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The Hanged Man, Book II of The Tarot Sequence by K.D. Edwards, Delayed to December

The Hanged Man, Book II of The Tarot Sequence by K.D. Edwards, Delayed to December

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The Last Sun-small The Hanged Man-small

During its heyday a decade ago Pyr Books was one of the most exciting and innovative publishers in the business. Founding editor Lou Anders left in 2014 to pursue his own writing career, and last year the entire imprint was sold lock, stock, and barrel to Start Publishing. Since then the mighty Pyr has slowed — the website hasn’t been updated in over a year (it still lists “Forthcoming Books” that were released last July, for example), and it’s a lot harder to get news on upcoming books.

Harder, but not impossible. Pyr maintains a lively Facebook presence where it talks about recent releases, like The Fall by Tracy Townsend, Three Laws Lethal by David Walton, and M.C Planck’s Black Harvest, as well as exciting upcoming titles like Nebula Awards Showcase 2019, coming in October. But I was disappointed to see one of the more intriguing books of the fall, K.D. Edwards The Hanged Man, second in The Tarot Sequence, pushed back three months to a December 17 release. K.D. Edwards shared the details on his Twitter feed on Monday:

Pyr made the right choice. We’re just wrapping up the proof edits now, and delaying the book 3 months means I’ll be able to work on advance promotion. We’ll be able to get eARCs in the hands of reviewers. Maybe get some more cool author blurbs. The only thing I can promise is this: I am insanely proud of the final product. I’m 50 pages away from signing off on the final formatted manuscript, and I actually ENJOYED rereading it this weekend. That has never happened to me before… And even better? I’m writing TAROT III as we speak. I don’t expect an 18-month lag-time, next time.

It’s disappointing, but I’m glad to hear there’s a third book in the pipeline, so there’s that. Keep up to date on all the details at Edwards’ Twitter feed.

New Treasures: Desdemona and the Deep by C.S.E. Cooney

New Treasures: Desdemona and the Deep by C.S.E. Cooney

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Desdemona and the Deep-small Desdemona and the Deep-back-small

I’m back from four long, exhausting days at Gen Con, and the first thing I did (after I unpacked) was open all my mail. That included lots of books — but they’re all going to have to wait, because the second box I opened contained C.S.E. (Claire) Cooney’s Desdemona and the Deep, one of the most anticipated books of the year, at least for me. Claire was the Managing Editor of the Black Gate website during our early years, and permanently put her stamp on things. Now she’s making an even larger impact on the entire field of fantasy. Her first collection, Bone Swans, won a World Fantasy Award, and though I’m only 50 pages into it, Desdemona looks like a very strong contender for next year’s Award already. The early reviews have been stellar, but perhaps my favorite was from BookPage. Here’s a snippet.

The land of Seafall is a study in excess, and Desdemona is at the center of it all with nothing to occupy her mind except her mother’s dreadful charity events and her best friend, Chaz. But that was before she learned the origin of her family’s fortune. Her father’s family made a series of deals with the goblin king, the latest of which left hundreds dead and a handful trapped in the world below. Determined to right her family’s wrongs, Desdemona embarks on a quest to enter the underground worlds to bargain for the lives her father callously threw away.

One of the things that makes Desdemona and the Deep so compelling is that in its scant pages, Cooney manages to sketch the boundaries and vagaries of not just one fantastic world, but of three. Desdemona’s world, the world above, is a too-real Gilded Age nightmare where the poor suffer to make the opulent lives of robber barons possible. The worlds below are equally vivid, the dark and sharp world of the goblins standing in stark contrast to the gentry’s light and dreamy plane. That the three worlds are so distinct would be impressive in a much longer book. Within the confines of novella, it is a feat… A gripping tale from beginning to end, Desdemona and the Deep is a great read for anyone who loves a good fairy story.

Desdemona and the Deep was published by Tor.com on July 23, 2019. It is 221 pages, priced at $14.99 in trade paperback and $3.99 in digital formats. The cover is by Alyssa Winans. Download a sample chapter in the Tor.com Publishing 2019 Debut Sampler.

