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Author: John ONeill

Vintage Treasures: Out on Blue Six by Ian McDonald

Vintage Treasures: Out on Blue Six by Ian McDonald


Out on Blue Six (Bantam Spectra, May 1989). Cover by Will Cormier

Ian McDonald has written some of the most acclaimed science fiction of the last four decades. His first novel Desolation Road (1988), about an oasis town on a far-future Mars, won the Locus Award, and his King of Morning, Queen of Day (1991) won the Philip K. Dick Award. His novels River of Gods, Brasyl, and The Dervish House were all nominated for the Hugo Award, and he’s been nominated for the BSFA (British Science Fiction Association) Award numerous times, including for his novels Terminal Cafe, Chaga, and Luna: New Moon.

Out on Blue Six is something of an oddity in his catalog. His second novel, it tells the tale of a group of “pain criminals” in a far-future state where all forms of pain and unhappiness are illegal. Ian McDonald has gone on record saying “I hate [it]… I wish I hadn’t written the damn thing.” Kat Hooper at Fantasy Literature, in her review Out on Blue Six: Really bizarre, calls it “strange all the way through… and over-stimulating, like an acid trip.”

None of that has dissuaded the book’s many fans, of course, who adore this book.

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The RPG Rundown is your Home for Lively Discussions of Your Favorite Games

The RPG Rundown is your Home for Lively Discussions of Your Favorite Games

YouTube is the place for serious gaming discussion these days. It’s not all fake Marvel trailers and dance clips. With the right connections and a little investigative spirit, you can find a thriving community where old-school gaming is very much alive.

Well, it worked for me, anyway. Mostly because one of those quality connections was Dave Munger, Black Gate‘s original site engineer and the man who wrote the first two posts on this very blog, way back in November 2008. Dave tipped me off to the RPG Rundown, a YouTube channel that covers tabletop role playing games. The lively and entertaining discussions there include new game reviews, industry news, player tips and info, and broader conversations on the very nature of role playing.

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Track Down Michael Kelly’s Year’s Best Weird Fiction While You Can

Track Down Michael Kelly’s Year’s Best Weird Fiction While You Can

Year’s Best Weird Fiction, Volumes One – Five, edited by
Michael Kelly and Divers Hands (Undertow Publications, 2014-2018 )

Two weeks ago I caught this brief note on Michael Kelly’s Facebook page.

It was 5 years ago that I published the fifth, and final, volume of the Year’s Best Weird Fiction. My proudest publishing endeavour. These are all out of print, now.

Could that be true? Were all five of these fabulous volumes no longer available?

Alas, it appears to be. None are available from the publisher, or at Amazon, or any of the other online sellers I hastily checked. If it’s true these books are no longer in the channel, and you don’t already have them, then I urge you to track them down in the secondary market while you can.

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Donald A. Wollheim and the Death of the Future

Donald A. Wollheim and the Death of the Future


The 1987 World’s Best SF (DAW Books, June 1987). Cover by Tony Roberts

I’ve been reading a lot of older science fiction recently, though not in a very organized fashion. I pulled Wollheim’s 1987 World’s Best SF off the shelf this morning to read Pat Cadigan’s cyberpunk Classic “Pretty Boy Crossover,” which I saw on the table of contents of Jared Shurin’s The Big Book of Cyberpunk. I prefer to the read the original, when I can.

Of course I got distracted by the rest of the book, which contains plenty of classic tales, including Lucius Shepard’s Nebula award-winning 87-page novella “R & R,” Roger Zelazny’s Hugo-winning “Permafrost,” Howard Waldrop’s Nebula nominee “The Lions Are Asleep This Night,” and a few delightful surprises. I wrote it up as a Vintage Treasure back in April.

But the thing that really commanded my attention this time was Wollheim’s curmudgeonly introduction, which contains the most uncharitable description of the Challenger disaster and crew I’ve ever read, and his wildly off-base assessment of this new-fanged cyberpunk stuff, which he asserts “has something to do with computers and their programming and possibly — considering the derogatory term “punk” — with snubbing accepted traditions.”

Today it reads more like a eulogy for the bright and shiny future science fiction once promised than an introduction by one of the founding fathers of the genre.

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New Treasures: The Black Spaniel and Other Strange Stories by Robert Hichens

New Treasures: The Black Spaniel and Other Strange Stories by Robert Hichens


The Black Spaniel and Other Strange Stories (Stark House, November 1, 2023)

Stark House has performed an extraordinary service for lovers of classic weird fiction with their excellent line of Stark House Supernatural Classics, which has returned forgotten tales by Algernon Blackwood, Robert W. Chambers, and many others into print in handsome and inexpensive paperback editions. They’ve produced more than a dozen titles over the last seventeen years, with no sign of slowing.

Stark House doesn’t specialize in supernatural fiction. Their bread and butter is their Black Gat Book line, which includes dozens of classic crime novels. They also have a terrific Film Noir Classic imprint, Stark House Crime Classics, and an extensive Stark House Science Fiction catalog, which includes titles by Mike Ashley, Storm Constantine, Barry Malzberg, Bill Pronzini, and many others.

These days I tend to be interested in overlooked writers, and recently that includes the prolific Robert Hichens, who wrote primarily in the late 19th and early 20th Centuries, and who produced a great deal of celebrated weird fiction. Stark House has produced three collections of his short work, including The Black Spaniel and Other Strange Stories, published just last week.

