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New Treasures: Stefan Petrucha’s Dead Mann Running

New Treasures: Stefan Petrucha’s Dead Mann Running

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dead-mann-runningI’m keeping my promise to spend a few days focusing on paperback arrivals in my New Treasures column. It’s easy to do, as there’s been plenty to grab my attention recently.

Case in point: Dead Mann Running by Stefan Petrucha, sequel to Dead Mann Walking. David Wellington, author of Monster Island, called it “Fast-paced zombie noir with a melancholy bite, a sure antidote for the blandness of traditional zombie fare.”

It kills me that there’s such a thing as “traditional zombie fare” these days. As a kid growing up on monster movies, there was no such thing as “traditional zombie fare.” Zombie fare was all gourmet, let me tell you. Anyway, I’m intrigued by the “zombie noir” blurb, and the book description, narrated by dead detective Hessius Mann:

Just because a bullet has your name on it, doesn’t mean you shouldn’t duck…

Either I’m stubborn or it’s rigor mortis, but being dead didn’t stop me from being a detective. But it’s tough out there for a zombie. These days the life-challenged have to register and take monthly tests to prove our emotional stability. See, if we get too low, we go feral. And I’ve been feeling down lately myself.

So when a severed arm – yeah, just the arm – leaves a mysterious briefcase in my office, my assistant Misty thinks figuring out where it came from will keep me on track. But this job goes deeper and darker than I imagined.

Turns out the people after the briefcase know more about my past life than I can remember, and even more about what I’ve become.

Believe it or not, this is not the only zombie detective novel I plan to cover this week (maybe David Wellington was on to something after all). But you’ll have to wait until later in the week to hear about the second one.

Dead Mann Running was published by Roc on September 4. It is 339 pages in paperback or digital format for $7.99. You can read a free excerpt here.

Read all of our recent New Treasures articles here.

It’s Halloween Already with Graphic Classic’s Halloween Classics

It’s Halloween Already with Graphic Classic’s Halloween Classics

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halloween-classics2Goth Chick gets all excited as we approach the Halloween season every year, decorating the Black Gate offices in black ribbons and plastic tombstones. If we left it up to her, Halloween decorations would be up between Labor Day and Christmas Eve.

But she’s not the only one. Plenty of publishers offer up exciting books around Halloween, and I never really get tired of them. Last week, I received word that Graphic Classics (whom we last wrote about back in July) have released a new comic anthology collecting five scary stories in the tradition of EC Comics, presented by your horrible host Nerwin the Docent:

Eureka Productions is pleased to announce the release of Halloween Classics: Graphic Classics Volume 23, the newest volume in the Graphic Classics series of comics adaptations of great literature.

Halloween Classics presents five scary tales for the holiday, each with an EC Comics-style introduction by famed horror author Mort Castle. Featured are Washington Irving’s “The Legend of Sleepy Hollow,” Arthur Conan Doyle’s mummy tale “Lot No. 249,” Mark Twain’s “A Curious Dream,” and H.P. Lovecraft’s “Cool Air.” Plus, a comics adaptation of the great silent film, “The Cabinet of Dr. Calligari,” illustrated by Matt Howarth, with a terrifying cover by Simon Gane.

Halloween Classics: Graphic Classics Volume 23 is edited by Tom Pomplun, and published September 2012 by Eureka Productions. It is 144 pages in full color oversize paperback, priced at $15.00.

Get more details at the Eureka Productions website.

Of Blood and Honey by Stina Leicht

Of Blood and Honey by Stina Leicht

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of-blood-and-honey-by-stina-leicth-adoiOf Blood and Honey
By Stina Leicht
Night Shade Books ($14.99, trade paperback, 296 pages, January 2011)
Reviewed by Sean T. M. Stiennon

Perhaps I’ll be accused of going below the belt by saying this, but the most damning criticism I can offer of Stina Leicht’s Of Blood and Honey is that it took me several weeks of intermittent reading to finish.  It’s not an awful book by any means, but I never felt as though it generated enough momentum or sympathy to pull me from one reading session to another.