The Golden Age of Science Fiction: Piers Anthony

The Golden Age of Science Fiction: Piers Anthony

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Piers Anthony
Piers Anthony

Chthon
Chthon

Cover by Michael Whelan
Cover by Michael Whelan

DeepSouthCon has presented the Phoenix Award annually since 1970. The first Rebel Award was presented to Richard C. Meredith. The 1980 award was presented on August 23 at DeepSouthCon 18/ASFICon in Atlanta, Georgia, which was chaired by Cliff Biggers.

While Piers Anthony may currently be best known for his series of Xanth novels, in 1980, when he was presented with the Phoenix Award, the series was just getting started. A Spell for Chameleon had appeared in 1977 and been awarded the British Fantasy Award and nominated for the Balrog Award. Castle Roogna followed it in 1978 and The Source of Magic appeared in 1979, and that was all: a trilogy.

Anthony had published numerous successful series up to that point, including the Omnivore/Orn/OX series between 1968 and 1976, the first four volumes of the Cluster series and the Tarot trilogy. His Battle Circle trilogy had appeared between 1968 and 1975 and the Chthon duology was published in 1967 and 1975. In 1980, he had just published Split Infinity, the first novel in his Apprentice Adept series.

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Germ Warfare, Sentient Planets, and Dark Age Alchemy: The Best of Murray Leinster

Germ Warfare, Sentient Planets, and Dark Age Alchemy: The Best of Murray Leinster

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The-Best-of-Murray-Leinster-small The-Best-of-Murray-Leinster-back-small

The Best of Murray Leinster (1978) was the fourteenth installment in Lester Del Rey’s Classic Science Fiction Series. J. J. Pierce returns to give the introduction to this volume. H. R. Van Dongen (1920–2010) returns to do his fourth cover of the series, having done the cover for the seventh volume in honor of John W. Campbell, the tenth volume in honor of Fredric Brown, and the eleventh in honor of Jack Williamson. Since Leinster was already passed away in 1978, no afterword is included in this volume.

Murray Leinster (1896–1975) was the nom de plume of American writer William Fitzgerald Jenkins. Pierce refers to Leinster as ‘The Dean of Science Fiction”, clearly showing a deep respect for him, and I think also an indication of Leinster’s representativeness as an early and grand leader of pulp SF.

I’ve often heard early pulp SF described as basically following “engineer-solving” plots. I think I’ve understood what this meant, and I know I’ve seen examples of these in earlier volumes of the Del Rey’s Classic Science Fiction Series. But Leinster is sort of a practitioner of this sort of plotting par excellence. What do I mean? Leinster’s plots tend to center upon some difficult problem that is presented as unsolvable (or nearly so), but by the end of the story the problem is usually solved in some sort of rational or scientific way. At first blush, this may sound fairly boring, and it has the potential to come off as overly preachy about the goodness of science. But in reading Leinster, you often get pulled into the problem of the story, and are sometimes surprised with how science answers or attempts to answer the issue at hand.

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Future Treasures: Gideon the Ninth by Tamsyn Muir

Future Treasures: Gideon the Ninth by Tamsyn Muir

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Gideon the Ninth-smallI love a good gothic space opera. And Tamsyn Muir’s debut, coming next month from Tor.com, sounds like excellent gothic space opera. In a starred review, Publishers Weekly summarizes it as “Queer necromancers vie for power, solve ancient puzzles, and cross rapiers while exploring haunted deep-space ruins in this madcap science fantasy romp that manages to be both riotously funny and heartbreaking,” and Kameron Hurley describes it as “a pulpy science-fantasy romp that will delight and horrify you.” (And Charles Stross sums it up as “Lesbian necromancers explore a haunted gothic palace in space! Decadent nobles vie to serve the deathless emperor! Skeletons!”) It’s hard to make sense of it all, but I’m definitely getting a picture of something I’d enjoy. Gideon the Ninth arrives in hardcover next month. Here’s the description.

The Emperor needs necromancers.

The Ninth Necromancer needs a swordswoman.

