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New Treasures: The Tensorate Series by Jy Yang

New Treasures: The Tensorate Series by Jy Yang

The Red Threads of Fortune-small The Black Tides of Heaven-small

I continue to be impressed with the scope and ambition of the Tor.com novella series. With a release nearly every week for the past two years, the line has rapidly grown to some 100 novellas and full-length novels, and it shows no signs of slowing down.

It’s also doing some innovative and exciting things that no one else is attempting (and I don’t just mean hogging nearly all the novella-length award nominations). Case in point: JY Yang’s ambitious story cycle The Tensorate Series, composed of the twin novellas The Red Threads of Fortune, The Black Tides of Heaven, and two more upcoming novellas. The New York Times calls the first two volumes “Joyously wild stuff. Highly recommended.”

They were published simultaneously today. Here’s the descriptions.

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Future Treasures: The Tiger’s Daughter by K Arsenault Rivera

Future Treasures: The Tiger’s Daughter by K Arsenault Rivera

The Tiger's Daughter bookmark-small

Check out the cool bookmark that came with my review copy of The Tiger’s Daughter, the debut novel by K Arsenault Rivera!

It’s instructing me to “Plant flower seed paper under 1/8″ of soil. Water thoroughly.” Okay, but…. what does it GROW? A geranium? Violets? An alien seed pod like that horrifying episode of Johnny Sokko?

I guess there’s only one way to find out. And it involves sticking this super-cool book collectible in a bunch of dirt. Marketing departments, man. They thrive on cruelty.

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Vintage Treasures: Ghosts and Grisly Things by Ramsey Campbell

Vintage Treasures: Ghosts and Grisly Things by Ramsey Campbell

Weird Tales Summer 1991-small Dark Love-small Dark Terrors 2 The Gollancz Book of Horror-small
Fantasy Tales Summer 1985-small Night Visions 3-small Narrow Houses-small

We’re on the cusp of October, and you know what that means. Goth Chick will decorate the entire office with candles, pumpkins, and shrunken heads, and we’re about to get deluged with a fresh crop of horror books. It’s pretty exciting actually, and many of us look forward to this time of year (in addition to Goth Chick and her band of terrified interns, I mean). So to help kick off the season, I thought I’d showcase a classic horror collection as my latest Vintage Treasure.

Have a look at the assortment of magazines and anthologies above, and see if you notice a recurring theme. It’s not too hard to spot… the name Ramsey Campbell was ubiquitous in the market throughout the 70s, 80s and 90s, and for good reason. He’s one of the most accomplished horror writers in the business, and his name has graced many a magazine cover and Table of Contents. Campbell produced some 18 collections between 1964 and 2015, and the 80s and 90s were his most productive decades. The stories which appeared in the above volumes, and nearly a dozen more, were reprinted in Ghosts and Grisly Things, a collection from Pumpkin Books (UK, 1998) and Tor Books (US, 2000).

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Operation Arcana, edited by John Joseph Adams

Operation Arcana, edited by John Joseph Adams

Operation-Arcana John Joseph Adams-smallOperation Arcana
Edited by John Joseph Adams
Baen(320 pages, $15 trade/$7.99 paperback/$6.99 digital, March 3, 2015)
Cover by Dominic Harman

Operation Arcana is another collection by prolific editor John Joseph Adams, built of stories crafted around a theme that gives it a fairly unique flavor among recent speculative fiction anthologies. That theme is basically something like “soldiers and magic.”

On first blush, especially considering the cover image of modern soldiers using assault rifles against a rearing dragon, that might seem a bit of a cheesy juxtaposition. But it actually works quite well, and Adams has crafted an anthology of consistently compelling stories. There’s a wide spectrum of tales here, from alternate histories in which historical wars are fought with magical aid, to realistic slipstream in which modern soldiers encounter mythical creatures, to high fantasy focused on the gritty lives of campaigners.

More than just compelling stories though, there’s something about the juxtaposition of magic and warfare that seems to just really work. Why? I think the authors have stumbled onto something profound in their disparate tales, and I think it involves this fact: that magic is defined by rules. Even if the rules are strange or mysterious, stories involving magic are almost always faithful to the orderly structure of the magic that undergirds their imaginary universes. By contrast warfare — or at least battle — in the real world is inherently chaotic. At times the violence appears meaningless and the carnage random. So there’s something very appealing and attractive about stories that play with this sense of chaos on a backdrop of rule-structured magical systems.

