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The Abuses of Public Domain Fiction

The Abuses of Public Domain Fiction

cover225x225publicdomainPublic domain is a tricky issue. We all know the horror stories of a certain  bloodsucking literary estate who clings to the last remaining copyrights of their Victorian property and frequently demand exorbitant fees for usage in new works. There are also tales of a well-known property where a dubious claimant to the literary rights regularly files nuisance lawsuits and is often paid off by the big conglomerates just to avoid the hassle of dealing with the allegedly loopy individual in question. Both have generated their share of sympathy for the public domain cause.

Greedy bastards only interested in money and wealthy loons fighting to prove they own something they don’t are certainly unlikable characters. I know a good number of publishers and writers who thrive upon reviving properties that have slipped into public domain. So long as too many cooks aren’t in the kitchen churning out new soups with the same basic ingredients, it should be a harmonious situation that serves to keep the originals in print and grows fan interest in otherwise forgotten characters.

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New Treasures: The Chimes by Anna Smaill

New Treasures: The Chimes by Anna Smaill

The Chimes Anna Smaill-smallAnna Smaill is the author of one book of poetry, The Violinist in Spring, but beyond that I don’t know much about her. Except that her debut fantasy novel is being called “What might be the most distinctive debut of the decade” by Tor.com, and “A melodic, immersive dystopian tale set in a London where writing is lost and song has replaced story” by Kirkus Reviews. And Pulitzer Prize-winner Geraldine Brooks calls it “”A highly original dystopian masterpiece, an intricately imagined, exquisitely invoked world in which music instills order and ravages individuality.”

Sounds like I need to check it out. It goes on sale in hardcover this week from Quercus Books.

After the end of a brutal civil war, London is divided, with slums standing next to a walled city of elites. Monk-like masters are selected for special schooling and shut away for decades, learning to write beautiful compositions for the chimes, played citywide morning and night, to mute memory and keep the citizens trapped in ignorance.

A young orphan named Simon arrives in London with nothing but the vague sense of a half-forgotten promise, to locate someone. What he finds is a new family — a gang of scavengers that patrols the underbelly of the city looking for valuable metal to sell. Drawn in by an enigmatic and charismatic leader, a blind young man named Lucien with a gift for song, Simon forgets entirely what originally brought him to the place he has now made his home.

In this alternate London, the past is a mystery, each new day feels the same as the last, and before is considered “blasphony.” But Simon has a unique gift — the gift of retaining memories — that will lead him to discover a great injustice and take him far beyond the meager life as a member of Lucien’s gang. Before long he will be engaged in an epic struggle for justice, love, and freedom.

The Chimes will be published by Quercus on May 3, 2016. It is 287 pages, priced at $26.99 in hardcover and $12.99 for the digital edition. The cover artist is uncredited.

Future Treasures: War Factory by Neal Asher

Future Treasures: War Factory by Neal Asher

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I’ve been in the mood for fast-paced space opera recently. Something with big guns, bigger ships, and nasty aliens. I’m thinking Neal Asher.

The first book in his Transformation trilogy, Dark Intelligence, was published in February 2015. It introduced us to Thorvald Spear, dead for a hundred years after being betrayed by Penny Royal, the rogue AI sent to rescue his team on a hostile world. When Spear wakes up in a hospital, returned to life by strange technology, he finds the war versus the alien Prador has been over for a century. But Penny Royal is still on the loose, and Spear vows revenge at any cost.

Publishers Weekly called Dark Intelligence “Beautifully paced… space opera at a high peak of craftsmanship.” War Factory is the second volume in the trilogy, and the newest title set in Asher’s Polity universe (Prador Moon, The Line of Polity, Brass Man, The Skinner, and many others).

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Vintage Treasures: The Elsewhere Anthologies, edited by Terri Windling and Mark Alan Arnold

Vintage Treasures: The Elsewhere Anthologies, edited by Terri Windling and Mark Alan Arnold

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Terri Windling is a superstar in the field of fantasy. She’s been awarded the World Fantasy Award nine times, and she’s also won the Mythopoeic Fantasy Award, the Bram Stoker Award, and the 2010 SFWA Solstice Award. As an editor at Ace she discovered and promoted first novels by Charles de Lint, Emma Bull, and many other important authors; with Ellen Datlow she co-edited 16 volumes of the seminal Year’s Best Fantasy and Horror from 1986–2003. She’s also an author in her own right, with several highly regarded works to her credit, including the Mythopoeic Award-winning novel The Wood Wife, and a number of children’s books, such as The Raven Queen and The Winter Child.

