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Category: Essays

An Open Letter To George R. R. Martin and the Producers of Game Of Thrones

An Open Letter To George R. R. Martin and the Producers of Game Of Thrones

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game-of-thrones-daenerys-stormbornDear George & Co.,

I was wrong.

Back in 2011, when the first season of Game Of Thrones aired, I watched up until the episode where Ned Stark gets speared in the leg during a street fight. (His opponent? That bastion of modesty and ethics, Jaime Lannister). And then I gave up. I stopped watching despite the fact that the storytelling was excellent, the acting superb, the locations first-rate, the camera and tech work all but faultless. I gave up because I was tired of seeing the female characters on the show abused, one after the next. I began to suspect the worst of both you and the show runners.

Call me a pig-headed liberal progressive if you must, but I’d like to see the arts, both commercial and fine, be aspirational, which I realize is a very millennial sort of term, but I like it. I’m with Gene Roddenberry: I want at least some of our creative output to showcase what we could be as a society, not merely depict what we are (i.e., barbarous and brutal). Of course the particular world of A Song Of Ice and Fire and Game Of Thrones demands its share of brutality, but it became my position, following those early episodes, that the show was reveling in the violence rather than merely depicting what was necessary to develop the story. It was my considered opinion that I was once more in the throes of a TV show where female agency was, at best, a limp afterthought.

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Yes, The Civil War Was About Slavery (The Confederates Said So)

Yes, The Civil War Was About Slavery (The Confederates Said So)

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John Singleton Mosby
John Singleton Mosby

In June of 1902, former Confederate cavalry raider John Singleton Mosby wrote to his friend Judge Reuben Page about the war that had given him his fame, bemoaning the fact that the causes of that war were already being lost in the public’s consciousness.

In retrospect, slavery seems such a monstrous thing that some are now trying to prove that slavery was not the Cause of the War. Then what was the cause? I always thought that the South fought about the thing that it quarreled with the North about.

Mosby, whose family had owned slaves, was talking about an increasing trend among Confederate veterans and former Confederate politicians to whitewash the reasons for the war. In a letter five years later to another friend, Sam Chapman, he wrote,

I wrote you about my disgust at reading the Reunion speeches: It has since been increased by reading Christian’s report. I am certainly glad I wasn’t there. According to Christian the Virginia people were the abolitionists & the Northern people were pro-slavery. He says slavery was ‘a patriarchal’ institution – So were polygamy & circumcision. Ask Hugh if he has been circumcised.

Christian quotes what the Old Virginians said against slavery. True; but why didn’t he quote what the modern Virginians said in favor of it – Mason, Hunter, Wise &c. Why didn’t he state that a Virginia Senator (Mason) was the author of the Fugitive Slave law – & why didn’t he quote The Virginia Code (1860) that made it a crime to speak against slavery, or to teach a negro to read the Lord’s prayer.

I have written two military history books on the Civil War, as well as two novels and numerous shorter works, and I constantly come up against the notion that the war was fought for “states rights.” As a political science professor friend of mine rebuts, “The right to do what?” The answer, of course, was the right to own other people. Confederate documents at the time make this abundantly clear, but after the war many rebels were embarrassed that they ripped the nation apart over slavery and sought to bury that idea.

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The Public Life of Sherlock Holmes: Poul Anderson’s “The Archetypal Holmes”

The Public Life of Sherlock Holmes: Poul Anderson’s “The Archetypal Holmes”

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Poul's wife Karen, also a sccifi author and Sherlockian, drew these for his essay.
Poul’s wife Karen, also a scifi author and Sherlockian, drew this for his essay.

As far as Sherlockians go, I have a rather large Joseph Campbell library. I’ve even written about Holmes and the Monomyth (“The Hero’s Thousand-and-First Face”). Through Campbell, I discovered Carl Jung’s The Archetypes and the Collective Unconscious. However, all attempts to read it were abandoned rather quickly. I found it tough going. I do have a decent handle on archetypes from Role Playing Games, though.

Anywhoo…The late Poul Anderson was one of the giants in the field of science fiction: he was racking up Hugo Awards when that meant something.  He was also a devotee of Sherlock Holmes and a member of The Baker Street Irregulars. For good measure, he was also a Solar Pona fan and a Praed Street Irregular. Anderson wrote some odd Holmes pastiches and some, insightful, erudite Sherlockiana about the great detective.

