Win a Copy of This Crooked Way!
James Enge’s Morlock stories have been some of the most popular fiction we’ve published in Black Gate. His first Morlock novel, Blood of Ambrose, published by Pyr in April, was very warmly received, and described as “A future classic… this novel succeeds beautifully” (The Great Geek Manual) and “Like Conan as written by Raymond Chandler” (Paul Cornell).
The second volume, This Crooked Way, went on sale October 6th. More than just a collection of previously published Morlock fiction, This Crooked Way has 15 chapters, only 5 of which have previously appeared. We’ve received a small number of advance copies, and we want to give them to you.
We’ve asked James Enge to compile a list of questions, the answers to which lie in the five Morlock stories that have appeared in Black Gate. The first five readers to fill out and submit the quiz below with the correct answers will receive a copy of This Crooked Way, compliments of Black Gate, James Enge, and Pyr.
The usual legal disclaimers apply: Offer void where prohibited. No purchase necessary. Must be 18 to enter. Judges decisions are final. Postage costs outside the US are the responsibility of the winner. Additional disclaimers apply as we think of them. Eat your vegetables.
Linwood Vrooman Carter (1930-1988) was one of the heroes of my youth. In the decades since his death his reputation has wallowed in the aftermath of the Last Great Sword & Sorcery Boom. He helped start it, with the Conan books he and L. Sprague de Camp brought back into print, edited, and in many cases wrote, as with the Ballantine Adult Fantasy Series of works he edited and thus brought back into print. (Not adult fantasy as in sex, but adult fantasy as in great classic works that weren’t kid stuff). Books by Lovecraft and Clark Ashton Smith and James Branch Cabell; title I never would’ve read in a million years otherwise, but books which shaped the tastes of many another fantasy enthusiast, myself among them.
I’ve been in reviewer overload lately, reading, taking notes, and penning reviews for the next issue of Black Gate. But, more than that, I’ve also been coordinating our crop of reviewers this time out, and thinking in terms of what exactly it is that ought to be in the review section of the magazine, not just in the reviews I put up on my own website. Having done over 50 reviews in the last year and a half or so, I think I’ve learned a few things, and I’d like to share my thoughts on what a good review should consist of. And at the end of this essay I’ll also offer some practical advice to anyone that wants to become a web reviewer themselves and share the reasons behind just why someone would want to take the time to review a book in the first place.
I read an interesting post the other day by a thoughtful blogster whose name I cannot now remember and whose post I cannot locate again, who professed his surprise at all the fans of Conan (and Sword & Sorcery in general) who were returning to the fold now, after falling away in the 1980s, after the last Big S&S Boom.
I’m a sucker for retrospective anthologies. And F&SF is one of my favorite magazines — and has been since I first discovered tattered copies in the tiny library of Rockcliffe Air Force base in Ottawa, Canada, in the late 70s. Editor Gordon van Gelder has assembled an imposing, 470-page collection spanning more than five decades, starting with Alfred Bester’s “Of Time and Third Avenue” (1951) and ending with Ted Chiang’s “The Merchant and the Alchemist’s Gate” (2007).
Regarding two earlier posts:
When an unabashed work of fantasy gets shortlisted for a National Book Award, Black Gate‘s Rich Horton sits up and takes notice. The volume in question is titled Skin Hunger, Book One of a series called A Resurrection of Magic. Penned by talented writer Kathleen Duey, it’s filled with witches, magic, ove and loss. Horton judges it an intriguing page-turner that acts as a promising introduction to Duey’s fictional world.