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Read an Excerpt from Howard Andrew Jones’ Upcoming For the Killing of Kings at Tor.com

Read an Excerpt from Howard Andrew Jones’ Upcoming For the Killing of Kings at Tor.com

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For the Killing of Kings Andrew Jones

Howard Andrew Jones upcoming novel For the Killing of Kings is the finest thing he has ever written — and considering his previous books include the modern fantasy classics The Desert of Souls and The Bones of the Old Ones, that’s saying a great deal. It is the opening volume The Ring-Sworn Trilogy, and one of the major fantasy releases of the year. I had a chance to blurb the hardcover release from St. Martin’s Press, and did so enthusiastically. Here’s what I said:

For The Killing of Kings is a white knuckle murder mystery brilliantly set in a Zelazny-esque fantasy landscape. It has everything ― enchanted blades, magic rings, edge-of-your seat sword fights, Game of Thrones-scale battles, ancient legends… It is the finest fantasy novel I have read in years.

The Tor.com excerpt features one of my favorite scenes, as Kyrkenall and Elenai approach a strange tower and find it defended by a mysterious ring of obelisks… and something far more sinister. Read the complete chapter here.

If you find yourself captivated by the excerpt, you won’t have long to wait. For the Killing of Kings will be published by St. Martin’s Press in three weeks, on February 19, 2019. It is 368 pages, priced at $26.99 in hardcover and $13.99 in digital formats. The cover artist is uncredited. In addition to the exclusive Tor.com excerpt, you can also read the first chapter at the Macmillan website here, and keep up with the latest news at Howard’s website here.

New Treasures: Breach by W.L. Goodwater

New Treasures: Breach by W.L. Goodwater

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Breach W L Goodwater-smallFantasy comes in all shapes and sizes. I enjoy epic fantasy (like The Lord of the Rings), sword & sorcery, horror, urban fantasy, paranormal romance, dark fantasy, weird westerns, and virtually everything in between. But more and more these days I find myself drawn to work that truly strikes out into new territory.

W.L. Goodwater’s debut novel Breach is a great example. It was published late last year by Ace, and is described as the opening novel in a new Cold War fantasy series, in which the Berlin Wall is made entirely of magic. When a breach unexpectedly appears, spies from both sides descend on the city as  World War III looms ever closer.

I discovered Breach almost wholly by accident, as I browsed the shelves at B&N a few weeks ago. I knew nothing about it, and the cover didn’t particularly grab me. But the brief blurb on the back cover did, pretty much immediately. As modern fantasy goes, this is about as original as it gets. This is the kind of book that kicks off a whole new sub-genre. Alternate history political thriller fantasy? Cold War apocalypse fantasy? Whatever; I’m on board. Here’s the blurb that grabbed my attention.

AFTER THE WAR, THE WALL BROUGHT AN UNEASY PEACE.

When Soviet magicians conjured an arcane wall to blockade occupied Berlin, the world was outraged but let it stand for the sake of peace. Now, after ten years of fighting with spies instead of spells, the CIA has discovered the unthinkable…

THE WALL IS FAILING.

While refugees and soldiers mass along the border, operatives from East and West converge on the most dangerous city in the world to either stop the crisis, or take advantage of it.

Karen, a young magician with the American Office of Magical Research and Deployment, is sent to investigate the breach in the Wall and determine if it can be fixed. Instead, she discovers that the truth is elusive in this divided city — and that even magic itself has its own agenda.

THE TRUTH OF THE WALL IS ABOUT TO BE REVEALED.

Breach was published by Ace on November 6, 2018. It is 336 pages, priced at $16 in paperback and $11.99 in digital formats. The cover was designed by Pete Garceau. See all our recent New Treasures here.

Dreams More Perfect Than Your Own: J.G. Ballard: The Complete Short Stories, Volumes One & Two

Dreams More Perfect Than Your Own: J.G. Ballard: The Complete Short Stories, Volumes One & Two

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In the world of science fiction, J.G. Ballard is a Big Deal.

His early work includes the novels The Wind from Nowhere (1962), The Drowned World (1962), and High-Rise (1975), and the seminal collection Vermilion Sands (1971). Outside science fiction, Ballard is also a Big Deal. His 1984 novel Empire of the Sun, loosely based on his experiences as a child in Shanghai during Japanese occupation, was described by The Guardian as “the best British novel about the Second World War” and filmed by Steven Spielberg in 1987, starring a young Christian Bale. His influence on modern literature has been powerful enough that “Ballardian” has become a common term, defined by the Collins English Dictionary as “resembling or suggestive of the conditions described in J. G. Ballard’s novels and stories, especially dystopian modernity…” He died in 2009.