But let me discuss what I did like, which is quite a bit.  Although Leicht is ultimately writing a tale of faeries, demons, and inquisitors, she opts for a clean, modern style that’s well in keeping with the setting in 1970s Ireland.  The sentences flow smoothly from paragraph to paragraph and page to page.  There are some nice snatches of dialogue which, to me at least, rang as distinctly Irish: “It’s married I am, and it’s married I’ll stay.”  Leicht never resorts to spelling out accents, instead relying on vocabulary and syntax to convey dialect, which is a far higher and finer art.

The picture the book paints is rather grim, but ultimately I thought the book came through strongest on atmosphere and milieu.  I know very nearly jack-squat about the Troubles (my ancestors left Ireland much earlier, more around the time of the Potato Famine), but the sense of constant fear and persecution Leicht evokes is powerful.

She tells the story of Liam, a young man who has never known any father besides his step-father Patrick.  His mother tells him that he’s the product of her forbidden union with a Protestant, but Liam has always suspected that there’s something more alien about his origins.

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New Treasures: Kari Sperring’s The Grass King’s Concubine

New Treasures: Kari Sperring’s The Grass King’s Concubine

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the-grass-kings-concubine2I haven’t paid much attention to paperbacks in my New Treasures column. Which is odd, considering paperbacks are actually my preferred format. I think it’s just force of habit — I try to talk about the arrivals that look the most interesting and important, and I think my eye just gravitates towards the hardcovers and trade paperbacks each week.

Several very intriguing paperback originals have arrived in the past few weeks and I’m going to try and rectify that mistake by highlighting them, starting with Kari Sperring’s The Grass King’s Concubine. Sperring made a splash with her first novel Living With Ghosts — a finalist for the Crawford Award, a Tiptree Award Honor Book, Locus Recommended First Novel, and the winner of the Sydney J. Bounds Award for Best Newcomer. With her second novel she returns to the same world with a brand new tale set several hundred years later:

It began with Marcallen, a man bringing human knoledge into WorldBelow — where no mortal had been… And though Marcellan never meant to cause harm, his theories undermined the immortal Grass King’s magic, the power that gave life and plenty to all the Domains of WorldBelow. That disaster was compounded by a spell of stone and blood cast in WorldAbove by exiled shapeshifter twins, once favorites of the Grass King…

Generations later, Aude, born to wealth yet driven always by her childhood vision of a strange Shining Place, seeks to understand her family’s past, where their wealth came from, and why they and all who live in the Silver City want for nothing, while the people who live in the industrial Brass City have nothing at all.

Jehan, a soldier serving in the Brass City, also questions the inequities between the wealthy and those who work for them. When the two find each other on the troubled streets, their destinies are linked. Together, they flee the cities in search of the origins of Aude’s family. All they find is a devastated land, and when Aude is snatched away to WorldBelow by the Grass King’s last remaining supporters, the Cadre, Jehan has no choice but to follow, aided and impeded by the twins. While Jehan travels through hostile lands and battles terrifying guardians, Aude must survive as a prisoner of the Cadre, who believe that she is the solution to restoring WorldBelow — even at the cost of her own life…

The Grass King’s Concubine was released by DAW Books on August 7. It is 481 pages, priced at $7.99 for both the print and digital editions.

Read all of our recent New Treasures articles here.

Librarians to the Rescue: Worldsoul by Liz Williams

Librarians to the Rescue: Worldsoul by Liz Williams

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1540901072Worldsoul
Liz Williams
Prime (311 pp, $14.95 in paperback, August 2012)

Reviewed by David Soyka

The stereotypical image of your local librarian is that of a dowdy, matronly spinster who is constantly telling you to “shush” while your adolescent self is trying to do something vastly more interesting (usually involving a person with whom you are sexually attracted) than figure out the Dewey Decimal system. And, these days with whatever we need to find out only a Google away, who needs librarians anyway?

