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Talking to Ghosts: Keri Arthur’s Outcast Trilogy

Talking to Ghosts: Keri Arthur’s Outcast Trilogy

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Keri Arthur City of Light-small Keri Arthur Winter Halo-small Keri Arthur The Black Tide-small

I quit reading urban fantasy and paranormal romance sometime around 2008, when you couldn’t browse bookshelves without being blinded by a sea of leather-clad heroines wielding crossbows. I mean, I love Buffy the Vampire Slayer and Angel as much as the next person, but man. That show has a lot to answer for.

Now that it’s safe to shop again, I’m kinda curious about those books that survived the mass extinction of urban fantasy. I pull them off the shelves at Barnes & Noble and say, “What are you doing here?” They’re like the rebel pilots that survived the attack on the Death Star. They can hold reunions in a phone booth.

Like any publishing boom-and-bust cycle, it’s only the best that endures. So I was naturally intrigued to find Keri Arthur’s City of Light at B&N earlier this year. Arthur is the author of the Souls of Fire, Dark Angels, and the New York Times bestselling Riley Jenson, Guardian series. She’s written more than forty books, and won Romantic Times‘ Career Achievement Award for urban fantasy. City of Light is the opening novel in the Outcast trilogy, a post apocalyptic tale set a century after a devastating war tears a hole in reality, and the last remnants of humanity cling to life in brightly-lit cities that shield them from terrifying spectres. It’s a promising blend of SF and paranormal horror (even if it does have a crossbow on the cover), and has sort of a Resident Evil vibe, with a superhumanly powerful heroine who faces off against both undead nasties and an evil pharmaceutical company whose experiments on adults and children bring unexpected horrors.

City of Light won plenty of acclaim, with Library Journal praising it for “An intriguing world and a marvelous heroine who speaks to ghosts,” and The Speculative Herald calling it “Exciting and well written… a remarkable mix of intrigue and action.” The first two books in the series were published in paperback by Signet, but it didn’t do well enough for them to pick up the third volume, so Arthur self published it in the US in December of last year.

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In 500 Words or Less: The Quantum Magician by Derek Künsken

In 500 Words or Less: The Quantum Magician by Derek Künsken

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The Quantum Magician-smallThe Quantum Magician
by Derek Künsken
Solaris (480 pages, $11.99 paperback, $6.99 eBook, October 2, 2018)

When I reviewed Yoon Ha Lee’s Ninefox Gambit last year, I joked that there’s a reason why I teach in the humanities, which is the same reason I don’t read a lot of hard science fiction. For me to enjoy a hard SF novel enough to discuss it here is a big deal – and I really enjoyed Derek Künsken’s The Quantum Magician, even though I’m sure that like Ninefox, I didn’t get as much out of it as someone else might have.

To be clear, the worldbuilding here is intricate, compelling and absolutely fascinating. From the moment concepts were introduced I wanted to know more, especially the different subsets of humanity that Künsken presents, each the product of generations of genetic manipulation. I mean, an entire population of neo-humans nicknamed Puppets because of their diminutive size, who double as religious zealots worshipping their divine beings’ cruelty? Or an intergalactic political hierarchy based on the economics of patrons and clients, complete with the inequalities and social issues you might expect? These demand further unpacking, which Künsken does with deliberate skill, slowly revealing more and more about humanity’s divergent offshoots and the galaxy they inhabit.

But I can’t say that I walked away from The Quantum Magician with a crystal clear sense of what I read. The core plot is a con game perpetrated by a team of ragtag scoundrels, trying to sneak a flotilla of warships through a wormhole controlled by another government… but don’t ask me to explain more than that. Künsken does an amazing job of presenting a bunch of quirky protagonists who play off each other well, but the characters that stand out do so powerfully; between that and the rich worldbuilding of things like the Puppets, I forgot about that flotilla and the original aim of the con for a good third of the novel, until they came back into focus.

