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Mark Lawrence on Prince of Thorns

Mark Lawrence on Prince of Thorns

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prince-of-thornsThat fantasy story you love, the one where the farm boy gets the sword and kills that monster so the bad overlord is cast down and the princess is freed… I didn’t write that one. Those stories, wrapped up in more sophisticated prose with a twist and turn and an OMG, are great. They’re the strength and the curse of the genre. I didn’t write one. I wrote an ugly awkward thing that has seriously made someone blog ‘I got that horrible feeling in my tummy and could not read any more.’ Prince of Thorns is an ungentle book.

In 2004 I got my first ever check for writing fiction, a princely $31 for ‘Song of the Mind-born,’ a story that Black Gate had turned down. Between 2003 and 2006 Black Gate turned down about five of my short stories. John O’Neill writes the best rejections of any magazine editor I’ve ever encountered, and believe me if we lived pre-email I would have enough rejections to reconstitute a sizeable tree.

Reading an O’Neill rejection you know that the man has read your submission from top to bottom and put some thought into letting you know why he’s not going to pay you for it. He lets you walk away with dignity and hope.

This was the last O’Neill rejection I got:

It is with great pain that I am forced to reject you yet again. I really liked this story and read to the end, even though I was sure after the first few paragraphs that it wouldn’t be a fit for Black Gate. It was very nicely done, and hit me on an emotional level. It works at all levels, I think — except it’s not a fit for Black Gate. Please put some of your excellent talent to use on an adventure story with some unique world building, and ship it my way.

I took John’s advice and the next three submissions were all accepted. ‘Bulletproof,’ accepted in 2006, will appear in Black Gate 16, perhaps Spring 2012? And that’s another thing I love about Black Gate (apart from the fact you can actually buy it off the shelves of real shops) – the optimism, the way they put the season on each issue as if the year wasn’t enough to uniquely identify it!

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A Look behind Lod’s World, or How to Strike Gold

A Look behind Lod’s World, or How to Strike Gold

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Lod in "The Oracle of Gog," by Vaughn Heppner (from Black Gate 15). Art by Mark Evans.
Lod in "The Oracle of Gog," by Vaughn Heppner (from Black Gate 15). Art by Mark Evans.

Believable world creation lends greater enjoyment to fantasy and science fiction stories. One need merely consider some of the classics like The Lord of the Rings or Robert E. Howard’s Conan the Barbarian to see how vital this is. Dune also comes to mind or Asimov’s Foundation series. In fantasy, Tolkien is the accepted master at world creation, having invented alphabets and entire new languages for his books.

Edgar Rice Burroughs added another trick to this in the Pellucidar and John Carter of Mars novels. Usually in the introduction, Burroughs went to great length to tell us how he received the various manuscripts from the hero of the tale. In this way, he helped create the illusion of reality. It was a powerful practice and was copied by such different authors as Lin Carter and John Norman, both ERB imitators.

It seems that the more one can attach the fantasy world to the real world, the greater becomes the reader’s ability to suspend his disbelief. This temporary suspension of disbelief is considered critical in order for the reader to enjoy a fantasy story.

Howard’s Hyborian Age chronicle helped give the impression that the Conan stories and the earlier Kull tales had taken place in man’s distant past. This feel of reality gives the story greater depth. Instead of feeling as if the hero walks on a cardboard stage, we feel as if he moves through a genuine world and thereby we enjoy the tale more.

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The Man They Call Sean

The Man They Call Sean

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I’ve never had a nickname that stuck.  Well, that’s not completely true — I can think of at least one occasion when people have called me “Flinteye” and expected me to respond, but they were just reading off my baseball cap.  All in all, this is probably a good thing, since nicknames that stick tend to be less cool stuff like “Grinder” or “Shadowman” and more like “Chunk” or “Barfbag”.

A candid look at my gruesome features
A candid look at my gruesome features

So, as much as I’d like to introduce myself as Sean “Dark Smoke Puncher” Stiennon, just Sean will do nicely.  You might already have noticed my name attached to a review of Jasper Kent’s Twelve.

By day, I inhabit an apartment in sunny Madison, Wisconsin (as well as an office nearby) and produce the valuable carbon dioxide that keeps our planet green.  By night, I sleep.  I also read ridiculous books, play manly video games, practice ryuukyu kenpo karate, and otherwise live the high life.  I write fantasy and SF regularly, and if any cool people or gorgeous space princesses out there want to see some, send me a carrier pigeon!