Ballard’s short fiction, virtually all of it SF, is some of the most vital and studied science fiction of the 20th Century. His stories “Souvenir” (1965) and “Myths of the Near Future” (1983) were nominated for the Nebula Award, and his collections — including Passport to Eternity (1963), The Terminal Beach (1964), Vermilion Sands (1971) and Chronopolis and Other Stories (1971) — are very highly regarded. In 2006 Harper Perennial published J.G. Ballard: The Complete Short Stories in two thick volumes in the UK; they were reprinted in 2014 by Fourth Estate with an introduction by Adam Thirlwell. There aren’t a lot of writers for whom it pays to read their complete short work; Ballard I think is the exception.

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Embers to Ashes: Earth Abides by George R. Stewart

Embers to Ashes: Earth Abides by George R. Stewart

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Maybe it’s just the times we live in, but I increasingly find myself drawn to narratives of defeat: Confederate military memoirs, histories of the Decline and Fall of This and That, accounts of Napoleon’s retreat from Moscow or Custer’s Last Stand. I suppose that’s why this summer, forty years after I blew it off when it was assigned in one of my first college classes, I finally got around to reading Earth Abides.

George R. Stewart’s 1949 post-apocalyptic novel is one of the most famous one-offs in the history of science fiction; it won the first International Fantasy Award in 1951, and in all the decades since, the book has rarely been out of print.

Stewart was primarily an English professor and historian and an only occasional novelist. In his first specialty he wrote books on English verse technique and composition; in the latter his most well-known works are a history of the Donner party, Ordeal by Hunger (1936), and a finely detailed, minute-by-minute account of the climax of the battle of Gettysburg, Pickett’s Charge (1959). Storm (1941) and Fire (1948), two novels Stewart wrote before his sole foray into science fiction, show his concern with large, impersonal forces and their effects on the enduring land and the ephemeral creatures that inhabit it. His most famous book takes that scientific detachment and interest in process many steps further, to powerful effect.

Earth Abides tells the story of Isherwood Smith, a young college student who lives in Berkeley, California. When the book begins, Ish is camping in the Sierra Nevada Mountains, doing the fieldwork necessary for his graduate thesis, The Ecology of the Black Creek Area, intended to be an investigation of “the relationships, past and present, of men and plants and animals” in the region. The thesis will never be written, though Ish will spend the rest of his life wrestling with fundamental questions regarding the connections between human beings and the natural world they so briefly occupy.

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Future Treasures: Never Die by Rob J. Hayes

Future Treasures: Never Die by Rob J. Hayes

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Best Fantasy Books.com‘s Top 25 Best Indie Fantasy Books is a very handy list if you’re interested in discovering new fantasy talent. It originally appeared in 2016, and has been updated at least once, in November 2017. Buried deep in the article the (anonymous) author notes that

I found Mark Lawrence’s (you know, author of The Broken Empire series) Great Self Published Fantasy Blog Off contest immensely helpful for helping to point me in the direction of some of the stand out picks.

Okay, I didn’t know Mark had a self-publishing contest, but what a cool idea. The SPFBO has apparently been running for several years now, and has showcased several intriguing writers. For example, Rob J. Hayes won in 2017 for Where Loyalties Lie.

What’s so intriguing about Hayes? For one thing, except for one book from Ragnarok Publications, he’s exclusively self published, and his backlist is lengthy and impressive, including the Best Laid Plans series, The Ties that Bind trilogy, It Takes a Thief to Catch a Sunrise (2016) and City of Kings (2018). And next week his newest self-published effort Never Die arrives, the tale of five undead heroes re-animated by an eight-year-old Necromancer to take on an evil emperor. Here’s a snippet from Michael Gruneir’s review at Fantasy Book Review.

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In 500 Words or Less: Alice Payne Arrives by Kate Heartfield

In 500 Words or Less: Alice Payne Arrives by Kate Heartfield

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Alice Payne Arrives
by Kate Heartfield
Tor (176 pages, $15.99 paperback, $3.99 eBook, November 6, 2018)

Has anyone else noticed that time travel fiction still seems to be REALLY popular? Don’t get me wrong, I’m a massive Whovian, and some of my favorite books and movies involve time travel. But I feel like time travel is everywhere. Tom Sweterlitsch’s The Gone World has gotten a ton of acclaim. Gregory Benford’s Timescape series continued this year with Rewrite, about people using time travel to change events (usually selfishly), and Maria V. Snyder combines far-future SF with time travel investigation in Navigating the Stars. Hells, I reviewed Derek Künsken’s The Quantum Magician and discussed its time travel elements, and I even sold a time travel story of my own in 2018 – twice. My point is that time travel is still hot, somehow, and it doesn’t seem to be cooling down.