In September of 1968, The Baker Street Journal included “The Archetypical Holmes,” a fine essay by Anderson and the kind of excellent Sherlockiana that is sadly all too rare these days – made obsolete by pop-centric, culture-appeasing works. Take it away, Poul!

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Saddam Hussein’s Basra Palace Becomes An Archaeology Museum

Saddam Hussein’s Basra Palace Becomes An Archaeology Museum

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dsc_0052

I’ve spent a fair amount of time here on Black Gate bemoaning the loss of some of the places I’ve visited. ISIS wrecked Palmyra, Mosul, and Hatra, three of the most stunning archaeological sites I have ever seen. Witnessing historical wonders disappear at the hands of savages has become such a regular thing for me that my first reaction to the terrible destruction of the Nepal earthquake was, “Well, at least people didn’t do it this time.”

Luckily, this week I have better news.

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John Crowley’s Aegypt Cycle, Books One and Two

John Crowley’s Aegypt Cycle, Books One and Two

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613744Elsewhere in the hallowed halls of Black Gate, you can find my musings on what I consider to be among the best and most endearing fantasy novels ever written, Little, Big. Perhaps its author, John Crowley, could have hung up his spurs after that one, certain that his honorifics were now firmly in place, his spot in the pantheon assured. But then, Little, Big was never a major financial success, never “popular,” and besides, Crowley is that rare jewel, a writer who is also a thinker, and he wasn’t done thinking.

Among the works that have followed is The Aegypt Cycle, beginning with The Solitudes and Love and Sleep, then extending into Demonomania and Endless Things. I read The Solitudes in early 2015, and, having finished, set it down with a pensive hmmm, the same restless yet satisfied noise made by those who encounter an attractive puzzle box more devious and brilliant than themselves.

At the risk of sounding like a bent brown puppet from The Dark Crystal, let me repeat that: Hmmm.

Little, Big is sufficiently mysterious for most mortals, the equivalent of a buffet so satisfying and sumptuous that one reaches the end and returns at once to the beginning, eager to begin again. (Which I, in fact, did; I read the damn thing twice in a row.)

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The Public Life of Sherlock Holmes: Back to the Television

The Public Life of Sherlock Holmes: Back to the Television

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sherlock_season4So, episode 98 of Elementary aired weekend before last. That, of course, is the modern day Sherlock Holmes show, set in New York City, featuring Johnny Lee Miller as the brilliant, socially challenged detective, and Lucy Liu as a female Doctor Watson. The show, which began in 2012, just kicked off season five.

Meanwhile, on January 1 of 2017, BBC’s Sherlock FINALLY airs season four. Set in modern day London, it has launched Benedict Cumberbatch to superstardom and also escalated Martin Freeman’s (that Bilbo guy) career. There have been nine episodes since the show began in 2010, plus one television movie, The Abominable Bride. It’s no surprise, with two year and eleven months between episodes, that rumors abound that season four will be the end.

Do you want the bad or the good first? The bad? Ok, we’ll open with Sherlock. Among my top five all-time favorite shows after season two, season three was a self-indulgent, “we can do better than Doyle” and “look how clever we are” claptrap. Somehow, The Abominable Bride won an Emmy for best television movie. The ending of it was worse than Matt Frewer’s Hound of the Baskervilles.

I think Sherlock is now a bad show and hope that it gets put to rest after these three episodes.

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The New Pulp Era: Ghostwriting, Ebooks, and the Economics of Now

The New Pulp Era: Ghostwriting, Ebooks, and the Economics of Now

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I'm going to say absolutely nothing about that sword.
I’m going to say absolutely nothing about that sword.

A lot of writers and readers are saying we have entered a new pulp era, a repeat of those days when hardworking writers pumped out exciting fiction in large quantities while facing very tight deadlines. The old pulp era died long ago, and was replaced with modern traditional publishing. Under that model, writers usually only came out with a book a year, and if they did more than that it was generally under a pseudonym. Traditional houses seem to have been under the impression that “less is more” when it came to a writer’s output.

Readers disagree. They want more from their favorite authors, and they want it now. Those writers who have come to the top of the new indie publishing revolution tend to be those who write a lot, generally in series, and keep up a consistent quality. Some traditionally published writers such as Guy Haley are moving that direction too. In our interview with him, he talked about how he has to write five novels a year if he wants to make a living at his writing.

Even superstars such as James Patterson are getting in on the game. A post at Non-Fiction Novelist talks about how Patterson’s new project “Book Shots” fits perfectly into the pulp mentality. These thrillers and romances are touted as having lots of action and no padding, just like a good pulp story should. They’re all under 150 pages and cost less than $5. Plus there’s a whole lot of them.