My nerd profile is that of a dilettante.  I enjoy many things, from manga to games, but haven’t really ever plunged into one particular thing.  There are few authors I’ve read exhaustively, few franchises I’ve mined deep enough to go toe-to-toe with their true devotees.  That means my thoughts on any geeky subject tend to be a loose mix of ignorance, knowledge, and apathy.  I love Cowboy Bebop and Trigun, but have never seen Akira or Dragonball Z.  I got sick of Drizzt after three volumes, and only read four.

Anyway, I like to think my broad-but-shallow nerd experiences give me a habit of making interesting connections.  So, when I watch the first few episodes of classic head-bursting anime Fist of the North Star, it brings Superman to mind.

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Readercon 22: In Which the Pre-Raphaelite Sisterhood (well, some of them) Encounters Cannibal Towns, Dirty Limericks and Googly Eyeballs

Readercon 22: In Which the Pre-Raphaelite Sisterhood (well, some of them) Encounters Cannibal Towns, Dirty Limericks and Googly Eyeballs

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Cannibal Country. (AKA Guilderland, New York)
Cannibal Country. (AKA Guilderland, New York)

The thought that preoccupies me is, “How the heck am I going to find enough pictures to go with this post?”

Unlike that one time when we crashed a Zeppelin into Madison, we did not document our epic journey across America with anything so practical as a camera. No!

Instead, we marked the miles in the bellowing of bawdy (need I say, alternate?) lyrics to “There’s a Hole in My Bucket, Dear Liza,” the scrawling of character notes, place names and plot devices for a story about a stolen moon, the counting of times the word “Beloit” was mentioned in the back seat (Brendan Detzner being an alum and S. Brackett Robertson, or “Brackett,” a current student), in Billy Joel sing-alongs and idle speculations about the nature of certain malevolently leaning shacks in Guilderland, New York.

The B-Train. (AKA, writer Brendan Detzner)
The B-Train. (AKA, writer Brendan Detzner)

“Meth shed?” Patty postulated.

“Cannibals?” I countered.

“CANNIBAL METH SHEDS!” we roared together, with, perhaps, more delighted gusto than was strictly necessary.

“So… Do the cannibals eat the meth heads?” Brendan asked. “Or are the cannibals themselves meth heads?”

The conversation went on. I will not trouble you with further details. By this time we had been driving approximately ten hours and still had nine to go.

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The Death of an Audi

The Death of an Audi

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audi_a4I usually reserve the Black Gate blog strictly for topics related to the genre.  I hope you can forgive a brief trespass on that tradition today, as I celebrate being alive.

This morning I was on IL-47, a single-lane country highway, heading south to Champaign, where I work as a software salesman. At approximately 10:32 a.m. I watched as a fully-loaded 18 wheeler in the northbound lane went into a lock-up to prevent a crash with a stopped car. The truck lost control and twisted across the center meridian until it fully occupied both his lane and mine, still coming very fast and leaving me without a lot of options.

I hit him doing slightly over 60 mph. I’d already gone off-road on the right shoulder, but it wasn’t enough to avoid a collision. The impact triggered four of my Audi’s airbags, including three I didn’t even know I had.  Seriously — there were airbags everywhere.

I took the hit on the driver side. It drove the chassis down into my left rear tire, immobilizing it and sending me into a 60-mph uncontrolled spin — past the truck and back onto the road, then deep into the shoulder on the right. Fortunately the road and the shoulder were both clear. I leveled about 120 feet of grass in a dead line.

I got out of the car without a scratch, for which I thank God, and German engineering.

I can’t say the same about my loyal car, which took a critical hit.  It took ten minutes with a chain and a tow truck just to get it back on the road, and I can’t say for sure if it will ever move under its own power again.

But today, I have absolutely no complaints. I’m just glad to be alive.  Alice and our three kids showed up in her van three hours later, and drove me home to St. Charles, where we went out to dinner and celebrated. I consider myself a very lucky man.

But tomorrow, I will miss my car.

Just Two Months Left to Enter the Challenge! Stealth Writing Competition

Just Two Months Left to Enter the Challenge! Stealth Writing Competition

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challengeThe 2011 Challenge! Stealth Writing Competition from Rogue Blades Entertainment is officially one month old — which means there’s only 60 days left to enter.

The Challenge! writing competitions ask writers to submit an original work of short fiction using a piece of art and a one-word theme for inspiration. This year’s art, by Storn Cool, is at right; this year’s theme — appropriately enough — is Stealth.