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Unsolved Murders and Powerful Ghosts: Lockwood & Co by Jonathan Stroud

Unsolved Murders and Powerful Ghosts: Lockwood & Co by Jonathan Stroud

Lockwood & Co The Screaming Staircase-small Lockwood & Co The Whispering Skull-small Lockwood & Co The Hollow Boy-small Lockwood & Co The Creeping Shadow-small

Two months ago I bought the second novel in Jonathan Stroud’s five-volume Lockwood & Co series. I don’t usually buy middle volumes in a series, at least not when I don’t have any of the other books. But this one had a whispering skull on the cover, so I’m sure you understand.

It did serve to introduce me to the entire series, though (the book, not the whispering skull). Jonathan Stroud is probably best known for his best-selling Bartimaeus Trilogy; here he turns his narrative powers to the tale of a teenage ghost-hunting agency in an alternate-history England infested with Visitors, malevolent spirits that can only be detected by young people with psychic gifts. Three such talented youngsters band together in London to form Lockwood & Co, facing a series of increasingly-horrifying challenges in these middle grade adventures.

The final volume in the series, The Empty Grave, was published this month in hardcover.

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In 500 Words or Less: Ninefox Gambit by Yoon Ha Lee

In 500 Words or Less: Ninefox Gambit by Yoon Ha Lee

oie_21202441DOA3mhHFNinefox Gambit
Yoon Ha Lee
Solaris (384 pages, $9.99 paperback, June 2016)

I will freely admit that I don’t think I understood everything in Yoon Ha Lee’s Ninefox Gambit.

Give me a break – there’s a reason I teach History and Social Studies and not advanced calculus. I spent about the first third of the novel trying to figure out what exactly “calendrical heresy” and “formation instinct” meant, which are cornerstones of a world where technology, military strategy and social order seem to be largely based on mathematical formulae.

I’m reasonably certain that the high calendar that dominates most of Ninefox’s human society is a sort of belief system that allows certain “exotic” technologies to exist; basically, if everyone in civilization is on the same page, then the machinery functions properly, but if people start believing a bunch of different things, machinery breaks down. That in and of itself is a brilliant concept – presuming I got it right.

But then you also add in the undead soul of a possibly-insane general bonded to an infantry captain in order to fight a campaign, robotic sentient servitors that take the forms of snakes and other animals, and apparently using antonyms as weapons (which I think was a way of disrupting the concentration of someone manning a protective shield around a space station) and things get even more… alien.

However, as Ann Leckie has said, Ninefox is somehow “human and alien at the same time.” Even as I slowly figured out the larger world of this novel, I was hooked by its characters and the conflict around them. Kel Cheris is great as a fish-out-of-water protagonist, someone comfortable as an infantry soldier promoted to general, and aware that she’s a pawn in someone else’s plot. Shuos Jedao, her undead bonded ally, is sort of like the hallucination of Kilgrave whispering in Jessica Jones’s ear, if Kilgrave recognized he was a psychopath and didn’t have absolute power to manipulate people.

You know you probably can’t trust a guy who murdered thousands of innocent people, including his own staff, and was locked away for four centuries as a result, but when he’s the guy telling Cheris to get some sleep and actually look after herself, it’s hard not to root for him.

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New Treasures: New Fears, edited by Mark Morris

New Treasures: New Fears, edited by Mark Morris

New Fears Mark Morris-small

This delightful treasure showed up unbidden in my mailbox this week. It’s advertised as the first of a new series of original horror anthologies, which would be a major addition to the field. Editor Mark Morris (Toady, Vampire Circus, and The Society of Blood) gave the scoop to Ginger Nuts of Horror earlier this year.

Having grown up reading the Pan and Fontana Books of Horror and Ghost Stories, plus numerous other anthologies edited by the likes of Peter Haining, Michel Parry, Richard Davis and Mary Danby, it has always been one of my keenest ambitions to edit an annual – and hopefully long-running – non-themed horror anthology of new, never-before-published stories for the mass market.

Now, thanks to Titan Books, I’ve finally got that chance. I’ve signed an initial contract for two volumes of New Fears, with hopefully more to come in the future… In the first volume you’ll find stories which explore ancient myths in new and innovative ways, stories of human evil, stories of unnamed and ambiguous terrors, and stories where the numinous and the inexplicable intrude upon what we perceive to be reality in unexpected ways. You’ll find humor, and hope, and grief, and sadness, and regret, and impenetrable darkness. You’ll find stories that surprise you, unsettle you and shock you. But most of all, you’ll find stories that grab you and draw you in and compel you to keep turning the pages.

New Fears contains brand new fiction from Adam Nevill, Ramsey Campbell, Angela Slatter, Nina Allan, Chaz Brenchley, Kathryn Ptacek, Christopher Golden, Alison Littlewood, and many others. See more details here.

Here’s the complete TOC.