Well, it would seem the preservation of the underlying fabric of the universe does.

While it’s unlikely that Liz Williams will make librarians cool the way that William Gibson made noirish anti-heroes out of computer nerds, in Worldsoul, librarians brandish magical swords that speak. Not to hush people, but to help defend ancient texts against rogue storylines amongst book stacks that date to the fabled Library of Alexandria before it burned to the ground (at least on Earth).

The novel’s title is the name of an otherworldly realm quartered into distinct cultural, climatic and political realms (and probably having something to do with maintaining the “soul” of the mundane world as we in ordinary life understand it): a hot desert land of ancient Cairo; a cold Nordica where Loki the trickster is an imprisoned nutcase, albeit not totally powerless; the Court inhabited by beings called the “disir” who take human form but aren’t; and the Citadel, the land of the library. This city of Worldsoul somehow or another connects Earth with something called the Liminality, a multi-dimensional storehouse of storylines, the integrity of which no doubt has something to do with the preservation of life as we know it here in realityland.

Our librarian heroine, Mercy Fane, is struggling to counteract strange beings that have escaped from primeval manuscripts and the boundaries of their original storylines. And which take on a female personality that seems to have an agenda to fix some longstanding wrong:

[Mercy] thought of the thing she had seen; the thing that, mentally, she had started calling “the female.” Part of a story from so long ago that any humanity had surely been leached from her, if indeed she had ever possessed any. Something forgotten, that raged, like so many forgotten things. Something that wanted to be known.

And something that, now, would be.

p. 35

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New Treasures: Black Bottle by Anthony Huso

New Treasures: Black Bottle by Anthony Huso

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black-bottle2I’ve been looking forward to Black Bottle ever since I read Matthew David Surridge’s review of the first volume in the two-book series, The Last Page (Tor, 2010) in Black Gate 12. Here’s what he said, in part:

The Last Page is a high fantasy steampunk novel, and a love story. We follow the sexually charged relationship between the improbably named Caliph Howl, heir to the throne of the northern country of Stonehold, and a witch named Sena. The two of them meet at university, go their own ways, and then come together again after Caliph has become king and Sena has acquired a vastly powerful magical tome. Unfortunately, Caliph is facing a civil war against a national hero, and Sena’s book has a lock which can only be opened at a fearsome emotional cost…

The first volume in a two-book series, it manages the trick of both providing a satisfactory conclusion and keeping the story going; in fact, the conclusion suggests the story has taken a turn, and perhaps is going to head in wild new directions. But what really makes the first book work is its language. The prose is strong, quick and dense in the best ways. The diction, the word choice, is inventive; the imagery is both original and concise. At its best, Huso’s language recalls Wolfe or Vance…

From the plot summary for Black Bottle, that twist Matthew mentions seems dark indeed:

Tabloids sold in the Duchy of Stonehold claim that the High King, Caliph Howl, has been raised from the dead. His consort, Sena Iilool, both blamed and celebrated for this act, finds that a macabre cult has sprung up around her. As this news spreads, Stonehold — long considered unimportant — comes to the attention of the emperors in the southern countries. They have learned that the seed of Sena’s immense power lies in an occult book, and they are eager to claim it for their own.

Desperate to protect his people from the southern threat, Caliph is drawn into a summit of the world’s leaders despite the knowledge that it is a trap. As Sena’s bizarre actions threaten to unravel the summit, Caliph watches her slip through his fingers into madness. But is it really madness? Sena is playing a dangerous game of strategy and deceit as she attempts to outwit a force that has spent millennia preparing for this day. Caliph is the only connection left to her former life, but it’s his blood that Sena needs to see her plans through to their explosive finish.

Sounds intriguing, right? But it was when I saw yesterday’s Facebook post from the distinguished Dave Truesdale, Black Gate‘s Managing Editor for our very first issue, that my interest in the book was truly piqued.

