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Category: Editor’s Blog

The blog posts of Black Gate Managing Editor Howard Andrew Jones and Editor John O’Neill

Selling Philip K. Dick

Selling Philip K. Dick

the-simulacra-philip-k-dickAlmost exactly a year ago this weekend I was in downtown Chicago, selling books and Black Gate magazines at the Printer’s Row book fair. It was hot and I got sunstroke, and I had to cancel dinner plans with the charming and beautiful Patty Templeton. Stupid, stupid sunstroke.

But I learned something fascinating. Well, two fascinating things. The second was that no one wants print fiction magazines anymore. I can’t tell you how many people picked up copies of Black Gate 15, dazzled by the look and heft of the thing, asking “What is this?” The moment they learned it was a magazine, they put it down and wandered over to the booth selling travel books.

But the first fascinating thing I learned is that vintage Philip K. Dick paperbacks sell at almost any price.

I learned this mostly by accident. I had a few hundred recently-acquired vintage paperbacks bagged up, but didn’t have time to price them. The night before the show they were spread out in stacks on our bed, all with cheerful blank price stickers, and Alice was threatening to sleep on the couch.

So I just priced them at random. Most I listed at 2 – 3 bucks, occasionally as high as 10. When I got to the more valuable stuff, like the Philip K. Dick , I wrote “$35” on most of ’em, even the stuff I’d only paid a buck or two for. I figured I’d do my homework and re-price everything that didn’t sell later.

Instead, I sold all the Philip K. Dick in less than two days.

Obviously, this was an unusual test case. For one thing, this wasn’t an SF convention and my buyers generally weren’t science fiction readers. They were book collectors who knew just enough about Philip K. Dick to know he’s in demand. There was a lot of impulse buying, and hardened rare book collectors are maybe less reluctant to fork over $30 – $40 on impulse than a typical SF reader.

Still, it was very educational. Dick was one of the only authors browsing customers frequently asked about (the others were Samuel R. Delaney and Ursula K. LeGuin), and if I could put a book in their hands, it was a short step to a sale. It didn’t hurt that many of his paperbacks look terrific, like the Emsh cover on the 1964 Ace edition of The Simulacra, above.

I don’t sell much anymore, but I do have two tables reserved for Chicon 7, the World Science Fiction convention coming up this Labor Day here in Chicago. In preparation, I’ve been accumulating as many Philip K. Dick titles — and other vintage SF paperbacks — as I can find. eBay is one fertile hunting ground, especially if you’re willing to buy larger lots. Last week I purchased lots containing The Simulacra and Dr. Bloodmoney (plus 10 other mixed SF paperbacks) for $6.05 each. I’m pretty sure I can re-sell the Dick titles alone for a lot more than that.

Just how much more remains to be seen. I’ll let you know after Chicon.

Octavia E. Butler’s “Bloodchild”

Octavia E. Butler’s “Bloodchild”

isaac-asimovs-science-fiction-magazine-june-1984I’m still putting away boxes of stuff that’s piled up in my library. Today it’s a collection of science fiction magazines I purchased from Craig Sandford, a guy I met on eBay, a few months ago. Craig kept his magazines in great condition. I had most of them already (don’t tell Alice), but Craig offered me a sweet deal. And realistically, I won’t be content until my basement is so stuffed with games and magazines it’s impossible to move. So this is progress.

As I slid each magazine into a protective plastic bag, daydreaming of the future age when SF digests from the 1980s are near-priceless cultural artifacts (not far off now), I came across the June 1984 issue of Isaac Asimov’s Science Fiction Magazine, with Wayne Barlowe’s brilliant and chilling cover for Octavia E. Butler’s story “Bloodchild.”

“Bloodchild” is a stunning work of short fiction. It won both the Hugo and Nebula awards for best novelette, and was the title story of her slim 1995 collection, Bloodchild and Other Stories. Although I had magazines and boxes scattered all over the floor, I curled up in my big green chair to re-read it.