Here’s the official call to action from Rogue Blades:

Using the awesome cover art provided by Storn Cook and this year’s title Stealth, capture your muse over the next 15 days and embark upon grand adventure! … Get your heroic adventure in any genre to RBE between June 15th and September 15th, 2011, and see if you have what it takes to deliver a winning tale! Speculative fiction is NOT required for Challenge! themes, so readers could find Historical Swashbucklers, Sword & Sorcery/Planet, Soul & Sandal, Western, Mystery, Dark Fantasy, Epic Fantasy, Sci-Fi, Horror and even Romance — ALL the flavors of HEROIC FICTION so long as they are mighty and mysterious tales of action and adventure.

The top twelves stories, as determined by the judges, will be awarded a print copy of the anthology, and the top three will also be awarded a cash prize,  and written critiques from the judges.  Judges this year are artist Storn Cook, author and writing instructor Mary Rosenblum (Horizons & Water Rites), and Black Gate editor John O’Neill (Me. And I’m ready to be entertained, so sharpen those pencils kids).

Last’s year’s contest, the Challenge! Discovery 2010, had ten winners, including Henrik Ramsager, Nicholas Ozment, Frederic S. Durbin, Gabe Dybing, and Keith J. Taylor. The winning entries from the 2010 contest will be collected in the Challenge! Discovery anthology, to be published by Rogue Blades Entertainment.

The contest entry fee is only $10, and a minimum number of participants is required. The official Challenge! submission guidelines are here, and the complete details of the Challenge! Stealth contest are here. Stories must be between 3,000 and 9,000 words.

What more do you need to know?  Start writing!! I expect to see great things from you on September 15.

Sword Noir: A Role-playing Game of Hardboiled Sword & Sorcery

Sword Noir: A Role-playing Game of Hardboiled Sword & Sorcery

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conan-cityImagine Conan in Shadizar, meeting with a beautiful woman calling herself Fortuna who pays him to find Thuris, the man who kidnapped her younger sister. Conan accepts the woman’s coin but finds himself in the middle of double and triple crosses as Fortuna — known as Brigid the Bold in the underworld — seeks for the Falcon of Maltus along with her betrayed confederates, Jubliex Cairo, Wilmer the Younger, and Gutmar.

Think of Fafhrd and the Grey Mouser hired by the powerful merchant Sternwood to scare ne’er-do-well Geiger away from the merchant’s daughter Carmen, only to be caught up in blackmail, murder, kidnapping, and family secrets.

Yes, those were the plots of The Maltese Falcon and The Big Sleep using three of the iconic characters of sword & sorcery. That’s what I’d call Sword Noir, and that’s what I called the role-playing game I just published, subtitled A Role-playing Game of Hardboiled Sword & Sorcery.

Sword Noir is a game now, but it started as something a little more than a conceit and little less than a genre. Basically, I attempted to give some kind of short-hand to the stories I wrote.

sword-noirAs usual, the kind of stories I was reading and writing bled into the kind of games I was playing, and this took me down a path I did not expect. I ended cobbling together a system that was purpose built to play “sword noir.” In order to do that, I had to define the term.

This is what I came up with: Characters’ morals are shifting at best and absent at worst. The atmosphere is dark and hope is frail or completely absent. Violence is deadly and fast.

The characters are good at what they do, but they are specialists. Trust is the most valued of commodities – life is the cheapest.

Grim leaders weave labyrinthine plots which entangle innocents. Magic exists and can be powerful, but it takes extreme dedication to learn, extorts a horrible price, and is slow to conjure.

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C.S.E. Cooney’s The Sea King’s Second Bride wins the Rhysling Award

C.S.E. Cooney’s The Sea King’s Second Bride wins the Rhysling Award

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C.S.E. Cooney
C.S.E. Cooney

Woo-hoo!  Break out the bubbly!

Black Gate Website Editor C.S.E. Cooney has won the Rhysling Award, Long-Form category, for her poem “The Sea King’s Second Bride.” The Rhysling Awards are given each year by the Science Fiction Poetry Association to the best science fiction, fantasy, or horror poem of the year.

The Rhyslings are named for the blind poet Rhysling in Robert A. Heinlein’s “The Green Hills of Earth.” The categories are “Best Long Poem” (50 or more lines), and “Best Short Poem” (49 or fewer lines).

About her winning poem, Claire tells us:

It’s all due Nicole Kornher-Stace. And Amal El-Mohtar. And Jessica Wick. Who conspired to buy me that print of John Bauer’s Agneta and the Sea King. Which made me FINALLY buy that book of Swedish Folk Tales.

