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Future Treasures: Stars Beyond, Book 2 of Stars Uncharted by S. K. Dunstall

Future Treasures: Stars Beyond, Book 2 of Stars Uncharted by S. K. Dunstall

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Cover art by John Harris and Fred Gambino

S. K. Dunstall has rapidly become one of my favorite science fiction writers.

OK, that’s not entirely accurate, but not because of any deficit in my admiration. It’s because “S. K. Dunstall” is actually two people, the sibling writing team of Sherylyn and Karen Dunstall. I wrote about their splendid Linesman Trilogy from Ace Books in 2016 (which I consumed in the audible version narrated by Brian Hutchison, and which I highly recommend), and last year I alerted you to the release of Stars Uncharted, the opening novel in a new series about a band of explorers who make the greatest find in the galaxy, which John DeNardo said “Combines the best parts of space action and space opera.” The sequel Stars Beyond arrives next month, and it’s one of my most anticipated books of 2020. Here’s what Everdeen Mason at The Washington Post said about Stars Uncharted in her list of the Best science fiction and fantasy books of August 2019.

Nika Rik Terri and Josune Arriola are two women on the run from corporate gangsters in a future where humans lay claim to multiple planets and colonies across the galaxy. Explorers and companies alike seek maps to long-lost worlds, where they hope to find precious resources. Nika is a body modifier who redesigns people into works of art, but she leaves all she’s built to escape from an abusive boyfriend and the company he works for. Josune is a crew member of the explorer ship Hassim and has infiltrated a rival explorer ship. But when she tries to return to the Hassim, Josune finds that the company has wiped out her crew, and now she’s a target…. This is a fun adventure novel with an irresistible ragtag crew.

Stars Beyond will be released by Ace Books on January 21, 2020. It is 407 pages, priced at $16 in trade paperback and $9.99 in digital formats. The cover is by Fred Gambino. Read the complete 15-page first chapter of Stars Uncharted here, and see all our recent coverage of the best upcoming SF and fantasy here.

Epic Science Fiction with a Spectacular Toolbox: Silver by Linda Nagata

Epic Science Fiction with a Spectacular Toolbox: Silver by Linda Nagata

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Silver by Linda Nagata (Mythic Island Press, Nov 2019). Cover art by Sarah Anne Langton

Silver is the direct sequel to Edges, which is itself a continuation of Nagata’s Nanotech Succession series. In Edges, some of the heroes from Nagata’s earlier series decide to head back in from the frontier of human expansion in the Milky Way to the galactic region of Earth and its immediate environs. In this science fiction universe, the laws of physics are firm, and no one has figured out a way around the universal speed limit of light itself or the constraints of relativistic travel. This means distances and time spans are immense, and voyages are spread over centuries. It also means that as humanity spread itself into that emptiness, it became diffuse and attenuated and that the sharpest telescopes on the frontier give only clues but no answers about what has taken place in the intervening centuries on the cradle worlds of humanity.

Edges was the story of Urban’s ship and crew and what happened on their way home. As with most trips, things got complicated quickly. The expedition back to Earth ran afoul of an unwelcome passenger: Lezuri, a godlike intelligence that attempted to take over the ship and was only expelled at the apparent cost of Urban himself. Silver follows directly on the heels of this conflict. Urban has fled to a nearby world, to which Lezuri is bound as well. With limited resources, Urban has to find a way to both prepare for Lezuri’s eventual arrival and warn off his ship and crew, who assume he is dead.

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New Treasures: The Light of All That Falls, Book 3 of the Licanius Trilogy by James Islington

New Treasures: The Light of All That Falls, Book 3 of the Licanius Trilogy by James Islington

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Covers by Dominick Saponaro

Three long years ago, in November 2016, Jim Killen at the B&N Sci-Fi and Fantasy Blog shared his thoughts on The Best Science Fiction and Fantasy Books of the month. Based on his rec I purchased the debut novel by James Islington, The Shadow of What Was Lost, volume one of what was to become the Licanius Trilogy at some nebulous point in the future.