Gideon has a sword, some dirty magazines, and no more time for undead nonsense.

Tamsyn Muir’s Gideon the Ninth unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as skillfully animated as arcane revenants. The result is a heart-pounding epic science fantasy.

Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won’t set her free without a service.

Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will be become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon’s sword, Harrow will fail, and the Ninth House will die.

Of course, some things are better left dead.

Gideon the Ninth will be published by Tor.com on September 10, 2019. It is 448 pages, priced at $25.99 in hardcover and $13.99 in digital formats. The cover is by Tommy Arnold. Read the first eight chapters at Tor.com.

The Definition of a Long Game: The Raven’s Mark Trilogy by Ed McDonald

The Definition of a Long Game: The Raven’s Mark Trilogy by Ed McDonald

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When I wrote about Ed McDonald’s Raven’s Mark trilogy back in November, in the comments reader H.P. shared a review of the opening novel from his blog. He said in part:

Blackwing has a lot going for it. The worldbuilding is tremendous, the action scenes bloody, the human interaction surprisingly poignant. The plot is well crafted. One of my favorite aspects is the depiction of the Nameless and Deep Kings. They are almost entirely offstage, but always near to mind. McDonald really dives into what it means to get caught in a struggle between immortals. It is the definition of a long game, and not one where you worry too much about the odd pawn.

That piqued my interest, to say the least. I don’t have time to read a lot of trilogies, but I think I’ll make an exception in this case — especially now that the final volume, Crowfall, has arrived. In his survey of The Best Science Fiction & Fantasy Books of July, Jeff Somers sums it all up nicely:

The third book in the Raven’s Mark series finds the Deep Kings close to a final victory, as the Range — the last line of defense between them and the republic — and the Nameless — the gods who have long protected it — are both broken. Without the strength of the Nameless, the Blackwing captains are toppling one after another as the Deep Kings ready one final, decisive blow. Ryhalt Galharrow has been in the wasteland known as the Misery for so long it has become a part of him, and the Blackwing captains line up behind him for one last mission that will decide the fate of the republic for once and for all. McDonald’s talent for creating characters you’ll love and then showing them no mercy has not abated as he brings his trilogy to a rousing close.

Crowfall was published by Ace Books on July 2. It is 416 pages, priced at $18 in paperback and $9.99 in digital formats. See all our recent coverage of the best new Series Fantasy here.

The Golden Age of Science Fiction: “Encased in the Amber of Eternity,” by Robert Frazier

The Golden Age of Science Fiction: “Encased in the Amber of Eternity,” by Robert Frazier

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Cover by Vincent di Fate
Cover by Vincent di Fate

Cover by Tim Mullins
Cover by Tim Mullins

The Rhysling Awards, named for Robert A. Heinlein’s poet from The Green Hills of Earth, were established by the Science Fiction Poetry Association in 1978. Both the association and the award were founded by Suzette Haden Elgin. Each year, awards are given for Short Form poetry and Long Form poetry. The first three years of the award resulted in ties, with three poems tying in the first year, and two each tying in the second and third year.

Robert Frazier’s poem “Encased in the Amber of Eternity” depicts a Pacific Northwest in the aftermath of a nuclear war that has depopulated the North American continent (and presumably most of the rest of the world). His imagery moves briskly from descriptions of various objects associated with lights and fire representing the falling missiles, to the bone-like remnants of human civilization, represented by Portland. The poem’s narrator, who seems to be a survivalist type, has managed to come through the catastrophe and offers a glimpse of hope that he will be able to find other survivors to rebuilt some sort of civilization, or, even if it is only him, at least he is still around.

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Vintage Treasures: Machines & Men by Keith Roberts

Vintage Treasures: Machines & Men by Keith Roberts

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Cover by Anthony Roberts

I love discovering British vintage SF paperbacks. There’s a lot to discover, they’re relatively inexpensive, and they’re virtually unknown here in the US. Recently I’ve been accumulating British short story collections by John Wyndham and Keith Roberts, and they’ve been well worth tracking down. I admit I enjoy the covers as well — especially the ones featuring exotic spaceships.