But believe it or not, she got her start in this industry as an artist. I didn’t discover that until I interviewed Ellen Kushner for my Tale of Two Covers article on her Basilisk anthology earlier this month. Here’s Ellen:

It’s an anthology I’m still really proud of. It’s also how I met Terri Windling, who did the interior illustrations (which much more accurately represent the aesthetic of the stories). She’d just come to town, and was showing her art portfolio around. Jim [Baen] thought I’d like her work, and that he wouldn’t have to pay her much… Terri, of course, essentially took over my job as fantasy expert for Jim a few months after I left Ace.

Ellen reached out to Terri as we were fact checking the article, and in the process Terri gave me the fascinating back story on how she began her career as one of the most respected and admired editors in the field with the Elsewhere series of anthologies, the first of which won the World Fantasy Award. Here’s what she said.

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New Treasures: Starflight by Melissa Landers

New Treasures: Starflight by Melissa Landers

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Black Gate is a fantasy site, and there’s more than enough fantasy releases to keep us busy every month. But sometimes adventure SF — especially off-world space opera — reads an awful lot like great fantasy. It’s too early to see if Melissa Landers’s latest novel Starflight will go down in the annals as classic space opera, but it’s sure got the ingredients… including a plucky heroine, lawless outer realms, long-buried secrets, and an eccentric crew on a fast ship.

Solara Brooks needs a fresh start, someplace where nobody cares about the engine grease beneath her fingernails or the felony tattoos across her knuckles. The outer realm may be lawless, but it’s not like the law has ever been on her side. Still, off-world travel doesn’t come cheap; Solara is left with no choice but to indenture herself in exchange for passage to the outer realm. She just wishes it could have been to anyone besides Doran Spaulding, the rich, pretty-boy quarterback who made her life miserable in school.

The tables suddenly turn when Doran is framed for conspiracy on Earth, and Solara cons him into playing the role of her servant on board the Banshee, a ship manned by an eccentric crew with their own secrets. Given the price on both Doran and Solara’s heads, it may just be the safest place in the universe. It’s been a long time since Solara has believed in anyone, and Doran is the last person she expected to trust. But when the Banshee‘s dangerous enemies catch up with them, Solara and Doran must come together to protect the ship that has become their home – and the eccentric crew that feels like family.

Starflight was published by Disney-Hyperion on February 2, 2016. It is 368 pages, priced at $17.99 in hardcover and $9.99 for the digital version.

Future Treasures: Nebula Awards Showcase 2016, edited by Mercedes Lackey

Future Treasures: Nebula Awards Showcase 2016, edited by Mercedes Lackey

Nebula Awards Showcase 2016-smallThe 2015 Nebula Awards were a pretty big deal for me. They were presented here in Chicago, and I was able to attend for the first time. I was also asked to present the award for Best Novelette of the Year, an honor I won’t soon forget.

In addition I got to catch up with old friends, and meet plenty of new faces — folks like Rachel Swirsky, Liz Gorinsky, Aliette de Bodard, Lawrence M. Schoen, Cixin Liu, and many more. The Nebula Awards Weekend is relaxed, fun, and attended by the best and brightest writers and editors in the industry. It’s a great place to meet and chat with your favorite writers — not to mention get lots of free books.

They also give out some Nebula Awards, of course. And the Nebula Awards Showcase collects the winners and finalists in a handsome anthology, as it has every year since 1966. The Nebula Awards Showcase 2016 is the 50th volume in the series, and it looks like one of the strongest in recent memory.

This year editor Mercedes Lackey elected to take a rather eclectic approach — to include every short story and novelette nominee and winner, and limit herself to excerpts in the novella category (with the exception of the winner). Here’s the complete TOC.

Short Story

“Jackalope Wives,” Ursula Vernon (Apex 1/7/14) — Winner

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Pirates, Weather Sorcery, and Desperate Nautical Adventure: The Drowning Eyes by Emily Foster

Pirates, Weather Sorcery, and Desperate Nautical Adventure: The Drowning Eyes by Emily Foster

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I started a new job two weeks ago, and for the first time in my life I’m commuting to downtown Chicago by train every day. Sixty minutes both ways, give or take. You know what’s perfect for a two-hour daily commute? Tor.com‘s new novellas, that’s what. They’re the ideal length, they’re written by the top fantasy writers in the field — and some great emerging talent — and the price is right. The first one I tried was The Drowning Eyes, and I’m glad I did.