The idea of “time travel wars” and competing forces trying to rewrite history isn’t a new concept. I think its popularity now is a symptom of people feeling like the world is spiralling out of control, and that’s definitely a component to Kate Heartfield’s Alice Payne Arrives, the first in what I’m told will be a series of novellas from Tor. In this particular slant on time travel, two rival organizations are fighting to correct the course of history – one with a heavy hand and the other trying to slow them down – resulting in a story that jumps between multiple periods, in a world that’s already different than our own because of repeated time travel. As a history teacher I found this really compelling, especially with focuses on the First World War and earlier 18th and 19th century society.

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New Treasures: Unholy Land by Lavie Tidhar

New Treasures: Unholy Land by Lavie Tidhar

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Lavie Tidhar is the World Fantasy Award-winning author of Osama. His “Guns & Sorcery” novella Gorel & The Pot Bellied God won the British Fantasy Award, and his Sword & Sorcery collection Black Gods Kiss was nominated for the British Fantasy Award. His novel The Violent Century was called “A masterpiece” by both the Independent and Library Journal, and “Watchmen on crack” by io9. Our previous coverage includes his recent collection Central Station and The Bookman Histories trilogy.

His latest novel Unholy Land was selected as a Best Book of 2018 by NPR Books, Library Journal, Publishers Weekly, and the UK Guardian. Warren Ellis, who compares Tidhar to Michael Moorcock in the afterword, calls it “A jeweled little box of miracles. Magnificent,” and Guardian calls it “A gripping thriller: clever.. and twisted.” Here’s a snippet from Library Journal’s starred review:

On the suggestion of his agent, pulp fiction writer Lior Tirosh flies back to the home he hasn’t seen since childhood: Palestina, an East African Jewish state formed in the early 20th century. He soon discovers a lot has changed. In the capital, Ararat, unrest is at an all-time high. Palestina is creating a border wall to deter refugees from entering. Lior then learns from an old childhood friend that his niece Deborah is missing and takes on the persona of one of his own detective novel characters as he searches for her, only to be hunted by his own state’s security… Shifting perspectives will keep readers trying to catch up with this fast-paced plot involving incredible twists on multiple realities and homecoming…. fascinating and powerful.

Unholy Land was published by Tachyon Publications on November 6, 2018. It is 288 pages, priced at $15.95 in trade paperback and $9.99 for the digital edition. The cover is by Sarah Anne Langton.

See all our recent New Treasures here.

Interspecies Conflict in a Universe with More Aliens than the Star Wars Cantina: Sholan Alliance by Lisanne Norman

Interspecies Conflict in a Universe with More Aliens than the Star Wars Cantina: Sholan Alliance by Lisanne Norman

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Covers by Romas Kukalis, Jim Burns (#6) and Chris Moore (#8,9)

There haven’t been many times when it’s better to be a science fiction fan than right now. Big-budget SF is king at the box office and on the small screen, the shelves are groaning with new releases, and truly exciting new authors are appearing every year. But there are a few things I still miss. The humble paperback original (PBO) has become less and less common as more and more top-tier SF appears first in hardcover or trade paperback, and much of it never sees a mass market paperback reprint at all.

I like hardcovers just fine, but it was paperbacks that introduced me to SF, and it’s paperbacks — compact, accessible, and cheap — that still draw in young and casual readers and gradually turn them into fans. More publishers have been turning their backs on paperbacks, and the result is our field has less to offer curious young readers browsing the SF shelves for affordable and enticing titles. And thus, fewer young fans discovering science fiction at all.

But it wasn’t just paperbacks that made me a lifetime science fiction fan in my teens — it was great science fiction series, like Frank Herbert’s Dune, Asimov’s Foundation, Farmer’s Riverworld, Fred Pohl’s Heechee Saga, David Brin’s Uplift Saga, H. Beam Piper’s Fuzzy novels, and many, many more. DAW is one of few publishers willing to make a significant investment in PBO series, and it’s paid off well for them over the years, with now-established writers like C. J. Cherryh (the Alliance-Union Universe and the long-running Foreigner series), Julie E. Czerneda (the Trade Pact Universe), Gini Koch (the Kitty Katt novels), Jacey Bedford (Psi-Tech), and many others.

