, taking pride in housekeeping talents that keep the castle from collapsing into chaos. But when Margle suddenly dies, everything begins to unravel. Nessy finds herself surrounded by monsters, curses, a door that should never be opened, and one very deadly dark wizardess.

Happy Holidays to all Black Gate readers out there, and here’s hoping that your loved ones found a way to express their affection for you in the form of a great book.

We get a lot of review copies here at the rooftop headquarters of Black Gate magazine, and it’s always a treat when the mail truck arrives. Getting free books never gets old, and we usually drop everything to tear open packages and pass around the most intriguing titles.

What is unusual is for a single book to bring all toil to a complete standstill for half an hour  (except for the tireless Howard Andrew Jones, who’s been missing in the restricted section of our pulp library for the last 48 hours). That’s exactly what happened when Songs of the Dying Earth (SotDE), edited by George R.R. Martin and Gardner Dozois, arrived today.

SotDE is a tribute collection; its subtitle is Stories in Honor of Jack Vance, and it contains nearly 700 pages of original fiction set in Vance’s Dying Earth — one of the great settings in all of fantasy, and home to Turjan the wizard, Rhialto the Marvellous, Cugel the Clever, and other fabulous characters. The Dying Earth is a far-future Terra, where the sun is on the verge of extinction, magic is potent and terrible, monsters roam the land, and the ruins of countless civilizations rest uneasily beneath layers of thin dust and vegetation.

The table of contents is one of the most impressive I’ve ever seen — it read like a Who’s Who of the most influential fantasy authors of the decade, including Robert Silverberg, George R.R. Martin, Walter Jon Williams, Jeff VanderMeer, Tad Williams, Glen Cook, Tanith Lee, Howard Waldrop, Elizabeth Hand, Lucius Shepard, Neil Gaiman, Phyllis Eisenstein, Liz Williams, Matthew Hughes, Terry Dowling, Mike Resnick, Paula Volsky, Kage Baker, John C. Wright, and others. It also includes a big new novella from Dan Simmons, an appreciation by Dean Koontz, and a preface by Jack Vance himself.

SotDE was first published in a limited edition by Subterranean Press last July; since then the book — and many of the stories — have received considerable attention. Jeff VanderMeer’s H.P. Lovecraft-inspired tale “The Final Quest of the Wizard Sarnod” has been turned into a novel, and SotDE was nominated for Best Anthology in the 2010 Locus Awards. Neil Gaiman’s story “An Invocation of Incuriosity” took home the Best Short Story prize at the same Awards.

Songs of the Dying Earth: Stories in Honor of Jack Vance goes on sale Dec. 7th. It is published by Tor books, in hardcover for $27.99, and gets our highest recommendation.

This book has been sitting on my desk since I bought it from Jacob Weisman, publisher of Tachyon Publications, at Wiscon. My desk isn’t all that big, so every time my to-do list topples over, or I tell the kids to get rid of the copies of Titan Quest and, I dunno, maybe get some homework done for a change, there it is.

The problem with these anthologies is that they’re my weakness. They suck me in. I can resist the novels because, you know, I’m not ready for that kind of commitment. But the anthologies… they’re just harmless diversions, right? And when I sit down to finally get that Goth Chick post formatted for Sue, or clear out a few hundred ageing e-mail from the Black Gate in-box… well, one quick story first can’t hurt. And when the kids find me in the big green chair it’s two hundred pages later.

So, maybe I peeked at this one a bit.  Probably when I should’ve been answering that e-mail you sent me in August. But you’d understand if you had a copy of The Secret History of Fantasy in your hot little hands like I do.

Peter Beagle, who’s been conducting something of a one-man revolution in short fantasy over the last decade himself, has compiled a terrific collection of modern fantasy — the oldest stories here, Robert Holdstock’s “Mythago Wood” and Stephen King’s “Mrs. Todd’s Shortcut,” are from 1981 and 1984, respectively.  The book includes some of the most acclaimed fantasy tales in the intervening decades, including Steven Millhauser’s “The Barnum Museum,” Terry Bisson’s “Bears Discover Fire,” Neil Gaiman’s “Snow, Glass, Apples,” Jeffrey Ford’s “The Empire of Ice Cream,” and stories from Michael Swanwick, Jonathan Lethem, Maureen F. McHugh, Gregory Maguire, T.C. Boyle, and more.

There’s also an intro from Beagle, as well as two long essays, “The Critics, The Monsters, and the Fantasists,” by Ursula K. Le Guin, and “The Making of the American Fantasy Genre,” by David G. Hartwell.  Taken together, it’s an impressive package.  And a highly distracting one — take my word for it.