Low and behold, the future is here. The second book, An Echo of Things to Come, arrived in August 2017, and now the final volume, The Light of All That Falls, appeared on December 10. Just in time to keep me company over my long Christmas break! What did Killen say all those years ago that got me so interested? I had to go look it up this morning:

The Shadow of What Was Lost feels old-fashioned in the best of ways, molding familiar genre traditions into something wholly unique. In a world where the magical class has been overthrown, hunted, and subjugated, the struggle cannot simply be divided between magic and mundane or human and divine. The evil that encroaches Andarra, the center of the action, is neither simple, singly focused, or, for that matter, definitively evil. It’s been 20 years since the Unseen War, which overthrew the Augurs, powerful and portentous demigods. Those who once feared and obeyed the them rose up, wiping out the leaders and binding those with lesser magical abilities, the Gifted, to Four Tenets that restrict the use of their powers. Davian, a student of the Gifted, struggles to wield Essence, the magic that should sustain and flow through him with ease, but can “read” people to determine whether they’re telling the truth, a power that once belonged only to the Augurs. That’s a dangerous association for one raised in a world endlessly suspicious of those with abilities outside the norm. But as forces long thought defeated descend from the North, Devian’s quest to understand who he is and what he can do takes on greater urgency than he can comprehend.

Here’s the complete publishing details for all three.

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The Golden Age of Science Fiction: The 1973 Hugo Award for Best Novella: “The Word for World is Forest,” by Ursula K. Le Guin

The Golden Age of Science Fiction: The 1973 Hugo Award for Best Novella: “The Word for World is Forest,” by Ursula K. Le Guin

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The Word for World is Forest paperback-small The Word for World is Forest paperback-back-small

The Word for World Is Forest (Berkley Medallion, 1976). Cover by Richard Powers

The great Ursula K. Le Guin won the Hugo Award for Best Novella in 1973, for “The Word for World is Forest,” which first appeared in Harlan Ellison’s anthology Again, Dangerous Visions. The story had been written several years earlier, and there exists a letter from Le Guin expressing her frustration with the time it took Ellison to get the story into print.

“The Word for World is Forest” has been a somewhat polarizing tale in Le Guin’s oeuvre for a long time. The conventional view seems to me, at this remove, that Le Guin missed the mark with this story: its tone is too shrill, the story is too preachy. It’s “Bad Ursula,” in a common formulation. And that’s been my position for a long time.

Let’s begin with the obvious: I’ve already discussed the 1972 novellas, in my post about Arthur C. Clarke’s Nebula winner, “A Meeting With Medusa.” Here’s what I wrote:

So, did it deserve its Nebula? Well, in many years it would have. But not this year. Because this year there were two magnificent Frederik Pohl novellas: “The Gold at the Starbow’s End” and “The Merchants of Venus,” perhaps his two best stories ever. Add Joe Haldeman’s “Hero,” the first of the stories that became The Forever War. And even then, we haven’t come to the clear-cut best novella of 1972, one of the very greatest SF novellas of all time: “The Fifth Head of Cerberus,” by the late, incomparable, Gene Wolfe.

Does “The Word for World is Forest” stand with “The Fifth Head of Cerberus”? Ummm – no, not even close. I think it’s fair to say that the 1973 awards, both Nebula and Hugo, missed the boat completely. But, eh, that’s happened before. Perhaps not so often so clearly, but there are relatively few SF stories as great as “The Fifth Head of Cerberus.”

The fairer question is, does “The Word for World is Forest” stand up on its own terms?

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The Golden Age of Science Fiction: Short Fiction of 1979

The Golden Age of Science Fiction: Short Fiction of 1979

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Riverworld and Other Stories
Riverworld and Other Stories

Cover by George Barr
Cover by George Barr

Nightmares
Nightmares

And finally, after looking at various award winners over the past year and articles about authors’ debuts and the novels published in 1979, it has come time to close out this series of articles with a look at some of the non-award winning short fiction published in 1979.

By 1979, Philip José Farmer had published the first three novels in his Riverworld series as well as a novelette set in the same world, entitled “Riverworld.” When he reprinted the novelette in 1979 in his collection Riverworld and Other Stories, Farmer expanded the story from 12,000 to 33,750 words, effectively publishing a new story in the popular series about humanity’s afterlife on an infinite river.

