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Vintage Treasures: The White Bird of Kinship Trilogy by Richard Cowper

Vintage Treasures: The White Bird of Kinship Trilogy by Richard Cowper

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The Road to Corlay-small A Dream of Kinship-small A Tapestry of Time-small

A lot of people were talking about Richard Cowper’s The Road to Corlay just as I was discovering fantasy in the late 70s. It appeared in the UK in 1978, and was published in paperback in the US by Pocket Books in 1979, with a striking cover by Don Maitz (above left). It was nominated for the British Fantasy Award in 1979, and both the Nebula and Balrog awards in the US a year later. It also placed 7th on Locus’s annual lists for Best SF novel.

I wasn’t even aware it was a series until many years later, as I gradually stumbled on the sequels. Volume two, A Dream of Kinship, was published in 1981, and A Tapestry of Time followed in 1982. The cover artist of the second volume is unknown, but Don Maitz returned for the third book (above right). Click on any of the images for bigger versions.

Richard Cowper was a pen name for John Middleton Murry, Jr, a UK author who died in 2002 — of a broken heart, according to his friend Christopher Priest, following the death of his wife Ruth four weeks earlier. He wrote several other SF and fantasy novels, the most famous of which was probably The Twilight of Briareus (1974); his other titles included Clone (1972), Time Out of Mind (1973), Worlds Apart (1974), and Profundis (1979) (see our coverage of his other US releases here). I found the complete trilogy in the estate of my sister-in-law Mary, who passed away in May, and brought it home with me to read for the first time. We shared an interest in SF and fantasy, and these books remind me of her.

Celebrate the 25th Anniversary of Best New Horror

Celebrate the 25th Anniversary of Best New Horror

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25th-anniversay-edition-best-new-horror-1-small 25th-anniversay-edition-best-new-horror-2-small

Stephen Jones has been editing an annual Best New Horror collection since 1990. The first five volumes were co-edited with Ramsey Campbell; since 1995 Jones has edited them solo. The 25th volume, now retitled The Mammoth Book of Best New Horror 25, was published by Robinson back in October.

Now PS Publishing is celebrating 25 years of Best New Horror by re-releasing the first two volumes in this groundbreaking series, with brand new comic-inspired covers by Lee Elias and Ken Bald. The first volume won both the 1991 British Fantasy Award and the 1991 World Fantasy Award for Best Anthology. They contain short fiction by Robert R. McCammon, Ramsey Campbell, Thomas Ligotti, Karl Edward Wagner, Peter Straub, K.W. Jetter, Jonathan Carroll, Ian R. MacLeod, Kim Newman, Gene Wolfe, and dozens of others.

The 25th Anniversary Edition of Best New Horror volumes 1 and 2 were edited by Stephen Jones and Ramsey Campbell and published in trade paperback in September and October of this year. They are priced at £11.99 and £12.99 respectively. Get more information, including the complete table of contents and snaps of the gorgeous wraparound covers, at the PS Publishing website here and here.

New Treasures: The Dream-Quest of Unknown Kadath by H. P. Lovecraft and I. N. J. Culbard

New Treasures: The Dream-Quest of Unknown Kadath by H. P. Lovecraft and I. N. J. Culbard

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The Dream-Quest of Unknown Kadath-smallIn January of this year, I reviewed I.N.J. Culbard’s graphic novel adaptation of H.P. Lovecraft’s At The Mountains of Madness. And I loved it.

Since then, Culbard has produced several additional Lovecraft volumes, including comic adaptations of The Case of Charles Dexter Ward and The Shadow Out of Time. And while I was at my local comic shop on Saturday, buying D&D dice for my kids, I spotted another one in the new arrivals rack: The Dream-Quest of Unknown Kadath, a thick 144-page adaption of one of H.P. Lovecraft’s lesser-known fantasies.

Three times Randolph Carter dreamed of the marvelous city, and three times was he snatched away while still he paused on the high terrace above it.” Randolph Carter embarks on an epic quest across a world beyond the wall of sleep, in search of an opulent and mysterious sunset city. When he prays to the gods of dream to reveal the whereabouts of this magical city, they do not answer, and his dreams stop altogether. Undaunted, Carter resolves to go to Kadath, where the gods live, and beseech them in person. However, no one has ever been to Kadath, and no one even knows how to get there — but that won’t stop Randolph Carter from trying.

While The Dream-Quest of Unknown Kadath is not as celebrated as some of Lovecraft’s more famous work, it is highly regarded by many of his most dedicated fans. It’s also received several high-profile graphics adaptions in the last few years, including a gorgeous hardcover edition from P.S. Publishing (part of their new Pulps Library), and a Kickstarter-funded graphic novel from artist Jason Bradley Thompson. (And if you insist on going old school, of course, there’a also the Ballantine Adult Fantasy paperback.)

The Dream-Quest of Unknown Kadath was published by SelfMadeHero on November 18, 2014. It is 144 pages, priced at $19.95. There is no digital edition.