According to Emily Foster’s bio in the back, she’s a fresh-faced graduate from the University of Northern Colorado, which likely makes her less than half my age. There are times, in this fast-paced tale of pirates, weather sorcery, and desperate nautical adventure, when her youth is apparent, especially in moments of dialog between Tazir, the grizzled Captain of the Giggling Goat, and her frequently cranky crew. But most of the time it’s not — which frankly is even more annoying. When punk kids start turning out polished gems of adventure fantasy like The Drowning Eyes, it takes all the joy out of cranky reminiscences about the good ole days of pulp fantasy. They’re even taking that away from us.

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New Treasures: Fall of Light, Book Two of the Kharkanas Trilogy by Steven Erikson

New Treasures: Fall of Light, Book Two of the Kharkanas Trilogy by Steven Erikson

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Steven Erikson’s 10-volume Malazan Book of the Fallen is one of the great works of fantasy of the 21st Century. It began with Gardens of the Moon in 1999; by 2012 the series had sold over a million copies worldwide.

In August 2012, Erikson kicked off The Kharkanas Trilogy, a prequel trilogy dealing with the Tiste before their split into darkness, light and shadow, with the opening novel Forge of Shadow. That book delved into events hinted at in the earlier series, and featured important characters from the Malazan Book of the Fallen such as Spinnoch Durav, Anomander Rake, and Andaris.

Erikson picks up the tale with Fall of Light, hot off the Tor presses this week, continuing the tragic story of the downfall of an ancient realm thousand years before the events of the Malazan Book of the Fallen. Civil war is ravaging Kurald Galain, as Urusander’s Legion prepares to march on the city of Kharkanas, and Silchas Ruin seeks to gather the Houseblades of the Highborn families to him and resurrect the Hust Legion in the southlands… but he is fast running out of time.

Fall of Light was published today by Tor Books. It is 864 pages, priced at $29.99 in hardcover and $14.99 for the digital edition. See all our recent New Treasures here.

Vintage Treasures: Sorcerer’s Son by Phyllis Eisenstein

Vintage Treasures: Sorcerer’s Son by Phyllis Eisenstein

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I ran into my friend Phyllis Eisenstein at the Windy City Pulp & Paper Show here in Chicago over the weekend, and the first thing she said to me was, “I’m retired!”

This is exciting news. Phyllis has been nurturing several writing projects for the past few years, and I’ve been impatiently waiting for them — and it’s great to hear that she’ll finally have more time to devote to them. Though I forgot to ask if it means we’ll finally get the long-promised third volume in her Book of Elementals fantasy series, which began with Sorcerer’s Son in 1979, and continued with The Crystal Palace (1988). The third volume, The City in Stone, was actually completed a decade ago, but was left without a publisher after the sudden collapse of Meisha Merlin in 2007. The first two volumes are now long out of print.

Phyllis’ other novels include Shadow of Earth (1979), In the Hands of Glory (1981), and the Tales of Alaric the Minstrel (two novels, Born to Exile (1978) and In the Red Lord’s Reach (1989), plus various short stories). Her work has been nominated for both the Hugo and Nebula Awards, but these days of course she’s most famous for being the person who convinced George R.R. Martin to put dragons in A Song of Ice and Fire.

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Future Treasures: Wraith by Judith & Garfield Reeves-Stevens

Future Treasures: Wraith by Judith & Garfield Reeves-Stevens

Wraith Judith and Garfield Reeves-Stevens-small Wraith Judith and Garfield Reeves-Stevens back-small

This looks like fun: a standalone supernatural thriller from The New York Times bestselling team of Judith & Garfield Reeves-Stevens. In Arlington, Virginia, a cop about to lose his career comforts a dying woman in the wreckage of her car. The next night, her ghost asks him for his help… a Russian general has infiltrated the US on a madman’s quest. His weapons are wraiths who cannot be killed. Ghosts have been weaponized.

In 1995, the CIA made a breakthrough that they hid from the world because it would change everything in modern science ― but some secrets can’t stay hidden. A rogue force has learned how to make disembodied minds capable of lethal action. Ghosts have been weaponized, and now a Russian general has infiltrated the U.S. with a squad of “berzerkers”―an army that can’t be killed because they’re already dead. Only one person knew the general’s plans, but she died in a car crash. The only person who can communicate with her is the cop who was at her side when she died ― and now he must race to stop a force that could end life as we know it.

Wraith will be published by Thomas Dunne Books on April 26, 2016. It is 320 pages, priced at $26.99 in hardcover and $12.99 for the digital version. The cover is by Micharl Komarck.