Much as I rooted for protagonist Belisarius (who would be the Danny Ocean of these scoundrels) and his partner/love interest Cassandra (who I suppose is Tess and Rusty from Ocean’s Eleven combined), the secondary characters stole the spotlight for me, particularly AI-on-a-religious-mission Saint Matthew and the creepily dangerous Scarecrow hunting these scoundrels down.

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Douglas Draa’s What October Brings is a Lovecraftian Celebration of Halloween

Douglas Draa’s What October Brings is a Lovecraftian Celebration of Halloween

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What October Brings-smallHalloween and Lovecraft. Two great things that belong together. And Weirdbook editor Douglas Draa is the man to make it happen.

His new anthology What October Brings is a handsome collection of original stories by Adrian Cole, Storm Constantine, Tim Curran, Cody Goodfellow, Nancy Holder, Brian M. Sammons, John Shirley, Lucy A. Snyder, Chet Williamson, Black Gate writer Darrell Schweitzer, and many others — all packaged under a gorgeous cover by Italian artist Daniele Serra.

It’s from UK publisher Celaeno Press, a new name to me, but they clearly do good work. Here’s the description.

Halloween, a time for laughing children in white bedsheets and superhero costumes. A time for chocolate candy, and pumpkins, and Trick-or-Treat.

… a time for dark things everywhere to slink out of the shadows and into our lives, reminding those unlucky few that our charades of Halloween cannot erase the centuries of history and pain behind the facade…

What October Brings celebrates the dark traditions of the autumn rituals, of Halloween and Samhain, in homage to the uniquely fascinating fiction of HP Lovecraft. Masters of the short story offer you a “once in a lifetime” Trick-or-Treat experience…

…perhaps your last!

This is a sizable anthology packed with long stories. Over half are 18+ pages, and one, Lucy A. Snyder’s “Cosmic Cola,” is a generous 30 pages. Here’s the complete Table of Contents.

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Seventeen Years Later, Return to His Dark Materials: The Book of Dust: La Belle Sauvage by Philip Pullman

Seventeen Years Later, Return to His Dark Materials: The Book of Dust: La Belle Sauvage by Philip Pullman

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The-Book-of-Dust-Pullman-smallThe venerable Philip Pullman returns to the universe of the classic His Dark Materials series after 17 years with his latest fantasy, The Book of Dust: La Belle Sauvage. As a longtime fan of the saga, I thoroughly enjoyed this chance to return to his steampunk alternative “Brytain,” with its changeable daemons, anbaric lamps, peculiar gadgets, and peripatetic intellectuals. Opening this book felt like being wrapped in a blanket and having tea around a fire with old friends.

Surprisingly mature, well-mannered and handy eleven-year-old Malcolm Polstead is a natural spy, since working at his parents’ riverside inn gives him access to all manner of travelers and their gossip. When three dangerous visitors arrive, he’s swept into a secret war against the forces of arrogant religious authority.

Joining a shadowy resistance movement, he risks his life to protect a baby who’s prophesied to change the world. At first, this means thwarting villains’ attempts to kidnap her. But then a hundred-year flood devastates the town, and he must grab her from her cradle – already floating – and ride the surging waters in his trusty canoe, La Belle Sauvage, which is the title of this first volume in the series.

The baby herself? Her name is Lyra. Yes, The Book of Dust: La Belle Sauvage is a prequel.

The Book of Dust: La Belle Sauvage was published in October 2017 and spent 13 weeks on the New York Times bestseller list for YA Hardcover, finally slipping off at the end of January 2018. Yet I would argue that it isn’t really a YA book as conventionally understood, and that adults are its natural audience. After all, we are the ones most likely to revel in its slower pace and sly tendency to say one thing while meaning another.

Moreover, the official target audience for YA is 12 to 18, and teenagers are notorious for wanting to “read up” about people older than them. Malcolm’s age, at only eleven, would make him more naturally a “Middle Grade” hero. Yet the novel’s content is probably too subtle and sophisticated for such young readers.

