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On Sale Today: Gods of Opar by Philip José Farmer and Christopher Paul Carey

On Sale Today: Gods of Opar by Philip José Farmer and Christopher Paul Carey

gods-of-oparI love these Philip José Farmer collections from Subterranean Press. They’re gorgeous, for one thing, with wonderful Bob Eggleton covers and the top-notch design typical of Subterranean. They look great lined up on my bookshelf.

But they’re also a terrific and economical way to obtain some of Farmer’s best work, whether you’re interested in his short fiction — collected in Up the Bright River, Venus on the Half-Shell and Others, Pearls from Peoria, and the massive The Best of Philip Jose Farmer — or his linked novel series, such as The Other in the Mirror.

The latest offering from Subterranean Press is no exception, collecting two long out-of-print novels and the conclusion to the trilogy, co-written with Christopher Paul Carey, which appears here for the first time:

Gods of Opar: Tales of Lost Khokarsa collects for the first time anywhere Philip José Farmer’s epic Khokarsa cycle, including the never-before-published conclusion to the trilogy, The Song of Kwasin.

In Hadon of Ancient Opar, the young hero Hadon journeys from his outpost city to the heart of the ancient African empire of Khokarsa, battling in the Great Games for the chance to win the king’s crown. But just as Hadon stands upon the precipice of victory, the tyrannical King Minruth usurps the throne and overturns the beneficent, centuries-old rule of the priestesses of Kho. Now Hadon must set out upon a hero’s journey unlike any other—to hunt down a living god and return with his bounty. The saga continues in Flight to Opar, as a decree by the oracle hurtles Hadon upon a perilous quest that will determine the fate of the next twelve millennia. In The Song of Kwasin, Hadon’s herculean cousin returns to Khokarsa after long years of exile in the Wild Lands. But soon Kwasin finds that in order to clear his name he will have to take up the cause against King Minruth himself and stop him before he fulfills his mad quest for immortality high atop the sun god’s bloody ziggurat.

Gods of Opar is 576 pages in hardcover. The trade edition is $45; there’s also a $65 Limited Edition with loads of additional content, including The Song of Kwasin Outline, a Khokarsan Glossary and Calendar, and more. You can find complete details at the Subterranean Press website.

New Treasures: Henry Kuttner’s Thunder in the Void

New Treasures: Henry Kuttner’s Thunder in the Void

thunder-in-the-voidThis weekend here in Chicago was the 12th annual Windy City Pulp and Paper Convention, one of my favorite local shows. I met fellow BG bloggers Jason Waltz, Joe Bonadonna, and David C. Smith on Saturday, as well as Bill “Indy” Cavalier, Morgan Holmes, and the always engaging Bob Garcia. Late on Sunday I heard someone call my name and turned to discover none other than William Patrick Maynard, our distinguished Friday blogger, who was selling his new novels The Terror of Fu Manchu and The Destiny of Fu Manchu at an impressively-stocked table. Despite having worked together for years it was the first time we’d ever meet, and I really enjoyed our conversation. He’s a fascinating fellow, and I kept him until well after the show had ended.

But the highlight of the show is always seeing the new titles at the Haffner Press booth, and this year didn’t disappoint. Stephen Haffner’s archival quality hardcovers are works of art, and his taste is excellent. He has published the definitive short fiction collections of many of the finest early pulp writers, including Leigh Brackett, Edmond Hamilton, Jack Williamson, C.L. Moore, and Henry Kuttner.

Still, Stephen may have outdone himself with his newest release, Henry Kuttner’s Thunder in the Void, a massive collection of 16 Space Opera tales from Planet Stories, Weird Tales, Super Science Stories, and other classic pulps. Before Kuttner married C.L. Moore in 1940, he wrote blood-n-thunder Space Opera in the style of one of his favorite authors, Edmond Hamilton — with winning titles like “Raider of the Spaceways,” “We Guard the Black Planet,” and my favorite, “Crypt-City of the Deathless Ones” — all of which are collected here.

