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New Treasures: Among Thieves by MJ Kuhn

New Treasures: Among Thieves by MJ Kuhn

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Among Thieves by M.J. Kuhn (Saga Press, September 2021)

It’s been a long week, and it’s time to relax with a good fantasy novel. Lucky for me, Saga Press has just released M.J. Kuhn’s debut, the tale of a high-stakes heist in a world of magic and malice. It sounds like just what I’m looking for. Here’s the enthusiastic review from Publisher’s Weekly.

Kuhn debuts with an electrifying fantasy that takes readers into the seamy heart of Dresdell, one of the five kingdoms of Thamorr, where rival crime syndicates vie for jobs. When Toliver Shadowwood, the King of Edale, arranges a meeting with the Kestrel Crowns, Ryia Cautella, an infamous member of the Saints of the Wharf, snoops on their rendezvous. She discovers that Shadowwood is after an ancient, magical quill belonging to the Guildmaster of Thamorr, the most powerful person in all the five kingdoms. It’s this quill that gives the Guildmaster his uncanny powers, so when the Crowns reject the offer, Ryia seizes the opportunity to poach the job… Kuhn successfully builds a fast-paced mystery around both the quill’s powers and Ryia’s troubled past. Fantasy fans won’t want to miss this.

Among Thieves was published by Saga Press on September 7, 2021. It is 343 pages, priced at $26.99 in hardcover, $12.99 in digital and $19 in audio formats. The cover is by Chris McGrath. See all our recent New Treasures here.

Neverwhens, Where History and Fantasy Collide: Of Aztecs and Iron Chandeliers – Silvia Moreno-Garcia’s The Return of the Sorceress

Neverwhens, Where History and Fantasy Collide: Of Aztecs and Iron Chandeliers – Silvia Moreno-Garcia’s The Return of the Sorceress

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The Return of the Sorceress (Subterranean, June 2021). Cover by Fang Xinyu

One of the best things about Moreno-Garcia is that she writes whatever the hell she wants, and it is up to others to categorize it. In an era where authors are often told to “stay in their lane” (be that about what ethnicities or cultures they write about, or what genres the can write in without resorting to pen names), SMG has, in a short span of years, written Gothic horror,  vampires, in a pseudo-cyberpunk dystopian near future, edited a feminist anthology of Cthulhoid terror, a dark fairytale of Mayan gods set in 1920s Mexico, romance, and a thriller set in 1979. Much like Quentin Tarantino, Moreno-Garcia takes the themes and tropes of pulp fiction — noir, crime, romance, horror, fantasy, and infuses it with something new; in her case, often via the landscape of 20th century Mexico.

Now, with her novella, The Return of the Sorceress, the prolific author adds sword and sorcery to the mix. It’s a slender volume, the long novelette or novella being sword & sorcery’s preferred and most effective form, and the tale is a fairly straightforward story of revenge vs. redemption. Yalxi rose from insignificance to leadership of the Guild of Sorcerers; a position she only achieved by murdering her master, Teotah, the Guild’s previous Supreme Master. Unfortunately, at the heart of her power, was a diamond “heart,” set in a pectoral collar, rested from Teotah, and not stolen by Yalxi’s lover and confidant, Xellah.

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Ghosts of the Past, Ghosts of the Present: December Tales, edited by J.D. Horn

Ghosts of the Past, Ghosts of the Present: December Tales, edited by J.D. Horn

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December Tales: A Collection of New and Classic Ghost Stories
Edited by J.D. Horn; Foreword by Colin Dickey
Curious Blue Press (468 pages, $19.95 paperback/$5.95 digital formats, September 28, 2021)

The title of the present anthology refers to the tradition of telling ghost stories at Christmas time, a tradition enforced by Charles Dickens, who not only wrote the famous “A Christmas Carol” but also edited Victorian era magazines regularly featuring ghost stories in their Christmas issues.

Truth be told, ghost stories are now available throughout the year and, fortunately, modern writers are still devoted to the genre.

Editor J.D. Horn has developed the brilliant idea of assembling in one volume both classical ghostly tales from various parts of the world and brand new stories by contemporary authors.

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New Treasures: We Have Always Been Here by Lena Nguyen

New Treasures: We Have Always Been Here by Lena Nguyen

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We Have Always Been Here (DAW, July 2021). Cover by Yurly Muzur

We’re back! Well, we never left, but a corrupted database table made it…. challenging to publish new articles. That happens when your site is 20 years old and has half a million subscribers. So they tell me.