My latest discovery is Machines and Men, the second collection by Keith Roberts, published by Panther in 1973 and which was never reprinted in the US. It’s a slender volume, yet packed with tales of UFOs, wary submariners, a 24th-Century film crew, a synthetic human getting a divorce, and much more. And lo! There’s an exotic spaceship on the cover, which sorta looks like a futuristic curling iron.

The fiction within originally appeared between 1964-69, in places like SF Impulse magazine and John Carnell’s long-running New Writings in SF anthology series. Here’s the complete Table of Contents.

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The B&N Sci-Fi and Fantasy Blog on The Best Science Fiction & Fantasy Books of July 2019

The B&N Sci-Fi and Fantasy Blog on The Best Science Fiction & Fantasy Books of July 2019

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Salvation Day Kali Wallace-small Gods of Jade and Shadow Silvia Moreno-Garcia-small The Hound of Justice Claire O’Dell-small

There’s a phenomenon in software development known as feature creep. As you design and build a new product, you can’t resist adding just one more cool feature… until pretty soon your shiny new product is 12 months late, due mostly to a laundry lists of new features that go way beyond the original spec.

Sometimes I think the same thing is happening to Jeff Somers’ monthly Best New Science Fiction and Fantasy list. His May list was packed 24 titles, more than I recall the lists having last year. And his July rundown contains a whopping 28 books.

Not that I’m complaining. It’s  fantastic list, with brand new novels by Bradley P. Beaulieu, Peter McLean, Chuck Wendig, Mercedes Lackey, Amal El-Mohtar and Max Gladstone, Molly Gloss, Christopher Ruocchio, C.S.E. Cooney, Fonda Lee, Timothy Zahn, JY Yang, and many others. Jeff’s not padding the list — there really are that many books this month that deserve your attention. Here’s a look at some of my favorites.

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New Treasures: The Big Book of Classic Fantasy edited by Ann and Jeff VanderMeer

New Treasures: The Big Book of Classic Fantasy edited by Ann and Jeff VanderMeer

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The Big Book of Classic Fantasy-small The Big Book of Classic Fantasy-back-small

One of my favorite anthologies of the past few years — perhaps my absolute favorite — is The Big Book of Science Fiction, edited by Ann and Jeff VanderMeer. It’s a companion book of sorts to their 2012 Tor volume The Weird: A Compendium of Strange and Dark Stories, a monumental 1152 page collection of weird fantasy from roughly the last century.

But I don’t file it with that book, or the Vandermeer’s other fine anthologies. Instead, I give it a place of honor on the shelf with my other Vintage Big Books, which include Otto Penzler’s The Big Book of Adventure Stories, The Big Book of Ghost Stories, and The Vampire Archives. Which is why I was so excited to see the VanderMeer’s add another book to that illustrious set this month: The Big Book of Classic Fantasy, a thoroughly impressive tome that unearths the fascinating origins of modern fantasy.

Kirkus Reviews calls The Big Book of Classic Fantasy a “quintessential anthology destined to become the standard by which future fantasy classic anthologies are measured… a must-have.” It contains rarely-seen tales from Asian, Eastern European, Scandinavian, and Native American traditions, including brand-new translation of fourteen stories never before printed in English. Contributors include the Brothers Grimm, Hans Christian Andersen, Mary Shelley, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, Charles Dickens, E. Nesbit, Christina Rossetti, Jules Verne, Lewis Carroll, Oscar Wilde, L. Frank Baum, H. G. Wells, Arthur Machen, Edith Wharton, George MacDonald, G. K. Chesterton, Leo Tolstoy, Willa Cather, Zora Neale Hurston, Vladimir Nabokov, Hermann Hesse, William Hope Hodgson, Lord Dunsany, A. Merritt, E. R. Eddison, John Collier, Edgar Rice Burroughs, Fritz Leiber, Robert E. Howard, J. R. R. Tolkien, Clark Ashton Smith, and many, many others.

Here’s the impressive Table of Contents.

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