The book looks terrific, even by the high standards of Haffner Press. Most of the these tales are appearing in book form for the first time. Also included is a previously unpublished story, “The Interplanetary Limited,” and an introduction by Mike Resnick.

Stephen mention to me that Thunder in the Void may be the fastest-selling book he has ever printed. It was released on April 4th in a printing of 1000 copies, of which only 200 are left. If you want a copy, I urge you to act fast. Thunder in the Void is 612 pages in a high-quality hardcover, with a cover price of $40. Cover art is by Norman Saunders. It is available directly from Haffner Press.

Previous Haffner releases covered here include Kuttner and Moore’s Detour to Otherness, Henry Kuttner’s Terror in the House: The Early Kuttner, Volume One, and the upcoming The Complete John Thunstone, by Manly Wade Wellman.

The Return of SEP

The Return of SEP

sword-noirBack in 2004, a friend and I decided to become role-playing game publishers, possibly for the wrong reasons – we wanted publish our stuff rather than wanting to be publishers. Given that, we still went forward in as professional a manner as possible.

While we established Sword’s Edge Publishing as a business, I’m afraid I ran it as hobbyist. I made decisions based on my interests and enthusiasms. I should have been looking to build the brand and increase SEP’s audience. In the end, when I lost interest, SEP went to sleep.

It has only recently returned to bring forth some new games, and then quickly returned to its slumber. This last year, from April 2011 (when it released Sword Noir) to January 2012 (when it released the adventure Suffer the Witch), SEP did things a little different than it had before.

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Rich Horton Reviews Fox and Phoenix by Beth Bernobich

Rich Horton Reviews Fox and Phoenix by Beth Bernobich

fox-and-phoenixFox and Phoenix
Beth Bernobich
Viking ( $17.99, hc, 368 pages, October 2011)
Reviewed by Rich Horton

A few years ago Beth Bernobich published a delightful YA novelette called “Pig, Crane, Fox: Three Hearts Unfolding” in Steve Berman’s anthology Magic in the Mirrorstone. Now her first YA novel has appeared, a sequel to the earlier story. It’s also very nice, another benchmark in an evolving career that may become something quite special if Bernobich keeps doing work as interesting as she has done to date.

In “Pig, Crane, Fox” the main protagonist, Kai, is a boy working in his Mother’s magic shop. He (as with most people in his milieu) has a spirit companion, the pig Chen. He and his friends regard themselves as pretty streetwise – and maybe they are, to some extent. Then they get involved with the Princess Lian, as her father, ruler of their city-state, establishes a contest for her hand. Kai is mature enough to ask instead for Lian to be granted her real wish – to study at the major university in the Phoenix Empire.

The setting is explicitly Chinese-derived, though not in any recognizable China. It’s quite fantastical in nature – magic is everywhere – but with a distinctly Science-Fictional attitude informing things, such as the way magic is used. That setting, that mix of SF and Fantasy (a characteristic of much of Bernobich’s work, in different ways) was a big part of the attraction of the story, but so were the well-realized characters.

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The Best of Modern Arabian Fantasy, Part II: Judith Tarr and Alamut

The Best of Modern Arabian Fantasy, Part II: Judith Tarr and Alamut

imagesNo series on the best of modern Arabian fantasy would be complete without going back to the book that many credit with starting the whole trend, Alamut by Judith Tarr.

I had the privilege of talking with Judy about the book and her process for research and writing, and her answers are insightful and fascinating. In what follows, I ask how she took her strong academic background and applied it to building the world and characters that captured the fascination of readers and writers alike.

She lists her favorite source materials and works of Middle Eastern literature that she’d recommend to readers today, and gives us a sneak peek into her exciting, upcoming projects, which also will feature the setting and culture of the Middle East.

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Matthew Stover returns to Caine with Caine’s Law

Matthew Stover returns to Caine with Caine’s Law

caines-lawIn 1996, when I founded the SF Site, I became professionally involved with genre science fiction and fantasy for the first time. I covered it virtually in its entirety, publishing 50+ articles and reviews every month, written by over 40 contributors.

