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A Reader’s Guide to Sword & Sorcery Magazines

A Reader’s Guide to Sword & Sorcery Magazines

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avon_fantasy_reader_17sI recently stumbled across G.W. Thomas’ marvelous Reader’s Guide to Sword & Sorcery Magazines, which is well worth a look for short fiction readers interested in the history of the genre.

G.W. Thomas is editor and publisher of Dark Worlds,  the pulp-Descended magazine of Science Fiction, Fantasy, Horror, Mystery and other genres.  Dark Worlds was nominated for the Harper’s Pen Award earlier this year for Michael Ehart’s original sword & sorcery tale “Tomb of the Amazon Queen.”

But back to the Reader’s Guide already. You should check it out, it’s cool.  There are more complete magazine guides out there, certainly — the amazing Coverpop site, for example, with scans of literally thousands of old SF magazines, and a truly fun all-in-one SF Cover Explorer, as well as the magazines section of The Ultimate Science Fiction Web Guide, and even Wikipedia’s Science Fiction Magazine entry is pretty darn comprehensive — but few assembled with such a  focus on, and devotion to, heroic fantasy.

Thomas’s guide covers all the magazines that were instrumental in shaping modern Sword & Sorcery, starting with Weird Tales and Strange Tales, and continuing through Unknown, The Avon Fantasy Reader, Fantasy & Science Fiction, Fantastic, Weirdbook, Dragon, and many more. In between he also highlights lesser known (but still fascinating) titles such as The Fantasy Fan (1933-1935) and Midnight Sun (1974-1979). Finally, he provides links to some of the best sources of online S&S today, including Beneath Ceaseless Skies, Heroic Fantasy Quarterly, Silver Blade, and Sorcerous Signals.

Here’s what he says about Black Gate:

This recent publication is the hottest place to read new S&S today. With authors like Martin Owton, Howard Andrews Jones, Charles Coleman Finley, Darrell Schweitzer, Charles deLint , it delivers a mix of Sword & Sorcery and other forms of Fantasy.

The guide includes some magnificent cover art, commentary from G.W, and links. The commentary is very short, and you can read through the entire guide in a few moments.  But the fiction it will introduce you to will last a lifetime. 

If you enjoyed the Reader’s Guide to Sword & Sorcery Magazines, you will likely also enjoy his broader and more ambitious Reader’s Guide to Sword & Sorcery, which also covers anthologies, short fiction, comics, TV/films, and much more.  I especially recommend his encyclopedic A-to-Z Guide to S&S authors, which covers virtually every major S&S writer of the last century, with copious cover scans of much of their major work. It’s still being updated, with links to work published as recently as last year. It’s like wandering though a well-stocked library.

Mark Sumner reviews Black Gate

Mark Sumner reviews Black Gate

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devils-tower2Well, sort of.

Mark Sumner, the Nebula Award-nominated author of the Devil’s Tower books — and one of Black Gate‘s most prolific and popular contributors — has a popular blog at Daily Kos where he discusses… well, everything.

Recently he touched on the impermanence of fiction, especially short fiction:

Speaking as someone whose entire lifetime oeurve is at this moment out of print, I can tell you with certainty that books are no more guarantee of immortality than games….But if novels are transient, short story collections are the mayflies of the literary world… Still, a good short story is a jewel of writing, and a collection of stories from the same author can subject you to more ideas, more emotion, and more pure wonder than any novel. They’re a great chance to get an insight into the most important character in any book — the one behind the pen.

Sumner points to four classic short fiction collections, any one of which is a great place for a new short fiction reader to get started.

They are: the horror collection Soft and Others: 16 Stories of Wonder and Dread by F. Paul Wilson, Simak’s book of  terrific early SF, The Worlds of Clifford Simak, Cordwainder Smith’s expansive future history The Rediscovery of Man, and especially George R. R. Martin’s Sandkings.

His recollection of Sandkings was right on the money, and made me want to read it all over again.

