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Discovering Robert E. Howard: “My Very Dear Beans, Cornbread and Onions” (Valentine’s Day—Robert E. Howard Style)

Discovering Robert E. Howard: “My Very Dear Beans, Cornbread and Onions” (Valentine’s Day—Robert E. Howard Style)

One Who Walked Alone Novalyne Price Ellis-smallFor those of you who searched for the right way to describe your feelings for that certain special someone on February 14, Robert E. Howard might have been be a good source. After all, he was a wizard with words. And he did have a novel approach when it came to romance. As Bob Howard explains to Novalyne Price Ellis in her book One Who Walked Alone:

[M]en made a terrible mistake when they called their best girls their rose or violet or names like that, because a man ought to call his girl something that was near his heart. What, he asked, was nearer a man’s heart than his stomach? Therefore he considered it to be an indication of his deep felt love and esteem to call me his cherished little bunch of onion tops, and judging from past experience, both of us had a highest regard for onions. (106)

REH expanded this “indication of his deep felt love and esteem” in future letters to include:

“My very dear little Bunch of Radishes” or “My very dear Beans, Cornbread and Onions” or “My dear Sausage and Big, Brown Fluffy Biscuits as well as sliced red beets with butter over them.” (110)

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Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Wrap Up Their Epic Conan Re-Read

Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Wrap Up Their Epic Conan Re-Read

Conan and the Emerald Lotus-small Conan and the Emerald Lotus-back

Howard Andrew Jones and Bill Ward have completed their epic re-read of every complete story of Conan the Cimmerian written by Robert E. Howard. They’ve been blogging about the project at howardandrewjones.com, and we’ve been following along with the viewers at home. In their wrap-up, Howard and Bill look over the vast catalog of Conan pastiches.

Howard: Such a fantastic character practically begs to have more adventures told about him, which is probably why the regrettable Conan pastiche industry popped up. Well, maybe not entirely regrettable, because I’ve read some I’ve really enjoyed…

Bill:  I’m actually looking forward at this point to checking out the many pastiches I’ve never read — I’ve got a stack of Ace Conans that I’d started reading before we came up with the plans for this epic reread… I’ve never read the deCamp and Carter pastiches, or the other stories by REH that de Camp Frankensteined into Conan tales. It’ll be a while before I jump into that series, though, as [I’ll] be rereading all the REH tales again as well. As for other pastiches, I’ve only read a few — Wagner’s Road of Kings was good, and, of course, Hocking’s [Conan and the] Emerald Lotus is terrific.

Read the complete exchange here.

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Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “Red Nails”

Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “Red Nails”

Weird Tales July 1936 Red Nails-smallHoward Andrew Jones and Bill Ward wrap up their re-read of The Conquering Sword of Conan by Robert E. Howard with the novella “Red Nails,” the last Conan tale REH ever wrote. In a letter to Clark Ashton Smith, Howard said:

Sent a three-part serial to Wright yesterday: “Red Nails,” which I devoutly hope he’ll like. A Conan yarn, and the grimmest, bloodiest and most merciless story of the series so far. Too much raw meat, maybe, but I merely portrayed what I honestly believe would be the reactions of certain types of people in the situations on which the plot of the story hung…

“Red Nails” was originally serialized in the July, August/September, and October 1936 issues of Weird Tales. Here’s Bill and Howard:

Bill: Arguably, the final Conan stories seem to show a bit of a distancing between REH and his creation… I think anyone reading “Red Nails” who has some awareness of REH’s life will at some point stop to ponder the question of whether or not he ever intended to return to Hyboria, or if perhaps the Cimmerian himself had run out of stories to dictate at REH’s shoulder. Whatever the answer, “Red Nails” does serve as a fitting farewell to the character and world that have become so dear to so many, offering a story of adventure, intrigue, and exoticism…

Howard: [Valeria is] the closest we’ve come for a long time to seeing someone who is Conan’s equal partner… although she’s not, really. She IS the most formidable of the women who appear in Robert E. Howard’s Conan stories… But what a masterful opening, with Valeria finding the lay of the land, then mystery following upon mystery. The strange skeleton, the lost city, and the exotic environment are all incredibly compelling.

Read the complete exchange here.

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Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “The Black Stranger”

Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “The Black Stranger”

The Conquering Sword of Conan-smallHoward Andrew Jones and Bill Ward are wrapping up their re-read of The Conquering Sword of Conan by Robert E. Howard, the third and final omnibus volume collecting the complete tales of Conan, with what Howard calls “my most pleasant surprise so far during the re-read,” the story “The Black Stranger.” It was never published during Robert E. Howard’s lifetime, appearing for the first time in Karl Edward Wagner’s anthology Echoes of Valor in 1987. Here’s Bill:

Like “Beyond the Black River” which precedes it, “The Black Stranger” is a tale set in the Pictish wilderness of Hyboria that sees a vulnerable outpost of civilization overrun by the wild men of the wood. But this time around the threat of the Picts — still an Amerindian analog — serve as more of a backdrop to the infighting and machinations of pirate captains, an exiled nobleman, and a cagey Conan. Again REH draws on the American frontier for inspiration, but it isn’t the dominant theme of the piece, which also manages to end on a far more up tempo note despite the carnage. Wild battles, double-crossing, pirate treasure, and a mysterious demonic stranger are all skillfully woven together into a complex but nonetheless fast-paced adventure that stands solidly alongside the better Conan stories.