Butler has described “Bloodchild” as a tale of male pregnancy, which is apt even if it isn’t very descriptive. The young Gan lives with his family on a Preserve on an alien world, where humans are protected from the dominant species — the huge, powerful and intelligent insect-like Tlic, who lay their eggs in humans and nearly wiped them out when the first human settlers arrived. Gan’s father gave birth to three alien broods before he died, including the noble T’Gatoi, a female Tlic who’s become one of humanity’s strongest protectors. But now it’s time for T’Gatoi to lay her own eggs, and she has chosen Gan as her mate. When Gan witnesses the violent and bloody birth of a clutch of grubs, he realizes for the first time exactly what he’s being groomed for. He’s unsure he can go through with it, but to refuse now will have dangerous ramifications for his family. “I knew birth was bloody and painful, no matter what,” he reasons. And how does T’Gatoi see her mate? Is he just a pet? Or is it possible she feels… something like love?

Barlowe captures the innocence and horror of “Bloochild” perfectly in his cover, which depicts a new-born alien grub leaving a trail of blood as it emerges from the adolescent boy Gan, who watches with a calculating look. Click on the image above for a bigger version.

This is why I love science fiction and fantasy magazines. They’re not just slender collections of stories. They are a refined meeting of fact, art, and fiction, and when that meeting turns into a wild night of necking in the back seat, as it does here, it’s worth telling your friends about. You’re my friends, so I’m telling you. (And as we’ve discussed, kindly don’t mention this to Alice).

I don’t know any place where you can read “Bloodchild” online, but you can get a copy of the June 84 issue of Asimov’s online for only a couple of bucks. Just buy it soon, before the inevitable day 80s SF magazines become priceless. Why not hoard them in your basement, like me? You’ll thank me later.

Vintage Treasures: TSR’s Amazing Science Fiction Anthologies

Vintage Treasures: TSR’s Amazing Science Fiction Anthologies

amazing-the-wonder-yearsD&D publisher TSR generally gets a bad rap for their brief venture into science fiction in the 1980s. Much of their D&D related fiction — especially the Weis and Hickman DragonLance novels, which launched their entire publishing line — is still remembered fondly today. But does anybody remember Martin Caidin’s Buck Rogers novel, or Martin H. Greenberg’s Starfall anthology?

Nope.

Which is a shame. At one point — riding high on the success of the DragonLance books — TSR claimed it was the largest publisher of SF and fantasy titles in the nation, and it sure looked that way whenever I walked into a bookstore. There were literally racks of the stuff: DragonLance books, Forgotten Realms books, Dark Sun novels, Birthright novels, SpellJammer novels, Greyhawk books, Ravenloft novels, Planescape novels… and on and on and on.

If you were a serious genre reader in the late 80s, you gradually trained your eyes to ignore it all as you scanned the shelves for anything new and original.

What many of us never knew — because they were hidden alongside all their gaming fiction — was that TSR published dozens of new and original SF and fantasy novels, unconnected to any of their gaming fiction, including bestselling author Sharyn McCrumb’s famous science fiction pastiche Bimbos of the Death Sun (1987), Paul B. Thompson and Tonya C. Cook’s Red Sands (1988), Ardath Mayhar and Ron Fortier’s Monkey Station (1989), Robin Wayne Bailey’s Nightwatch (1990), and many others.

They also discovered several major authors, publishing Nancy Varian Berberick’s first novel The Jewels of Elvish (1989), Nick Pollotta’s first novel Illegal Aliens (written with Phil Foglio, 1989), and first novels from L. Dean James, Chrys Cymri, K.B. Bogen, and others.

But my favorite books published by TSR during this period weren’t novels at all. They were five anthologies collecting stories from the pulp days of Amazing Stories, edited by Martin H. Greenberg.

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New Treasures: Zombiegeddon

New Treasures: Zombiegeddon

zombiegeddon2I’m still unpacking from the horrible bout of auction fever I suffered back in March. I uncovered a box of games buried by loot from the April Windy City Pulp and Paper Show in my library on Friday … man, I go to too many auctions.

It’s fun to dig through unexpected boxes of games, though. It’s sort of like archaeology, especially since each item still has the auction tag and price on it. Man, what kind of primitive barbarian would pay 28 bucks for a copy of StarSoldier?? Since it’s in the box … me, apparently.

