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Of Blood and Honey by Stina Leicht

Of Blood and Honey by Stina Leicht

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of-blood-and-honey-by-stina-leicth-adoiOf Blood and Honey
By Stina Leicht
Night Shade Books ($14.99, trade paperback, 296 pages, January 2011)
Reviewed by Sean T. M. Stiennon

Perhaps I’ll be accused of going below the belt by saying this, but the most damning criticism I can offer of Stina Leicht’s Of Blood and Honey is that it took me several weeks of intermittent reading to finish.  It’s not an awful book by any means, but I never felt as though it generated enough momentum or sympathy to pull me from one reading session to another.

But let me discuss what I did like, which is quite a bit.  Although Leicht is ultimately writing a tale of faeries, demons, and inquisitors, she opts for a clean, modern style that’s well in keeping with the setting in 1970s Ireland.  The sentences flow smoothly from paragraph to paragraph and page to page.  There are some nice snatches of dialogue which, to me at least, rang as distinctly Irish: “It’s married I am, and it’s married I’ll stay.”  Leicht never resorts to spelling out accents, instead relying on vocabulary and syntax to convey dialect, which is a far higher and finer art.

The picture the book paints is rather grim, but ultimately I thought the book came through strongest on atmosphere and milieu.  I know very nearly jack-squat about the Troubles (my ancestors left Ireland much earlier, more around the time of the Potato Famine), but the sense of constant fear and persecution Leicht evokes is powerful.

She tells the story of Liam, a young man who has never known any father besides his step-father Patrick.  His mother tells him that he’s the product of her forbidden union with a Protestant, but Liam has always suspected that there’s something more alien about his origins.

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New Treasures: Kari Sperring’s The Grass King’s Concubine

New Treasures: Kari Sperring’s The Grass King’s Concubine

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the-grass-kings-concubine2I haven’t paid much attention to paperbacks in my New Treasures column. Which is odd, considering paperbacks are actually my preferred format. I think it’s just force of habit — I try to talk about the arrivals that look the most interesting and important, and I think my eye just gravitates towards the hardcovers and trade paperbacks each week.

Several very intriguing paperback originals have arrived in the past few weeks and I’m going to try and rectify that mistake by highlighting them, starting with Kari Sperring’s The Grass King’s Concubine. Sperring made a splash with her first novel Living With Ghosts — a finalist for the Crawford Award, a Tiptree Award Honor Book, Locus Recommended First Novel, and the winner of the Sydney J. Bounds Award for Best Newcomer. With her second novel she returns to the same world with a brand new tale set several hundred years later:

It began with Marcallen, a man bringing human knoledge into WorldBelow — where no mortal had been… And though Marcellan never meant to cause harm, his theories undermined the immortal Grass King’s magic, the power that gave life and plenty to all the Domains of WorldBelow. That disaster was compounded by a spell of stone and blood cast in WorldAbove by exiled shapeshifter twins, once favorites of the Grass King…

Generations later, Aude, born to wealth yet driven always by her childhood vision of a strange Shining Place, seeks to understand her family’s past, where their wealth came from, and why they and all who live in the Silver City want for nothing, while the people who live in the industrial Brass City have nothing at all.

Jehan, a soldier serving in the Brass City, also questions the inequities between the wealthy and those who work for them. When the two find each other on the troubled streets, their destinies are linked. Together, they flee the cities in search of the origins of Aude’s family. All they find is a devastated land, and when Aude is snatched away to WorldBelow by the Grass King’s last remaining supporters, the Cadre, Jehan has no choice but to follow, aided and impeded by the twins. While Jehan travels through hostile lands and battles terrifying guardians, Aude must survive as a prisoner of the Cadre, who believe that she is the solution to restoring WorldBelow — even at the cost of her own life…

The Grass King’s Concubine was released by DAW Books on August 7. It is 481 pages, priced at $7.99 for both the print and digital editions.

Read all of our recent New Treasures articles here.

Galaxy Science Fiction, May 1952: A Retro-Review

Galaxy Science Fiction, May 1952: A Retro-Review

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galaxy-may-1952I’ve been blogging about my experiences collecting and reading Galaxy magazine (originally titled Galaxy Science Fiction). Within my initial collection I had the May, 1952 issue (Volume 4, Number 2 for those who want to get that detailed). The issue included a novella, two novelets, and three short stories from Boyd Ellanby, Peter Phillips, Charles De Vet, Richard Matheson, Franklin Abel, and Poul Anderson.

