Black Gate

Rocket Stack Rank gives Evan Dicken’s “How Lovely Is the Silence of Growing Things” three stars, saying:

The world is ending, but Kate and her daughter Mel survive by hiding in the basement during the day eating peanut-butter-and-spider sandwiches… Plenty of action. Plenty of tension.

Intriguing, although it’s not much of a story description. I prefer Jason McGregor’s review at Tangent Online, which has a more off-the-wall summary:

I could describe a lot of the surrealistic details about the sun turning green and poets hanging around like bats and centipedes fighting at Ohio Stadium but, basically, this is about a kid and one of her two mothers running around in a sort of nightmare…

Read Jason’s complete review here.

The May issue of Apex contains new fiction from Evan Dicken, E. Catherine Tobler, and Karen Lord, as well as a reprint by John Chu, a podcast, an editorial by Jason Sizemore, short fiction reviews by A.C. Wise, an article on writing by Steve Rasnic Tem and Melanie Tem, plus interviews with Evan Dicken, Stephen Korshak, Robert J. Sawyer, and cover artist Marcela Bolívar.

Here’s the complete TOC, with links to all the free content.

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The cover story this issue is “Nexus,” by Michael Flynn, with cover art by Tomislav Tikulin. A series of coincidences brings a time-traveler, an immortal, a group of aliens mostly passing as humans, a secret military android, a telepathic private-eye, and an alien invader all together. It has a lot of plates spinning, and looks a little silly packed into that last sentence, but Flynn pulls it off.

The nonfiction article this issue is “Sustainability Lab 101, Cuba as a Simulation of Possible Futures,” by Stanley Schmidt. Condense Cuba’s history, pick a couple of outlandish internet comments and go! Dr. Schmidt presents a good case, and opens up some interesting discussions. Still… for a sci-fi guy, I find his lack of imagination about the future to be a bit alarming.

“Europa’s Survivors” by Marianne Dyson. This has a great illustration by Vincent DiFate, but the story doesn’t quite measure up to it. The tale demands a bit too much of the reader — rockets landing on Europa have to actually smash through the ice (a “thin layer”) and go down the same shaft where the pumps that keep the ice from being a “thick layer” are housed; robo-stress relief pets and a convenient lack of qualified personnel. I liked the basic set-up with the cancer patient going one-way due to the radiation exposure in space and, although it was a bit much, the problems faced and the solutions found were quite good.

“Eli’s Coming,” by Catherine Wells. One of seven (eight if you count “Nexus”) time travel stories in this issue. An owner of a time-traveling business tries it out for himself, ends up at the wrong place and time, instead of the Herod’s Palace at the top of Masada in 10 BCE, he ends up at Herod’s Palace at the top of Masada as the Roman 10th Legion is just finishing up their siege ramp. This one I liked quite a bit. The rebels under Eleazar are desperate, the situation is dire, and Eli (the MC) is trying his best to keep calm and survive until his retrieval chip activates.

“Time Heals,” by James C. Glass. Another time travel story. I’m going to admit that at this point I wasn’t in much of a mood for another one, so after the first attempt to change the past and discovering one couldn’t change the past, I skipped it.

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In his report on Edinburgh’s Monthly Mini-Convention, Event Horizon, M Harold Page alerted me to the existence of the Scottish SF magazine Shoreline of Infinity, which somehow managed to produce 7 issues and still fly below my radar. Not to worry! I’ve added it to the list, making it the 48th genre magazine we track. Whew! That’s a lot of reading every month.

In other news, Fletcher Vredenburgh reviewed issue 63 of Swords and Sorcery and Heroic Fantasy Quarterly #32 in his April Short Story Roundup. For our vintage digest fans, Rich Horton reviewed the February 1962 issue of Fantastic, and Matthew Wuertz continued his issue-by-issue journey through Galaxy magazine with October 1953, containing the first installment of Isaac Asimov’s classic The Caves of Steel.

Check out all the details on the magazines above by clicking on the each of the images. Our early May Fantasy Magazine Rack is here.

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I often forget that, in addition to doing double duty as editor of two leading magazines (Lightspeed and Nightmare) and one of the most celebrated and successful anthologists in the industry (Cosmic Powers, What the #@&% Is That?, The Best American Science Fiction and Fantasy), John Joseph Adams also edits his own line of novels for Houghton Mifflin Harcourt. In his editorial in the most recent issue of Lightspeed, John brings up up to date on the exciting novels he’s bringing our way.

My latest novel acquisition for John Joseph Adams Books is Upon a Burning Throne and The Blind King’s Wrath, the first two books in a new epic fantasy series by Ashok K. Banker, about a group of siblings battling for control of a vast empire while a powerful demonlord pits them against each other… In July, we’ll be publishing two books: (1) Carrie Vaughn’s novel, Bannerless — a post-apocalyptic mystery in which an investigator must discover the truth behind a mysterious death in a world where small communities struggle to maintain a ravaged civilization decades after environmental and economic collapse; and (2) Sand by Hugh Howey, a reissue of his acclaimed indie-published novel.

In September, we’ll be publishing Retrograde by Peter Cawdron, a hard SF novel about an international colony of astronauts on Mars, who have been prepared for every eventuality of living on another planet except one: What happens when disaster strikes Earth?