I’m sick of looking at database tables, let me tell you. What do I want to look at? Books! Come on, that was an easy one.

So tonight I settle down with a new science fiction debut, a creepy novel of deep space exploration by Lena Nguyen. Kirkus Reviews calls it “claustrophobic and dark, full of twisting ship corridors and unreliable characters…. A promising, atmospheric debut,” and The Chicago Review of Books praises it as a “multi-layered ghost story in space… [set in] an increasingly horrific labyrinth.” Here’s the publisher’s description for We Have Always Been Here.

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Galloway Gallegher — Kuttner’s Sauced Scientist

Galloway Gallegher — Kuttner’s Sauced Scientist

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Robots Have No Tails (Lancer, 1973). Cover by Ron Walotsky

Try this one on for size…you go to sleep one night and have a lively dream. You see yourself doing wonderful things, creating new devices based on principles so advanced you can’t even image how they could be. You don’t question the fact that it is a dream because you know that, normally, you could never build such fabulous, world-changing technologies. It’s all kind of fuzzy though — what you’re building, the people you’re interacting with, everything.

When you wake in the morning you discover any number of strange devices in your house. You have no idea what they are, how they work, or where they came from. The phone rings. Apparently, there are several people to whom you now owe a lot money. You’ve never met any of them before but they seem to know you. Is it a scam? You hope so because one of them is suing you for breach of contract. Another is taking you to court for assault and battery. What happened? Could your dreams have been real somehow? Regardless, it seems that you’re now morally responsible for a whole lot of trouble.

This is essentially the premise of Henry Kuttner’s five Galloway/Gallegher stories: “Time Locker” (1943), “The World Is Mine” (1943), “The Proud Robot” (1943), “Gallegher Plus” (1943), and “Ex Machina” (1948).

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In 500 Words or Less: Plague Birds by Jason Sanford

In 500 Words or Less: Plague Birds by Jason Sanford

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Plague Birds by Jason Sanford
Apex Publications (274 pages, $16.95 paperback/$6.99 eBook, Sept 21, 2021)
Cover by Marcela Bolívar

I remember not long ago when CRISPR was on the tip of a lot of people’s tongues, among science fiction writers as well as the general public. Obviously we’re focused on other topics in science and medicine right now, but sooner or later people will come back to asking whether gene editing should be allowed, what should be permissible, and the possibilities if this branch of science is allowed to run unchecked.

Jason Sanford deals with that last point in Plague Birds, by jumping ahead thousands of years after a total societal collapse caused in part by conflict between genetically modified humans. The set-up and frame here is pretty cool: millennia after this collapse, humans live in isolated settlements and mostly stay away from each other, protected by AIs that are gradually weeding out the “crisper” inside their DNA. We get to see a lot of how the world has changed, but the real focus is on Crista, a young woman forced to become one of the “plague birds” who essentially root out the most heinous wrongdoers among the settlements – though it often isn’t a simple job.

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Arthur C. Clarke: Omnibuses, Collections, and Remixes

Arthur C. Clarke: Omnibuses, Collections, and Remixes

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Omnibuses:
Across the Sea of Stars (Harcourt Brace World, 1959)
From the Ocean, From the Stars (Harcourt Brace World, 1961)
Prelude to Mars (Harcourt Brace World, 1965; book club edition shown)
The Lion of Comarre and Against the Fall of Night (Harcourt Brace World, 1968; book club edition shown)

Arthur C. Clarke was one of the major science fiction writers of the 1950s through the 1970s; his biggest claim to fame was as coauthor, along with filmmaker Stanley Kubrick, of the film and novel 2001: A Space Odyssey. He was a British scientist who lived most of his life in Ceylon, later known as Sri Lanka, and wrote numerous books about his skin diving adventures in that area. He began publishing short stories as early as 1937, and his novels beginning in the 1950s included Childhood’s End, The City and the Stars, and Rendezvous with Rama.

This is the first of two posts about Arthur C. Clarke’s short fiction, which comprise nearly 100 titles and include such famous works as “The Star” and “The Nine Billion Names of God,” not to mention “The Sentinel,” one of the  (several) inspirations for 2001. This post will trace the overlaps between Clarke’s early collections and the later “omnibuses” and “remixes.” The next post will review the stories, both in general terms and to highlight the 8 or 10 or 12 best, or most significant, Clarke stories, in my judgment.

