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And now a word (or several) about Ideomancer

And now a word (or several) about Ideomancer

Leah Bobet of <i>Ideomancer</i>
Leah Bobet of Ideomancer

At Readercon 2009, I wended my way through the lobby crush until at last I came upon a clump of ladies who were more or less my friends. A few strangers, true. A few people I had adored only cyberspacially, true. However, everyone was cheerful and in the mood to be introduced.

Introductions were made.

One of the strangers was a tall, smiling, black-haired (with a bright blue streak, like a sailor’s vocabulary) lady who may or may not have been wearing at the time (if she wasn’t then, she certainly was later) a wicked cool corset. Her name was Leah Bobet, and she was the Editor-in-Chief of Ideomancer Magazine.

Upon learning my name, she grinned and said, “Oh! I think you’re in my slush pile.”

If slush could blush, this one certainly did. I mean, what do you say to that?

Except, “Uh… Uh-oh. Ha-ha. Well. Ahhhh, NICE TO MEETCHA!”

Or some stammering equivalent thereof.

Since then, I did make it out of the slush and into an issue of Ideomancer, and have pursued my acquaintance with the Lady Bobet through the usual social networking sites (LiveJournal chief among them) and what other writing conventions we happened to attend together.

bg1It gives me great pleasure, now, to invite Leah here to talk to us about Ideomancer and its exciting current issue.

Ladies and Gentlemen of Black Gate, I give you… Leah Bobet.

Ideomancer‘s one of the longest-running speculative fiction zines on the Internet. It’s been publishing regularly since 1999, and has gone through four publishers, been based in three countries, and had several different publication schedules. What hasn’t changed is the aesthetic: complex, literary speculative fiction from authors you might not have heard of right now, but will soon.

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The Four-Window Method

The Four-Window Method

lion-of-cairoDuring the course of the past few days I’ve had the pleasure of chatting with a goodly number of writers. It’s been good for my soul to talk shop with knowledgeable peers. But one question that invariably cropped up concerned my method of writing. How did I prepare my drafts? And as I explained it, curious looks would blossom over the visages of my brother-and-sister scribes.

Apparently, my method is just a little odd.

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Wizard Trails: On the Making of the Black Gate Trailer

Wizard Trails: On the Making of the Black Gate Trailer

Not so very many months ago, we posted Black Gate‘s first trailer ever.

We are still very proud of it. So proud, in fact, that we’re bringing it up again! Oh my gosh!

I figured, in the light of Harry Connolly’s posts about Walking the Trail(er), it would be interesting to interview the wizardly gentleman who aided and abetted (and conjured and conspired) in the making of Black Gate‘s own fabulous trailer.

So I wrote to Magill Foote and asked him some impertinent questions, and he was kind enough to answer them!

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Apex Magazine 19 arrives, featuring C.S.E. Cooney

Apex Magazine 19 arrives, featuring C.S.E. Cooney

apex19I’m very jealous of how punctual this magazine is. I suspect a pact with demonic forces.

The new issue of Apex has arrived, featuring fiction from our own marvelous C.S.E. Cooney, with her short story “Pale, and from a Sea-Wave Rising,” as well as less interesting people like Nick Wolven, with “Radishes,” and Erzebet YellowBoy, with the reprint “At the Core” (from Fantasy Magazine, 2006.)

The issue also includes two poems: “Flourless Devil’s Food” by Shweta Narayan, and “Cancelled Flight” by W.C. Roberts.

Apex Magazine 19 is sold online for $2.99; it’s also sold in a downloadable, pay-what-you-want edition through Smashwords, and in a Kindle edition (for 99 cents). Previous issues are available through their back issue page.

C.S.E.’s complete story is online. Here’s the first line:

Aquilo Vickery Makepeace, anatomy student, was looking for corpses when he found the undine.

I like it. We last profiled Apex with their November Arab/Muslim issue, the October issue and in August (also featuring C.S.E. Cooney).

Apex Magazine is edited by the ethereally beautiful Catherynne M. Valente. To join the Apex Army and donate, subscribe, or help spread the word, visit their online store.

Writing: Historical Fantasy and the Book Deal

Writing: Historical Fantasy and the Book Deal

lion-of-cairo
Scott’s new book. Go buy it!
A few months ago James Enge and I sat down for a cyber conversation about serial characters and the book deal.  We both had a lot of fun, and the the exchange seemed of interest to Black Gate readers, so I asked my friend Scott Oden to join me  for a similar back-and-forth interview.

If you haven’t yet heard of Scott Oden, you’re missing a rising star in historical fiction. I learned of his work when our mutual friend, Robert E. Howard scholar Morgan Holmes, handed me a copy of Scott’s first book and urged me to read it. My “to-be-read” pile is as tottering as that of most readers, but I took Morgan at his word and was launched into an action-packed thrill ride at the side of Phoenecian mercenary leader Hasdrabal Barca in Men of Bronze. Oden’s skill with character, pacing, and description — not to mention his action chops — impressed me greatly. When I learned Scott was a fan of historical fiction writer Harold Lamb, I invited him to write an introduction for one of the Lamb historical collections I was editing.

As I’ve mentioned in previous writing posts, it was Scott who introduced me to his editor, the talented Pete Wolverton of Thomas Dunne Books, and Scott who introduced me to the agent we now share, the gifted Bob Mecoy. Scott wrote on this topic some months ago, after I took news of my own book deal public last November.