Still, there’s some intriguing surprises. Like this copy of Reiner Knizia’s Zombiegeddon I found. [Click on the image at right to embiggen.]

I don’t remember buying this game. In truth, twenty minutes ago, I didn’t even know it existed.

But I can imagine what happened. They rattle through items pretty fast at the Games Plus Spring Auction. The auctioneer held it up, I got a quick glimpse of a rare and mysterious gaming artifact with an old lady with spider legs and an undead dog on the cover, I heard the words “mumble mumble ZOMBIE mumble,” and everything went black.  Three months later, I’m holding a copy of Zombiegeddon and someone has fifteen bucks of my money.

Zombiegeddon looks pretty neat, though.  I mean, how could it not? Here’s the text on the back:

Well, it was nice while it lasted! You have gotten word that the end is near, and Armageddon is right around the corner. (Actually, it begins tonight!) Since it may be a while before you can get to the store, today would be a good time to gather as many supplies as possible. After all, tomorrow might be the beginning of a long, cold, (nuclear) winter!

Reiner Knizia’s Zombiegeddon is a fast-paced, perfect-information, strategy game. Each player spends the first half of the game rushing around the board collecting supplies and trying to stop your pesky neighbors from taking stuff that is rightfully yours … The second half of the game is spent trying to survive. Sure their is some good stuff around, but it certainly isn’t plentiful and let’s face it, everyone is still trying to take it before you do! (Whoever has the most stuff at the end of the game wins!)

The board looks pretty pedestrian — essentially just a blank grid — but the components are sturdy, and the rule book is only two pages. Maybe Drew will play this with me, once we finally find that frickin’ holy grail.

Reiner Knizia’s Zombiegeddon is available from Twilight Creations. It was published in March 2009, and retails for $24.99. The complete rulebook in PDF is here.

This Week’s Bargain SF & Fantasy Books at Amazon.com

This Week’s Bargain SF & Fantasy Books at Amazon.com

nights-of-villjamurFour packages from Amazon.com piled up on my doorstep today, which reminds me it’s time to do another bargain book round-up. Ah, I love bargain books.

Here’s the latest remaindered SF & fantasy titles I’ve found on Amazon, including two new titles by Cory Doctorow; Fergus and the Night-Demon, a great-looking illustrated fantasy from Jim Murphy & John Manders; the recently-reviewed Black Blade Blues by J. A. Pitts; plus books by Kage Baker, Kat Richardson, Fiona McIntosh, Gordon Dahlquist, Michael Marshall Smith, Christina Meldrum, Galen Beckett, and the debut of a promising new fantasy series from Mark Charan Newton, Nights of Villjamur:

Nights of Villjamur, Mark Charan Newton [$10.38, was $26]
Makers, Cory Doctorow [$10, was $24.99]
For the Win, Cory Doctorow [$7.20, was $17.99]
The Dark Volume, Gordon Dahlquist [$10.40, was $26]
Myrren’s Gift: The Quickening Book One, Fiona McIntosh [$5.98, was $14.95]
Downpour (Greywalker, Book 6), Kat Richardson [$9.98, was $24.95]
The Magicians and Mrs. Quent, Galen Beckett [$9.20, was $23]
The Servants, Michael Marshall Smith [$5.98, was $14.95]
Madapple, Christina Meldrum [$6.80, was $16.99]
The Empress of Mars, Kage Baker [$10.38, was $25.95]
Fergus and the Night-Demon, Jim Murphy & John Manders [$6.40, was $16]
Black Blade Blues, J. A. Pitts [$6.40, was $15.99]

Most books are discounted from 60% to 80%. As always, quantities on these bargain books are very limited. All are eligible for free domestic shipping on orders over $25. Most of last week’s discount titles are still available; you can see them here.

Vintage Treasures: Swordquest, by Task Force Games

Vintage Treasures: Swordquest, by Task Force Games

swordquest-task-force-games2It’s almost Summer, and my teenage boys will be out of high school in a matter of days. Which means I need to get serious about finding a board game to play with my son Drew.

Recently Drew and I have been playing Grail Quest, a 1980 solitaire RPG from Metagaming. But sooner or later, we’re going to find that grail, damnit, and there’s not much point to replaying those old Fantasy Trip programmed adventures once you’ve solved them.