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Lord of the Crooked Paths: A Novel’s Odyssey from Print to Ebook

Lord of the Crooked Paths: A Novel’s Odyssey from Print to Ebook

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lord-of-the-crooked-paths-smallThe electronic publishing revolution not only promises convenience, low prices, and the availability of “every book ever published in every language” (in the words of Amazon.com founder Jeff Bezos), but also offers writers like myself the opportunity to undo past missteps in the print-publishing world.

Lord of the Crooked Paths, a fantasy of adventure, love, and intrigue set among the elder gods and goddesses of ancient Greece, certainly had its share of mishaps on its journey from manuscript to paperback to ebook.

The novel began with the intersection of two ideas: Greek mythology and the historical novel. I’ve loved Greek myths since I discovered Edith Hamilton’s Mythology in high school. A college course in Classics deepened that affection, and over the following years I found myself slowly seeking out the original sources in translation. Around the same time, I began reading Alexandre Dumas’ wonderful, action- and suspense-filled historical novels.

What would happen, I wondered, if one applied the techniques of the historical novel to the mythology of ancient Greece? Not retelling familiar hero tales, but fresh, new fictional stories the reader could not already know, set against a background of accurate (“historical”) myth, with fantasy elements treated as fact and the gods themselves as the principal characters?

The obvious place to begin was as near the beginning as possible, during the Age of the Titans, and my prior reading probably represented a generous portion of the required research. In my more grandiose moments, I envisioned a sequence of perhaps ten long novels that would present the entire range of divine myth, from the Titans to the death of Pan in Roman times.

My 600-page manuscript took a year and a half to write. During the nearly three years that followed, I queried some twenty-five publishers (mostly “mainstream”) who were in solid agreement that the story wasn’t for them.

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New Treasures: Dead Reckoning by Mercedes Lackey & Rosemary Edghill

New Treasures: Dead Reckoning by Mercedes Lackey & Rosemary Edghill

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dead-reckoning2July is a special month in the O’Neill household, and not just because it’s summer. All three of my children were born in July, which means it’s a month of birthday cake, party planning, and a lot of exchanging gifts.

My kids are readers, and one of the gifts they traditionally receive from aunts and uncles is book store gift certificates. So every year, at the end of July, we trek to the local Barnes & Noble where my children each bring home a stack of books. For Tim, the oldest, it’s usually manga — this year as many Fullmetal Alchemist volumes as he could find. Taylor is harder to predict, although she’s developed a fondness for manga herself, especially Inuyahsa and Hollow Fields. The middle one, Drew, is a little more adventurous, and this year he parked himself in front of the teen section and spent long minutes agonizing over the selection.

One of the titles he picked out caught my eye as well: Dead Reckoning, a zombie western from two much-loved fantasy writers with a history of successful collaboration. This one looks like a lot of fun, and I might read it as soon as he’s done.

It’s 1867. And something truly monstrous is breaking loose in West Texas.

Jett Gallatin expects trouble in Alsop, Texas, but not zombies. She’s looking for her lost twin brother when she enters a dusty saloon that suddenly is attacked by an army of the undead.

Together with her new friends — one a brilliant inventor, one a clever and good-looking young scout — it’s everything she can do to keep the zombies from killing or taking every living soul in their path. But who could possibly desire to control such an army? And what is it they want from the wild Texas frontier?

Mercedes Lackey & Rosemary Edghill have written more than a dozen books together, including the Shadow Grail novels and six volumes of the Bedlam’s Bard series.

Dead Reckoning was published in June by Bloomsbury. It is 324 pages in hardcover for $16.99 ($13.99 for the digital edition).

The Bones of the Old Ones Inches Closer to December Publication Date

The Bones of the Old Ones Inches Closer to December Publication Date

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bones-of-the-old-onesThis week the most exciting item to arrive at the Black Gate rooftop headquarters, bar none, was the Advance Reading Copy of Howard Andrew Jones’s The Bones of the Old Ones, the sequel to his breakout fantasy novel, The Desert of Souls.