…

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Black Gate 14 Sneak Peek: “La Senora de Oro” by R.L. Roth

Black Gate 14 Sneak Peek: “La Senora de Oro” by R.L. Roth

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lasenorodleoro-277She was tiny, beautiful… and crafted of pure gold. Her gifts were pure as well: gold, and madness.

       George took me aside yesterday & he said me & him shoud strike off on our own again. He doesn’t like how things are getting. I told him to bide his time just a bit longer so we can get a little more Gold & then be off home. We need the Gold lady to find the Gold so we have to stay. George says it is a foul charm that needs Blood to work. He thinks the Gold lady is the Devil. I said the Devil has better things to do then live in a little statue. Even if George is right I will leave soon with my Gold & leave the Devil behind.
      I think & dream of home all the time now. In my dreams we are rich & powerful.

R.L. Roth lives in Canada. This is his first published story.

 “La Senora de Oro” appears in Black Gate 14. You can read a more complete excerpt here. The complete Black Gate 14 Sneak Peek is available here.

Art by Malcolm McClinton.

Frank Frazetta enters Valhalla

Frank Frazetta enters Valhalla

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death-dealer2Frank Frazetta, the greatest fantasy artist of his generation, died today at age 82.

Frazetta got his start in comics in the early 1950s, working with legendary artists such as Al Williamson, Roy Krenkel, Al Capp, and Harvey Kurtzman on Buck Rogers, Flash Gordon, and Li’l Abner, as well as many titles at EC Comics.

In 1964 Frazetta did his first movie poster for (of all things) Woody Allen’s first film, What’s New Pussycat?  This eventually led to cover paintings for some of the most popular paperbacks of the 60s and 70s, most notably the works of Edgar Rice Burroughs, including Tarzan and John Carter of Mars.

For fantasy fans Frazetta is best remembered for his groundbreaking Sword & Sorcery images — such as “Death Dealer” (right), the cover to Lin Carter’s 1973 anthology Flashing Swords 2 — and most especially his colorful and visceral depictions of Conan, which revolutionized fantasy art.

Until Frazetta, Conan was primarily depicted as a white, clean-cut warrior in pseudo-roman garb, straight off the set of a Cecil B. DeMille film (see the covers of Robert E. Howard’s first Gnome Press editions from the 1950s, such as Conan the Barbarian).

But Frazetta swept away all who had come before, re-envisioning Conan as a muscular, dark-skinned titan, a true barbarian in spirit and appearance. Since Frazetta, in defining work by artists like Ken Kelly, Sanjulian, Barry Windsor Smith, Mark Schultz and Gary Gianni, Conan has been revealed as both heroic and fearful, a thick-sinewed, long-haired mongrel, a truly striking figure in all respects.

Frank Frazetta died at a hospital near his home in the Pocono Mountains of Pennsylvania.

For a sampling of some of his finest work, visit the unofficial Frazetta Fantasy Art Gallery.

Exploring Towers of Adventure

Exploring Towers of Adventure

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towers-of-adventureA while back I placed an order with one of my favorite online vendors, FRP Games, whose selection and discounts are both excellent. At the last minute I added an item to my cart that I hadn’t budgeted for: James Ward’s Towers of Adventure, a boxed set for Castles & Crusades from Troll Lord Games.

Not only had I not planned to buy it, I’d never even heard of it until I saw it in FRP’s product newsletter.  What can I say, I’m a sucker for marketing copy:

Towers of Adventure offers the Castle Keeper a marvelous set of interchangeable tower levels, rooms, monsters, NPCs, traps and treasures. This box set allows you to make literally millions of exciting towers for your players to explore. Treasures, tower inhabitants, and tower maps are at your fingers and so easy to use you can put together a complex adventure in five minutes or less.

It’s true!  This isn’t a typical adventure supplement, with a set of interlinked encounters and rooms carefully described for the game master. In fact, while the box contains designs for 15 wildly different towers — including a Zombie Tower, Vampire Tower, Cloud Giant Tower, and Lonely Wizard’s Tower — I couldn’t find a room description anywhere.