“The Sea King’s Second Bride” was originally published in Goblin Fruit, edited by Amal El-Mohtar and Jessica P. Wick . You can read the complete poem here.

The winners are announced at Readercon, held this year from 14-17 July at the Burlingon Marriott, outside of Boston, Massachusetts. The nominated works are traditionally compiled into an anthology called The Rhysling Anthology. This year, there were 37 nominees in the long poem category, and 56 in the short poem category. The complete list of nominees is here.

Congratulations to C.S.E!  In honor of her win, Black Gate would like to buy all our readers a bottle of bubbly1. Raise a toast with us in honor of our favorite poet — and now the world’s favorite, too.

1. Must be of legal drinking age. Must realize we’re joking. Offer not valid outside the continental U.S.A. Or anywhere that sells bubbly.

SF Site reviews Black Gate 15

SF Site reviews Black Gate 15

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bg-15-cover2Sherwood Smith continues her uninterrupted run of Black Gate reviews with a lengthy look at our latest issue at SF Site:

The previous issue, at nearly 400 pages, was so successful that the decision was made to stay at that length. For the amount, the price is quite reasonable, and the online subscription is half that. There are plans for issues compatible with Kindle and other e-readers. Judging by Black Gate‘s consistent quality, moving away from the pressure of seasonal publication has been a good one… here we’ve got a broad range of fantasy adventure fiction, from horror to comedy, at a variety of lengths. This spectrum, along with the regular columns, is another of Black Gate‘s strengths.

Sherwood seemed particularly taken with “A River Through Darkness and Light” by John C Hocking:

Lucella, a tough warrior woman, and the first-person narrator Archivist, have history together, as they travel in search of a hidden stash of ancient scrolls, accompanied by a scholar and an old soldier. Unfortunately, they are chased by bandits bent on vengeance… and then there’s the demon…

I think of Hocking’s stories as characteristic of Black Gate: a strong blend of the old sword and sorcery action and mood, but with modern attention to character development, especially of the women. Lucella, like Asdis in Hocking’s Norse tales, can hold her own in a world of heroes and demons. Dark and vivid, shot through with moments of humor, this story is a promising opening to the issue.

As well as “Into the Gathering Dark” by Darrell Schweitzer:

At first, when I saw that this was another tale of True Thomas, I settled in for a familiar ride. The story of Thomas has seen many versions, especially in the last thirty years. But Schweitzer does not inject this last tale of True Thomas with modern sensibilities. Exquisitely poignant, it is one of the best stories in the issue, beautifully rendering all that was best in the tales of Elfland, “neither of Heaven or of Hell,” of a century ago.

And “Dellith’s Child” by Nye Joell Hardy:

In this world, ship-owning families never set foot on land, and the female captains inherit the ability to see ley-lines, crucial on the vast oceans. The first person narrator, Grady, is visiting his sister Dellith on her ship. At first he’s delighted to learn that she has a son… until he sees the sea monster she calls by her son’s name. Then the whole world goes askew. Grady is a sympathetic hero in a fascinating world, the tension never flags, and the ending is unpredictable. This was one of my favorites.

The complete review is here. Sherwood’s previous review, of Black Gate 14, is here.

The New Kid

The New Kid

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tsAs one of the new recruits here at Black Gate, I’ll be bringing you a series of what I hope you’ll find to be interesting posts soon enough. But first I wanted to say howdy and tell you a little bit about myself.

I’m Liz. I’m an Academic by training: a Classicist to be precise, and a philologist to be downright pedantic. (My dissertation was written on ancient cognitive theory, the philosophy of emotion, ethnography, and Lucan, but I promise if I bring up Aristotle here it will be purely for the “COOL!” factor.) Words are what I do. I’m a writer by hobby and a geek out of sheer passion. Above all else I love story, in all its forms. Told over a set of dice, in verse, interactively through a video game, on the big screen, small screen, or in ink and paper, it’s the blood in my veins.

So what will I be doing here?

Every story needs a setting, and before Narnia, Middle Earth, and Wonderland there was Aeaea, Asgard, Hyperborea, and the Land of the Lotus-Eaters. As long as we have been telling stories we’ve been inventing new worlds to set them in, and my goal is to spend some time exploring these worlds. I’ll begin with my own bailiwick, which is the Greco-Roman world, and go from there. I am, of course, eager to hear any suggestions any of you might have.

Walk with me, if you’re so inclined, and let’s see what we shall see.