I’m seeing a similar trend in online start-up publishers. My own body of indie published work, while doing OK, is not bringing me enough to live on, so I make up the deficiency by ghostwriting. This is a relatively new venture for me as I shift steadily away from nonfiction writing, but the trend I’m seeing is remarkable.

Ghostwriting always involves a strict written agreement not to take credit for a work, so what follows will by necessity be of a general nature.

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Does Netflix Know Me Better Than I Know Myself?

Does Netflix Know Me Better Than I Know Myself?

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krysten-ritter-jessica-jonesIt’s late. The rest of my family has gone off to bed. I, however, have some busy work to accomplish. Folding laundry, perhaps. Packing up some gifts to send to my nephews. So what form of media do I power up to help me pass the time? Netflix, of course. As of now, it’s movie night. And why not? Netflix knows precisely what I want to see. Right?

Based on my previous viewing habits, Netflix has provided a sumptuous spread, a whole raft of tempting suggestions. There’s even a section entitled “My List,” which confuses me no end, because several of the titles (Atari: Game Over and The Act Of Killing among them) are ones I’ve never heard of, much less added to a playlist.

In theory, Netflix knows me well. But do they? The first lineup of choices is headed “Because I watched Jessica Jones,” and because I delved into all things Marvel and fantastical, I am now expected to sample Daredevil, which I don’t plan to do because I generally don’t care for super heroes (Jessica Jones was well done, but overlong, and I never finished).

Sense 8 pops up next, a slick show with terrific performers, but its Matrix-makers have only one solution to all problems, and that’s force. Season one will do for me. Flash, no. Arrow, no. More superheroes! Blacklist? I saw the pilot, and I adore James Spader, but sometimes craft can swallow heart. I wasn’t tempted to watch episode two.

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The Public Life of Sherlock Holmes: Bogart’s The Caine Mutiny

The Public Life of Sherlock Holmes: Bogart’s The Caine Mutiny

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caine_posterI’m fortunate in that the powers that be at Black Gate let me roam way off topic once in a while. The fantasy stuff isn’t really a stretch, since that’s at the heart of Black Gate itself. Other times, I’m just talking about something I really like. Such as, say, Humphrey Bogart.

The first two posts (The Return of Doctor X and The Maltese Falcon) about the greatest actor of all time actually fit within the Black Gate milieu. The third (about Bogie and George Raft), not really. Today’s has a military tie-in, which is a sometimes Black Gate subject.

Bogart had broken through in 1941 and was still a superstar in 1954, when he made three very different types of movies.  The second, Sabrina, was a light-hearted romantic comedy, costarring Audrey Hepburn and William Holden. I actually prefer the remake, with Harrison Ford, Julia Ormond and Gregory Kinnear.

The third, The Barefoot Contessa, was a ponderous, garish melodrama. Four-time Oscar winner Joseph Mankiewicz directed, with Ava Gardner and Edmond O’Brien co-starring. The movie collapses under its own weight.

Say it Again, Sam – Bogie only managed to secure one Oscar: for The African Queen. He certainly deserved more.

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When Researching Your Novel Scares You: Daily Life in the Third Reich

When Researching Your Novel Scares You: Daily Life in the Third Reich

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Feierliche Vereidigung der Freiwilligen des Deutschen Volkssturms in Berlin In Berlin fand heute die feierliche Vereidigung der Freiwilligen des Deutschen Volkssturms statt. UBz Volkssturmm‰nner mit ihren Waffen w‰hrend des Vorbeimarsches an Reichsminister Dr. Goebbels.

Propaganda photo of the Volkssturm. This civilian militia appears
to be well armed, but in fact borrowed their weapons from a regular
army unit and had to give them back after the parade. The Volkssturm
received castoff uniforms or no uniforms at all. The most appropriate
uniform would have been a big bulls-eye on their chest

I’m in the process of researching one of my upcoming novels, Volkssturm, about the German civilian militia formed in October 1944. The Volkssturm called up all able-bodied men aged 16 to 60 who weren’t already in uniform. It also brought in some women. Most of these people weren’t particularly fit, or had been working in essential jobs such as armament factories and had been made redundant due to chronic shortage of material and Allied bombing. Even those who remained in essential jobs often served in local Volkssturm units charged with protecting their home area. The idea was to launch “total war” against the Allied invaders and save the homeland from devastation. We all know how well that worked out.

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