…

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Pyr Books Fall Winter 2010-2011 Season

Pyr Books Fall Winter 2010-2011 Season

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thewolfage1Editorial director Lou Anders has posted Pyr’s complete Fall Winter 2010-2011 catalog online.

There’s a lot of great stuff to look forward to, including James Enge’s third Morlock book, The Wolf Age:

Wuruyaaria: city of werewolves, whose raiders range over the dying northlands, capturing human beings for slaves or meat. Wuruyaaria: where a lone immortal maker wages a secret war against the Strange Gods of the Coranians. Wuruyaaria: a democracy where some are more equal than others, and a faction of outcast werewolves is determined to change the balance of power in a long, bloody election year.

Their plans are laid; the challenges known; the risks accepted. But all schemes will shatter in the clash between two threats few had foreseen and none had fully understood: a monster from the north on a mission to poison the world, and a stranger from the south named Morlock Ambrosius.

Morlock first appeared in Black Gate 8, in the story “Turn Up This Crooked Way.” 

Now he’s all grown up, and taking on Strange Gods in werewolf cities.  It makes us proud.

hornsofruinThere’s plenty more on the Pyr list to command your attention, including Tim Akers’ The Horns of Ruin, which sounds very intriguing indeed:

Eva Forge is the last paladin of a dead God. Morgan, God of battle and champion of the Fraterdom, was assassinated by his jealous brother, Amon… When a series of kidnappings and murders makes it clear that someone is trying to hasten the death of the Cult of Morgan, Eva must seek out unexpected allies and unwelcome answers in the city of Ash. But will she be able to save the city from a growing conspiracy, one that reaches back to her childhood, even back to the murder of her god? 

All this plus Pierre Pevel’s The Cardinal’s Blades, Adrian Tchaikovsky’s Salute the Dark, and new novels from Paul McAuley, Mark Chadbourn, Mark Hodder, Jasper Kent, Sam Sykes, Joel Shepherd, James Barclay, and many more.

Check out all the details (and the fabulous cover art) here.

C.S.E. Cooney reviews Black Gate 14

C.S.E. Cooney reviews Black Gate 14

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hangmans1Author C.S.E. Cooney has become the third reviewer to post her thoughts on our latest issue, which she read over several train rides:

It’s MASSIVE! It’s GLOSSY! It’s full of ILLUSTRATIONS! There are THREE POEMS in it!… After chortling my way through John O’Neill’s wry romp of an editorial, laughing though the letters, and reading Rich Horton’s essay on older fantasy fiction… I finally started on the actual fiction.

She seemed to particularly enjoy “The Hangman’s Daughter” by Chris Braak:

HURRAH for the FORMDIABLE girl-child protagonist with her laconic but fiercely interesting dad and the incredible world built around them… This story was, in a word (an old-fashioned hippie word), BITCHIN’.

Dan Brodribb’s “The Girl Who Feared Lightning”

My favorite bit in “The Girl Who Feared Lightning” was a short exchange between the protagonist and her boyfriend over the phone. It was very natural and easy, yet loaded with all sorts of things left unsaid. It’s always amazing to me how a few sentences of dialogue can define an entire relationship. And then, of course, there were the mummies.

And Robert J. Howe’s “The Natural History of Calamity”

Witty and well-plotted. I expended very little effort in reading – the story just swept me along. It took most of two train rides, and I was in a panic lest I’d have to get off the train before I’d FINISHED it. Another author I must GOOGLE. Kick-ass lady protag, too, I must say. And kick-ass without being INDOMITABLE, you know. She gets knocked around her fair share and is not NOBLE about it all the time. I’d like to meet her again. In, like, a novel. Please.

Claire’s complete (and highly entertaining) review is here.

Art by John Kaufmann for “The Hangman’s Daughter.”

Black Gate 14 now available in PDF

Black Gate 14 now available in PDF

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bg-14-cover3Black Gate 14 is now available in PDF format for just $4.95. 