Read the complete exchange here.

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Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “Beyond the Black River”

Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “Beyond the Black River”

Beyond the Black River Robert E Howard-smallHoward Andrew Jones and Bill Ward continue their re-read of The Conquering Sword of Conan by Robert E. Howard, the third omnibus volume collecting the complete tales of Conan, with “one of the most famous Conan stories of all,” and one of the last, “Beyond the Black River.” It was originally published in in the May-June 1935 issue of Weird Tales.

“Barbarism is the natural state of mankind,” the borderer said, still starring somberly at the Cimmerian. “Civilization is unnatural. It is the whim of circumstance. And barbarism must ultimately triumph.”

Bill: So concludes “Beyond the Black River,” a story that might almost be REH’s thesis on his philosophy of civilization. It is a story that introduces new elements to Conan’s world, demonstrating again how flexible and expandable REH’s Hyborian blueprint was even after sixteen complete short (and not so short) stories and a novel. But it also maintains a continuity with what has come before, giving us perilous adventure with supernatural antagonists and, of course, Conan being Conan.

Howard: I think it builds nicely on what we’ve seen before. As it happens, though, it’s not exactly a great introduction to Conan himself, or even the Hyborian Age… It’s very different from the preceding Conan stories, feeling very much like a tale of Indian warfare, and Conan himself, while busy doing incredible things, is almost a secondary character.

Read the complete exchange here.

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Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read The Hour of the Dragon

Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read The Hour of the Dragon

The Hour of the Dragon Berkley fold out-smallHoward Andrew Jones and Bill Ward continue their re-read of The Bloody Crown of Conan by Robert E. Howard, the second of three omnibus volumes collecting the complete tales of Conan, with the full-fledged novel The Hour of the Dragon. It was originally published in five parts in Weird Tales, from December 1935 to April 1936.

Howard: Robert E. Howard was at the top of his game when he wrote it. For decades there was nothing with which to compare this novel on an apple to apple basis because it was so far ahead of what anyone else had done…

Bill: The novel… was the result of a solicitation from a British publisher for a full-length pulp adventure from REH… After an abortive stab at the planetary romance novel Almuric, left unfinished by REH and possibly later completed by his agent, Otis Aldebert Kline, REH turned again to the Cimmerian and his Hyborian landscapes. And it is to King Conan, whom we have not seen since “The Scarlet Citadel,” that REH returns to for his epic… King Conan is betrayed and captured by conspirators aided by a powerful wizard, and his throne usurped by an Aquilonian nobleman… the quick set-up of Conan’s betrayal and capture on the battlefield in “Citadel” becomes the far more memorable and exciting chapter in Dragon that sees Conan, about to lead his forces in battle, paralyzed by sorcery and his place on the field taken by another…

Next up, Bill and Howard dive into the third Rel Rey Conan collection, The Conquering Sword of Conan. Stay tuned.

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The Great Savage Sword Re-Read: Vol 3

The Great Savage Sword Re-Read: Vol 3

This series explores the Savage Sword of Conan collections from Dark Horse reprinting Marvel Comics’ premiere black-and-white fantasy mag from the 1970s. Click to read previous installments: Volume 1 / Volume 2

Vol3The third collected volume of Savage Sword of Conan includes issues #25 – 36 but begins with a short Barry Windsor-Smith piece that first ran in Savage Tales #2 a few years earlier. BWS adapts a Robert E. Howard poem called “Cimmeria” in a gorgeous 5-page feature. His black-and-white work is every bit as lush as his color work on the Conan the Barbarian comic (for which he is most well-known). The artists who did the black-and-white comic magazines of the 60s and 70s knew that drawing for a colorless publication demanded more from both pencilers and inkers. Especially inkers.

Savage Sword #25 was the last issue of 1977, hitting the stands while the original Star Wars movie mania was reaching its peak, and spiking sales of the Marvel Comics Star Wars title brought the company a new influx of capital. Roy Thomas had built an excellent Sword and Sorcery magazine during the turblent mid-70s, when publishers had to cut the number of pages in their comics and constantly raise their prices. This issue is another super job by Thomas, who faithfully adapts Howard’s “The Jewels of Gwahlur.” DC legend Dick Giordano steps in to illustrate this issue — seemingly from out of nowhere — and it’s obvious that Giordano is reaching for a Neal Adams-style Conan tale.

Adams had drawn a couple of landmark Conan tales by this time (in Savage Tales #4 and Savage Sword #14), and he left his unique imprint behind as usual — setting standards for other artists to follow. Giordano does a solid job on SS#25, but unless you’re an old-school fan of his work it comes off as Neal-Adams-Lite: a stiffer, less consistent version of the Neal Adams Conan from “Shadows in Zamboula.” Maybe if Giordano had stuck around he would have time to find his mojo on this book, but this feels like a filler issue. It has moments of greatness — certain panels and effects — but the consistency that marks John Buscema’s ongoing Savage Sword work is noticeably absent. The next issue solved this problem and started a new era of Conan greatness, thanks to the arrival of inker extraordinaire Tony DeZuniga.