“Category Phoenix” by Boyd Ellanby – In a Big Brother society ruled by Leader Marley, Dr. David Wong works in Research, tasked with finding a cure for White Martian Fever. But for the past ten years, Dr. Wong has been researching immortality, something he inadvertently discovered while creating a cure for Blue Martian Fever. Dr. Wong hopes to share his findings with those closest to him without alerting Leader Marley – a challenging task, considering how closely they’re monitored.

“Lost Memory” by Peter Phillips – Palil and his associates examine a new arrival from outer space. It seems like them – inorganic and metallic – yet without normal modes of communication and shaped as a cylinder. When they’re finally able to communicate with it, they cannot understand all of its words, like mann, blud, and deth. Their only hope of saving the poor, blind creature is to perform an operation, but the visitor is so confused that it keeps asking for corrosive oxygen.

“Wheels Within” by Charles De Vet – Mr. Bennett suffers from headaches so severe that not even a neurologist can help. The headaches even escalate into hallucinations of a beautiful woman named Lima. One day, he discovers a show in town called “Lima, Mystic of the Mind,” and he is shocked to find that the woman exactly resembles the one from his hallucinations. For a price, she offers to cure him of his headaches, though the cure will involve pain and anxiety through false experiences, leading him into a cyclical dream sequence that seems unending and hopeless.

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Self Publishing 101

Self Publishing 101

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in-savage-landsWhen I first read about self-publishing, I certainly didn’t think it was for me. I was busy trying to break into the market, working on my skills, celebrating a few acceptances here and there, and collecting a ton of rejections. It was what I had been told to expect, so everything seemed to be moving along just fine. At that time, with my limited understanding of what it meant, self-publishing would have been an admission of defeat, and was being self-published even really being published?

But the idea took hold and germinated in the recesses of my mind. I continued to read up on it, perusing blogs such as J.A. Konrath’s and Dean Wesley Smith’s and lurking on forums like the Kindle Boards Writer’s Café — even as I kept submitting to markets. I didn’t have consistent access to the Internet at that time, so my opportunities to keep informed were limited and infrequent. But over time, one thing became clear: there were people actually making a go of it, getting read, and a few outliers were actually making a living.

Which led me to ask what it was that I wanted to accomplish with my writing in the first place. Make a ton of cash, pay off the mortgage and retire, you bet. But that wasn’t really the reason, because if it was, I wouldn’t be writing. There are far more profitable ways to spend that time. No, I write because I take pleasure in it; I like the idea that something I’ve done might entertain someone for a while; that a stranger might read it and enjoy it. Yes, it’s all ego! I want to be read.

Well, that and make a million dollars.

A quick glance on the old hard drive showed over a hundred stories just sitting there, doing nothing. Some had already been published, but the rights had reverted to me. Others had been accepted by publishers that had, for whatever reason, folded before putting the story in print. Still others had been rejected by their intended markets, but I liked them anyway. And lastly, there were those that sat there because they deserved to. They weren’t all that good. So I selected a tentative table of contents for a collection and started researching the nuts and bolts of publishing in earnest.

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After 34 Years as Editor, Stanley Schmidt Retires from Analog

After 34 Years as Editor, Stanley Schmidt Retires from Analog

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analog-october-2012Much of the early buzz among short fiction fans at Worldcon last weekend centered around the announcement that Stanley Schmidt, longtime editor of Analog Science Fiction and Fact, had announced his retirement on August 29, the day before the con:

I have now been editor of Analog for 34 years, tying or (depending on how you count) slightly exceeding the previous longest-tenure record of John W. Campbell. I still enjoy it thoroughly, but am leaving to pursue a wide range of other interests. Two of the most important of these are doing more of my own writing, and reading Analog purely for the enjoyment of it, which I expect to remain at a high level under Trevor Quachri’s direction.

Stanley Schmidt became editor of Analog in December 1978, succeeding Ben Bova. For most of the 34 years he edited it, Analog remained the top-selling magazine in the field, no small feat.

As momentous as the change is, it’s not wholly unexpected. Declining circulation of the SF titles owned by Dell Magazines (Asimov’s and Analog) over the last two decades have led to successive budget cuts, and there’s some conjecture that those cuts led to the retirement of Gardner Dozois as editor of Asimov’s, after winning a record 15 Hugo Awards for Best Professional Editor during his 16 years as editor (1988 — 2004).

I have mixed emotions at the end of the Schmidt era. I found Analog, the favorite SF magazine of my youth, largely unreadable under Schmidt. However, Schmidt did discover and promote exciting new talent during his 3+ decades as editor, including Timothy Zahn, Harry Turtledove, Michael F. Flynn, Jerry Oltion, Linda Nagata, Maya Kaathryn Bohnhoff, Geoffrey A. Landis, Rajnar Vajra, and many others.