We’ve also playing the occasional round of RoboRally and of course Barbarian Prince, but to round out his education I need to include an assortment of fantasy board games, and I prefer something we can play in 90 minutes or so. This week, I’m considering Swordquest because I found a dusty copy in the basement that hadn’t been filed away yet.

Swordquest was designed by R. Vance Buck and originally published in 1979 as Task Force Game #7, part of Task Force Games Pocket Games line. Humble in origin and slim in production values (the original price was $3.95), these little zip-locked games proved extremely popular, and many are still fondly remembered three decades later.

Altogether, they published a total of 21 Pocket Games, including some of the most popular titles of the 70s and 80s, such Star Fleet Battles, which launched an entire line of game merchandise, and Starfire, which went through five editions and was the inspiration for the line of SF novels primarily written by Steve White and David Weber. The most popular Pocket Games were re-published in a second edition in more sturdy boxes in the early 80s, including Swordquest.

The inspiration for Swordquest — as with most fantasy boardgames of the era — was clearly J.R.R. Tolkien. The races of the kingdom of Tirrane consist of elves, dwarves, and giants, and there’s also a powerful dragon and winged creatures named wrogs rather obviously inspired by Balrogs.

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New Treasures: The Sword & Sorcery Anthology

New Treasures: The Sword & Sorcery Anthology

the-sword-sorcery-anthology2We announced The Sword & Sorcery Anthology was shipping last week, but I’m glad to report that I now have it in my hot little hands.

And it looks gorgeous. It’s 480 pages in thick, oversize paperback, and sits nicely in my lap as I recline in my big green chair. Where it will remain for much of the rest of the weekend, I think.

In fact, I have two copies, courtesy of co-editor and publisher Jacob Weisman. I was going to add it to the list of titles that go out regularly to our dedicated team of freelance reviewers, but maybe I’ll just give it to the first one that asks for it. Or maybe I’ll encase it in plastic and carefully bury it in a time capsule in my back yard. Future generations with thank me (assuming they can figure out what a book is).

David Drake’s introduction notes that while two stories in this book originated in Weird Tales — the magazine that gave birth to Sword & Sorcery — three come from the legendary small press magazine Whispers, edited by Stuart David Schiff from 1973 to 1987. Drake was the assistant editor for Whispers starting with the second issue; his musings on the authors and fiction included in this volume are fascinating.

Other sources include Swords Against Darkness, Science Fantasy, Fantastic and Asimov’s SF magazines, Marion Zimmer Bradley’s Sword & Sorceress anthologies, Orbit 2, and such recent books as Eclipse Three (2009), edited by Jonathan Strahan, and Strahan and Lou Anders 2010 anthology Swords & Dark Magic.

Two pieces — Michael Shea’s new Nift the Lean story “Epistle from Lebanoi,” and Michael Swanwick’s “The Year of the the Three Monarchs” — are original to this volume.

The Sword & Sorcery Anthology was edited by David G. Hartwell and Jacob Weisman. The cover is is by Jean Sebastien Rossbach. It is published by Tachyon Publications, and priced at $15.95 for the print version and $10.95 in digital format. More complete details are here, and the complete Tables of Contents is here.

This Week’s Bargain SF & Fantasy Books at Amazon.com

This Week’s Bargain SF & Fantasy Books at Amazon.com

MagicMirror-JKT.inddIt’s good to be the editor. For example, I pretend I do a weekly bargain books update, and no one corrects me — even though the last one was in April. Thank you for indulging me in my shared fantasy.

Let’s get down to business: Bargain Books. I’m the expert, and I’m here to share my knowledge with you. It’s what I do.

This week (ha!) the list contains books by Delia Sherman, Stephen Baxter, Sara Douglass, J.R.R. Tolkien, Stephen R. Donaldson, L.E. Modesitt, Jr, William Gibson, R.A. Salvatore, E.E. Knight, and many more.