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Vintage Treasures: Tales By Moonlight edited by Jessica Amanda Salmonson

Vintage Treasures: Tales By Moonlight edited by Jessica Amanda Salmonson


Tales by Moonlight, volumes One and Two (Tor, January 1985
and July 1989). Covers by Mark E. Rogers and Jill Bauman

Jessica Amanda Salmonson has produced only a handful of anthologies, but they are all highly regarded. Her first, Amazons!, won the World Fantasy Award in 1980, and the two Heroic Visions volumes she edited in the mid-80s are still enjoyed and discussed today, with an original Fafhrd and the Gray Mouser novella by Fritz Leiber, plus terrific sword and sorcery tales by Jane Yolen, Phyllis Ann Karr, F. M. Busby, Alan Dean Foster, Robert Silverberg, Joanna Russ, Michael Bishop, Keith Roberts, Ellen Kushner, Avram Davidson, Manly Wade Wellman, Grania Davis, and Thomas Ligotti.

Salmonson’s held in such high regard that I recently decided to investigate her two Tales by Moonlight anthologies, published by Tor in the late 80s, and I’m very glad I did. They contain a rich assembly of talent, including Thomas Ligotti, Ruth Berman, H. P. Lovecraft, Janet Fox, Steve Rasnic Tem, W. Paul Ganley, Spider Robinson, John Varley, Charles L. Grant, Nina Kiriki Hoffman, Jayge Carr, W. H. Pugmire, Ramsey Campbell, Joseph Payne Brennan, Phyllis Ann Karr, Eileen Gunn, and many more.

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The Complete Version of John C. Hocking’s Conan: Black Starlight is Now Available

The Complete Version of John C. Hocking’s Conan: Black Starlight is Now Available

Conan: Black Starlight (Titan Books, October 17, 2023)

The name John C. Hocking is well known to long-time Black Gate readers. He published several terrific stories in the print version of the magazine, including two tales in his Brand the Viking series, and the opening stories in his popular Archivist series, “A River Through Darkness and Light” and “Vestments of Pestilence,” which was continued in Skelos and Weirdbook. He’s also launched a brand new series, the King’s Blade tales, in Tales From the Magician’s Skull, edited by Howard Andrew Jones.

I was delighted to see that John had been commissioned to write a serialized novella for Marvel’s high-profile relaunch of Conan The Barbarian in 2019. Conan: Black Starlight was published in installments in the first twelve issues of the comic, and now the entire story has been collected by Titan in a single handsome volume.

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New Treasures: Our Share of Night by Mariana Enriquez

New Treasures: Our Share of Night by Mariana Enriquez


Our Share of Night (Hogarth, February 7, 2023)

I first heard of Mariana Enriquez in Adam Nevill’s 2022 Black Gate article, Five Great International Horror Collections, in which he celebrates “a sense of encountering original, innately weird creative visions for the first time” in the work of Luigi Musolino, Anders Fager, Attila Veres, and two collections from Enriquez, Things We Lost in the Fire and The Dangers of Smoking in Bed. Here’s the paragraph that grabbed my attention.

Argentinian Mariana Enriquez has been celebrated the world over, and I can see why from the quality of her writing. But I am surprised because her work is weird, not at all mainstream. How often does that kind of success come to a writer of quality weird? Almost never (because how many traditional publishers ever get excited about it?). I am heartened that it is possible. “Adela’s House” from Things We Lost in the Fire became an immediate favourite. Disturbing, sensory, unpredictable stories.

Enriquez’s fourth novel, her first to be translated into English, Our Share of Night, was published in hardcover by Hogarth this year, and I think the time is finally right for me to jump on board this train.

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A Smalltown Horror Masterclass: Paul Finch on Norman Partridge’s Dark Harvest

A Smalltown Horror Masterclass: Paul Finch on Norman Partridge’s Dark Harvest


Dark Harvest (Tor Books, September 4, 2007, cover by Jon Foster)
and the film adaptation (Metro-Goldwyn-Mayer Pictures, October 11, 2023)

Paul Finch’s “The Carrion Call” appeared in the eighth issue of the print version of Black Gate, and over the last decade he’s produced over a dozen Terror Tales anthologies (most recently Terror Tales of the West Country, which Mario Guslandi reviewed for us back in January). But he also maintains Walking in the Dark, one of the more entertaining and informative genre blogs, where he discusses horror new and old.

Last month he reviewed Norman Partridge’s modern Halloween classic Dark Harvest, originally published in 2006 — when it received many of the year’s major awards, including the Stoker, International Horror Guild Award, and a nomination for the World Fantasy Award for Best Novella. It was adapted into a feature film of the same name, and released for a brief theatrical run this month.

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Vintage Treasures: The Med Series by Murray Leinster

Vintage Treasures: The Med Series by Murray Leinster


The Med Series (Ace, May 1983). Cover by James Warhola

For most of its life John W. Campbell’s Astounding Science Fiction was the most important SF magazine on the stands. It was the beating heart of the genre in a way that’s tough to comprehend today, in a market that’s grown far beyond print.

Campbell made his mark by discovering, nurturing, and publishing the most important writers of his day. But — quite cleverly, I think — he also cultivated lifetime readers by making Astounding home to exciting and highly readable series, many of which were later successfully packaged as bestselling books. Readers of Astounding knew they were getting an early look at the titles everyone would eventually be talking about.

A study of the major SF series launched in Astounding would fill several volumes, but they include Frank Herbert’s Dune, Asimov’s Foundation and Robot tales, Anne McCaffrey’s Dragonriders of Pern, H. Beam Piper’s Paratime and Federation/Empire sagas, Gordon R. Dickson’s Dorsai!, Poul Anderson’s Psychotechnic League, James Schmitz’s Telzey Amberdon and The Hub tales, and countless others.

One of my favorite story cycles from the Campbell era of Astounding was Murray Leinster’s The Med Series, the tales of the intrepid doctors of the Interplanetary Medical Service “roving through the uncharted vastness of deep space.” They were eventually repackaged in a handful of paperbacks that are long out of print, but still fondly remembered by a few of us old timers.

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