Schmidt made his name in Analog first as a writer. His first publication was the short story “A Flash of Darkness” (Analog, September 1968); his novel The Sins of the Fathers was serialized from November 1973 to January 1974. Ten stories in his “Lifeboat Earth” series appeared between 1976 and 1978. As editor, he was nominated for the Hugo Award for Best Editor every year from 1980 through 2006 through 2011. He has never won.

Analog‘s new editor is Trevor Quachri, who has served as Managing Editor at Analog (and editorial assistant of both Asimov’s and Analog) for many years. Analog‘s website, which I created over 15 years ago when I ran the SF Site, is here.

ChiZine Publications Launches ChiTeen Young Adult Imprint

ChiZine Publications Launches ChiTeen Young Adult Imprint

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chizineOur homies in Toronto, the almost-too-cool-for-planet-Earth ChiZine Publications, have announced a brand new imprint aimed at the YA market, ChiTeen.

“As a business, you can’t ignore the young adult market,” says co-publisher Brett Alexander Savory. “Over the last decade, writers like Rowling, Gaiman and Collins were consistently on bestseller lists. We’ve been wanting to get into the YA market for a couple of years, and now the timing is right.”

“The timing is right” is sometimes code for “We just couldn’t pass on this great book, so we launched a YA imprint to publish it.” That’s what it looks like to me anyway, as the new imprint already has its first title scheduled for release in spring 2014: The Unlikely But Totally True Adventures of Floating Boy and Anxiety Girl by Paul Tremblay (Swallowing a Donkey’s Eye, The Little Sleep) and Stephen Graham Jones (Growing Up Dead in Texas, The Ones That Got Away).

If Savory is co-publisher, our tenuous grasp of the English language leads us to believe there must be at least one more publisher. Turns out there is: Sandra Kasturi, so we tracked her down for a quote too. Caught during delicate international rights negotiations, Kasturi nevertheless gave up the following: “Our editorial style lends itself to young adult fiction. CZP embraces the dark, the bizarre, the unusual. So many teens feel isolated or different and are looking for that outlet. ChiTeen will offer the same dark and weird stories with strong writing that CZP is known for, just with subject matter more suited for a younger audience.”

When not issuing dueling quotes, Kasturi and Savory will serve as ChiTeen’s co-publishers, along with most of the CZP team. They tell us they are currently approaching authors to fill out their 2014 roster. Before you get all excited and dust off that YA masterpiece in your trunk, they are not currently open to un-agented submissions for the new imprint.

We last looked at ChiZine in October (ChiZine Publications’ eBooks Now Available on iTunes Store) and in December 2010 (A Salute to ChiZine Publications). Read more at the ChiZine website.

Lawyer Bob Kohn submits Legal Brief in Comic Format in E-Book Case

Lawyer Bob Kohn submits Legal Brief in Comic Format in E-Book Case

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appleamicusbrief-smallThere’s been a lot of passionate discussion and conjecture recently surrounding the U.S. Department of Justice’s case against Apple and several of the world’s largest publishers over alleged price-fixing for e-books. It’s a complicated case, with a lot at stake.

So complicated, in fact, that the judge demanded that attorney Bob Kohn re-submit his 25-page legal brief against the DoJ’s settlement with three publishers in just five pages. Frustrated by the tight page limit, Kohn made legal history by submitting his brief in the form of a comic strip.

His argument — that the settlement harms the public, and Amazon’s aggressive price-setting on e-books is presumed illegal — remains the same in the new brief. But as Publisher’s Weekly observed earlier this week:

His rendering is brilliant — not only is it a not so subtle jab at the court for limiting such a complicated case to five page briefs, as a comic strip, the brief will be widely digestible for the general public who may not have the gumption to plow through a typical legal brief.

Brilliant it may have been, but it didn’t have the impact Kohn was hoping for, as yesterday the judge approved the DOJ’s proposed settlement.

It still makes compelling reading, however. You can read Kohn’s inspired comic brief here.