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Future Treasures: The Book of Magic, edited by Gardner Dozois

Future Treasures: The Book of Magic, edited by Gardner Dozois

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The-Book-of-Magic-Gardner-Dozois-smallerWe lost Gardner Dozois unexpectedly in May of this year. Certainly there were bigger names, but somehow Gardner always seemed to be the heart of science fiction to me. Fan, historian, gifted writer and brilliant editor — indeed, perhaps the greatest editor science fiction has ever seen — Gardner had his finger on the pulse of the field better than anyone I knew.

It was a terrible blow to lose him. But I took some consolation in the fact that his career was not over — not yet, anyway. He still had three major books in the pipeline. The Year’s Best Science Fiction: Thirty-Fifth Annual Collection appeared in July; the final volume in what may be the greatest anthology series in genre history. And The Very Best of the Best: 35 Years of The Year’s Best Science Fiction, a fitting cap to an amazing career, will arrive in February of next year.

But the one I’m really looking forward to is The Book of Magic, a big 576-page hardcover collecting brand new fiction from many of the top fantasy writers we have. It’s a companion book to his 2017 sword & sorcery anthology The Book of Swords, and it arrives from Bantam in two weeks. Here’s the description.

A new anthology celebrating the witches and sorcerers of epic fantasy — featuring stories by George R. R. Martin, Scott Lynch, Megan Lindholm, and many others!

Hot on the heels of Gardner Dozois’s acclaimed anthology The Book of Swords comes this companion volume devoted to magic. How could it be otherwise? For every Frodo, there is a Gandalf… and a Saruman. For every Dorothy, a Glinda… and a Wicked Witch of the West. What would Harry Potter be without Albus Dumbledore… and Severus Snape? Figures of wisdom and power, possessing arcane, often forbidden knowledge, wizards and sorcerers are shaped — or misshaped — by the potent magic they seek to wield. Yet though their abilities may be godlike, these men and women remain human — some might say all too human. Such is their curse. And their glory.

In these pages, seventeen of today’s top fantasy writers — including award-winners Elizabeth Bear, John Crowley, Kate Elliott, K. J. Parker, Tim Powers, and Liz Williams — cast wondrous spells that thrillingly evoke the mysterious, awesome, and at times downright terrifying worlds where magic reigns supreme: worlds as far away as forever, and as near as next door.

And here’s the stellar table of contents, including sixteen all new stories and a reprint novelette by George R. R. Martin.

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Birthday Reviews: Ray Nelson’s “Time Travel for Pedestrians”

Birthday Reviews: Ray Nelson’s “Time Travel for Pedestrians”

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Cover by Ed Emshwiller
Cover by Ed Emshwiller

Radell Faraday Nelson was born on October 3, 1931. Nelson has published under a variety of pseudonyms, including Ray Nelson, R. Faraday Nelson, and Jeffrey Lord. Nelson is also an artist.

Nelson’s novel The Prometheus Man received a special citation Philip K. Dick Award in 1983. In 2001 he was nominated for a Retro-Hugo in the Best Fan Artist category.

“Time Travel for Pedestrians” was published in Harlan Ellison’s Again, Dangerous Visions in 1972, and has been reprinted in the various versions of that anthology, but has not been published outside of that work.

While the framing device in Ray Nelson’s “Time Travel for Pedestrians” may have been transgressive in 1972, when it was first published, the combination of rumination on masturbation and drug trips seems self-indulgent at a forty year distance.

Going beyond the framing device, as least as much as possible, the story offers numerous past life regressions for Nelson’s narrator, each one set earlier than the one before, each focusing on the conflict between the spread of Christianity and its competing belief systems, and each ending with the death of Nelson’s protagonist.

Intriguingly, the further back in time the narrator finds himself, the more receptive he is of Christianity, starting with a new age paganism, eventually becoming a priest in the Inquisition, and finally taking dictation from Mary Magdalen. While Nelson’s reflections on each of these vignettes offers different views on religion and belief, the framing mechanism intrudes, raising the question of whether the narrator is actually reliving past lives or if everything is part of the drug trip he has initiated, and which undermines Nelson’s story.