New Treasures: Jala’s Mask by Mike and Rachel Grinti

New Treasures: Jala’s Mask by Mike and Rachel Grinti

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Jala's Mask-smallThis is something of an unusual cover for Pyr. They’re known for their heroic fantasy and sword & sorcery, and their covers have reflected that — with colorful action set pieces usually illustrating a dynamic narrative moment (Check out a few of the Pyr covers we’ve showcased in the past few months, such as James Enge’s The Wide World’s End, or the Nebula Awards Showcase 2014.)

Not so for Jala’s Mask, which shows a couple in dull islander garb standing on a beach, doing… well, not much of anything, really. Not what I usually expect from Pyr. Good to see some racial diversity on a fantasy cover — Lords knows this industry could use it — but  would it kill you to throw in a sword, or maybe a gratuitous sea monster? I’m just sayin’. At least there’s a dude in a mask floating behind the title to menace up the proceedings a bit — that’s something, anyway.

Fortunately, I’m intrigued by the back cover blurb, which introduces us to a woman who must steal the face of a god in order to save her people.

For two hundred years, Jala’s people have survived by raiding the mainland. By shaping the reefs around the Five-and-One Islands into magical ships, they can cross the ocean, take what they want, and disappear. Or so they have always believed. On the night after Jala becomes queen, a tide of magical fog sweeps over the islands, carrying ships from the mainland. Inside are a desperate people, driven half-mad by sorcery and looking for revenge.

Now Jala — caught between her family’s unending ambitions, the politics of the islands thrown into turmoil, and her unexpected love for the king — must find a way to save them all if she can.

But there are greater powers at work, and the politics of gods are more terrifying than she could have imagined. To save the Five-and-One Islands she may have to leave them behind.

Mike and Rachel Grinti are also the authors of Claws. Jala’s Mask was published by Pyr on November 4, 2014. It is 285 pages, priced at $18 in trade paperback and $11.99 for the digital version. The cover art is by Marc Simonetti.

Bringing Neglected Classics Back Into Print: The Horror Catalog of Valancourt Books

Bringing Neglected Classics Back Into Print: The Horror Catalog of Valancourt Books

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The Cormorant Stephen Gregory-small The Monster Club R. Chetwynd-Hayes-small The Killer and the Slain Hugh Walpole-small The Smell of Evil-small

One of the many delights of the World Fantasy Convention, as I reported last week, is meeting the small publishers doing marvelous work in the industry. Seeing their catalogs of books spread out before you on a table in the Dealers Room can be quite a revelation. That was certainly the case with Valancourt Books.

As they proclaim proudly on their website, Valancourt Books is an independent small press specializing in the rediscovery of rare, neglected, and out-of-print fiction. They have five major lines: Gothic, Romantic, & Victorian; Literary Fiction; Horror & Supernatural; Gay Interest; and E-Classics. For World Fantasy, they crammed their table with titles from their Horror & Supernatural line. And I do mean crammed: their small table was piled high with dozens of beautifully designed trade paperbacks reprinting long-out-of-print horror paperbacks, chiefly from the 70s and 80s.

All it took was one glance to see that Valancourt Books has two significant strengths. First, their editorial team has excellent taste. They have reprinted work by Stephen Gregory, R. Chetwynd-Hayes, Hugh Walpole, Charles Birkin, Jack Cady, Basil Copper, Russell Thorndike, John Blackburn, Michael McDowell, Bram Stoker, and many, many others. And second, their design team is absolutely top-notch. Their books are gorgeous, with beautiful cover art and striking visual design. I’ve selected eight to highlight in this article, just to give you a taste of what they have to offer, and replicate (in a small way) what it was like to stand in front of their table gazing appreciatively at their assembled treasures.

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Vintage Treasures: Gateway to Elsewhere by Murray Leinster / The Weapon Shops of Isher by A. E. van Vogt

Vintage Treasures: Gateway to Elsewhere by Murray Leinster / The Weapon Shops of Isher by A. E. van Vogt

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Gateway to Elsewhere-small The Weapon Shops of Isher-small

And now we come to one of my favorite Ace Doubles: Murray Leinster’s Arabian Nights fantasy Gateway to Elsewhere, paired with the classic science fiction novel The Weapon Shops of Isher by A. E. van Vogt.

Of the two, Gateway to Elsewhere is significantly lesser known. It was Leinster’s first fantasy novel, although he’d previously published two SF novels, The Murder of the U.S.A. (as Will F. Jenkins, in 1946) and The Black Galaxy (in Startling, March 1949). Gateway to Elsewhere originally appeared in a two-part serial in the seventh issue of the small circulation digest Fantasy Book in 1950/51 under the title Journey to Barkut. The entire novel was reprinted in the January 1952 issue of Startling Stories, still under the title Journey to Barkut, with a handsome cover by Earle Bergey (see below).

Two years later, it appeared as half of Ace Double D-53, with the new title Gateway to Elsewhere, and a splendid cover by Harry Barton.