New Treasures: Black Bottle by Anthony Huso

New Treasures: Black Bottle by Anthony Huso

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black-bottle2I’ve been looking forward to Black Bottle ever since I read Matthew David Surridge’s review of the first volume in the two-book series, The Last Page (Tor, 2010) in Black Gate 12. Here’s what he said, in part:

The Last Page is a high fantasy steampunk novel, and a love story. We follow the sexually charged relationship between the improbably named Caliph Howl, heir to the throne of the northern country of Stonehold, and a witch named Sena. The two of them meet at university, go their own ways, and then come together again after Caliph has become king and Sena has acquired a vastly powerful magical tome. Unfortunately, Caliph is facing a civil war against a national hero, and Sena’s book has a lock which can only be opened at a fearsome emotional cost…

The first volume in a two-book series, it manages the trick of both providing a satisfactory conclusion and keeping the story going; in fact, the conclusion suggests the story has taken a turn, and perhaps is going to head in wild new directions. But what really makes the first book work is its language. The prose is strong, quick and dense in the best ways. The diction, the word choice, is inventive; the imagery is both original and concise. At its best, Huso’s language recalls Wolfe or Vance…

From the plot summary for Black Bottle, that twist Matthew mentions seems dark indeed:

Tabloids sold in the Duchy of Stonehold claim that the High King, Caliph Howl, has been raised from the dead. His consort, Sena Iilool, both blamed and celebrated for this act, finds that a macabre cult has sprung up around her. As this news spreads, Stonehold — long considered unimportant — comes to the attention of the emperors in the southern countries. They have learned that the seed of Sena’s immense power lies in an occult book, and they are eager to claim it for their own.

Desperate to protect his people from the southern threat, Caliph is drawn into a summit of the world’s leaders despite the knowledge that it is a trap. As Sena’s bizarre actions threaten to unravel the summit, Caliph watches her slip through his fingers into madness. But is it really madness? Sena is playing a dangerous game of strategy and deceit as she attempts to outwit a force that has spent millennia preparing for this day. Caliph is the only connection left to her former life, but it’s his blood that Sena needs to see her plans through to their explosive finish.

Sounds intriguing, right? But it was when I saw yesterday’s Facebook post from the distinguished Dave Truesdale, Black Gate‘s Managing Editor for our very first issue, that my interest in the book was truly piqued.

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Sax Rohmer’s The Adventures of Nayland Smith

Sax Rohmer’s The Adventures of Nayland Smith

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rohmer-the-green-spider-231x350the-haunting-of-low-fennel21Sir Denis Nayland Smith is the largely unsung protagonist of all of Sax Rohmer’s novels and stories featuring the notorious Dr. Fu Manchu. The brilliant Chinese criminal genius constantly overshadowed the stalwart British subject who did his best to route his megalomaniacal schemes over the course of thirteen novels and four shorter works published between 1912 and 1959. The legendary villain overshadowed Sir Denis to such a degree that many readers were unaware that the author showcased Smith without his customary nemesis in three short stories published between 1920 and 1932.

When Rohmer created the character a century ago, Smith was depicted as a colonial administrator, stationed in Burma and granted a roving commission by the Home Office to bring Dr. Fu Manchu to justice. His childhood friend, Dr. Petrie, played Watson to Smith’s Holmes, chronicling his adventures for posterity and ably assisting him wherever possible. Petrie’s job was made easy in as much as Smith rarely did any actual detecting. The duo generally reacted to Fu Manchu’s latest atrocity and then spent the rest of the book trying to anticipate his next move, check him, be captured, escape, and inevitably lead a daring raid that would end in something less than a complete success. Despite it all, Smith and Petrie persevered and when Rohmer ended the initial run of the series in 1917, readers likely expected they had heard the last of Nayland Smith’s exploits. Rohmer, however, was too fond of the character to let him retire peacefully.

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Goth Chick News – Behind the Screams at Fear City

Goth Chick News – Behind the Screams at Fear City

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image002Much like a debutante in a designer tulle dress, only different, we here at Goth Chick News also count down the days until the start of “the season.”

What is “the season” to those of us who will never be invited for cucumber sandwiches at Buckingham Palace?

It’s that time of year that kicks off after Labor Day and runs through November 1.  It is bracketed at one end by the appearance of Spirit shops in every empty strip mall location and the 75%-off-sale in said stores at the other, and is affectionately known as Halloween to everyone else.

Considering this may well be the very last one, this year we kicked off “the season” in a spectacular and appropriately apocalyptic fashion (it is 2012 after all).

As mentioned last week, Black Gate photographer Chris Z and I had the pleasure of meeting the devious master minds behind one of Chicago’s premier haunted attractions: Fear City.  Co-owners Chuck Grendys (also the proprietor of the movie-building shop, Big City Sets) and Jim Lichon (an Emmy-winning set decorator for Harpo Studios) invited us to visit during the day before all the screaming starts, and we burned rubber out of the Black Gate office parking lot to bring you the scoop.

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