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Books and Craft: Parables for the Modern Reader

Books and Craft: Parables for the Modern Reader

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WizardofEarthsea-small The Tombs of Atuan-small The Farthest Shore-small

The Earthsea Trilogy (Bantam, 1975). Covers by Pauline Ellison

Early last year, I began a column here at Black Gate that I call “Books and Craft.” The idea was to shine a light on the writing elements that contribute to the greatness of classic works in our genre. (You might care to read my previous pieces on Nicola Griffith’s Slow River, and Guy Gavriel Kay’s Tigana .) I intended to write these on a regular basis, but life and work intervened. Today I’m happy to be back with a new “Books and Craft” post about books that have long been deeply special to me.

Ursula K. Le Guin died earlier this year after a stellar career of nearly sixty years. She was a master of speculative fiction, one of the most decorated writers ever to grace our genre. She was perhaps best known for her science fiction novels set in the Hainish Universe, but personally, I am most fond of her fantasy, specifically the first three of her Earthsea novels: A Wizard of Earthsea, The Tombs of Atuan, and The Farthest Shore. (In fact, my newest series, The Islevale Cycle, is set in a world of islands and seas that I meant as an homage to Earthsea and Le Guin.)

These three early Earthsea novels, often referred to as The Earthsea Trilogy, were published as children’s books. They were written, though, with a spare sophistication and elegance that appealed to a broad audience and brought them critical and commercial success. Earthsea is a world of myth, rich culture, and social complexity. By creating a network of islands and archipelagos, Le Guin ensured that her land would be home to a variety of traditions, customs, and people. And in making Ged, the hero of the series, dark-skinned, she brought a non-traditional protagonist to a genre that had, until that time, been overwhelmingly white.

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Birthday Reviews: Walter Jon Williams’s “The Fate Line”

Birthday Reviews: Walter Jon Williams’s “The Fate Line”

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Cover by Bob Eggleton
Cover by Bob Eggleton

Walter Jon Williams was born on October 215, 1953

Williams received the Nebula Award for best novelette in 2001 for “Daddy’s World” and for novella in 2005 for “The Green Leopard Plague.” In 1997 he won the Sidewise Award for Alternate History for his story “Foreign Devils.” His works have also been nominated for the Hugo Award, World Fantasy Award, Philip K. Dick Award, and Theodore Sturgeon Memorial Award.

“The Fate Line” was published in the Fred Saberhagen festschrift Golden Reflections in 2011, edited by Robert E. Vardeman and Joan Spicci Saberhagen. The story is set in the same universe as Saberhagen’s 1979 novel The Mask of the Sun and has not been reprinted.

Williams take on the setting is one of constantly shifting expectations. It opens with Perseus, the illegitimate son of one of the Ptolemaic pharaohs, plundering a tomb at the orders of his half-brother, the Pharaoh Ptolemy V Epiphanes, in order to find the wealth needed to fight the rebels and foreigners who threatened the dynasty. Perseus worries that both success or failure would bring about his own death, but when he found the immeasurable wealth of Ahmose, the founder of the eighteenth dynasty, he began to see a way out of his dilemma.

Williams quickly shifts the focus to Demetrios, a disentimed soldier who is working for the Quechuans of The Mask of the Sun in their time-war against the Tenocha. In one of the timelines, Cuzco-81, there is an Egyptian empire that threatens the Quechuans and Demetrios and a team are sent back in time to stop the Ptolemaic dynasty from establishing a foothold that lasts thousands of years. The team suffers almost instant failure when Demetrios meets Elpidos, a man who has knowledge about Demetrios, but who can’t share too much. Demetrios does realize that if he intends any harm to Ptolemy, the pharaoh will learn of it and Demetrios will fail.

Unable to return to his own time and knowing that his mission is stymied, Demetrios tries to figure out how to best establish himself in ancient Alexandria. Taking inspiration from his aunt, he sets himself up as a cheiromancer. When his predictions come true, he draws the attention of those close to the court and is eventually able to learn the secret of Ptolemy’s great luck, which ties in to Saberhagen’s novel, and come up with a way to siderail the timeline’s history without doing anything to harm the king.