I read The Bones of the Old Ones the instant I could get my hands on it, and it was everything I hoped it would be. A rollicking adventure that follows our heroes Dabir and Asim in a daring quest across the landscape of 8th Century Arabia, Bones is packed with ancient secrets, underground lairs, dread pacts, mysterious sorcery, desperate heroism, and moments of laugh-out-loud humor. The cast is much larger than The Desert of Souls, and the stakes are higher, as Dabir and Asim race against time to prevent an ancient sorcerous cabal from plunging the world into eternal winter:

Combining the masterful fantasy of Robert E . Howard with the high-speed action of Bernard Cornwell, Howard Andrew Jones breathes new life into the glittering tradition of sword-and-sorcery with the latest tale of Dabir and Asim’s adventures. As a snowfall blankets 8th century Mosul, a Persian noblewoman arrives at the home of the scholar Dabir and his friend the swordsman Captain Asim. Najya has escaped from a dangerous cabal that has ensorcelled her to track down ancient magical tools of tremendous power, the bones of the old ones.

To stop the cabal and save Najya, Dabir and Asim venture into the worst winter in human memory, hunted by a shape-changing assassin. The stalwart Asim is drawn irresistibly toward the beautiful Persian even as Dabir realizes she may be far more dangerous a threat than anyone who pursues them, for her enchantment worsens with the winter. As their opposition grows, Dabir and Asim have no choice but to ally with their deadliest enemy, the treacherous Greek necromancer, Lydia. But even if they can trust one another long enough to escape their foes, it may be too late for Najya, whose soul is bound up with a vengeful spirit intent on sheathing the world in ice for a thousand years…

The Bones of the Old Ones will be released in hardcover and eBook by Thomas Dunne Books on December 11. It is 307 pages of non-stop action for $24.99 ($12.99 digital), and gets my highest recommendation. Place your advance order now.

New Treasures: Menzoberranzan: City of Intrigue

New Treasures: Menzoberranzan: City of Intrigue

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menzoberranzan-city-of-intrigue2One of my favorite RPG settings of all time is Menzoberranzan, the 1992 boxed set from TSR that drew liberally from R.A. Salvatore’s best-selling Drizzt Do’Urden novels. Written by Ed Greenwood, Salvatore, and Douglas Niles, the box detailed the famous City of Spiders, the subterranean birthplace of the drow ranger, in three thick books and a set of gorgeous maps. Packed with 20,000 drow inhabitants, hundreds of thousands of humanoid slaves, and countless secrets and simmering rivalries, the home of the drow was an ideal adventure site for intrepid (and suitably high level) players.

Released nearly 20 years ago for second edition AD&D, Menzoberranzan has not seen an update since and has been out of print for over 15 years. It was featured in the popular Menzoberranzan PC game from SSI/DreamForge, part of their Forgotten Realms product line, in 1994, and very prominently in the six volume War of the Spider Queen novels, but it’s been far too long since my favorite underdark city-state appeared in a new edition.

The wait is finally over. Wizards of the Coast has released an updated version in Menzoberranzan: City of Intrigue, now available in hardcover:

The profane beauty of Menzoberranzan reflects the true nature of the drow and Lolth, their vile spider queen. Within sculpted palaces, factions vie for dominion, spin webs of conspiracy, wage war on the surface realms, and spread poisonous rumors. Meanwhile, predator stalk the twisted streets, plotting murder and mayhem. The city has no pity for fools and weaklings.

Menzoberranzan: City of Intrigue breathes new life into the fabled home of Drizzt Do’Urden and leaves no stone unturned. This book explores the city, tells the stories behind important drow houses and factions, and peeks at the mysteries waiting to unfold in the deadliest city of the Forgotten Realms world. This product is compatible with all editions of the Dungeons & Dragons Roleplaying Game and features a poster map of the city.

Menzoberranzan: City of Intrigue is 128 pages in hardcover, heavily illustrated in full color. The poster map is rather colorless, but large and extremely detailed. It was released on August 21 for $29.95.

You can see all of our recent New Treasures here.