Goth Chick (International) News: Iranian Ghost Stories For Real
As I mention whenever given the opportunity, I have some exceedingly cool friends. I don’t tell you this to brag, but rather to ensure I am able to soak up some of their residual coolness in the telling.
As you are well aware, I am a total movie-quoting, comic-reading, gamer geek who was often taken in by hoopy froods** (<– Hitchhiker’s Guide to the Galaxy reference. See? Can’t help myself) for their entertainment and social balancing. Still, the result has been pretty consistent. I get to hang out with people who really know where their towels are.
That being said, let me tell you about my friend “M.”
“M” is Iranian and I met him at my small, mid-Western alma mater where his very affluent, liberal but politically active family had tucked him away due to credible kidnapping threats. And yes, if you’re doing the math, I was an undergrad in a school that was the last ever place for the son of an affluent, liberal, politically active Iranian family to ever be located. In fact, it was so off the map that only those of us who went there could consistently point it out on one.
Following the standard number of years of undergraduate shenanigans, “M” went into public service in Canada of all places, eventually landing a highly visible gig in a Canadian embassy in a country I have sworn not to name. As you can see, I’ve sworn not to say a lot about “M,” for reasons that would make very interesting posts some time in the future when “M” is no longer in public life.
But that time is not now.


I bumped into the talented Nick Mamatas at the 2010 World Fantasy Convention and discovered that he was editor for the Haikasoru line of translated Japanese fantasy novels for Viz Media. I might be well-read in foundational sword-and-sorcery texts, but I was pretty uninformed about the fantasy of Japan, and what Nick had to say was quite interesting. I was especially curious about a series of books by Noriko Ogiwara, The Tales of the Magatama, which are hugely popular in Japan, and have won numerous awards.

Here’s Part Two of my interview with writer, critic, and editor 