John M. Ford has made the news recently as the rights to reprint his all too few works, plus an unfinished novel, have been disentangled.  In 1979 he published six stories in Isaac Asimov’s Science Fiction Magazine (his first sale was in 1976). These stories included “Mandalay,” which kicked off his Alternities, Inc. series of stories, as well as “The Adventure of the Solitary Engineer” and “The Sapphire as Big as the Marsport Hilton.”

Chelsea Quinn Yarbro introduced her vampire, the Count Saint-Germain, in 1978 in the novel Hotel Transylvania. In 1979, she published her first short story about him, “Seat Partner,” detailing his experiences on an airplane, a far cry from the historical settings of the novels he usually inhabits.

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Celebrating a Decade of Excellence: Clarkesworld Year Ten, Volumes One & Two, edited by Neil Clarke and Sean Wallace

Celebrating a Decade of Excellence: Clarkesworld Year Ten, Volumes One & Two, edited by Neil Clarke and Sean Wallace

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Covers by Shichigoro-Shingo and Rudy Faber

Clarkesworld editors Neil Clarke and Sean Wallace have had a busy year.

For one thing, they’ve published a full 12 issues of one of the most acclaimed science fiction magazines on the planet. For another, there’s all those conventions, nominations, and shiny awards to keep them occupied — including a Best Editor Hugo nomination for Neil, a Hugo nomination for Simone Heller’s “When We Were Starless” (Clarkesworld 145, October 2018), and a World Fantasy Award win for Kij Johnson’s novella “The Privilege of the Happy Ending” (Clarkesworld, Aug. 2018). On top of that, Neil was presented with the 2019 Kate Wilhelm Solstice Award for distinguished contributions to the science fiction community at the Nebula awards weekend in May, one more award to polish on his mantlepiece.

They also have their own projects — Sean edits the fine magazine The Dark and runs Prime Books, and Neil has produced a pair of anthologies this year, The Best Science Fiction of the Year: Volume Four and The Eagle Has Landed: 50 Years of Lunar Science Fiction.

But in addition to all of that, Neil and Sean are also keeping up a hectic pace of Clarkesworld annual anthology volumes — four in the past two months alone. Clarkesworld Year Ten, Volumes One & Two, containing a year’s worth of fabulous tales from 2015 & 2016, were published on October 3, 2019; Clarkesworld Year Ten, Volumes One & Two followed less than a month later, on November 1, 2019. I’m not sure how they do it, but someone should create an award for science fiction overachievement, and give it to both of them. If they can get either one of them to stop moving long enough to accept it.

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The Magic of the Black Earth

The Magic of the Black Earth

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The Book of the Black Earth (Pyr Books). Covers by Jason Chan

Six years ago, when I was conceptualizing a new fantasy series, I spent a lot of time thinking about the setting world. And I knew from the start that one of the primary building blocks would be the magic system.

For those of you who have read my Shadow Saga trilogy, you no doubt realized that magic played a big part in the events, especially in the second and third books. I knew that magic would be even more important in the new series, that it would be entwined into every aspect of the story, so I wanted its foundation to be rock-solid from the start.

After considering a few different systems of magic, I decided that one based on the primary alchemical elements (earth, water, fire, and air) would best fit the story I was telling. It been done many times before, perhaps most notably in the Wheel of Time saga by Robert Jordan and Brandon Sanderson, but it still appealed to me because it matched well with the non-western philosophies and themes I was aiming to use.

I have studied several disciplines of martials arts over my lifetime, and one of the things which most appeals to me about eastern fighting styles is the concept of balance. Hard versus soft, aggressive versus pliable, offense and defense. These opposites are joined together in a natural back and forth that revolves around finding a balance. A hard style becomes soft, defense turns into offense, and so forth. In developing the magic system for the new series, I ran with this concept. In this world I was building, the cosmic forces had lost their balance and a calamity was approaching.