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Game Books, Epic Fantasy, and Military Science Fiction: The Multiple Identities of R.A.V. Salsitz

Game Books, Epic Fantasy, and Military Science Fiction: The Multiple Identities of R.A.V. Salsitz

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The Magickers-small Death Storm-small Night of Dragons-small The Sand Wars-small The Dark Ferryman-small

Do you enjoy the fantasy novels of Emily Drake, author of the popular The Magickers series? What about the contemporary horror of Anne Knight, author of Death Storm? Perhaps you’re more partial to the light fantasy of R.A.V. Salsitz, author of Night of Dragons and The Unicorn Dancer novels. Or the military science fiction of Charles Ingrid, author of the long-running Sand Wars series. Or maybe the dark fantasy of Jenna Rhodes (The Dark Ferryman).

Possibly the contemporary science fiction of Elizabeth Forrest (Phoenix Fire, Dark Tide) is more your thing. Or the fantasy novels of Rhondi Vilott Salsitz (The Twilight Gate). Perhaps the eleven volumes in Rhondi Vilott’s Dragon Roads gamebook series have fired your imagination.

Possibly you’ve enjoyed them all, as they’re all written by the same person.

It’s not unusual for popular writers to use a pseudonym in this industry — indeed, even multiple pseudonyms. But in a field where almost everyone seems to have a secret identity or two, R.A.V. Salsitz still stands out. She has an amazing number of pseudonyms, and has published successfully in numerous genres, including epic fantasy, horror, mystery, game books, YA, military science fiction, romance, and urban fantasy. Her first novel was Her Secret Self, published by Bantam in 1982; since then she’s published dozens more.

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Vintage Treasures: The Cosmic Puppets by Philip K. Dick / Sargasso of Space by Andre Norton

Vintage Treasures: The Cosmic Puppets by Philip K. Dick / Sargasso of Space by Andre Norton

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The Cosmic Puppets-smallWe’re back to looking at Ace Doubles.

This month, I have a special treat for you. A 1957 pairing of two major science fiction writers, both early in their careers, which resulted in a very collectible paperback: The Cosmic Puppets by Philip K. Dick, published back-to-back with Sargasso of Space by Andre Norton.

Let’s start with The Cosmic Puppets because, while Dick was never as popular as Andre Norton while he was alive, over the past three decades his fame has grown steadily, to the point where he’s now considered one of the most important SF writers of the 20th Century. The Cosmic Puppets was his fifth novel, and appeared here for the first time (in this form, anyway). While Sargasso of Space is a popular and important SF novel — for reasons I’ll get to shortly — The Cosmic Puppets is the primary reason this paperback commands real interest among collectors.

The Cosmic Puppets is a tale of alien invasion… although, as usual for Dick, it disregards most of the typical conventions of an alien invasion story. Some readers consider it Dick’s most approachable novel (although that doesn’t mean you won’t close the book with a lot of questions.) It’s also the Dick novel that skirts closest to pure fantasy.

The novel opens almost like a Twilight Zone episode, as our protagonist returns to his home town, only to discover that the inhabitants have no memory of him at all. Here’s the summary from the 1957 Ace edition.

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In Praise Of Pavane

In Praise Of Pavane

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Pavane hardcover-smallThe power of place. Where we’ve been, what we see, the lighting and the weather. These things hold us, sink roots into our nervous system; they unfurl massive Yggdrasils that coil within, then twist into memory.

So it must have been for author Keith Roberts, and his encounters with Corfe Castle, in southwest England. He built his story cycle Pavane around Corfe, almost as an homage.

I understand, I do, for I first saw Corfe – indeed, the only time I have ever seen Corfe – in 1976, in the rain, with my family. I was nine, but I have never forgotten that tusk of a castle, the last spike of it spearing skyward from a sharp, steep hill, the flanks yellow-green with shaggy, unkempt grass. A chain-link fence enclosed the base of the hill, and we could not get in.

My father was furious. Rain and all, he’d had plans to hike us up that hill, to see the ruin for ourselves, up close and appropriately personal. Instead, we never got out of our rented car – it really was the soggiest of days, British to the core — but I see that spike of mortared stone to this day, standing proudly in the storm and refusing, absolutely refusing to come down.

So it is for Keith Roberts, as his stories swirl around and finally come to roost at Corfe, a rebuilt Corfe, a Corfe in an alternate history where the keep’s motte and donjon have stood the test of time, and war now, against mighty odds, with Holy Rome.

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Somalia’s Forgotten Past: The Prehistoric Painted Caves of Somaliland

Somalia’s Forgotten Past: The Prehistoric Painted Caves of Somaliland

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When we think of Somalia, we usually think of the endless civil war and the rise of the militant Islamist group Al-Shabab. That’s all that gets in the news, after all. But Somalia has a rich past that’s been all but forgotten thanks to its sad present. Back in 2012, I went in search of it.

I visited Somaliland, an independent state that makes up the northern third of the former Somalia. While it remains unrecognized by any other nation, it has established a viable government with free and fair elections, a growing economy, and the rule of law. Visiting Somaliland gives outsiders a chance to get to know Somali culture and see some of the best prehistoric painted caves in Africa.

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