Black Gate 14 is a landmark issue ­ and at 384 pages, it’s also the largest in our history. The print version retails for $15.95, but now you can order the complete magazine — including the wraparound cover — for the same price as all our PDFs: $4.95/copy, or as part of a 4-issue PDF subscription for just $17.95.

Existing subscribers can purchase the issue for just $2.95.

Here’s what  Grasping for the Wind has to say about our latest issue:

One of the best collections of fiction on the market – whether books, magazines, or online. The latest edition has just been released, and Black Gate 14 is massive, topping out at 384 pages …  this massive collection of fiction shows why, even with their irregular publishing schedule, Black Gate is one of the most popular magazines (print or online) available today.

The issue includes a Morlock novella from James Enge, and new fiction from John C. Hocking, Michael Jasper & Jay Lake, Pete Butler, Robert J Howe, Martin Owton, Chris Braak, Matthew David Surridge,  and much more — including an 8-page Knights of the Dinner Table strip!

The complete Table of Contents, with artwork and brief story excerpts, is here, and you can read the complete reviews from Grasping for the Wind and Locus Online here.

Order the magazine on our Subscription page here.

Cover art by the great Bruce Pennington.

Locus Online reviews Black Gate 14

Locus Online reviews Black Gate 14

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wine_dark_sea1Following the excellent review at Grasping at the Wind, Lois Tilton at Locus Online has weighed in on Black Gate 14. 

Here’s what she said about Matthew David Surridge’s “The Word of Azrael”:

Enough adventures to fill many books. Here might well be the ultimate sword and sorcery, in that it both epitomizes and deconstructs the form with a subtle irony…The author is compressing all possible adventures into one, and eventually the threads begin to come together. The tale illustrates how much of what we recognize as S&S lies in certain tropes and themes, and in particular the tone of its prose. RECOMMENDED

She also had kind words for “The Wine-Dark Sea” by Isabel Pelech:

Very dark fantasy. Newyn was disfigured as a child by the local magic called lohan; now she is a masked assassin. She is hired by an old woman to rescue her son from a lohan-filled submerged city, fallen long ago to some malevolent magic. The lohan haunting the place makes it possible to breathe the water, but persons who venture there rarely return… There is nothing commonplace about the setting. The submerged city is filled with wondrous horrors. RECOMMENDED

She also gave a RECOMMENDED rating for “Devil on the Wind” by Michael Jasper and Jay Lake, calling it:

All fireworks, as the authors have pulled out their purpurean pyrotechnics in depiction of Lena and her sorcerous battles.

You can read the complete review here.

Art by Mark Evans for “The Wine-Dark Sea.”

Black Gate 14 Sneak Peek: “On a Pale Horse” by Sylvia Volk

Black Gate 14 Sneak Peek: “On a Pale Horse” by Sylvia Volk

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on-a-pale-horse-277Once a Bedouin girl tamed a crooked stallion — and the Arabian breed was born. A tale of legend and desert war.

     Behind her, Salsabil heard the drumming of hooves. At the awning of the family tent, with her pursuer thundering after her, she whirled. Sand sprayed under her heels. She stood tall, flinging up her arms.
      The mare came charging downhill at full speed, head tucked close against her chest and hooves crashing through the loose scree. Straight at her. Salsabil stood like a rock. Her sight grew dim. Her outstretched fingers trembled. But she did not move.
     At the last instant, with her nose barely an inch from the girl’s breast, the war-mare stopped. She flung her elegant head high, danced before Salsabil upon hooves smaller than the feet of a girl-child. And Salsabil gazed up and up at the rider on the mare’s back.
      She looked into his bearded face, and fear struck her in the heart — for it was the face of a skeleton. But she could not allow him to pass.

Sylvia Volk was born in western Canada. This is her first published story.

 “On a Pale Horse” appears in Black Gate 14. You can read a more complete excerpt here. The complete Black Gate 14 Sneak Peek is available here.

Art by Aaron Starr.