For many years DAW’s bread and butter has been extended midlist SF and fantasy series that thrive chiefly by word of mouth. I’m frequently drawn to them just by the sheer number of volumes. You won’t connect with them all of course, but when you find one you like they offer a literary feast like no other — a long, satisfying adventure series you can get lost in for months.

Lisanne Norman’s Sholan Alliance is a perfect example. It only recently caught my attention, after decades of patiently waiting on the shelves. It began with Turning Point way back in 1993, and recently wrapped up with the ninth volume, Circle’s End, in 2017. In between it quietly gathered a lot of accolades. B&N Explorations called it “fast-paced adventure… [with] more alien species than the Star Wars cantina!” And SF Chronicle labeled it “big, sprawling, convoluted… sure to appeal to fans of C.J. Cherryh and others who have made space adventure their territory.”

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Future Treasures: The Priory of the Orange Tree by Samantha Shannon

Future Treasures: The Priory of the Orange Tree by Samantha Shannon

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Samantha Shannon, author of the bestselling Bone Season trilogy, is the latest YA author to attempt the jump to adult fantasy. Her highly anticipated The Priory of the Orange Tree — all 830 pages of it — arrives in hardcover from Bloomsbury in a month.

The transition from YA superstar to mainstream success isn’t easy, however (just ask JK Rowling). But I’m extremely intrigued about this one. Mostly because of Sarah Avery’s review of The Bone Season to be honest, published right here back in 2014. Here’s the snippet that caught my eye.

Read this book. Just read it. Ignore the reviews that call Samantha Shannon the next J.K. Rowling, or call the series that opens with The Bone Season the next Hunger Games… It’s the book you would get if Philip K. Dick decided to write about the wild Victorian occult scene that flourished under Madame Blavatsky, blossomed again in the time of W.B. Yeats and Aleister Crowley, lingering until it faded with its evenstar, Dion Fortune. That is, if Philip K. Dick decided to take all that supernatural grandiosity, and steampunk adaptations of Victoriana, and turn them on their heads by transposing them into a dystopian near-future historical moment that feels intermittently like hard SF with its what-ifs scrambled.

The early reviews of The Priory of the Orange Tree have been very promising. Marie Brennan calls it “An astonishing achievement,” and Laini Taylor labels it a “magnificent epic of queens, dragonriders, and badass secret wyrm-slaying priestesses.” Publishers Weekly says it’s a “massive standalone epic fantasy with court intrigue, travel through dangerous lands, [and] fantastical religions.” Here’s the description.

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Vintage Treasures: Space, Time & Crime edited by Miriam Allen deFord

Vintage Treasures: Space, Time & Crime edited by Miriam Allen deFord

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Genre blending these days is very popular. So you have steampunk space operas like RJ Theodore’s Flotsam, SF noir like K.R. Richardson’s Blood Orbit, near-future police procedurals such as Serial Box’s Ninth Step Station, and every conceivable genre mash-up in between. But there was a time when daring to mix genres like science fiction and mystery was exciting and new. One of the first paperback anthologies to try it was Miriam Allen deFord’s Space, Time & Crime, published by Paperback Library in 1964, when I was just six months old. But even then, as deFord rather astutely observes in her introduction, it had been going on quietly in the genre for for time.

I believe it was Sam Moskowitz who praised Caves of Steel, by Frederik Pohl and the late Cyril Kornbluth, for “accomplishing the impossible by successfully combining detective stories with science fiction.”

As a matter of fact, that intermixture is so far from impossible that it has (as this book attests) attracted a great many of the best known writers in both fields. And it is natural that this should be so. Both mystery and science fiction are concerned primarily with X, the unknown quantity. In the mystery story — both the detective and the suspense story — X is the criminal; in science fiction X may be, for example, life on planets other than ours, life in the future, life in an alternate parallel universe, or some other extrapolation of known scientific fact into imaginative probability. The interest in the unknown, but knowable, which moves the mystery story writer moves the science fiction writer as well. In consequence, both writers often turn out to be the same person.

Setting aside that jaw-dropping gaff in the very first line (um, Caves of Steel was written by Isaac Asimov, not Pohl and Kornbluth), Space, Time & Crime is a terrific anthology, with stories from Fredric Brown, Anthony Boucher, Frederik Pohl, Avram Davidson, Ron Goulart, Isaac Asimov, Reginald Bretnor… plus a Solar Pons story August Derleth and Mack Reynolds and a Change War tale by Fritz Leiber. Here’s the complete Table of Contents.

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