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Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “The People of the Black Circle”

Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “The People of the Black Circle”

people-of-the-black-circleHoward Andrew Jones and Bill Ward kick off their re-read of The Bloody Crown of Conan by Robert E. Howard, the second of three omnibus volumes collecting the complete tales of Conan, with perhaps my favorite Conan tale, the 80-page novella “The People of the Black Circle.” It was originally published in three parts in the September, October and November 1934 issues of Weird Tales.

Bill: It’s easy to see why “The People of the Black Circle” is a Conan fan-favorite: plot-twists and action galore, great supporting characters, an exotic but plausibly constructed setting, and fabulous villains using a host of inventive magic. Conan is the adventurer and rogue we’ve come to know over the last dozen or so stories, this time commanding a tribe of Afghuli raiders on the borders of Vedhya, the Hyborian Age equivalent of India. There are a few elements in the story that may recall others in the Conan saga, but this time around there is nothing that feels recycled or borrowed, indeed the whole story feels fresh and something of a departure from what has come before.

Howard: It was a grand adventure and a very different feel from the last little parcel of tales. I’m glad REH decided to vary his theme, and I’m scratching my head wondering why this story didn’t serve more often as a sword-and-sorcery template. Probably because its unique character made it far more difficult to imitate.

Next up, Bill and Howard dive into the first Conan novel, The Hour of the Dragon. Stay tuned.

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Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “The Devil in Iron”

Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “The Devil in Iron”

Weird Tales August 1934-smallHoward Andrew Jones and Bill Ward wrap up their re-read of The Coming of Conan by Robert E. Howard, the first of the three Del Rey volumes, with “The Devil in Iron,” the last story in the collection, first published in the August 1934 issue of Weird Tales. Here’s Bill:

After an opening in which the supernatural juggernaut of the title is teased, we are treated to an outline of the plot to catch Conan on the very same island where we’ve just seen an ancient evil reborn. “The Devil in Iron” is heavily reminiscent of “Iron Shadows in the Moon” and “Xuthal of the Dusk,” but most especially the former… The story is a fitting capstone to this collection of the first Conan tales, being one more of the ‘formula’ stories, but also one of the best of those…

Overall “The Devil In Iron” feels in some ways like the remix of a favorite song, it’s old familiar territory that’s well worth traipsing through again, and a welcome return to form after last week’s “The Vale of Lost Women.” From this point on the stories get much longer, the plots more involved, and REH’s inspirations shift in new directions. It’s a fitting place to end the first of Del Rey’s Conan collections, The Coming of Conan.

Next up, Bill and Howard dive into the second Del Rey Robert E. Howard collection, The Bloody Crown of Conan, starting with the classic “The People of the Black Circle.” Stay tuned.

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The Great Savage Sword Re-Read: Vol. 2

The Great Savage Sword Re-Read: Vol. 2

In the first installment, I explored Volume 1 of the Savage Sword of Conan Dark Horse reprints of the classic Marvel Comics black-and-white magazine.

2577548-savage_sword_of_conan_015_01Volume 2 begins with Savage Sword of Conan #11 from 1976. A terrific issue written by Roy Thomas — who wrote most of the stories in the magazine its first few years — with art from John Buscema and Yong Montano. Buscema/Montano paring is an interesting one, and the results are every bit as lush and detailed as Alfredo Alcala’s inks in Volume One.

It’s too bad Montano only did this one issue of SS because he brought Buscema’s superb pencils to life as well as Alcala, yet with a decidedly different style that was no less immersive. This adaptation of Howard’s “The Abode of the Damned” isn’t your typical tale of the Cimmerian, as Conan is either off-screen or in disguise as “Shirkuh” for half the issue. It’s a brutal excursion into the violent lives of desert tribesmen, as seen through the eyes of the intrepid maiden Mellani. Seeking vengeance for her slain brother leads her right into captivity where Cimmerian-in-disguise is her only hope of surviving. Yong Montano didn’t turn into a regular Buscema inker like Alcala and later DeZuniga and Chan did, but on SS #11 he did a bang-up job creating that Buscema/Alcala level of artistic detail, while offering a fresh texture in his mastery of light and shadow.

In Savage Sword #12, reigning artistic champions John Buscema and Alfredo Alcala return to help Roy Thomas adapt Howard’s “The Slave Princess” into a Conan tale called “The Haunters of Castle Crimson.” The lush black ink work is the high standard of the magazine’s early years. Alcala’s hyper-detailed panels took Buscema’s masterful pencils to a whole new level of artistic integrity. Following their bravura performances in SS #2, 4, and 7, Buscema/Alcala bring more lighting-in-bottle greatness to these pages — and it’s their high-end work that highlights this entire second volume, beginning with SS #12.

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