It was tremendously exciting. I still remember the first review copies I ever received, from Andy Heidel at Avon Books. By the end of 1998 I was receiving dozens of review copies a week, but that first box in the summer of 1997 meant that publishers were starting to take us seriously for the first time. I still remember every book into that small box; how wonderful they felt in my hands, and how vibrant and alive SF & fantasy publishing seemed at the time.

Something else I remember about those days is the new authors appearing on the scene; how much I envied them, and how closely I watched their careers. Virtually every month an author published her first novel, many to great acclaim. We paid a lot of attention to new authors at the SF Site, and tried to get them as much coverage as we could.

Over a decade later I hate to tell you how many of those authors made it: virtually none. I can count on one hand the writers who started publishing in the first years of the SF Site, and who are still working in the field today.

I’m very glad to report that one of them is Matthew Stover — whom we knew as Matthew Woodring Stover back in the day, when Del Rey published his first brutal and riveting fantasy novels Heroes Die (1998), and Blade of Tyshalle (2001). They were the first two novels in what became known as The Acts of Caine series, which became a trilogy in 2008 with Caine Black Knife. On April 3, Del Rey published the fourth in the series, Caine’s Law:

Caine is washed up and hung out to dry, a crippled husk kept isolated and restrained by the studio that exploited him. Now they have dragged him back for one last deal. But Caine has other plans. Those plans take him back to Overworld, the alternate reality where gods are real and magic is the ultimate weapon. There, in a violent odyssey through time and space, Caine will face the demons of his past, find true love, and just possibly destroy the universe.

Hey, it’s a crappy job, but somebody’s got to do it.

Caine’s Law is 496 pages; it’s now available in trade paperback for $16. Get more details at Del Rey’s site here.

33 Years to Immortality. Maybe.

33 Years to Immortality. Maybe.

singularity-coverIn 2045 we will reach Event Horizon, aka the Singularity. In that year we will transcend biology and our bodies will meld with machines. “There will be no distinction, post-Singularity, between human and machine or between physical and virtual reality,” predicts author Ray Kurzweil in his 2005 treatise The Singularity is Near.

Though it built computer intelligence, humanity will be surpassed by its creation. Powered by artificial intelligence, machines will design their next generation without human intervention, growing exponentially beyond all human potential. These machines will not only be smart, but indistinguishable from humans. Writes Kurzweil: “Within several decades information-based technologies will encompass all human knowledge and proficiency, ultimately including the pattern-recognition powers, problem-solving skills, and emotional and moral intelligence of the human brain itself.”

Kurzweil’s predictions of the Singularity are optimistic: Rather than being reduced to ineffectual dinosaurs headed for slow extinction, or wiped out in some Terminator-like rise of the machines, we will merge with technology, and our bodies will no longer be subject to disease and weakness and age. “We can expect that the full realization of the biotechnology and nanotechnology revolutions will enable us to eliminate virtually all medical causes of death,” writes Kurzweil.

So 33 years until immortality. But what sort of a life will we lead in this Brave New World of man-machine perfection?

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New Treasures: Goodis: Five Noir Novels of the 1940s & 50s

New Treasures: Goodis: Five Noir Novels of the 1940s & 50s

goodis-five-noir-novels1Let’s take stock for a minute. Been a busy week, and it’s only Tuesday. Is it time for another installment of New Treasures already?

Let’s see, let’s see… what did we cover last time? Been so long I barely remember. Well look at that — it was a handsome pair of novels from The Library of America. By coincidence, The Library of America also published the book I want to talk about today: Goodis: Five Noir Novels of the 1940s & 50s.

Or maybe it’s not coincidence. Maybe The Library of America is just that cool. Here’s the back cover copy for today’s omnibus collection of five classic crime novels by David Goodis — you decide.

