Black Gate

We’re continuing with our look at the monumental 40-year career of Tanith Lee, who died last week. We started with The Wars of Vis trilogy, and today we continue with her most acclaimed fantasy series, Tales From the Flat Earth.

I say “most acclaimed” because — in addition to the World Fantasy, British Fantasy, Mythopoeic, and Balrog award nominations these books have accumulated over the years — in the Comments section of her obituary, this series was called “the towering pinnacle” (by Joe Hoopman), “towering legend” (by John R. Fultz), “my faves” (by Arin Komins), and “engrossing” (by rrm). It’s a small sample of fandom, but a compelling one. In my experience, Black Gate readers know what they’re talking about.

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I had planned to look at a Ray Bradbury anthology as my Vintage Treasures post for tonight, but I set that aside when I learned about the unexpected death of Tanith Lee today. As I was preparing a brief obituary, I was struck by just how many novels she completed in her lifetime, and how little of her considerable output I’ve sampled over the years. I thought, if it’s okay with all of you, I’d deviate from our flight plan slightly to take a look at some of the marvelous books she left us.

To start with, I’d like to showcase the pairing of Lee with one of my favorite cover artists. Sanjulian painted the covers for the 1988 DAW editions of all three novels of The Wars of Vis: The Storm Lord, Anackire, and The White Serpent, a series which the publisher labeled a “best-selling epic of war torn-empires, alien gods, and a Witch race with the power to reshape a world…” Over her long career Lee has been blessed with some of the best cover artists in the business — including Michael Whelan, Carl Lundgren, Paul Lehr, Don Maitz, and many others — but she rarely did better than these three.

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To tell you the truth, I wasn’t initially interested in P.N. Elrod’s The Vampire Files. A few things happened to change that.

First, I started to hear about Jack Fleming, the investigative journalist in Prohibition-era Chicago who becomes a vampire and private investigator, and whose first case was to solve his own murder. Folks used adjectives like “surprising” and “old fashioned fun” to describe his adventures. That sounded pretty good. By then, the series had gotten pretty far along, and I wondered idly if I should pick one up. But it seemed a little late to jump on board, and I was never really sure what volume to start with. Plus some of the earlier books became harder to find, and it all seemed like just a bit too much effort.

Then Ace Books released the first omnibus volume in 2003, containing the first three Vampire Files novels. And, well, you know what a sucker I am for omnibus collections. All those hard-to-find paperbacks, in one handsome and economical package? It’s too much to resist.

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The first novel in Jack Vance’s Demon Princes saga, The Star King, was published as a two-part serial in Galaxy Magazine, in December 1963 and February 1964.

It took Vance eighteen years to complete the series — the fifth and final novel, The Book of Dreams, appeared in 1981 — and during that time he wrote all four novels in of Planet of Adventure, the Durdane trilogy, one novel in The Dying Earth, three books in his Alastor Cluster series, and at least four standalone novels. This is not a man who liked to focus on one thing at a time.

The Demon Princes is essentially a revenge fantasy. The central character is Kirth Gersen, whose entire village was enslaved while he was a child by five notorious criminals, collectively known as the Demon Princes. Each novel deals with an elaborate revenge scheme masterminded by Gersen on one of the five Princes, each of whom has achieved significant power — and embodies at least one major vice.

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