In October, we’ll be publishing Machine Learning: New and Collected Stories by Hugh Howey, a short story collection including three stories set in the world of Hugh’s mega-hit Wool… In November, we’ll be publishing Molly Tanzer’s Creatures of Will and Temper — a Victorian-era urban fantasy inspired by The Picture of Dorian Gray, in which an épée-fencing enthusiast and her younger sister are drawn into a secret and dangerous London underworld of pleasure-seeking demons and bloodthirsty diabolists, with only her skill with a blade standing between them and certain death.

A bit further out, in Spring 2018, we’ll have The City of Lost Fortunes by Bryan Camp, about a magician with a talent for finding lost things who is forced into playing a high-stakes game with the gods of New Orleans for the heart and soul of the city.

This month’s Lightspeed offers original fantasy by Adam-Troy Castro and Kendra Fortmeyer, plus fantasy reprints by Greg Hrbek and Amal El-Mohtar, as well as original science fiction by Bruce McAllister and Susan Jane Bigelow, alongside SF reprints by Tobias S. Buckell and Seanan McGuire. The non-fiction includes author spotlights, Book Reviews by LaShawn Wanak, a review of The 100 TV show by Jenn Reese and Christopher East, and an interview with Steven Barnes by Christian A. Coleman.

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The May issue of The Dark has new fiction by A.M. Muffaz and Eliza Victoria, plus reprints by Samantha Henderson and Damien Angelica Walters. Charles Payseur at Quick Sip Reviews thinks highly of the Muffaz.

This is a story of sinking horror, of death and the proximity of death, of abuse that everyone agrees to look away from. The piece focuses on Tentzin, a man who delivers supplies to a house where the dead are prepared to be fed to griffons as part of the culture’s death rituals. The keeper of the house and preparer of the dead, Nurgu, lives there with his son, Dolgo, and his new wife, Tashi. New wife because she was delivered like a sack of salt to Nurgu following the death of his previous wife… It’s a creepy story that does a great job building up the world in order to reveal the shadow living at its heart. The action isn’t fast but there is a deep power to it and an uncomfortable silence left in its wake. A great read!

The May cover is by Vincent Chong. Here’s the Table of Contents for issue #24, cover-dated May 2017.

“The Bone Beaters” by A.M. Muffaz
“The Lark Ascending” by Samantha Henderson (from Tomorrow’s Cthulhu, 2016)
“Queen Midnight” by Eliza Victoria
“When We Taste of Death” by Damien Angelica Walters (from Exigencies, 2015)

The Dark is co-edited by Silvia Moreno-Garcia and Sean Wallace, with assistance by Jack Fisher. It is published online and in digital formats, and includes two original stories and two reprints each issue. You can read issues free online, or help support the magazine by buying the ebook editions, available for the Kindle and Nook in Mobi and ePub format. Issues are around 50 pages, and priced at $2.99 through Amazon, B&N.com, Apple, Kobo, and other fine outlets — or subscribe for just $1.99 per issue. If you enjoy the magazine you can contribute to their new Patreon account here. You can also support The Dark by buying their books, reviewing stories, or even just leaving comments.

Read the May issue here, and see their complete back issue catalog here. We last covered The Dark with the March issue. See our May Fantasy Magazine Rack here, and all of our recent Magazine coverage here.

Over on her website, Caroline M. Yoachim talks about her newest story in Beneath Ceaseless Skies.

I have a new story out in issue #225 of Beneath Ceaseless Skies (May, 2017). “Carnival Nine” is a story that I am particularly proud of, and I’m so happy it found a good home. A short excerpt:

One night, when I was winding down to sleep, I asked Papa, “How come I don’t get the same number of turns every day?”

“Sometimes the maker turns your key more, and sometimes less, but you can never have more than your mainspring will hold. You’re lucky, Zee, you have a good mainspring.” He sounded a little wistful when he said it. He never got as many turns as I did, and he used most of them to do boring grown-up things.

Rocket Stack Rank gives the story four out of five stars… read their (spoilery) review here.

Here’s the complete Table of Contents for issue 225.

“Carnival Nine” by Caroline M. Yoachim

The train took us to the maker’s bench, and we laid out our son’s body, chest open. Tonight the maker would give him a mainspring and wind him for the very first time. “Should we name him now, or after we’ve gotten to know him?” My parents had waited to name me until my second day, because they wanted to be sure the name would fit.

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The longest story in the May Clarkesworld is Kelly Robson’s novelette “We Who Live in the Heart.” Here’s a snippet from Quick Sip Reviews.

The story centers [on] a character who has fled from human civilization belowground, a place where cooperation is king and time is heavily monitored and monitzed. The alternative, though, is to go up to the surface and try to live inside the body of whale-like creatures that seem about the only thing that can handle the extreme conditions. It’s a decision that the narrator was one of the first to make, to go out and try to create something in this waste, to survive where people didn’t think possible. And it’s a decision that Ricci is just making as the story opens, escaping a string of bad situations… We as humans are all different and the story does a lovely job of showing what that can mean, how people can still find value in each other and in their relative seclusion, forming loose bonds that perhaps don’t offer as much cohesion but don’t bind, either. That exist to be supportive and caring without suffocating. And I like how the story establishes that with the crew of Mama, how the main character comes to stand for this voice of freedom even as they do yearn for relationships and company… It’s a story with a great sense of wonder and fun, and it’s an amazing read!

The May Clarkesworld contains original fiction from Nick Wolven, Kelly Robson, E. Catherine Tobler, and Tang Fei, plus reprints from Kage Baker and James Tiptree Jr.

The cover, “Darkess,” is by Julie Dillon.

Here’s the complete Table of Contents.

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