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New Treasures: The Dreaming Stars by Tim Pratt, Book 2 of The Axiom

New Treasures: The Dreaming Stars by Tim Pratt, Book 2 of The Axiom

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The-Wrong-Stars-Tim-Pratt-medium The Dreaming Stars-small

Tim Pratt is a Senior Editor for Locus magazine. He won the Hugo Award for his short story “Impossible Dreams” (Asimov’s SF, July 2006). As T. A. Pratt he’s the author of the 10-volume Marla Mason fantasy series (Blood Engines, Poison Sleep, etc.), under the name Tim Prett he’s published The Strange Adventures of Rangergirl, the Pathfinder Tales novels Liar’s Island and Liar’s Bargain, and much more.

The Wrong Stars looks like his breakout book (see our coverage here). It was published by Angry Robot last year, and Sam Reader at the Barnes & Noble Sci-Fi Blog raved about it, saying “Through his wit, dialogue, and vast, varied cast, Tim Pratt has created a space opera for today… while still delivering the sense of wonder that made you love the genre.” The second novel in what’s now being called The Axiom series, The Dreaming Stars, arrived right on schedule last month.

Ancient aliens, the Axiom, will kill us all – when they wake up. In deep space, a swarm of nanoparticles threatens the colonies, transforming everything it meets into computronium – including the colonists. The crew of the White Raven investigate, and discover an Axiom facility filled with aliens hibernating while their minds roam a vast virtual reality. Sebastien wakes up, claiming his altered brain architecture can help the crew deactivate the swarm – from inside the Axiom simulation. To protect humanity, Callie must trust him, but if Sebastien still plans to dominate the universe using Axiom tech, they could be in a whole lot of trouble…

The Dreaming Stars was published by Angry Robot on September 4, 2018. It is 384 pages, priced at $8.99 in paperback and $7.99 in digital formats. The cover is by Paul Scott Canavan. Read the complete first chapter here.

The Barnes & Noble Sci-Fi & Fantasy Blog on the Best Science Fiction & Fantasy of September 2018

The Barnes & Noble Sci-Fi & Fantasy Blog on the Best Science Fiction & Fantasy of September 2018

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The Hidden Sun by Jaine Fenn-small Rosewater by Tade Thompson-small Salvation by Peter F Hamilton-small

Geez, it’s the last day of the month already. I’m used to failing at my ambitious monthly reading plans, but at least I usually try. This month has been so busy that I haven’t even been able to keep track of all the great books I missed, much less crack any of them open.

September still has a few hours left, and I’m going to use that time to educate myself. And the best resource for that are book blogs like The Verge, Unbound Worlds, Kirkus Reviews, and especially the excellent Barnes & Noble Sci-Fi & Fantasy Blog, which has gradually become my go-to source for the best new releases. This month Jeff Somers does his usual top-notch job, pointing me to 26 tantalizing titles I might have otherwise overlooked. Here’s the best of them.

The Hidden Sun by Jaine Fenn (Angry Robot, 448 pages, $12.99 trade paperback/$8.99 digital, September 4)

Fenn is as known for her short fiction as she is for her Hidden Empire novel series — and for her tendency to take stories in unexpected directions, whether on the micro-scale in short stories or the macro-scale of novels. [In] Hidden Sun Fenn kicks off an all new series set in a universe of shadowlands and bright alien skylands. Rhia Harlyn is a well-born woman in the shadowland Shen, struggling against old-fashioned sexism as she pursues scientific knowledge. She gets a tragic opportunity to use his skill for research and discovery after her brother vanishes. She sets off to the skylands to seek the truth behind his disappearance and finds herself caught between a rebel and a cult leader on an alluring, dangerous world.

Jaine Fenn won the British Science Fiction for her short fiction. She’s the author of the 5-volume Hidden Empire series, published in the UK by Gollancz, which does not yet have a US publisher. The Hidden Sun is the first volume of a 2-part series titled Shadowlands; the sequel, Broken Shadow, will be released on April 4. This is her first US release; if it does well, I hope that means we get to see a lot more of her.

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