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Cover Reveal: Carson of Venus: The Edge of All Worlds by Matt Betts

Cover Reveal: Carson of Venus: The Edge of All Worlds by Matt Betts

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EntertheERBUlogo

Science fiction author Edgar Rice Burroughs, creator of Tarzan and John Carter of Mars, wrote four novels and a novella about former stuntman Carson Napier and his wayward adventures on the planet Venus (or Amtor, as it is known to its inhabitants). Now get ready to transport yourself into the Edgar Rice Burroughs Universe with the first new Carson of Venus novel to be published in more than fifty years: Carson of Venus: The Edge of All Worlds by Matt Betts.

The Edge of All Worlds releases Spring 2020 from Edgar Rice Burroughs, Inc., and launches the canonical ERB Universe series of interconnected novels.

Stranded on the planet Amtor for nearly two decades, Earthman Carson Napier returns from his latest adventure to discover a mysterious enemy has struck his adopted nation of Korva and reduced one of its cities to ash and cinders. The trail of the mysterious threat leads Carson and his love Duare through dark cyclopean corridors deep beneath Amtor to a distant land, where they must confront both a powerful new alien species and the shadows of Carson’s past.

I’m pleased to present the exclusive cover reveal for Carson of Venus: The Edge of All Worlds, featuring the artwork of the amazing Chris Peuler.

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New Treasures: The Spider Dance by Nick Setchfield

New Treasures: The Spider Dance by Nick Setchfield

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Last year I wrote a brief New Treasures piece on Nick Setchfield’s debut novel The War in the Dark, and made a note to keep an eye out for the sequel. The Spider Dance finally arrived in September, and in October Nick gave this enticing summary in an interview with Starburst Magazine.

It’s the next adventure for supernaturally-inclined British Intelligence agent Christopher Winter. This time he’s mixed up with the stolen hearts of the undead, unholy criminal empires and a contract for a kill that demands a very strange bullet indeed. It’s a quest that spans the stranger corners of London, Budapest, Venice, Normandy, and Naples and the map certainly gets spattered with blood along the way.

[It’s] The Day of the Jackal – with vampires…. I wanted to refresh the vampire myth. Keep the essential glamour and horror of the creature but create a breed of vampire that would slot into a ‘60s-set spy thriller.

That certainly sound like something I need. But is it any good? Last week Ginger Nuts of Horror gave it a rave review, saying in part:

The Spider Dance is the direct sequel to his excellent 2017 novel The War in the Dark , a perfect genre blend of spies, monsters, magic and derring-do… In Nick Setchfield’s previous novel, he laid out the groundwork for a well constructed and believable alternative history where magic and the occult coexist in an otherwise reasonably realistic representation of our world…

It’s going to become cliched and, but you can’t review this book without mentioning James Bond, after all the simplest way to describe this book is James Bond meets the occult…

The mashing up of genres is pitch perfect… However it [is] his portrayal of a classic horror monster that shines in this book… Setchfield has created an exciting and extraordinary version of the creature that has sadly over the years been unfairly represented in fiction.

The Spider Dance was published by Titan Books on September 3, 2019. It is 352 pages, priced at $14.95 in trade paperback and $9.99 in digital formats. See all our recent New Treasures here.

The Golden Age of Science Fiction: Gerald W. Page

The Golden Age of Science Fiction: Gerald W. Page

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Cover by Jad
Cover by Jad

Cover by Michael Whelan
Cover by Michael Whelan

Cover by Tim Kirk
Cover by Tim Kirk

DeepSouthCon has presented the Rebel Award annually since 1965. The first Rebel Award was presented to Al Andrews. The 1980 award was presented on August 23 at DeepSouthCon 18/ASFICon in Atlanta, Georgia, which was chaired by Cliff Biggers.

Gerald W. Page joined the Atlanta Science Fiction Organization in 1954. He was a member of the Southern Fandom Group during its three years of existence from 1960 through 1963.  In 1963, he began publishing short fiction with the story “The Happy Man,” which appeared in Analog. He has continued to publish short stories, occasionally using pseudonyms such as Carleton Grindle or Leo Tifton.

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