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Making it on the American Grub Street: Hired Pens, Professional Writers in America’s Golden Age of Print

Making it on the American Grub Street: Hired Pens, Professional Writers in America’s Golden Age of Print

0821412043Last month I posted here about Researching the Habits of Highly Prolific Authors for a book I’m working on. Black Gate reader John Hocking kindly suggested in the comments section that I read Hired Pens: Professional Writers in America’s Golden Age of Print, by Ronald Weber. I took him up on his advice and I’m sure glad I did.

This book looks at the careers of writing and editing from the nation’s earliest days until the end of World War Two. Weber shows us a parade of successful writers and editors — many well-known to this day, many more now forgotten — who found success in the ever-changing market for American popular periodicals.

Until the middle of the 19th century, American writers were hampered by the lack of international copyright laws. Newspaper and magazine editors filched English publications for free and saw no reason to pay homegrown talent. As the population grew and both American and British writers managed to get their governments to set up legal barriers to such theft, the market for American writing blossomed.

These writers certainly didn’t waste their time moaning about their lack of inspiration and hoping the muse would visit them. As prolific and successful Western writer Zane Grey said in a letter to a friend:

This morning I had no desire to write, no call, no inspiration, no confidence, no joy. I had to force myself. But when I mastered the vacillation and dread, and had done a day’s work — what a change of feelings. I had a rush of sweet sensations.

This is a common thread throughout the book. In example after example, we are shown that writer’s block is a myth and that writers should not — indeed, must not — sit around all day twiddling their thumbs. These writers worked hard.

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Future Treasures: Quillifer by Walter Jon Williams

Future Treasures: Quillifer by Walter Jon Williams

Quillifer-smallIt’s been a good week for review copies here at Black Gate (see some of the recent arrivals here). But the moment Quillifer arrived, I knew it was the most significant release of the current crop, by a pretty good margin.

Walter Jon Williams has had an extraordinary career, displaying an easy mastery of cyberpunk (Hardwired, Angel Station), military SF (Dread Empire’s Fall), SF police procedural (Days of Atonement), light-hearted fantasy (the Majistral series), space opera (Aristoi), contemporary disaster (The Rift), and even the Star Wars universe (The New Jedi Order: Destiny’s Way).

Quillifer, the tale of a young man forced to flee his beloved home and find his fortune among goddesses, pirates, war, and dragons, is his long-awaited foray into epic fantasy. It’s the first in an ambitious new series from one of the most respected authors in the genre.

Quillifer is young, serially in love, studying law, and living each day keenly aware that his beloved homeport of Ethlebight risks closure due to silting of the harbor. His concerns for the future become much more immediate when he returns from a summery assignation to find his city attacked by Aekoi pirates, leading to brigands in the streets and his family and friends in chains.

First, he has to survive the night. Then, he has to leave his home behind and venture forth into the wider world of Duisland, where he can find friends and allies to help avenge his losses and restore Ethlebight to glory. His determination will rock kingdoms, shatter the political structure of Duisland, and change the country forever.

Quillifer will be published by Saga Press on October 3, 2017. It is 530 pages, priced at $27.99 in hardcover and $7.99 for the digital edition. The cover is by Gregory Manchess. Learn more at Williams’ website, and read Emily Mah’s interview with the author (“Why UFOs Are Actually Made of Bread, and Other Little Known Facts”) here.

The Hammer and the Blade by Paul S. Kemp

The Hammer and the Blade by Paul S. Kemp

oie_19118350rehVg1zWith the hammer-wielding (sort of) priest Egil and the (not really) rogue Nix, Paul S. Kemp created his entry for the classic swords & sorcery duo contest. They made their debut in The Hammer and the Blade (2012).

We meet them media res as, in search of treasure, they prepare to penetrate the last defenses of an ancient tomb. Like characters in a classic buddy movie, they bicker and banter.

“You may have heard but you didn’t reply, so let me restate. Are you acquainted with a door I couldn’t open? I press the question only to illustrate your softheadedness, as demonstrated by a faulty memory. It’s important you understand your limits.”

Egil tossed the sliver to the ground, tore a strip of cloth from his shirt, and pressed it to his leg wound. “There was that time in the Well of Farrago–”

Nix shook his head emphatically. “That was not a door.”

Egil looked up, thick eyebrows raised. “It had hinges, a handle. It opened and closed. How can you say–”

“It was a hatch.”

“A hatch?”

“Of course it was a hatch, and only a fool priest of the Momentary God would confuse a door with a hatch. A hatch is a different thing from a door. A hatch is troublesome. You see? Does having an eye inked on your head make your other two blind, or otherwise detrimentally affect your cognition?”

“Well enough,” Egil said at last. “It was a hatch.”

“Now you’re mocking me? I hear mockery.”

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