The Magic Mirror of the Mermaid Queen, Delia Sherman [$7.20, was $17.99]
Land of the Dead, by Thomas Harlan [$10.40, was $25.99]
The Last Page, Anthony Huso [$4.73, was $25.99]
Hidden Empire, Orson Scott Card [$1.63, was $24.99]
Flood, Stephen Baxter [$9.98, was $24.95]
The Devil’s Diadem, Sara Douglass [$10.80, was $26.99]
The Legend of Sigurd and Gudrun, J. R. R. Tolkien and Christopher Tolkien ($1.92, was $26)
Against All Things Ending: The Last Chronicles of Thomas Covenant, Stephen R. Donaldson [$6.40, was $16]
Scholar, L. E. Modesitt Jr. [$11.20, was $27.99]
Stephen King’s The Stand Vol. 1: Captain Trips, Roberto Aguirre-Sacasa and Mike Perkins [$10, was $24.99]
Zero History, William Gibson [$6.40, was $16]
The Pirate King, R.A. Salvatore [$11.18, was $27.95]
Dragon Fate: Book Six of The Age of Fire, E. E. Knight [$6.40, was $16]
Songs of Love and Death, edited by Gardner Dozois & George R. R. Martin [$10.40, was $26]

All discounted between 60% and 80%. As always, quantities on these bargain books are very limited. All are eligible for free domestic shipping on orders over $25. Most of last week’s (ha!) discount titles are still available; you can see them here.

Weird Tales Closes to Submissions

Weird Tales Closes to Submissions

weird-tales-359aHoly cats! That was fast. The editors of Weird Tales magazine have announced it is closing to submissions on Tuesday, June 5th.

Now, Black Gate magazine is in no position to throw stones about being closed to submissions. We’ve been closed since roughly the Napoleonic era. But still… didn’t Weird Tales just announce it was open?

Let me check. Yup, it did.

[If you’re too lazy to click on that link, you can just scroll down the page to the announcement four days ago.]

All right, we’re done being snarky. And we will note that the magazine is only closing to fiction submissions — artists and disheveled arcane researchers, your contributions are still valued. [Okay. We’ve still got a little snark left.] Here’s the official announcement:

Heads up that at noon eastern time on Tuesday June 5th we will be closing for fiction submissions. We will still be looking at art and nonfiction proposals.

There’s still time to finish your submission and get it in the mail by Monday morning. Stock up on coffee, turn off the phone, and channel Clark Aston Smith. Fame and Fortune await you.

But act fast.

A Wiscon Reading Report: The Best in Upcoming Fantasy

A Wiscon Reading Report: The Best in Upcoming Fantasy

the-unnaturalists-2Last weekend I drove to Madison, Wisconsin, for Wiscon, one of the best SF conventions in the Midwest. My travel companions were four young women, and the two-hour drive from Chicago was filled with enthusiastic discussions of My Little Pony, how to cook kale, the most satisfactory sexual positions, and who that hot-looking agent was. When I wasn’t driving I sat in the back and kept my mouth shut.

You can learn a lot about life by keeping your mouth shut. For example, I learned I definitely need to check out My Little Pony.

I learned some important stuff at Wiscon, too. Wiscon has some pretty heavy panels, with titles like Intersectionality and Feminist Community, Dogmatic Rationalism, and Performing Katniss in Print and On Screen: Gender Performativity and Deconstructing Reality TV in The Hunger Games.

No, I didn’t learn what any of those things meant. The first thing I learned at Wiscon was: Don’t volunteer to be on panels. It’s like picking my teeth with a golf club — it’s painful, and it makes me look stupid.

But the second thing I learned was: Wiscon has the best reading program on the continent. And if you’re not listening to talented authors reading their work, you’re wasting your precious hours here on Planet Earth.

So I packed my hours with as many readings as I could. At the last two Wiscons I simply followed the brilliant C.S.E. Cooney — the Queen of Wiscon, and her most gifted reader-poet — as readings seemed to spontaneously spring  forth wherever she wandered. But this year she was in Ottawa giving a command performance at the most prestigious venue in the country, Canada’s National Art Centre, so we were forced to rely on our own devices. When there weren’t any readings, my driving companions and I simply created our own. In the process we were introduced to some of the hottest new writers on the fantasy scene, and several really terrific new, upcoming, or wholly undiscovered SF and fantasy novels.

Below is a list of the best of the best.

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