In 1997 The Library of America’s Crime Novels: American Noir gathered, in two volumes, eleven classic works of the 1930s, 40s, and 50s — among them David Goodis’s moody and intensely lyrical masterpiece Down There, adapted by François Truffaut for his 1960 film Shoot the Piano Player. Now, The Library of America and editor Robert Polito team up again to celebrate the full scope of Goodis’s signature style with this landmark volume collecting five great novels from the height of his career. Goodis (1917-1967) was a Philadelphia- born pulp expressionist who brought a jazzy style to his spare, passionate novels of mean streets and doomed protagonists: an innocent man railroaded for his wife’s murder (Dark Passage); an artist whose life turns nightmarish because of a cache of stolen money (Nightfall); a dockworker seeking to comprehend his sister’s brutal death (The Moon in the Gutter); a petty criminal derailed by irresistible passion (The Burglar); and a famous crooner scarred by violence and descending into dereliction (Street of No Return). Long a cult favorite, Goodis now takes his place alongside Raymond Chandler and Dashiell Hammett in the pantheon of classic American crime writers.

No, it’s not fantasy or science fiction. But it’s a complete noir library in one attractive package, and it has thumbnail pics of five pulp paperbacks from the 40s & 50s right on the cover wrap. Good enough for me.

Goodis: Five Noir Novels of the 1940s & 50s is 848 pages in hardcover. It was published March 29, 2012, and retails for $35.

“What’s Become of Screwloose?” and Other Great Short Fiction by Ron Goulart

“What’s Become of Screwloose?” and Other Great Short Fiction by Ron Goulart

whats-become-of-screwloose1Ron Goulart has written more than 70 novels, most of them science fiction or fantasy, as well as over a dozen non-fiction titles, including Comic Book Culture and the classic history of the pulps, Cheap Thrills: An Informal History of the Pulp Magazines.

I saw his name countless times in the paperback racks where I hunted for science fiction as a teen, on slender DAW volumes like Calling Dr. Patchwork, The Panchronicon Plot, and Big Bang. He had a reputation for light comedy, not something that appealed to me at the time, and I pretty much ignored Goulart for years.

In fact, I truly discovered Ron Goulart for the first time five days ago, shortly before midnight last Wednesday.

I was bagging a collection of Worlds of IF, a science fiction digest that folded in 1974, which I’d gradually accumulated over several weeks on eBay. I was casually flipping through the April 1970 issue when I stumbled on the short story “Swap,” by Ron Goulart, with this editorial teaser:

What happens when you swap love partners — and win a hot, curvy bundle of hate?

As a student of short fiction teasers — I’ve written a few hundred for Black Gate — I know a winner when I see one. I pulled the lever to recline the couch and, surrounded by nearly a dozen stacks of aging science fiction magazines, settled back to enjoy a 42-year old science fiction story.

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Alana Joli Abbott Reviews Chicks Kick Butt

Alana Joli Abbott Reviews Chicks Kick Butt

chicks-kick-butt-anthologyChicks Kick Butt
Rachel Caine and Kerrie L. Hughes (eds.)
Tor (pages 349, $14.99, trade July 2011)
Reviewed by Alana Joli Abbott

Anthologies should accomplish two things. Readers unfamiliar with the authors should have their interest piqued and should want to read more by those authors. Readers familiar with the works of the writers should feel that the story is a reward – an extra – that enhances their reading experience of the other works. In the case of Chicks Kick Butt, several – but not all – of the stories engaged me and left me wanting more by the writers.

Overall, it is a strong collection, filled with writers who have had novels on bestseller lists, many at The New York Times. Perhaps most pleasantly, the stories tend to be about women who are not too awesome to be interesting. While a few of the heroines are amazing fighters who literally kick butt, most are vulnerable or unsure of their own abilities; it is their determination, perseverance, and wits that sees them through. Given frequent complaints about how “strong woman” has had a single definition in the media, this anthology bucks the trend by featuring women with a variety of strengths.

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