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Introduction to DAW Books’ The Year’s Best Horror Stories (1972–1994), edited by Richard Davis, Gerald W. Page, and Karl Edward Wagner

Introduction to DAW Books’ The Year’s Best Horror Stories (1972–1994), edited by Richard Davis, Gerald W. Page, and Karl Edward Wagner

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20 of the 22 volumes of The Year’s Best Horror Stories (DAW Books)

Today I’m beginning a new series of posts investigating DAW Books’ Year’s Best Horror Stories series, which ran from 1971 to 1994. As a fan of literary horror, I’m excited to sequentially read through these volumes and share my thoughts with you. I’m hoping that we’ll be able to discover some great stories and authors, perhaps some we’ve never read before, and I’m also hoping that we will be able to see how trends in horror have changed over the years. Each post will investigate one volume at a time.

Except this first one, in which I want to explore the impetus and beginnings of the series as a whole.

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When the Goddess Wakes by Howard Andrew Jones

When the Goddess Wakes by Howard Andrew Jones

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When comes my numbered day, I will meet it smiling. For I’ll have kept this oath.

I shall use my arms to shield the weak.

I shall use my lips to speak the truth, and my eyes to seek it.

I shall use my hand to mete justice to high and to low, and I will weigh all things with heart and mind.

Where I walk the laws will follow, for I am the sword of my people and the shepherd of their lands.

When I fall, I will rise through my brothers and my sisters, for I am eternal.

Pledge of the Altenerai

 

And with When the Goddess Wakes, Howard Andrew Jones’s Ring-Sworn Trilogy comes to a rousing conclusion. Perhaps the series’ greatest asset is its completion. In one two-and-a-half-year span — complete with a plague — all three books have appeared and that’s it, there ain’t no more. I waited six years between installments of Glen Cook’s Black Company, and millions of people have been waiting ten years for the next volume of A Song of Ice and Fire (good luck with that). Jones got in and got out, producing three tightly-plotted and -paced novels. For that alone, as a reader I say, “Thank you!” But there’s more to it than that.

The first book, For the Killing of Kings (2019) introduces the Altenerai, a corps of superior warriors complete with magical talents. They are dedicated to protecting the five realms of the Dendressi from forces magical and mundane. Just as it is discovered that a kingdom-destabilizing conspiracy leads right to the Queen, the five realms are invaded by the Naor, a brutal barbarian horde. Less than a decade earlier the Naor were almost victorious. This time around, most of the greatest Altenerai are missing or dead, and it seems as though only a pair of young Altenerai and a few veterans are ready to stand against the Dendressi’s enemies. That book ends grimly, with death and destruction and what seems certain victory of both the Naor and the Queen.

Upon the Flight of the Queen (2019) {That’s two books in one year, folks! It can be done.} begins right where the previous book left off, with death and destruction continuing apace. The Naor march on the capital, Darassus, and the Queen’s plot to resurrect a long lost goddess in order to create a utopia is revealed. Each promises destruction for the Dendressi. Both are thwarted, but the Queen escapes with every intention of carrying out her plan.

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New Treasures: The Lights of Prague by Nicole Jarvis

New Treasures: The Lights of Prague by Nicole Jarvis

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The Lights of Prague (Titan, May 2021). Cover design by Julia Lloyd

I found Nicole Jarvis’s The Lights of Prague while wandering through Barnes & Noble this summer. It’s a debut in every sense of the word — Jarvis hasn’t published any previous short fiction, and I can’t even find a web page for her. But the book sounds extremely relevant to my interests. Have a look at this snippet from Mya Alexice’s BookPage review.

Nicole Jarvis’ debut fantasy, The Lights of Prague, welcomes readers into an arresting and vivid historical fantasy world… In her version of the culturally rich European city, creatures from Czech folklore haunt its streets and endanger its citizens. Pijavice — vampiric monsters consumed by bloodlust — are particularly terrifying to those who walk alone at night. The Lights of Prague follows Domek Myska, an earnest member of the lamplighters, who in this world are also a monster-hunting secret society that keeps these creatures at bay, and Lady Ora Fischerová, a charming widow with her own ties to Prague’s supernatural underground…

The Lights of Prague is an impressive and mature feat from a debut novelist.

The Lights of Prague was published by Titan Books on May 25, 2021. It is 413 pages, priced at $15.95 in paperback and $9.99 in digital formats. The cover was deigned by Julia Lloyd. See all our recent New Treasures here.