Scott’s new novel, a historical fantasy set in 11th century Cairo, hits bookstore shelves this Tuesday. I had the privilege of reading the book in manuscript, so I can tell you that it’s one of the best historical novels of the year.  Its impending release seemed like a fine excuse for a discussion about  historical fiction, middle-eastern protagonists, and, naturally, Harold Lamb. I lead off, then Scott follows. At the end of each exchange, we trade questions, and occasionally we interject responses.

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“The Word of Azrael” Selected for The Year’s Best Science Fiction & Fantasy

“The Word of Azrael” Selected for The Year’s Best Science Fiction & Fantasy

yearsbest2011Matthew David Surridge’s novellete “The Word of Azrael” has been selected for The Year’s Best Science Fiction & Fantasy 2011 Edition, edited by Rich Horton.

Congratulations, Matthew!  “The Word of Azrael” has been praised in many places since it appeared in Black Gate 14. Here’s what Rich said in his Locus magazine review in the August issue:

Even better is Matthew [David] Surridge’s “The Word of Azrael.” It concerns Isrohim Vey, who sees the Angel of Death on a battlefield and as a result is spared — more a curse than a blessing — to search again for the Angel. His search almost takes the form of a catalog of sword & sorcery tropes, his many adventures told briefly but with style and an ironic edge. Surridge both celebrates and winks at the genre. It’s very entertaining, clever, and even thought-provoking.

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Walking the Trail(er): Part Two

Walking the Trail(er): Part Two

Marissa Merrill (“Annalise”)
Marissa Merrill (“Annalise”) and Harry Connolly

Let me summarize part one of this post briefly: Authors and/or publishers sometimes make book trailers, which are supposed to look like movie trailers but for, you know, books… and they’re usually awful, largely for lack of time and funds. Some of the best of the no-budgeters are funny which is fine if you’ve written a funny book.

Also, I’m not sure there’s any evidence at all that they actually sell the books they’re meant to promote. I’ve certainly never bought a book because of a trailer.

So why am I making one?

Let me backtrack: the trailer I mentioned in part one that almost sold me on a novel was something I watched over a year ago. (I’d link to it, but I can’t find it again.) It was a slow pan over a ship. It was obviously someplace cold, and the crew had just found something in the ice. There was a Lone Guy, his back to the camera, chipping away at a giant block of ice.

What was in it? The camera didn’t show us but I was intrigued. Was it Captain America? A Deep One? A Deep One dressed as Captain America? I had to know!

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Walking the Trail(er): Part One

Walking the Trail(er): Part One

hc2Did you know that there are awards for book trailers? They’re called “The Moby Awards” and you can check the most recent winners (and losers) here. (There doesn’t appear to be any listings for the years before 2010, probably because there aren’t any.)

In case you haven’t heard of them, a book trailer is like a movie trailer — a short video that’s supposed to promote a book. Many of them look like movie trailers, and most are done on a budget (maybe I should say “without a budget”).

But do they work? Do they entice readers to buy books?

It’s an important question for me, because I’m making one.

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Subscribe to Black Gate? Get a PDF Version for just $2.95!

Subscribe to Black Gate? Get a PDF Version for just $2.95!

black-gate-12Are you a current Black Gate magazine subscriber? If so, you’re eligible to purchase PDF copies of your favorite issues at $2 off regular price — just $2.95 per issue.

High-resolution PDF versions of Black Gate are regularly $4.95 each, and are now available in the same quantities as print subscriptions: 2 issues for $9.50, 4 for $17.95, or 6 for just $25.95.

However, subscribers to the print version can now buy PDFs for just $2.95 for single issues. Discounts are offered for subscriptions as well: $5.50 for 2 PDF issues, $9.95 for 4, and just $14.25 for 6!

Those who purchase a 4-issue print sub and a 4-issue PDF sub at the same time can now save even more, and receive the PDF subscription for just $7.95 — a $10 savings off regular price.

Issues currently available in PDF format are BG 11, BG 12, BG 13, and our big double issue, BG 14 — 384 pages, still priced at the regular cost of $4.95. Oppressed house elves are currently hard at work, painstakingly converting our earlier issues by hand, and PDF subscriptions to future issues are available as well.

You can get all the details on our subscription page. Act now, and help us afford that big Christmas office party!

Letters to Black Gate: Submission Windows, Port Iris, and Canadian Fiction

Letters to Black Gate: Submission Windows, Port Iris, and Canadian Fiction

port-isisKerstan Szczepanski responds to our recent post on the latest issue of Port Iris magazine:

I don’t know much about Port Iris beyond what I’ve seen in issue #3. A little too alternative for my taste. Although Aidan Doyle’s Salary Ninja was pretty good (“When I was young, if a demon had a blue tooth, it meant something different.”); if that guy submits anything to you, read him right away. And the cover makes me think of Tex Avery, very cool.
I’ve been a long time subscriber to Black Gate since issue 3 or 4 or something, absolutely love the mag.

Richard Dillio asks:

I had never read your magazine until about a year ago. A friend from work brought in a copy and I burned through it in about two days (my job has a lot of down-time, heh). I am continually impressed by your organization — fantasy magazines seem to be dropping like flies lately, but you guys are hanging on. I’m glad there is a magazine out there still willing to print the sword-and-sorcery and adventure fantasy stories that are the real bedrock of the American fantasy tradition.
It seems like every time I check your guys’ webpage for when submissions are open, you aren’t accepting submissions. I realize the market is probably glutted with good adventure fantasy for you guys to choose from, but is there any reliable time when you guys are accepting submissions? Like, say, any specific time of year? If not, that’s cool too. Just curious.
Anyways, keep up the great work. I love the magazine!

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